Posts with the label Waterloo East
Showing posts with label Waterloo East. Show all posts
Showing posts with label Waterloo East. Show all posts

Friday, 17 May 2019

Summer Street, Waterloo East | Review



Summer Street
Waterloo East 
Reviewed on Thursday 16th May 2019 by Shaun Dicks
★★★★


Everything is a little brighter on Summer Street, or in this case Waterloo East Theatre. Summer Street takes us back to the hayday of the 1990’s to 00’s Australian soap opera or ‘Soapys’ where Jason Donovan and Kylie Minogue were making their marks on television and British pantomimes always starred a Soapy star.

In Summer Street the Aussie Soap Opera Musical we follow one of the biggest Soapy shows, Summer Street. After a few years of the show being cancelled, the stars of the show are brought back together for a one off spectacular, with a live broadcast at the end.

Summer Street as a show is hilarious. It is pure spoof comedy in its material and the cast does well to carry that over. However, at some points it feels that the cast are almost trying too hard to bring the comedy and some spots aren’t allowed to breathe. But nine times out of ten, the comedy works.


The cast is four persons strong, with Simon Snashall as Bruce/Mick/Dr Marl and Myke Cotton as Paul/Brock/Butch putting in good performances. They landed jokes and hit their harmonies well. But the women stole this show. Julie Clare as Steph/Mrs Mingle/Marlene was an absolute powerhouse and Sarah-Louise Young as Angie/Bobbi/Sheila was complete comedy gold. These two women had fully fleshed out characters, all three diverse from each other. Their comedic timing was brilliant, especially in song with Marlene’s boppy Lucky Plucky Me and Bobbi’s Chains Around My Heart. And overall the shows harmonies are good, this is a testament to Musical Director Sarah Morrison.

The man whose fingerprints you can see all over the show is Andrew Norris. His script and lyrics with all the gags and obvious spoof is very funny. The music is kitschy, catchy, very much of the 90’s/00’s era and you can hear all the different influences in his score. The direction generally is good. Like I’ve previously said, there are moments when the show need to breath and maybe go for the less obvious comedic choice. The choreography by Lauren Chinery is stylised and of the era but the set design by Amy Mitchell is limited.

Summer Street is fun, silly, spoofy and full of gags. It’s exactly what all of us need at the moment. It takes us back to an era from the not so distant past. The show makes you feel good, smile and gut-bustingly laugh. So, hop on down to Summer Street for a ripper. Bonzer mate!

Summer Street runs at the Waterloo East theatre until 2nd June 2019
photo credit: Simon Snashall


Summer Street, Waterloo East | Review

Friday, 17 May 2019

Monday, 3 December 2018

A Christmas Story: The Musical, Waterloo East | Review


A Christmas Story: The Musical
Waterloo East
Reviewed on Saturday 1st December 2018 by Olivia Mitchell 
★★★

A stage adaptation of the 1983 film, A Christmas Story: The Musical follows young Ralphie who's sole Christmas wish is to receive a Red Ryder Carbine Actin 200-shot Range Model Air Rifle. Besides that there's pretty much no story other than a boatload of coming of age tropes, including bullying, classroom issues and family arguments. It's a simple show, which doesn't contain anything groundbreaking but is well performed by the cast.

The main story is focussed on Ralphie and his family unit who are struggling during the Depression but are still hopeful for a merry Christmas. Ralphie's mother sings stereotypically about a mother's work and his younger brother refuses to eat whilst his father wins a leg lampshade in a crossword competition- random indeed. 

Whilst very different in tone to their other works, and particularly less memorable, the music of this show is by highly successful writing duo, Pasek and Paul (The Greatest Showman, Dear Evan Hansen, La La Land) who have provided some charming but repetitive pieces, which despite being somewhat uninspired, do evoke a warm, festive feeling.


The cast are really what make this show. The children (at this performance: Harry Irving, Edward Flynn Haddon, Evan Huntley-Robertson, Flynn Timberlake, Chloe Weir and Sofia-Elena Tait) are full of energy and cheer as they rattle around the stage with young glee and excitement for impending Christmas celebrations. Sofia-Elena Tait is a particular standout throughout. Leading the show as Ralphie, Rufus Kampa is very strong as he barely steps off stage and provides some lovely vocal moments. As Farkus the bully of the school, Bradley Riches is wonderful, and even more so as he shows off his humourous side as an elf who is certainly not loving his life. It's just a shame Bradley doesn't have a little more stage time as he really shines among the cast.

The adult cast who make up the rest of the show are great. Lucyelle Cliffe brings a real warmth to her role whilst her partner, Simon Willmont brings humour as well as sincerity in his solo moments where he just longs to be someone special. Garry Freer narrates the show well, whilst, Jenny Gayner astounds as the hilarious Miss Shields, and performs potentially the best number of the show with her act 2 tap dance (choreographed by Rhainne Butts). Katy Stephens is also strong in her various roles and again, it would be nice to see more of her. 

Despite it being a different time and place, there's something jarring about a number of songs focussing on a gun; some transitions are a little clunky and the story is basically non-existent, but thanks to the strength of the performers, I think we can let those things slide and appreciate A Christmas Story: The Musical, for the injection of festivity that it is.

A Christmas Story: The Musical runs at Waterloo East until 22nd December

photo credit: Robert Piwko

A Christmas Story: The Musical, Waterloo East | Review

Monday, 3 December 2018