Posts with the label Rebecca Trehearn
Showing posts with label Rebecca Trehearn. Show all posts
Showing posts with label Rebecca Trehearn. Show all posts
Monday, 28 May 2018
A Little Princess, Southbank Centre | Review
A Little Princess
Southbank Centre
Reviewed on Monday 28th May 2018 by Olivia Mitchell
★★★
After the recent success in the UK of Big Fish and The Addams Family, Andrew Lippa's lesser-known show A Little Princess was brought to the west end for it's UK Premiere at the Southbank Centre. Telling the story of Sara Crewe, a girl sent from Africa to a boarding school in London where she meets mean girls and a strict headmistress, this is a sweet story, with melodically beautiful songs and a heartwarming moral.
As Miss Minchin, the headmistress who's a melange of Miss Trunchbull, Mrs Lovett, Mdme. Thenadier and others, Amanda Abbington was good. In her musical theatre debut she did well to convey the tiredness of the character but lacked menace. Vocally she was a little lacking and tended to speak-sing but still gave a pretty solid performance and I look forward to seeing her tackle future theatrical roles.
Danny Mac was dashing as ever as Captain Crewe, with wonderful vocals alongside a sweet connection with the children of the cast. The pacing of the show itself is funny and means that all the characters are a little under-developed. We got to see a lot of Captain Crewe at the start but as the show went on (especially in Act 2) everything felt rushed. With some rewrites this could be a lovely show and it would be great to see Danny having a bit more time to shine. Mention must go to his stellar performance in the pattersong-esque, Timbuktu.
Equally deserving of more time to shine was the stunning Rebecca Trehearn who always manages to steal her scenes. As Miss Amelia, the ditsy sister of Miss Minchin, Rebecca gave a wonderfully humourous performance and shone in her solo, Once Upon a Time.
Alexia Khadime and Adam J Bernard as Aljana and Pasko gave vocally stunning performances despite being a little overpowered by the orchestra at times.
This was the first production which had actual children playing the children and it was them who stole the show. All the young cast did a great job of owning their roles, with Jasmine Nituan giving a heartfelt, funny performance as Sara's best friend and maid, Becky.
Jasmine Sakyiama is truly a star in the making. Her performance as Sara Crewe was 100 miles a minute from the start with her vocals and emotive facial expressions never failing. Of all the children, Jasmine also had the strongest diction which made her stand out even further. Keep an eye on this girl because she's going to go far!
Nic Farman's lighting added a mystical, magical vibe to the story which was lovely and took the show from a simple concert to an emotive production.
Despite enjoying this production, it does need some edits. I'm no one to say what these edits should be, but Act 2 felt extremely rushed and there were a number of moments that felt unnecessary/over-extended. However, the cast were great and I hope this isn't the last we see of this sweet show in the UK.
Saturday, 17 March 2018
Sondheim on Sondheim, Royal Festival Hall | Review
Sondheim on Sondheim
Royal Festival Hall
Reviewed on Thursday 15th March 2018 by Olivia Mitchell
★★★★
Stephen Sondheim is one of the most loved musical theatre composers ever but because so much of his music is deeply rooted into it's source shows, his songs are rarely performed in a revue style as it tends to make little sense. However, people often try to make it work which is how Sondheim on Sondheim, conceived by James Lapine, was born. Instead of just being a series of songs, it includes footage and commentary from Stephen himself.
There is a mixture of biographical footage as well as more musically descriptive passages which meld into the live performances. Particularly effective moments were when Sondheim describes the various opening numbers for A Funny Thing Happened On The Way To The Forum before they're sung live, and when he explains the musical complexities of Sweeney Todd as Julian Ovenden gives a rousing rendition of Epiphany.
The cast of this concert were sublime, with some outstanding ensemble moments including the jazzy, extra-swung version of West Side Story's Something's Coming. Claire Moore and Liz Callaway are both spectacular, with their touching mash up of Losing My Mind and Not a Day Goes By being a stand out of the night as well as their solo performances of Send in the Clowns and Buddy's Eyes. Julian Ovenden showed off his powerful voice in a number of songs, especially the glorious Finishing the Hat from Sunday in the Park with George.
I felt that Rebecca Trehearn and Tyrone Huntley were underused in the concert. However, Rebecca's rendition of I Read and Tyrone's, Being Alive were absolutely wonderful. Both performers are firm favourites of mine and it was joyous to hear them backed by a full, flowing orchestra, even if it was only for a brief period. Damian Humbley replaced Ben Forster and provided some fantastic vocal moments, namely during Franklin Shepard, Inc.
Aside from the vocal performances, the BBC Concert Orchestra were splendid, however at times, especially in the first act, the balance between them and the performers just didn't work and led to very uneven sound. At points it seemed like the microphones were not working at all whilst at others it sounded over amplified.
Overall this was a beautifully moving concert with some light hearted moments as well as some more moving flashes such as when Sondheim describes his relationship with Oscar Hammerstein and talks candidly about receiving a letter from his mother saying she wished she never birthed him. I left the Royal Festival Hall in awe of the performers, in love with Sondheim's music and connected to him as a person. Of course we just saw him on screen but in his candid moments he came across as a genuinely kind person who adores music- something which we can all relate to.
Sondheim on Sondheim will be broadcast on Tuesday 20 March, 7.30pm on BBC Radio 3
photo credit: Mark Allan
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