What's New?
Bat Out Of Hell 2025 Review: Killer Score, But What Happened to the Set?
Wednesday, 7 May 2025
Bat Out of Hell (Tour)
New Victoria Theatre
Bat Out Of Hell has never pretended to be a subtle piece of theatre. It’s loud, it’s chaotic, it’s over-the-top, and when it leans into those extremes, it can be glorious. The 2025 tour keeps the heart-pounding spirit of Meat Loaf and Jim Steinman’s bombastic score alive and well. But while the music remains the show’s undisputed heart, this scaled-back tour suffers from a lack of cohesion in its storytelling and staging, and some puzzling creative decisions that dull the production’s edge rather than sharpen it.
Gone are many of the more lavish set pieces from earlier versions. Raven’s once-gothic bedroom is now reduced to a few scattered boxes, and in one unintentionally comic moment, poor Falco is left wheeling on a crate in place of a sofa. It’s a stripped-back aesthetic that might work in a musical with a stronger plot to fall back on, but Bat has never been about narrative clarity. With this reduction, the production’s structural weaknesses are exposed: transitions between scenes are clunky, and what little dialogue remains often feels amateurish and stilted. Without the visual grandeur of past runs to distract us, the cracks are harder to ignore.
Perhaps the most jarring change is the prominent use of handheld microphones. While they work in conjunction with in-ear monitors to create a stunningly well-mixed sound—easily one of the best elements of the show—they’re stylistically out of place. It's never made clear why they’re being used within the world of the show, and watching characters like Tink wave them around during emotional scenes only pulls the audience further out of the moment. They add a layer of disconnect, making it feel more like a concert with awkward scene breaks than a piece of music theatre. In combining the previous tour and the International arena tour, the show has become a weird mish-mash that doesn't quite work.
That said, the score remains killer. Steinman’s songs are packed with drama, emotion, and sheer rock-and-roll punch. Even though they rarely serve the plot in a traditional sense, each number stands on its own as a mini-epic. And the cast? They do not disappoint. Every vocal was delivered with power, control, and intent. The arrangements remain mostly true to form but benefit from the show’s stripped-back nature- revealing gorgeous musical moments that previously got buried in the chaos. A standout example is the delicate piano work in 'What Part of My Body Hurts the Most,' which offered a rare, emotionally resonant pause in an otherwise thunderous night.
Brilliant performances came from Katie Tonkinson as Raven, bringing vulnerability and defiance in equal measure; Harriet Richardson-Cockerline as Sloane, who balanced brittle humour with aching depth; Rob Fowler as Falco, whose vocals were consistently commanding; and Ryan Carter as Jagwire, whose tone and presence added welcome gravitas and provided many of the stand out moments. The undeniable star of this performance was Luke Street as Strat, who fully embodied the anarchic, eternal-teen spirit of the role. His vocals were ironclad, but even more impressively, every movement and line felt fully intentional. Street didn’t just sing the score- he lived it.
There’s still plenty of enjoyment to be found here, especially for fans of the music. If you're coming for the songs, and many are, you’ll probably leave satisfied. But this tour’s theatrical elements feel underdeveloped and inconsistent, giving off the sense of a rock opera that’s lost some of its bite. The bones of the show are still there, but without a coherent structure or compelling visuals to support them, Bat Out Of Hell in its current iteration feels more like a fever dream than a fiery fantasy.
★★★
Reviewed on Tuesday 6th May by Olivia
Photo Credit: Chris Davis Studio
{AD PR Invite- tickets gifted in exchange for honest review}
Ghost the Musical UK Tour: Great Cast, Ghostly Magic, But Time for a Refresh? | REVIEW
Tuesday, 15 April 2025
Ghost the Musical (Tour)
New Victoria Theatre
Based on the beloved 1990 film starring Patrick Swayze and Demi Moore, Ghost the Musical first premiered in Manchester in 2011 before transferring to the West End and Broadway. With a book by Bruce Joel Rubin (who also penned the original screenplay) and a pop-infused score by Dave Stewart and Glen Ballard, the musical brings romance, loss, and the supernatural to the stage. The current UK tour proves there's still plenty of love for this story and though a few creaky moments show its age, the emotional core and a jaw-dropping central performance keep it engaging and enjoyable.
This touring production is anchored by a genuinely great cast, with standout performances across the board. At the heart of it all is the phenomenal Rebekah Lowings, whose portrayal of Molly is nothing short of spellbinding. Her vocals are among the best I’ve ever heard. Rich, emotional and technically flawless, she brings such raw depth to the role that you can’t help but root for her from her very first note. Honestly, I want to see her in everything from now on.
Josh St. Clair also provides some great vocal moments and makes for a compelling Sam, navigating the tricky emotional beats of his spectral role with sensitivity. As Carl, James Mateo-Salt is a real standout, bringing a great intensity to the role and some top level vocals to match, while Jacqui Dubois as Oda Mae delivers excellent comic timing and vibrant charisma, perfectly lifting the mood just when it’s needed. The show benefits from this balance of emotional sadness and humour, which helps it maintain a fairly fast pace and keeps the audience emotionally invested throughout.
That said, Ghost the Musical does show its age in places. Some moments feel a little on the cringe-worthy side, especially in the dialogue and transitions, and it’s easy to imagine how a subtle modern refresh-whether through design or direction- could polish off the rougher edges. The choreography also feels a little mismatched with the tone of the piece; while the dance breaks are energetic, they often feel more suited to a pop concert than a supernatural love story.
Despite that, the show offers some strong technical elements. The special effects (particularly those ghostly illusions) are slick and satisfying, and the lighting does a lot to establish mood and movement. While the sound mix could use some fine-tuning (a few ensemble lyrics got lost in the score), the overall production values are solid for a touring show.
Ultimately, this Ghost might not be reinventing the wheel, but it’s still an entertaining and emotionally satisfying night at the theatre. With a cast this talented, and a leading lady who deserves every starring role coming her way, it’s easy to overlook some of the creakier bits. Whether you’re a die-hard fan of the film or simply in the mood for a musical that blends romance, comedy, and a touch of the otherworldly, this tour is worth catching.
★★★
Reviewed on Tuesday 15th April by Olivia
Photo Credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Summer in the City by Alex Aster: A Romance for the Delulu Girlies | Book Review
Tuesday, 25 March 2025
Summer in the City by Alex Aster
Published: March 2025 by Bloomsbury
I finished this book with tears in my eyes and love in my heart and immediately had to talk to people about it. I feel like it was written just for me!
Alex Aster's debut romance novel, Summer in the City, is a delightful blend of swoon-worthy romance, engaging character development, and a vibrant portrayal of New York City that will captivate readers from start to finish.
The story follows Elle, a 27-year-old screenwriter grappling with a severe case of writer's block as she faces a looming deadline for a big-budget movie set in New York City. In search of inspiration, Elle returns to the city she once vowed to avoid, only to discover that her new neighbour is none other than Parker Warren- a charismatic tech billionaire and her unforgettable stairwell fling from two years prior. As their paths intertwine, they strike a mutually beneficial arrangement: Parker needs a fake girlfriend to navigate his company's acquisition, while Elle seeks authentic New York experiences to enrich her screenplay. What begins as a convenient partnership soon evolves into something far more profound.
Aster excels in crafting multidimensional characters that resonate deeply. Elle is portrayed as a relatable and self-aware protagonist, whose internal monologues often provide moments of genuine humour. Her journey through personal challenges and emotional growth is both authentic and compelling. Parker, on the other hand, embodies the quintessential swoon-worthy billionaire- charming, considerate, and profoundly devoted. Their dynamic is enriched by witty banter and palpable chemistry, making their evolving relationship both believable and engaging.
An aspect I adored is how the city's depiction is so vivid and immersive that it transcends mere setting, becoming a character in its own right. Readers are treated to a love letter to NYC, exploring iconic landmarks and hidden gems alike. From leisurely strolls through Central Park to the bustling energy of local coffee shops, the narrative captures the essence of summer in the city, evoking a sense of nostalgia and wanderlust. I read this just before my own trip to the Big Apple so it couldn't have been more perfect!
Summer in the City cleverly uses beloved romance tropes such as fake dating, forced proximity, and the billionaire-next-door fantasy, without making them too cheesy. The elements are woven seamlessly into the narrative, and are at times acknowledged as tropes, fueling delightful escapism and catering to readers who revel in indulgent fantasies. This really is a book for the delulu girlies like me. The progression from lovers to enemies to lovers adds depth and complexity to Elle and Parker's relationship, keeping readers eagerly turning pages.
As Aster's inaugural foray into the romance genre, this novel is nothing short of impressive. Her transition from fantasy to contemporary romance is executed with finesse, showcasing her versatility as a writer. The narrative's humour, emotional depth, and romantic tension are testaments to her storytelling prowess. This was my first experience with Aster's work, and it has left me eager to explore more of her writing.
Summer in the City is a must-read for romance enthusiasts seeking a heartfelt and entertaining escape. With its engaging plot, well-developed characters, and enchanting portrayal of New York City, it stands out as a memorable addition to the genre that's wonderfully reminiscent of 90's/2000's rom-coms. Alex Aster has truly nailed her debut romance novel, delivering a story that is both captivating and delightfully indulgent.
★★★★★
Reviewed by Olivia
{AD PR product- book gifted for honest review}
Five Reasons Why Austenland is Going to Be Your New Favourite Musical
Austenland
Savoy Theatre
Last night, I had the absolute pleasure of attending the world premiere concert version of Austenland: The Musical- though calling it a 'concert' feels like a stretch. Directed fantastically by Jonathan O'Boyle this was an almost full-fledged, gloriously staged spectacle, complete with choreography, costumes, and a cast who threw themselves into the period-drama-meets-modern-romcom chaos with raucous enthusiasm. The result? An evening of sheer delight that left me grinning ear to ear.
So with that being said, here’s why Austenland is about to be your next musical obsession:
1. The Songs Are Instantly Addictive
From swooning ballads to toe-tapping ensemble numbers, Austenland delivers a diverse soundtrack that sticks with you long after the final bow. Thanks to the creative team- Jodi Picoult (co-librettist), Timothy Allen McDonald (co-librettist), Elyssa Samsel & Kate Anderson (song writers)- the score feels fresh, interesting and exciting. At times it's a little bit too try hard for me but whether it’s the Regency-style waltz that morphs into a pop anthem or Manly's hilariously over-the-top song dripping with melodrama, every number feels like a hit waiting to happen.
2. It’s Jane Austen… But Make It Hilarious
Austen adaptations often lean into the drama, but this musical leans hard into the comedy- and it absolutely works. The show revels in the absurdity of Austen-obsessed tourists attempting to live out their fantasy in a Regency holiday retreat, complete with exaggerated social etiquette, scandalous misunderstandings, and a delightful send-up of brooding leading men.
3. The Cast Brings the House Down
The performances were electric, blending impeccable comedic timing with genuine heart. Lucie Jones (who I would quite literally listen to if she sung the phonebook) as leading lady Jane delivered a pitch-perfect mix of modern cynicism and romantic longing, while the ‘perfect’ Mr. Darcy-esque love interest (Oli Higginson) was both swoon-worthy and delightfully self-aware. Laura Baldwin and Cassidy Janson were gloriously funny as Miss Heartwright and Aunt Carolyn/Wattlesbrook. As Elizabeth Charming Alex Young was an absolute scene-stealer, milking every single moment for maximum comedic effect. Not a second of stage time was wasted- she wrung every syllable of the script dry, crafting a performance that was equal parts razor-sharp and utterly ridiculous in the best way. As Manly, Idriss Kargbo also took every moment and ran with it in the best way, infusing every moment with energy and draaaaaama. The entire ensemble did a wonderful job, especially given the short rehearsal time and were truly impressive.
Of course, we don’t yet know who will be starring in future productions, but with this incredible cast laying the groundwork, Austenland is already shaping up to be a must-see hit.
4. A Feast for the Eyes
Even in this so-called ‘concert’ setting, the production values were on point. The period-inspired costumes added flair, while clever staging and super fun choreography (Joanna Godwin) gave the show a dynamic, refreshing feel. Mention must also go to the sound (Sound Quiet Time), which was the best I've heard in a concert version in a long time! If this was just a taster, I can’t wait to see what a full-scale production will look like.
5. It Balances Romance and Satire Perfectly
Austenland manages to poke fun at the tropes of romance novels while also delivering a genuinely satisfying love story. Just when you think it’s all ridiculous escapism, the show hits you with a moment of sincerity that reminds you why we all love a good Austen-inspired romance in the first place. Plus of course, all of us romance girlies get what we crave, a swoony story with a Hand Flex included.
Now, I won’t say Austenland is a flawless masterpiece just yet. The pacing needs a little fine-tuning, some songs need altering and a few jokes could land better with some tweaking. But with a few adjustments, this could very well be a 10/10 musical the next time we see it. And honestly? I can’t wait for that moment.
Article written by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Calamity Jane 2025 Tour Review: A Rootin’-Tootin’ Revival Where Carrie Hope Fletcher Shines
Tuesday, 25 February 2025
Calamity Jane (Tour)
New Victoria Theatre
The 2025 UK tour of Calamity Jane bursts onto the stage with energy, charm, and a dose of old-fashioned Wild West fun. Led by the ever-brilliant Carrie Hope Fletcher in the title role, this revival brings a fresh spark to the beloved musical while staying true to its classic appeal. With impressive orchestrations, great lighting design, and dynamic staging, the production proves that Calamity Jane is as entertaining as ever.
If there was ever a performer perfectly suited to bring Calamity Jane to life, it’s Carrie Hope Fletcher. Best known for her powerhouse performances in Les Misérables, Heathers, and The Addams Family, Fletcher steps into the buckskins of the iconic frontierswoman with charisma and confidence. Her portrayal balances tomboyish bravado with heartfelt vulnerability, making her Calamity both lovable and layered.
Vocally, Fletcher is sensational. She delivers showstoppers like 'The Deadwood Stage' and 'Secret Love' with clarity, warmth, and emotional depth. Her rendition of 'My Love Is Higher Than a Hawk' is a standout moment, showcasing her ability to blend rich storytelling with soaring vocals. She brings a modern sensibility to the role without losing the charm and humour that make Calamity such an endearing character.
The production’s lighting design is a major highlight, transporting the audience from the dusty streets of Deadwood to the glittering backstage in Chicago. Soft amber tones create a rustic, sun-drenched frontier feel, while dramatic spotlighting enhances the emotional weight of key scenes. During the climatic 'Secret Love', the transition from warm candlelight to a radiant glow beautifully mirrors Calamity’s personal transformation.
The staging is dynamic and well-paced, with director Nikolai Foster and Co-Director Nick Winston ensuring seamless transitions between the saloon, the theatre, and the open plains. The use of multi-level sets adds depth to the storytelling, and the clever choreography breathes life into the ensemble numbers. The bar fights and comedic misunderstandings play out with precision, bringing a sense of playfulness to the production without feeling over-the-top.
Under the musical direction of Catherine Jayes, the orchestrations remain faithful to the show’s roots while injecting a fresh vibrancy. The lush string and brass arrangements add richness to the score, making classics like 'Windy City' feel both nostalgic and exhilarating. The live band, positioned on stage at times, adds an immersive element, reinforcing the raw, unpolished energy of the Wild West setting.
The 2025 tour of Calamity Jane delivers a highly entertaining, well-executed revival of this beloved musical. Carrie Hope Fletcher leads the charge with a captivating performance, supported by stunning visuals, lively orchestrations, and seamless staging. Modern touches and attitudes mix perfectly with the classic story and show, ensuring a night of laughter, romance, and unforgettable music.
Whether you're a longtime fan of Calamity Jane or discovering it for the first time, this tour is well worth saddling up for. Get ready for a rootin’-tootin’ adventure full of heart, humour, and standout performances.
Reviewed on Tuesday 25th February 2025 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Come with me to West End Press Launch for The Great Gatsby
Monday, 24 February 2025
Press launches are always a treat but this one had an extra air of excitement surrounding it as I, alongside a host of stagey people, stepped into the opulent Savoy Hotel for the press launch of the West End's latest sensation, The Great Gatsby musical.
A vintage Rolls Royce parked outside plus the grandeur of the iconic venue, with its art deco interiors, perfectly mirrored the Roaring Twenties ambiance that the production promises to deliver and certainly set the tone for what we can expect from this hotly anticipated Broadway transfer.
The show itself is hugely exciting, but the cast are a whole separate spectacle. Leading the ensemble is the charismatic Jamie Muscato, renowned for his roles in Moulin Rouge!, Heathers and Les Misérables. We got to hear him perform the beautiful, For Her, and I can already see how well he's going to bring the enigmatic, illusive Jay Gatsby to stage. Opposite him, the supremely talented Frances Mayli McCann, celebrated for her performances in Bonnie & Clyde and my personal favourite, Our Ladies of Perpetural Succour, portrays the captivating Daisy Buchanan. Their on-stage chemistry promises to reignite the timeless romance at the heart of F. Scott Fitzgerald's classic.
Adding to the stellar lineup is Corbin Bleu, making his West End debut as the introspective Nick Carraway. Amber Davies steps into the shoes of the vivacious Jordan Baker, while John Owen-Jones takes on the role of the shrewd Meyer Wolfsheim. Jon Robyns and Rachel Tucker round out the principal cast as Tom Buchanan and Myrtle Wilson, respectively. Clad in their finery, this cast are already killing it and I cannot wait to see how they bring their roles and the show to life.
During the launch, we were treated to another exclusive performance by Muscato and McCann, who delivered a mesmerizing rendition of My Green Light, a poignant number that encapsulates Gatsby's yearning and Daisy's allure. The song's haunting melody and evocative lyrics offered a tantalising preview of the musical's rich score.
The creative team behind this adaptation boasts impressive credentials. Director Marc Bruni, known for his work on Beautiful: The Carole King Musical, collaborates with choreographer Dominique Kelley to bring the Jazz Age to life through dynamic staging and dance sequences. The musical features a book by Kait Kerrigan and an original score by Tony Award nominees Jason Howland and Nathan Tysen, blending jazz influences with contemporary musical theater elements to create a soundscape that resonates with modern audiences.
Set to open at the London Coliseum on 11th April, 2025, The Great Gatsby musical invites audiences to immerse themselves in the opulence and decadence of the 1920s. The production promises lavish sets and costumes, transporting theatergoers to Gatsby's extravagant parties and the glamour of West Egg.
Beyond the visual spectacle, the musical delves deep into themes of love, ambition, and the pursuit of the American Dream. Audiences can expect a narrative that honors Fitzgerald's original work while offering fresh interpretations and insights into the characters' psyches.
As the evening at the Savoy concluded and the last of the Laurent Perrier champagne was drunk, it was evident that The Great Gatsby musical is poised to be a landmark event in the West End calendar. With a compelling cast, visionary creative team, and a story that has captivated readers for a century, this production offers a theatrical experience not to be missed.
Tickets are now on sale, and given the buzz surrounding the show, securing seats early is highly recommended. Prepare to be transported back in time and witness a tale of passion, decadence, and the relentless pursuit of dreams.
Subscribe to:
Posts (Atom)
Hello!
