Posts with the label Zizi Strallen
Showing posts with label Zizi Strallen. Show all posts
Showing posts with label Zizi Strallen. Show all posts
Wednesday, 22 July 2020
Spice World drive-in concert to feature Lucie Jones, Aimie Atkinson, Bronté Barbé, Danielle Steers and Zizi Strallen
Five West End stars will come together to perform a live concert of Spice Girls hits before a drive-in cinema screening of Spice World.
Presented at the Troubadour Meridian Water, the drive-in experience will start at 9pm on Saturday 1 August, with doors opening at 8.15pm.
Put together by producer Paul Taylor-Mills, the concert will feature Aimie Atkinson (Six / Pretty Woman) as Ginger, Bronté Barbé (Shrek/Beautiful) as Baby, Lucie Jones (Waitress/Rent) as Sporty, Zizi Strallen (Mary Poppins/Strictly Ballroom) as Posh and Danielle Steers (Bat Out of Hell/Six) as Scary.
The performances are in a raised central location and relayed back to a giant cinema screen, giving everyone a great view wherever they park up.
Social distancing guidelines will be adhered to and updated in accordance with government guidelines for the performances, with cast, crew and audiences all observing protocols throughout the evening.
The concert has lighting by Andrew Exeter, sound by Dan Samson and choreography by Alexzandra Sarmiento.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Wednesday, 13 November 2019
Mary Poppins, Prince Edward Theatre | Review
Mary Poppins
Prince Edward Theatre
Reviewed on Tuesday 5th November 2019 by Olivia Mitchell
★★★
Since she landed umbrella in hand, the mystical nanny Mary Poppins has been a much loved character. From the hit Disney film to a number of revivals and performances around the world, there's something universally adored about the feel-good story of the Banks family, so it's no surprise that the musical is once again gracing the West End. It's a musical full of sparkle, magic and wow factors but at times feels as though it's on just for the sake of being on.
In this musical, co-created by Cameron Mackintosh, with additional songs by Stiles and Drewe and a book by Julian Fellowes, the moral aspect of the story is strongly highlighted, as are the darker sides of the original book. The story of Mr Banks' redemption and the importance of making the correct moral choices for those around you remains ever relevant but much of the secondary plot feels somewhat dated and not relevant for a modern audience. Of course this isn't the making of a show, and with something like Mary Poppins it's mostly about the nostalgia and feel-good-factor but for a show that runs almost three hours long, some tweaks to make it more engaging wouldn't have gone amiss.
However, this is a show about compassion and the cast do a joyous job of bringing the story to life with energy, wonder and colour. Thanks in part to Bob Crowley's sets and costumes which are structured, colourful and all around excellence. The house which opens like the pages of a pop-up book is magnificent each time it's seen; and the plain park which becomes a psychedelic garden of amusement is completely brilliant. Sparkly costumes and beautifully tailored coats adorn the stage and evoke the joy from both the book and film well.
Stiles and Drewe's songs are much darker and sharper than those we've grown up with, with 'Playing the Game' bringing toys to life as the stuff nightmares are made of. Elsewhere scenes are taken from book to stage effectively and interestingly. Overall the musical is a whole lot of sugar with a little bit of spice thrown in for good measure... just how Mary Poppins would like it I assume!
Richard Eyre has directed a show for adults and children which brims with surprise but at times lacks sufficient pace. However, the choreography by Matthew Bourne and Stephen Mear is sophisticated, sharp, witty and utterly first-rate. 'Step in Time' is a complete highlight as the stage comes to life with sweepers and leading man Charlie Stemp literally walks on the ceiling.
Stemp's entire performance is a masterclass in stage presence. His continually fresh characterisation completely draws the audience in as he moves and speaks with a natural grace and charms everyone who witnesses him. Additionally his rapport with Strallen's Mary is genuine and engaging. Zizi Strallen makes the famous nanny her own as she floats around the stage with a whimsical but grounded air and takes on the leading role excellently. Elsewhere Amy Griffiths is touching and vocally excellent as Mrs Banks and the entire ensemble give top notch performances.
Yes, this show is lacking at times but much of the time it's a feast for the eyes and ears and is sure to be enjoyed by many so why not take a trip to see magical Mary float in on her brolly right in front of your eyes.
Mary Poppins is currently booking at the Prince Edward Theatre until 31st May 2020, tickets are available at www.londonboxoffice.co.uk
photo credit: Johan Persson
Thursday, 24 May 2018
Strictly Ballroom, Piccadilly Theatre | Review
Strictly Ballroom
Piccadilly Theatre
Reviewed on Wednesday 23rd May 2018 by Nicola Louise
★★★★
Every now and then a show fly's into theatres that involves more sequins and glitter that you can shake a stick at... this is DEFINITELY one of those shows!
Set in Australia, in the crazy world of ballroom dancing competition, the show focuses on Scott Hastings (Jonny Labey), a young boy wanting to break out of the norm. There's no denying Labey's skill on the dance floor but it's his ability to adapt to different to the various dance styles with ease and grace that make him really stand out. When joined by Fran (Zizi Strallen), you're blown away by the chemistry of the two. Strallen's character has the perfect edge of adorableness and elegance. When dancing, this elegance shines through and even as the dance and drama become more intense, she retains her somewhat geeky side.
Will Young stars as the host of the Ballroom competition and the shows narrator, Wally Strand. Young has the comedic timing down like the best of them, however, I felt his voice let him down. Although a great singer, it's clear that Young's voice still has more of a pop sound than a traditionally musical theatre one and at points I felt his voice was not as strong as needed.
Strictly Ballroom is very predictable but this doesn't take away from it. I was still awe struck by the amount of talent each dancer has on stage; "Watching this makes me want to learn how to Ballroom dance" said a friend of mine, and I was right behind her on that, you'll be mesmerised my the swift movements and sparkles.
I wasn't a huge fan of Anna Francolini, playing Scott's mother Shirley Hastings. Although clearly a very funny actress, I couldn't help cringe a little at her over the top interpretation which at times felt a bit panto. (Think Kath and Kim do Panto!)
Although this show focused on the dancing, it is classed as a musical and maybe I'm wrong but I would expect more than one person singing. Young sings the whole show with the main characters singing one or two lines at the very end. It would be nice to have more variety of voices, especially as I didn't feel Young's voice was strong enough to carry a whole show by himself.
This show is perfect for all the family and anyone who loves ballroom dancing, the comedy is perfectly timed and the direction by Drew McOnie is perfect.
There was a full theatre standing at the end cheering and clapping, something which I assume happens every night after this up-beat, joyful musical.
Strictly Ballroom runs at the Piccadilly Theatre until October 20th 2018
photo credit: Johan Persson
Tuesday, 24 April 2018
Strictly Ballroom, Piccadilly Theatre | Review
Strictly Ballroom
Piccadilly Theatre
Reviewed on Tuesday 24th April 2018 by Olivia Mitchell
★★★★
Strictly Ballroom is a chilled out, glittering celebration of dance and a refreshing show to add to the list of ones to cheer us up in these dreary times.
Based on Baz Luhrman's 1992 film, Strictly Ballroom tells the story of Scott Hastings, a young Australian man who’s been dancing and winning awards for almost his entire life. He longs to break free of what moves are ‘expected’ and 'strictly ballroom' and pave his own way in the dance world. Enter Fran, just Fran, the overlooked dancer who wants a life of love, passion and to dance with Scott. When Scott starts improvising at a dance competition again, his partner Liz leaves him and he and Fran become secret dance partners.
This show is cheesy beyond belief but it’s also extremely self-aware. The over exaggeration and somewhat cringy humour works because it doesn’t try to be anything other than fun. The characters are larger than life but work to create an embellished version of life as a competitive dancer.
This show is of course, all about the dance and Drew McOnie has done an outstanding job choreographing his West End debut. The moves are sharp, sleek and a real joy to watch. When attending this show, I wasn't aware that it's not a typical musical. In fact, I would describe it more as a play with songs. Will Young takes on the role of Wally Strand who acts as the compere, narrator and singer. His voice is beautiful and he does a fabulous job of performing Marius De Vries' arrangements of hit songs such as Dancing With Myself, Love is in The Air, I Wanna Dance with Somebody and more. This set up doesn't take away from the show at all but it would be nice to see the rest of the company getting a chance to show off their vocals. However, it's the dance that's the star of the show. Taking the place of big vocal numbers, it's stunning to see such colourful, glitzy routines on the stage. The act 2 close of the Paso Doble and Habañera is especially powerful, with Fernando Mira's flamenco routine wowing the audience and proving how emotive dance is.
There’s a running joke that the west end isn’t the west end unless a Strallen sister is in a show. Seeing Zizi Strallen perform you can understand how their talent has made them a crucial part of the London theatre scene. Zizi’s performance is dorky and heartfelt and her character arc throughout is beautiful to watch. It’s truly joyous to watch her perform and you can't help but keep your eyes on her every second she's on stage. I am definitely going to have to bring my apricot face scrub out of the cupboard if it'll make me look like Zizi! Ms Strallen's footwork is also sublime and she works in perfect synchronicity with Jonny Labey who is is dazzling on stage and clearly the perfect choice for the role. The pair of actors are a winning combo.
Anna Francolini is suitably hilarious as Scott's mother who lives vicariously through him- her comedic timing is outstanding. Eve Polycarpou is sweet and endearing as Fran's Abeula and her latin vocals really stand out amongst the rousing music. The ensemble of Strictly Ballroom are great, all with clear personalities in their dancing duos. Gabriela Garcia and Liam Marcellino really stand out as Vanessa and Wayne. The entire cast work brilliantly together to create a polished show.
It's a lovely feature to have the band live on stage and it's amazing how they become part of the action rather than being overshadowing at all. Catherine Martin's costumes are as sparkly and over the top as you could want and Soutra Gilmour's set is simplistic but emotive. This production is well thought out and it's clear to see how much care and love has gone into it from the entire cast, crew and company.
It's time to escape the grey for the colour filled dance hall of Strictly Ballroom. Bogo Pogo your way to the Piccadilly theatre for a spectacularly sparkly experience, and a fun, chilled out night that'll make you want to get out of your seat and dance.
Strictly Ballroom runs at the Piccadilly Theatre until October 20th 2018
photo credit: Johan Persson
Friday, 8 September 2017
Follies, National Theatre | Review
Follies
Olivier Theatre, National Theatre
★★★★
It's been 30 years since a fully staged production of Follies has been seen on a London stage so there's been a huge buzz surrounding the current production at the National Theatre, which boasts a stellar cast. The production is largely sold out but don't fret if you didn't manage to snap up tickets as it is set to be broadcast to cinemas through NT Live on November 16th.
Mr Weismann's iconic theatre is closing so to commemorate he invites all his old Follies to dance and reminisce about their time in the company. Being back in the places of their youth, many characters start being pulled back to the past and we watch as the past and present become intwined. Childhood best friends with a past, Sally and Phyllis and their husbands Buddy and Ben reopen a chapter of their lives which they all thought closed. Both couples are experiencing problems in their marriages and despite time having passed, they can't help but relive old feelings.
Follies was originally written as a straight-through piece with no interval; whilst some productions have included intervals, the National Theatre's doesn't. Speaking to others about the show it seemed that people were wary of having to sit for that long without a break and whilst it is the same as watching a film, I suppose there's more freedom and less embarrassment to have a loo break during a film. This needn't be a worry at all though as the show flows wonderfully and really builds up momentum throughout, meaning that stepping out doesn't cross your mind as the show flies by.
The entire cast are absolutely stellar, keeping up the energy from the get go to the end. I particularly enjoy Di Botcher's rendition of 'Broadway Baby' which is completely hilarious and gorgeously sung and Tracie Bennett's 'I'm Still Here' which is gritty and powerful. Her nuanced performance is one of the best I've ever seen on stage. The younger selves of the two main ladies, played by Zizi Strallen and Alex Young are extremely well performed. The mirroring of the young and old girls is spectacular and extremely moving. Alex's transition from the giddy girl into the obsessed girl is striking.
This obsession continues with the adult Sally, played by the ever brilliant, Imelda Staunton. Sally has not really changed throughout the years and comes onto the stage just as giddy as a child when we first see her. Her fragility begins to show little by little, coming to a head in her stunning rendition of the classic, 'Losing My Mind'. Sally's partner in crime, Phyllis is played by the equally brilliant, Janie Dee who is strong and sassy from start to end.
Dominic Cooke's direction creates a flow of movement and an ease throughout which is joyful to watch. Bill Dreamer's choreography works hand in hand with is and showcases the best of the Follies era. Along with the National's revolve, the choreography swims along and is faultless. A particular stand-out moment is the tap number 'Who's That Woman?'... I'm a sucker for tap and this was pulled off perfectly as the older Follies girls join their younger selves to create a thing of beauty.
Vicki Mortimer's set design cleverly shows hints of the former glory of the grand Weismann theatre as it crumbles in current day. The costumes are stunning not only with the gorgeous glitz and glam of the Follies but with how well they show off the character of each individual lady in the current day.
Overall this is an absolutely wonderful production which has everything you could wish for in a musical. There's glitz, glam, grit and emotion, which along with a perfect cast create an absolutely wonderful production of Sondheim's classic musical.
Follies runs at the National Theatre until January 3rd.
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