Posts with the label Freddie Tapner
Showing posts with label Freddie Tapner. Show all posts
Showing posts with label Freddie Tapner. Show all posts
Saturday, 3 November 2018
Girlfriends, Bishopsgate Institute (LMTO) | Review
Girlfriends
Bishopsgate Institute
Reviewed on Friday 2nd November 2018 by Olivia Mitchell
★★★
The London Musical Theatre Orchestra are taking a short residency at the Bishopsgate Institute whilst they perform a concert version of Howard Goodall's Girlfriends which follows a group of women as they join the Women's Auxiliary Airforce during World War Two.
Complete with new orchestrations specifically for the LMTO, Girlfriends has some beautiful virtuosic moments which are wonderfully showcased by the orchestra, led by Freddie Tapner. As always, the orchestra give a sleek performance, however, compared to previous concerts where the LMTO have had solo showcase moments playing musical interludes such as the police scene in Mack and Mabel, there weren't any moments where we could purely appreciate the orchestra. These concerts always tend to provide a platform to appreciate stripped back music which of course we could still do, but this particular production lacked some of the "wow" orchestral moments previously experienced.
Whilst the orchestrations are lovely, a lot of the music feels similar and there are a lot of songs which are repetitive. Many of the melodies are catchy but when heard time are time again, become ineffective in conveying the mood/drama they intend to and I believe the whole piece would be much more moving emotionally and technically sleek if it was cut down and smoothed out. That's not to say that there weren't some outstanding moments, especially when the women join together for tight choral moments of chromatic harmony which effectively push the pain and confusion felt by everyone during the war.
The cast are the best of the best who work well as a team and individually. As best friends leaving their "ordinary" lives to join the WAAF, Lucie Jones and Lauren Samuels show off their divine vocals and natural chemistry with effortless talent. Natasha Barnes is vocally stunning, whilst Vikki Stone gives both a humourous and heartbreaking performance and Bronté Barbé gives a memorable performance of The Chances Are. Rob Houchen and Chris McGuigan both give strong performances which showcase their talents whilst perfectly framing the women, as they should in a show focussed on female strength.
Despite the dramatic content, the show itself never reaches a boiling point and somewhat lacks intensity. During act one, I couldn't help but think the show was romanticising war with the various love affairs that formed; however, a moment of text in act two changed that view and brought the stark reality of war back to the heart. Victoria Gosling MBE explains that she was born in a free world and grew up hearing "All You Need is Love" whilst for her grandparents, "All They Had is Love". This reminds us the importance of relationships both romantic and non-romantic as well as how lucky we all are to be able to watch this show without having experienced the pain and turmoil that accompanied the women featured.
Despite this not being my favourite production form the LMTO, there is no denying that the wealth of talent on offer gave remarkable performances. The melodic, complex music does provide moments of power and if anything, this show serves as a fantastic celebration of women and the crucial roles they had in the Second World War.
photo credit: Nick Rutter
Tuesday, 19 December 2017
A Christmas Carol (LMTO), Lyceum Theatre | Review
A Christmas Carol (LMTO)
Lyceum Theatre
Reviewed on Monday 18th December 2017 by Olivia Mitchell
★★★★
The London Musical Theatre Orchestra have a stellar reputation and provide theatrical treat after treat, this time in the form of Charles Dickens' festive favourite, A Christmas Carol. With the shows composer Alan Menken in attendance, the Lyceum theatre was a buzz of excitement and festivity and the LMTO provided a wonderful night of music and jovial entertainment.
A Christmas Carol is simple and easy to follow, telling the story of a rich, isolated man who is visited by the ghosts of Christmas past, present and future as they show him the error of his ways and the importance of love and sharing. A heart-warming tale, it's perfect for people of all ages during the build up to Christmas.
Robert Lindsay reprises his role as the money-hungry Ebenezer Scrooge and is perfect for the role. He is miserable but endearing at once as he brings humour to the "bah humbug" persona. I would love to see how Lindsay would perform in a fully staged production, I imagine his stellar portrayal would be even more entertaining and bold.
The entire cast are stellar with standout performances coming from Gemma Sutton as the Ghost of Christmas Past, Lucie Jones as Emily and Nicolas Colicos as Mr Fezziwig. Each performer gave their all both vocally and acting wise, really allowing the audience to use their imaginations and immerse themselves in the world Dickens created, despite the lack of sets and props. The children of the cast were equally brilliant with Ivy Pratt a vocal stand out for me.
The music truly does speak for itself and is really shown off when it's so stripped back. Seeing musicians, led by Freddie Tapner, enjoy what they're doing so much really transfers to the audience and provides a warm, intimate feeling throughout and it's always special to hear a score played by a full orchestra.
The LMTO give consistently brilliant performances and A Christmas Carol is no exception. A delightful production with glorious music it really is a treat and I would love for it to become a regular feature every festive season.
photo credit: Nick Rutter
Sunday, 24 September 2017
Mack and Mabel (LMTO), Hackney Empire | Review
Hackney Empire
Reviewed on Saturday September 23rd 2017 by Olivia Mitchell
★★★★★
The London Musical Theatre Orchestra (LMTO) have done it again. Another fantastic celebration of a beautiful score performed by a beautiful orchestra and a beautiful cast. It was just a whole lot of beautiful, okay! This time we were treated to the delights of Jerry Herman’s, Mack and Mabel which chronicles the story a young deli girl who miraculously ends up a film actress and falls in love and into a tumultuous relationship with her director, Mack Sennett who is so obsessed with making his next picture that he doesn't see what's right in front of him.
Opening the concert, Freddie Tapner (founder of the LMTO) explained that the music was going to speak for itself and he was so right. Having seen the show previously at the Chichester Festival Theatre I thought I knew what I was in for but seeing it so stripped back, I developed a new love and appreciation for Jerry Herman's stunning virtuosic moments and really realised what a stunning piece of work this is.
I was lucky enough to be part of an LMTO sing-through and completely fell in love with the way Freddie conducts; making the players and singers feel comfortable whilst giving tonnes and tonnes of energy. His love of music and conducting is evident and, from watching the orchestra play with beaming smiles, obviously infectious. It was truly joyous to see so much excitement from the orchestra as they played, especially in the epic Hit 'Em On The Head instrumental break which is a maelstrom of astonishing musical moments. With no action on stage it's clear just how wonderful the music is as you could picture each movement the keystone cops would have been making without having to see a thing. With many shows cutting back on orchestra size and some even having recorded music, it's an absolute joy to be able to relish in the decadence of hearing a full orchestra in all their glory.
Tiffany Graves was fabulous as Lottie Ames with her beautiful and powerful voice ringing out wonderfully and her facial expressions cracking the audience up! Her tap number in act 2 was certainly a stand out moment. I fell in love with Liam Tamne's voice every time he had a solo moment; so clear and lovely- I just wish we'd heard more! Will Arundell and Matt Harvey were great as the businessmen Kessel and Baumann, suitably dorky and humourous, especially in Hit 'Em On The Head, as was Jack Edwards as Fatty Arbuckle.
Taking the titular roles of Mack and Mabel we had David Bedella and Natasha J Barnes who both pulled them off expertly. David played the regretful, extravagant Mack with sincerity and full of glorious vocal moments, especially during the finale, I Promise You A Happy Ending. However, it was Natasha who completely stole the show with her utterly magnificent masterclass performance as the excitable, loved-up, Mabel who falls into darkness. Her rendition of Time Heals Everything physically gave me heart palpitations. Natasha took the ending up the octave which completely took my breath away and gained an instant mid-show standing ovation from the entire audience. It was a truly magnificent moment of musical theatre that I won't be forgetting soon. There aren't even words to describe how spectacular Natasha is; she's truly a gift from the musical theatre gods!
The LMTO chorus and dancers just like everything else, were fantastic. The hundreds of girls moment was a spectacle choreographed by Anthony Whiteman and the cherry on top of an exceptional production. I honestly can't fault anything.
Overall this was just an impeccable night of musical theatre and despite only being a concert performance, was one of the best shows I've seen in a while. The LMTO are going from strength to strength and I can't wait to see everything they tackle in the future. This performance of Mack and Mabel was a truly glorious presentation of a spectacular score with a completely and utterly faultless cast and orchestra. Sensational.
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