Showing posts sorted by relevance for query half a sixpence. Sort by date Show all posts
Showing posts sorted by relevance for query half a sixpence. Sort by date Show all posts

Friday, 18 November 2016

Half a Sixpence, Noel Coward Theatre | Review

Half A Sixpence is just what the West End needs


Half a Sixpence is an oh so British musical which really packs a punch. 

 Half a Sixpence
Noel Coward Theatre
Reviewed on Thursday 17th November 2016 by Olivia Mitchell
★★★★

Whilst this production, opening for the first time in 50 years, is technically described as a revival, I would say its more of a reinvention. With 80% new material including a new score by Stiles and Drewe and a new book by Julian Fellowes, the show is brought into the 21st century in a refreshing and exciting way.


We follow the story of Arthur Kipps who mysteriously inherits a large sum of money and suddenly finds himself flung into a world of garden parties and riches, a far cry from his childhood days in the countryside with his best girl Ann. Caught in between two worlds and two women, Arthur must decide whether he wants half a sixpence or a fortune.

The plot is somewhat simplistic and predictable which is beautiful but annoying at the same time. Of course simplicity is lovely because it makes it easy to follow and really puts the emphasis on the music and choreography but there were some moments which I would have liked to delve deeper into; such as the mysterious uncle, but overall its a sweet story full of joy and humour.

The set is very simple, with a revolving stage supplemented with decorative additions and projections throughout which work wonderfully to move seamlessly between the changing scenes of the show, from bar, to beach, to garden party and more! This simple staging allows Andrew Wright's choreography to be a focal point of the show. The energetic dances create absolute elation throughout and every fresh faced member of the 24 strong  cast put their all into every step, creating a truly mesmorising sight. Of course the show favourite "Flash, Bang, Wallop" was a standout, with a standing ovation and smattering of applause beginning as soon as the last note was sung.

The entire cast are sublime and completely faultless. Ian Bartholomew is hilarious as the larger than life Mr Chitterlow, bringing out some of the biggest laughs of the night, especially through "The Joy of the Theatre" which felt like a big wink to all us press members sat in the audience! Bethany Huckle is fabulous as the sweet but strong-minded Flo who has fabulous chemistry with each character she interacts with. Helen Walshingham is vulnerable, graceful and tiny bit malicious but Emma Williams manages to make us understand why she makes every decision through her clear and well thought out portrayal.


Obviously the ultimate stand out of the show is the exceptional Charlie Stemp who must have a Best Actor in a Musical award waiting for him in the near future. From the moment we witness his charming, boyish grin, we fall in love with Arthur Kipps. Charlie is a true triple threat star, and its a joy to see him shine on stage in moments of humour and love as well as more serious times. Charlie's voice is beautiful, his dancing is effortless and he is just charming. He makes each move quirky and charismatic and absolutely fantastic. Keep your eye on this man because he is going to be a star for a long time!

Half a Sixpence is exciting, infectious, joyful, glistening and a billion other things. Its most definitely a show you should go and see and a production worth far more than half a sixpence! Experience the joy of the theatre and book tickets for this show which is running at the Noel Coward theatre.
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Wednesday, 19 April 2017

Half a Sixpence, Noel Coward Theatre: Behind The Scenes


Half a Sixpence got the number 9 spot in my Top 10 Shows of 2016 and a glowing 4 star review back when I saw it on press night so I was extremely excited when I was invited to a special bloggers event to see it again.

The event was held at the Noel Coward Theatre for a number of bloggers, vloggers and stagey people. I saw some familiar faces as well as meeting some new people and it was a really lovely opportunity to spread the theatre love. We started off by having a talk from the charming, witty, supremely talented and just generally lovely Charlie Stemp who told us all about his audition process for the role of Arthur Kipps, the transfer from Chichester to London, his journey learning to play his banjo Babs and all about his new rockery!

After that we were taken up onto the stage where we were taught a section of the "Flash Bang Wallop" dance by dance captain, Jaye Juliette Elster. The section we learnt was only ten seconds long but we all had an absolute laugh prancing around pretending we were in the show. I for one will be using the choreography as my party trick from now on!

Once our little boogie was over, we went for another Q&A/chat with some more of the cast: Charlie Stemp, Emma Williams, Bethany Huckle, Sam O'Rourke and Jaye Juliette Elster. They are all such lovely warm people and it's evident from hearing them speak, how much they love the show and being a part of it. Particularly funny were the anecdotes of onstage mishaps such as when the revolves broke in Chichester and when the bike got stuck on stage in the finale and the cast had to cleverly force it off whilst still smiling and waving as if nothing was wrong! The cast are so warm and genuine and it was just lovely seeing them laughing and loving what they do and it certainly shows on stage with spades of enjoyment and energy flying around from start to finish.

We then left the cast to warm up for the show and made our way to the bar for some pre-show drinks and Instagram selfies (here's my stagey insta!) The show was wonderfully joyous and uplifting and even better than I remembered it. My views are pretty the same as before so I won't bore you with another review where I repeat but you can see my original one here. To sum up the show I would say that it's full of life, heart and love and provides a perfect treat to leave you feeling content and warm inside.

When the show was finished and we were all on a stagey high, we were given a backstage tour which was wonderful and a very exciting opportunity to see the props and sets close up. I filmed some clips of the stage and dressing room which will all be in my vlog which will be posted on: https://www.youtube.com/rewritethisstory It was incredibly interesting to see everything close up and see how much work goes in backstage to  create such a flawless performance for the audiences night after night.

We all parted ways feeling like we could jump for joy and sing all the way home!

If you haven't seen Half a Sixpence already I really implore you to hop down to the Noel Coward Theatre and see it in all its glory! It's currently booking until 2 September 2017 with tickets available at www.halfasixpence.co.uk

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Monday, 14 August 2017

In Conversation With... Kirsty MacLaren | Our Ladies of Perpetual Succour | Interview

I'm back with another Our Ladies of Perpetual Succour post (see my recent interview with Karen here)! Today I bring you a chat about all things Our Ladies with the lovely Kirsty MacLaren who plays Manda!

For anyone that doesn’t know, can you explain a little about your career and what your highlights have been so far?

Well, for me, doing Our Ladies has been the highlight. I’ve covered so many career goals on this job, from working with National Theatre of Scotland, performing at the National Theatre, touring internationally and now working in the West End. Plus originating a role is a pretty special experience. It’s been the job that has kept on giving, to be honest.

Before I started Our Ladies, and during the breaks we’ve had, I’ve been lucky to do some really diverse work where I’ve learned so much. I’ve worked at Pitlochry Festival Theatre for a year, played Lulu in a series of radio dramas and performed with companies like the Royal Lyceum in Edinburgh. These experiences give you the chance to really learn what it is to be an actor.


Were you born wanting to be a performer or did you have another career path in mind when you were younger?

I always has lots of energy as a child and was sent to dance lessons to tire me out. I come from a musical family so was always exposed to different types of music, although I didn't really know anyone who had acted professionally. I loved doing amateur dramatics and going to acting classes when I was little, but I had always wanted to be a lawyer until I sort of fell into doing the arts. I went to a Knightswood Secondary, which has a performing arts school attached, and knew then that I had to go down that path.


Our Ladies is just epically brilliant. When you first started working on it did you know it was something special?

I think that we were all so excited with this piece we had made that we weren’t really thinking about how much of a hit it might be. We certainly couldn't have imagined the success that we have had over the 2 years of doing it. The team that are on it are amazing and we were having such a good time creating this piece of theatre that was totally different to anything anyone had done before. But the reception that we got on our first night at the Traverse is something I’ll never forget.


I saw the show at both The National and at the Duke of York and it didn’t lose any of it’s intimate feel or charm. Does the way you work and rehearse change for different venues?

The show relies so much on story telling so whether you are in a small 100 seat venue or an 800 seat venue, that principle stays the same. What changes is how much you have to project in each venue, but as long as you think about telling the story to the person at the very back or top of the theatre, you can’t go wrong.


There are so many styles of music in the show. Does this come naturally or did you have to learn to sing different styles?

I’m trained in different vocal styles, but rarely do you have to mash them together in one show. It’s tiring on the voice, but once you build up the stamina, it becomes much easier.


How do you keep your voice healthy? Do you have any vocal rituals?

We always do a big group warm up together before the show which gets you ready. It’s really important to rest when you can. I’ve also got a vocal steamer helps stop your voice drying out.


Besides yourself, who would you like to see play your role?

I’m a big fan of Morven Christie. She’s seen the show and tweets about it a lot. I think she’d fit right in with us girls.


Can you sum up Our Ladies in five words?

Bold; life-affirming; hilarious; heartbreaking; female
Have you had any funny onstage or offstage mishaps in the show?

Often! We are always laughing at each other on stage. I remember going on with my mic on the outside of my clothes. The other girls didn't tell me until quite a bit through the show. I didn't know what they were laughing at until I eventually realised, and by that point, it was too late.


Is there a musical or play you’ve seen recently that you loved?

I’ve been able to see quite a lot of theatre this summer while I’ve been in London. I loved The Glass Menagerie and Half a Sixpence - both very different, but both brilliant.


Whats a fun fact people might not know about you?

I work as a fitness instructor in my spare time. Its a great job when I’m not acting as its flexible, plus I can fit classes in during the day when I’m working in a show.


What’s your best piece of advice for an aspiring performer?

Every opportunity is a good opportunity. Whether you're at youth theatre, am-dram, drama school or a professional show, you can learn from every experience. Listen to any advice you can get and never be scared to ask for help.

A huge thank you to Kirsty for doing this interview! 
Our Ladies of Perpetual Succour runs at the Duke of York's until September 2nd 2017

 Interview by Olivia Mitchell, Editor
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Saturday, 31 December 2016

Olivia's Top 10 Shows of 2016

Without repeats, I saw 59 different shows this year so compiling this list has been difficult to say the least! This has been a brilliant year for theatre and through this website I really feel that I've become a part of the theatre community. 2016 has seen some brilliant big budget shows as well as smaller fringe ones, many of which have thrilled me. This list is of the shows that stuck with me long after I'd seen them and that I feel are very resonant in our 2016 world. This will probably be a bit of a long post, I have a whole year to fit in after all, so grab yourself a cuppa and some biscuits and enjoy!



This list is in reverse order, cause we all need that extra bit of excitement in our lives.


One of Paul Taylor-Mills' incredible productions of 2016. The music was performed beautifully and the touching and heartbreaking story of conjoined twins Daisy and Violet was told sincerely and gracefully by Laura Pitt-Pulford and Louise Dearman.




Did anyone not like this show? All I heard were incredible reviews and rightly so. An exciting and refreshing revival of a much loved Classic which ticked all the boxes of a hit musical. Charlie Stemp is talent on another level. I'm sure we'll be hearing plenty more good things about the show and cast in 2017!




This was my first visit to The Union Theatre and wow was it a good first. I absolutely adored this show. I was completely unfamiliar with the music and was just blown away by it. The cast were sublime and the story telling was impeccable. I'm sure this would be a huge hit if more people got to see it. 




27 must have been one of the most hyped musicals of 2016 and I could certainly see why when I saw it. It's a musical like I've never seen before, so fresh and different to what's currently on the West End stages. The plot twist at the end had me physically breathless, a stunning piece of artistry.




This was another small show but it definitely packed more than a small punch. It was sweet, pink, sassy and sumptuous. One of those shows which really made you think and reflect on your life. Lauren Samuels gave a standout performance!




I saw this show alone so the minute I stepped out of the theatre I called my friend to fangirl about it like a mad woman. I was completely awestruck by the whole performance. It was moving, funny, relevant and thought-provoking. The use of songs was done smoothly and effectively and it was overall just an A* worthy production.




This was the perfect treat to see just before Christmas. Although the story is slightly dated and everything is a little over the top, it's a fantastic production full of sweetness, heartbreak and love. Scarlett Strallen's performance was absolutely impeccable and nothing short of perfection. With the amount of people I've told to see this, I wouldn't be surprised if it gets a West End transfer in the near future. 




I've grown up with Rent so finally seeing it on stage was a very special experience for me. Each cast member is fully immersed into their roles and the whole production is raw, gritty and believable. Philippa Stefani gives the performance of a superstar and had me in floods of tears. The production will continue to tour next year and I'll certainly be seeing it again so don't be surprised if it features in my top 10 of 2017 too!




The St James theatre was on fire this year! The Last Five Years is another one which I've wanted to see on stage for years. Jason Robert Brown's story is heart-warming and heart-breaking at the same time. It's always a joy to see Samantha Barks on stage and seeing her shine as Cathy was even more wonderful because of how incredibly she showed off her effortless belt and sincere acting. The wonderful mix of simplistic staging, the stellar duo of Barks and Bailey and Jason's beautiful music, rightfully earn The Last Five Years my number two spot!



1. Dreamgirls: Savoy Theatre

If you haven't heard about Dreamgirls' triumphant return to the West End then you must have been living in a cave. This was the 2nd to last show I saw and I couldn't be happier that I could end the year on such a fantastic note. This has got to be the theatrical spectacle of the year, the sets, costumes, choreography and cast are all exquisite and I cried a bucket load of happy tears, which I never do! Go see Dreamgirls in 2017, I guarantee you'll leave singing it's praises!



So there's my top 10 shows, of course there's other brilliant ones and I'm sure your list varies but this has been a brilliant year for theatre and I can't wait to see what 2017 brings *cough* Hamilton *cough* 

But wait, where's that other show that I've been posting and tweeting about like crazy and have seen 32 times!? I haven't forgotten it, I just wanted to give it a special mention because its such a special show. So my "The Show Which Changed My Life: 2016" award goes to IN THE HEIGHTS at the Kings Cross Theatre! I've done a billion posts on it (just search it on the homepage) so I don't need to write any more soppy words but this show has seriously been my everything this year. I've met incredible people from it, both fans and cast members and I'm so incredibly grateful for that. Unfortunately I won't be at the last show as I'm in Australia (boo hoo, woe is me, right?) but I'm so sad its closing, and I'm sending all my thoughts and positive vibes to the theatre gods that they will bring it back because I will never be ready for the lights to go down on Washington Heights! Thank you In The Heights for being there and helping me and I'm sure many others, through tough times and making us feel at home in the theatre. Even if you had no idea how you were helping, I guarantee you made some tough days just that much easier. No pare sigue sigue!



I hope you had a brilliantly theatrical year too and I'd love to hear your favourites so drop me a comment on here or tweet me @OliviaMitche or @RewriteThisWeb 

Au Revoir 2016! Stay Stagey, 2017!
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Thursday, 29 June 2017

The Wind in the Willows, London Palladium | Review


The Wind in the Willows
London Palladium
Reviewed on Thursday June 29th 2017 by Olivia Mitchell
★★★★

The Wind in the Willows is a perfectly fun, family show. It's not a theatrical masterpiece but it's a cute, heartwarming fable that's sweet enough for both children and adults to enjoy.

Adapted by Julian Fellowes (Downton Abbey) with music and lyrics by George Stiles and Anthony Drewe (Half a Sixpence), The Wind in the Willows is an old school tale given a modern twist. We follow Ratty and his new friend Mole as they venture around the countryside trying to hide from the evil of the Wild Wood and help their friend Mr. Toad curve his need for speed. It's a show which is quintessentially British:lazing by the river, watching the swallows returning home for summer, seeing animals foraging in the woods, each scene conjures up the good old English countryside.

The pastoral feel of the production is guided by the sets and costumes by Peter McKintosh, with each area and animal having its own unique "style" and each set piece combining perfectly to create the world of human-like animals which is both distinctive and mystical. Each animal is instantly recognisable without being too in your face animal. The set also strikes a good balance between being enough of a spectacle whilst still leaving enough room for your imagination to roam a little wild. 



Simon Lipkin's Ratty is suitably funny and stern and despite not being a huge belting role, he really shows off his voice and beautiful tone. Craig Mather has wonderful chemistry with Lipkin as Ratty's partner in crime, Mole. He is the perfect mix of innocence and strength and is pretty perfect in the role. Another sweet and funny character is Mrs Otter played by Denise Welch although we never do find out what happened to her husband! Thankfully some contrast to the sweetness is brought with the baddie of the show, Chief Weasel played by Neill McDermott who is very reminiscent of Rooster in Annie. The Weasel scenes are my personal favourites and add a nice sharpness to the otherwise same level show. The ensemble are tight and bring a lot to the show. An audience favourite seemed to be the adorable hedgehog family who sing a lovely little ditty about the trouble of crossing the road. 

Aletta Collins' choreography fits exactly, adding not only dimension but humour to the show. Especially so with the tap dancing horse!

Of course I have to mention Mr Toad played by Rufus Hound who is great in the role. He is over the top and dramatic but actually very good. I was surprised at how good his voice is and really do think he's the perfect choice for the role.

The Wind in the Willows is good family fun which is certain to leave a smile on your face and at least one song in your head. It's simple, charming and exactly what it says on the tin, what more could you ask for for a family theatre trip? 

The Wind in the Willows runs at the London Palladium until September 9th
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Tuesday, 1 March 2022

Cabaret at the Kit Kat Club Announces New Emcee and Sally Bowles


The producers of CABARET at the KIT KAT CLUB in London’s West End are delighted to announce that Fra Fee will play ‘The Emcee’ and Amy Lennox will play ‘Sally Bowles’ from 21 March – 25 June 2022. This unique production opened in December last year to critical and audience acclaim, widely praised as the ultimate theatrical experience.

 

Adam Speers, Ed Bartlam and Charlie Wood, the producers of Cabaret at the Kit Kat Club said today “We are thrilled to be welcoming the perfectly marvellous Fra Fee and Amy Lennox to our production of Cabaret. We wanted to recast these career defining roles with exceptional actors and so we’re just delighted that the stars have aligned with both Fra and Amy’s schedules.  We couldn’t have asked for a more exciting and thrilling duo to follow Eddie and Jessie.”

 

Director Rebecca Frecknall said today “It's always exciting to be able to keep a production live and evolving across its run, to be able to continue digging into the piece and making new discoveries. The fact that we will have new actors taking on the roles of Sally and the Emcee as Cabaret continues to run in the West End is thrilling, the original cast passing the baton to different actors who will bring their own perspectives to the work. I'm thrilled that Fra Fee and Amy Lennox will be the first new pair joining the production this Spring, two of our most exciting stage and screen actors. I know they will bring new creative energy to the production and will show me and our audiences new facets of the show.”

 

Fra Fee most recently starred as Kazi in the hit Disney+ series Hawkeye, set in the Marvel Cinematic Universe. He created the role of Michael Carber in the award-winning play The Ferryman at the Royal Court, the Gielgud Theatre in the West End and the Bernard B. Jacobs Theatre on Broadway. His other theatre credits include Owen in Translations and Amiens in As You Like It, both at the National Theatre and the title role in Candide at the Menier Chocolate Factory. He played Courfeyac in the film of the musical Les Misérables and also appeared in the stage production at the Queen’s Theatre.

 

Amy Lennox received an Olivier nomination for Best Actress in a Supporting Role in a Musical for her portrayal of Lauren in the West End production of Kinky Boots. Her other credits include Ellie in the London premiere of the David Bowie and Enda Walsh musical Lazarus. She was in the original West End cast of the musical Legally Blonde and created the role of Doralee in the original UK production of 9 to 5 The Musical.

 

Fra and Amy appeared together in the critically acclaimed production of The Last Five Years in Belfast.

 

Also joining the production on 21 March 2022 will be Omar Baroud as ‘Cliff Bradshaw’ and Vivien Parry as ‘Fraulein Schneider’. Continuing in their roles will be Elliot Levey as ‘Herr Schultz’, Stewart Clarke as ‘Ernst Ludwig’ and Anna-Jane Casey as ‘Fraulein Kost’.

The cast is completed by Josh Andrews, Emily Benjamin, Sally Frith, Matthew Gent, Emma Louise Jones, Ela Lisondra, Theo Maddix, Chris O’Mara, Daniel Perry, Andre Refig, Christopher Tendai, Bethany Terry, Lillie-Pearl Wildman and Sophie Maria Wojna.

  

Omar Baroud (Cliff Bradshaw) is soon to appear in the series Wedding Season for Disney+. His other TV credits include Baptiste for the BBC and The Innocents for Netflix. His theatre credits include You Bury Me for Paines Plough, As You Like It at the Watermill Theatre, A Song at Twilight at the Theatre Royal Bath and All Places That The Eye of Heaven Visits at Shakespeare’s Globe.

 

Vivien Parry (Fraulein Schneider) has appeared in many West End productions including Madge Hardwick in the original cast of Top Hat at the Aldwych Theatre, Madame Thénardier in Les Misérables at the Queen’s Theatre, Donna in Mamma Mia! at the Prince of Wales Theatre and Mrs Walshingham in Half A Sixpence at the Noel Coward Theatre. Vivien’s other credits include Twelfth Night and The Shoemaker’s Holiday, both for the Royal Shakespeare Company and Celia in The Girls at Leeds Grand Theatre.

 

Elliot Levey (Herr Schultz) most recently appeared in Nine Lessons and Carols at the Almeida where he also appeared in Three Sisters. His other theatre credits include the West End productions of Mary Stuart at the Duke of York’s Theatre, The Ruling Class at Trafalgar Studios and Much Ado About Nothing at the Wyndham’s Theatre. His National Theatre credits include The Habit of Art and His Dark Materials.

 

Stewart Clarke (Ernst Ludwig) most recently appeared in Be More Chill at The Other Palace. His West End theatre credits include Fiddler on the Roof at the Playhouse Theatre and Loserville at the Garrick Theatre. He also appeared in Assassins at the Menier Chocolate Factory and The Rink at the Southwark Playhouse.

 

Anna-Jane Casey (Fraulein Kost) was most recently seen in Girl from the North Country at the Gielgud Theatre in the West End. Her other West End credits include Mrs Wilkinson in Billy Elliot at the Victoria Palace and Lady of the Lake in Spamalot at the Playhouse Theatre. She played Dot in Sunday in the Park with George at the Menier Chocolate Factory, Mabel in Mack and Mabel at the Watermill Theatre and the title roles in Piaf and Sweet Charity and Violet Butterfield in Flowers for Mrs Harris, all at the Sheffield Crucible.

 

In a time when the world is changing forever, there is one place where everyone can be free… Welcome to the Kit Kat Club, home to an intimate and electrifying new production of CABARET. This is Berlin. Relax. Loosen up. Be yourself. 

 

The Kit Kat Club has laid siege to the Playhouse Theatre. The performers have infiltrated the premises. The artists have staked their claim. Who knows for how long they’ll stay, but for now they are enjoying the party. The party at the end of the world.

 

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time CABARET features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

CABARET is directed by Rebecca Frecknall (the Almeida’s Olivier Award winning Summer and Smoke, The Duchess of Malfi, Three Sisters), set and costume design is by Tom Scutt (A Very Expensive Poison, Constellations, King Charles III, Jesus Christ Superstar, collaborations with Sam Smith, Christine and the Queens) with choreography by Julia Cheng (founder of the House of Absolute, Philharmonia Orchestra Artist in Residence, recipient of the runner-up prize for Hip Hop Dance futures, Resident Choreographer for the Royal Academy of Dance, Judge and mentor for BBC Young Dancer and Breakin’ Convention – the UK’s biggest Hip Hop Festival, collaborations with London Fashion Week, Google and Dr Martens). Musical supervision and direction is by Jennifer Whyte (Les Misérables film, Caroline Or Change, Parade). Lighting design is by Isabella Byrd (Heroes of the Fourth Turning and Light Shining in Buckinghamshire – both in New York, Daddy – A Melodrama at the Almeida and The Flick at the National theatre) with sound design by Nick Lidster (City of Angels, Passion, Pacific Overtures and Parade at the Donmar Warehouse, Sweeney Todd and On The Town for English National Opera, A Chorus Line, Les Misérables and Miss Saigon). The casting director is Stuart Burt (& Juliet, The Drifters Girl and 2021 CDG Award for Best Casting in Theatre for Cyrano De Bergerac) and the associate director is Jordan Fein.

 

Tickets for CABARET at the KIT KAT CLUB are currently on sale until October 2022. kitkat.club

CABARET at the KIT KAT CLUB is produced by Ambassador Theatre Group Productions and Underbelly.

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