Posts with the label Harold Pinter Theatre
Showing posts with label Harold Pinter Theatre. Show all posts
Showing posts with label Harold Pinter Theatre. Show all posts
Saturday, 14 May 2022
Prima Facie, Harold Pinter Theatre | Review
Prima Facie
Harold Pinter Theatre
Reviewed on Friday 13th May 2022 by Olivia Mitchell
★★★★★
Anyone who's seen Jodie Comer in her multifaceted performance in Killing Eve understands why she is such a well loved and in demand actor. In her one-woman West End debut in Prima Facie, Comer lives up to every expectation and delivers a performance that astounds and stays with you long after the curtain comes down.
What's so impressive with Comer is not only how she brings interesting and enticing vocal intonations to the script, but how she physically embodies every moment. The high-voltage emotions which run through the piece are literally carried by Comer and she imbues every moment with intensity and expressiveness. You can just tell how much work has gone into crafting such an intelligent and wonderful portrayal, even from small details such as becoming slightly posher when she's presenting in court compared to talking to her mother. Comer never flags for a second of the 95 minute show and whether she's shattering you with heart-breaking moments, or having you laugh out loud with her witty performance, she has you wrapped around her finger in a phenomenal way.
Of course this performance wouldn't exist without Suzie Miller's script which is so expertly crafted and focusses on the heartbreaking realities of sexual assault and how difficult it is for women to get closure via successful prosecutions in a court which is based on archaic rules written by men and does very little to support or empathise with victims.
Comer's character Tessa is a barrister who rose from being the underdog at university to being one of the top defence lawyers for men accused of sexual assault. The play opens with her revelling at being great in court and later on contrasts this by showing flashbacks to her younger self full of doubt as to whether she could succeed when surrounded by all the private school classmates who she cannot relate to. Her excitement and razor sharp cross examination skills show how she can sew the seed of doubt that the victim may have in fact given consent and that the man was doing what he believed she wanted. The way she talks about it almost gets you on her side until she herself is raped by a colleague and realises how messed up the whole system and court process is.
Natasha Chiver's lighting design and Justin Martin's direction really hammer this message home, with folders creating a blank canvas for the action but also becoming part of the story at times. Gradual lighting changes bring further gravitas to the mood changes and the clever closing monologue which breaks the fourth wall is so well done. As a whole this production is a sleek treat which discusses a dark matter but has you feeling uplifted by the talent and skill displayed on stage and behind the scenes.
In a stunningly moving performance, Jodie Comer shows her emotional range and magnetic stage presence which makes her the wondrous performer she is and makes this an unmissable piece of theatre. Beg, borrow, or steal a ticket if you can find one, or book to see Prime Facie in cinemas!
Friday, 17 August 2018
Gangsta Granny, Harold Pinter Theatre | Review
Gangsta Granny
Harold Pinter Theatre
Reviewed on Tuesday 16th August 2018 2017 by Emma Gradwell
★★★★
Old people are boring, smell like cabbage and are prone to knitting us unfashionable jumpers for Christmas. Or so we are led to believe at the start of this story. Birmingham Stage Company have brought David Walliams’ modern classic to the stage for a two-hour romp that all ages can enjoy – and they have rightfully been nominated for Best Entertainment and Best Family Olivier Awards.
Ben (played by Tom Cawte) not only has to live with shallow and celebrity-obsessed parents (played by Jenny Gayner and Jason Furnival), he also has to endure Friday evenings playing scrabble and eating cabbage soup with his Granny (played by Louise Bailey) – who happily acts a free babysitter, while Mum and Dad live out their dreams at a local Ballroom Dancing class. When Granny overhears Ben begging his parents to let him come home because of his boredom, this visibly upset old lady hatches a plan to lead Ben to believe she’s not as dull as he thinks she is.
When Ben discovers a stash of jewels in Granny’s Queen’s Jubilee biscuit tin, he learns that Granny once led another life as notorious jewel thief, The Black Cat, who liked to steal “for the buzz”. What ensues is a plot to steal The Crown Jewels from the Tower of London via the sewerage network, using Ben’s expert knowledge of plumbing.
This production is very much a family comedy: it’s a little bit rude, with lots of fart and bum jokes, but also relies on a more subtle and gentle humour at times, with some of the funniest moments involving Granny and Ben flying round the stage on her mobility scooter, complete with buggy board. Dance sequences transition scenes, as the ensemble cast move the large revolving cube boxes of the set to reveal different scenes to good effect.
Louise Bailey as Granny performs well as the frail old lady who finds her energy through her love for her grandson – and delivers the role with a twinkle. Emma Matthews plays her characters for laughs, with Matron being a clear favourite with the audience. Aosaf Afzal is fantastic as both the ridiculous Flavio – and shop owner Raj, who also engaged the audience during the interval with his special offers.
Unexpected bear dances, daring escapes, Gangsta raps and naked yoga all helped to engage the younger audience, whilst managing to deliver a poignant message at the heart of the story – a delightful realisation that behind the caravan club magazines, there may be exciting secrets. Excellent acting, slick scene changes and a very charming story of a boy and his Granny managed to captivate all ages, while reminding us to appreciate our older relatives while we still can.
Wholly enjoyable and a great way to spend some time with our families this summer!
Gangsta Granny runs at the Harold Pinter theatre until 26th August 2018
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