Posts with the label murder ballad
Showing posts with label murder ballad. Show all posts
Showing posts with label murder ballad. Show all posts
Sunday, 21 May 2017
Samantha Barks, Mayflower Theatre | Review
Samantha Barks with Kerry Ellis
Mayflower Theatre
Reviewed on Saturday May 20th 2017 by Mary Schofield
★★★★★
The Mayflower is a fantastic venue located in the heart of Southampton, I have visited it frequently over the past two years that I have been at University and it's brilliant that such a wonderful theatre is on my doorstep. The venue is often visited by West End shows on their UK tours and seats a capacity of 2,300 people.
Despite the large capacity of the theatre the performance itself felt intimate as Samantha Barks (first discovered on I'd Do Anything and known for her recent appearances in: Les Miserables, The Last Five Years, Oliver and most recently her films Bitter Harvest and Interlude in Prague) took us on a nostalgic journey down memory lane. She sung a collection of songs from her new album including: “When He Loved Me” and “If I Die Young” as well as a gorgeous cover of "Blackbird" by The Beatles. Sam also shared with us a spectacular performance from The Last Five Years, “I Can Do Better Than That” which she wrapped in the St James Theatre (now The Other Palace) last December. Unfortunately I wasn’t lucky enough to see this in the theatre but the film version will have to help ease my new musical obsession!
Samantha's special guest for this one off concert event was the wonderful Kerry Ellis (known for her appearances in Wicked and currently on tour with the production Wonderland). Her set consisted of performances from both Wonderland and We Will Rock You. Ellis really showed off her unique, rocky voice and was a perfect complement to Barks.
The highlight of the evening was definitely when both ladies joined together for a wonderful duet of "For Good" from Wicked. Samantha went on to explain that this performance was one that she previously had on her bucket list, making the occasion even more special. You truly missed a magical moment if you weren't there! The evening was rounded up with a throwback to Les Mis with “On My Own”, bringing tears to every member of the audience and showing the power of Samantha's stage presence.
The only thing that upset me about the event was the timings; I would have been more than happy to listen to Barks sing for another 3 hours! This was a fantastic concert with two powerhouses of musical theatre joining together for a fabulous evening of entertainment. Hopefully this isn't the last of the pairing we see and I can't wait to see Samantha perform again- fingers crossed for another stint on a West End stage!
Thursday, 6 October 2016
Murder Ballad, Arts Theatre | Review
Murder Ballad
The Arts Theatre
Reviewed on Wednesday 5th October 2016 by Olivia Mitchell
Reviewed on Wednesday 5th October 2016 by Olivia Mitchell
★★★★
Press nights are always exciting but the atmosphere on this particular one was more electric than normal. If you're at all in the loop with the theatre community you must have heard about Murder Ballad! It seems to have been everywhere and since little snippets were released and previews began I'd only heard good things so I was super excited to finally see the show myself.
I'm one to encourage going into shows blind and this definitely one production to go into without looking up a synopsis. It's absolutely a show that you'll benefit from seeing with no preconceptions of the plot. All you need to know is that it follows three characters in a love triangle and a narrator who all merge into each others lives. Oh, and someone ends up dead! Intriguing right?!
The story is accompanied by a rock score which works well to give the story a sort of grounded realism. It really helps in the moments of anger and tension to build and crash and bring out every emotion on stage. This is a raw and gripping 90 minute fully-sung-through rock musical with love, darkness and death.
The cast of Murder Ballad are stellar and all give the outstanding performances you'd expect from these veterans of the stage. Kerry Ellis is a regular star of the West End and her portrayal of Sara really shows why. Her voice effortlessly glides into all the notes of this rock score. Her unique growl and rasp add a depth to the character and help to emphasise the emotions Sara feels, especially in the opening argument scene. The audience see the development of Sara's personality throughout and Kerry manages to capture all the little changes perfectly with an ease and innovativeness only seen in true stars. Her chemistry with Ramin Karimloo fills the whole room and they create a dark and believable pairing.
I have been a huge fan of Victoria Hamilton-Barritt for a long while now so was super excited to see her take on the deep, dark role of the narrator. Victoria's voice is on another level in this production; her sultry, beautiful tone completely fit the mysterious narrator. Not only is Victoria's voice insane but her facial expressions told a whole story of their own. No spoken or sung words were needed for Victoria to convey exactly what she was feeling, her little knowing glances into the audience conveyed 1000 words; its truly a joy to see how this lady owns the stage at all times!
Now onto the men... Ramin Karimloo is a favourite of the West End and Broadway alike with a number of huge roles under his belt. Most of his famous roles such as the Phantom and Valjean are more operatic, typical musical theatre roles so it was refreshing to see him showcase the rocky, raspy side of his voice as the dark and handsome Tom. As with Sara, we get to see a lot of character development with Tom, he goes from a young-lovesick boy to a possessive man in a short space of time and Ramin carries this transformation out with dexterity and all the nuances of the in-depth character are very clear.
Norman Bowman for me has one of the most underrated voices on the West End. He's starred in a number of shows but I personally don't hear enough about him. His voice blew me away whilst he played the role of the agreeable Michael and left me with chills at points. His character is less in depth that Ellis' and Karimloo's but he still achieves a well performed character arc.
Richard Kent's set design is innovative and adds a dimension to the show, making it exciting to watch and making you feel somewhat part of the action. The revolve cleverly highlights key moments and adds a nice flow to the show. The lighting is also very clever; from the single lightbulb on stage to the green and orange tinted lights later on; David Plater's design backs up the transitions of all the characters and heightens the tensions at the crucial points.
Sam Yates' direction has created a truly wonderful piece of contemporary theatre. Although I found the show to drag a little at the beginning, it soon picked up pace and I could physically feel my heart beating at points. The fantastic cast give faultless, lifelike performances which are so refreshing to see in these days of more fantastical productions. I truly enjoyed this show and wouldn't hesitate to recommend it. Its a unique, lively and deadly production which ticks all the boxes for an enjoyable night out! The realistic storyline and killer soundtrack are a deadly combination, leaving you on the edge of your seat, anticipating whats to come until the very last moment in this arresting production.
Murder Ballad is running at the Arts Theatre until December 3rd
Friday, 23 September 2016
In Conversation with... Victoria Hamilton-Barritt | Murder Ballad | Interview
Rewrite This Story recently caught up with the wonderfully talented Victoria Hamilton-Barritt whos had a fabulous career from Gypsy and Saturday Night Fever to In The Heights most recently. Victoria told us all about her upcoming musical Murder Ballad, her career so far and her advice for aspiring performers...
You've had a fantastic career that many performers would dream of. What have your highlights been?
Paul Kerryson cast me in Gypsy at Curve Theatre playing Louise/Gypsy and I had an absolute ball in that role. Finally I was playing a role that had so many layers with an epic journey. Paul gave me the greatest opportunity with that show and I absorbed every drop of that incredible production. Another highlight close to my heart is creating the role of Daniela for the London run of In The Heights, Southwark Playhouse and Kings Cross Theatre. I had the best time in that role and changing it up a for a London audience.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I worked in London Zoo when I was younger and was told if I stayed on I would one day be made a zoo keeper. I absolutely love wildlife so I know that's where I would have ended up otherwise.
You went from A Chorus Line to In The Heights, both of which received amazing audience reactions. How was it to be a part of that? Both shows must have felt like a true family!
I've never felt family in a show to the degree of what In The Heights delivered. What a special place. We all shared an obsession for the show which was heartbreaking when I left.
A Chorus Line was tricky because there were no interval and we were on stage for a solid 3 hours. The cast were so lovely but because of this obstacle we never fully got to know each other in that 8 month period. Talented writing in the sense where it's an audition and keeping distance. Clever.
Both Diana and Daniela are kickass characters; how do you bring so much sass on stage? Do you have any diva inspirations?
I was always Inspired by Joanna Lumley, Jennifer Saunders and Dawn French. Ruby Wax and all women who make you laugh whether it be with an aggressive undertone or just damn right silly.
So last time you were performing you were heavily pregnant (how did you manage to still dance in heels!?) Since then you’ve had a beautiful baby (congratulations!) Has this changed the way you approach material?
Thank you! She is gorgeous and has made my life. I would have had a harder pregnancy had I not been in a show. It's better to just get on with things and do what makes you happy. Pregnancy was tough for me as I got so big where I looked full term at 4 months so come 8 months I looked like I was going to pop which caused discomfort for audience members who new I was pregnant for real. People really didn't believe I was pregnant though, where there were a lot of gasping at stage door. Some critics thought it a character choice... honestly.
You’ve gone from the Palladium to the Southwark Playhouse to the Kings Cross Theatre and now you’re going to perform at the Arts Theatre. These venues couldn’t be more different. Do you prefer the bigger theatres or the more intimate settings?
I love intimate spaces where you can see every expression and subtle choice. Small venues grant that, which always makes the connection with the audience more connected.
Can you explain a little about Murder Ballad and how your character fits into it?
I'm the narrator of the show which shares a story of a love triangle which gets complicated and things go wrong. Very wrong. That's all I will say for now. 😉
Can you describe it in 5 words?
love, lust, betrayal, sexy, oops.
Your talent and career make you an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
Work hard but don't take yourself too seriously. If it doesn't make you happy find the right time to stop. If you'd like to pick it up again do so when it feels right for you. You're enough and they're lucky to have you in their room.
Interview by Olivia Mitchell, Editor
Read an interview with Victoria's Murder Ballad co-star Kerry Ellis
Monday, 1 August 2016
In Conversation With... Kerry Ellis | Murder Ballad | Interview
Rewrite This Story caught up with the fantastic Kerry Ellis about her upcoming musical Murder Ballad, working with Brian May, Wicked and more. Check out what she has to say...
For people that may not know about your career, what would you say some of the highlights have been?
There are so many highlights I've been very fortunate to do some incredible things I guess one of the biggest was playing Elphaba on Broadway which was a childhood dream, another was performing in Verona with Brian May live on Italian television in an incredible venue that is like the Colosseum in Rome.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I always knew that I wanted to perform I just didn't know how my career would work out, it sounds very cliche but it was in my blood and still is.
I got to see you perform at the Hampton Court Festival with Brian May and you both seemed so natural and at home with each other… Why do you think you work so well together? What have you learnt from one another?
I think the reason Brian and I work so well together is because we both share the same passion for music and performing, or shows and albums and performance is now very simple it's all based around a voice and the guitar the things we care about so it just seems very natural. There is a lot of drama and atmosphere but also a lot of laughing and fun.
Let's talk about Wicked a little bit. Elphaba has become such an iconic character in musical theatre, what was your favourite and least favourite part playing her? Would you like to don the green paint again for the upcoming film?
Playing Elphaba was an incredible experience, in the West End and on Broadway, of course I would love to be involved in the film in some way and I can never say I wouldn't go back to the show ever again however I have such wonderful memories that will stay with me forever.
It's tough so it's like running a marathon eight times a week physically, emotionally and vocally it's tough but also one of the most rewarding roles I have ever played.
You’re an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
You have to love this industry, it can be so competitive and hard at times but also it's one of the best jobs in the world, there are many knock backs many tears but if you are strong enough and passionate enough it's worth the fight
You’re set to star in Murder Ballad from September, can you explain little about the shows storyline and how your character Sara fits into it?
I think you just need to come and see the show. I'm really excited about it it's a forehand are very intimate show something I've never done before. All the cast are stars and I think it's going to be show not to be missed.
Murder Ballad is set in a bar right? You’re used to performing in much bigger venues, how do you feel about performing in the more intimate Arts Theatre?
I'm a little nervous if I'm honest but I like the challenge and I always like to try new things, it's going to be a very new experience of performing so intimately as a character.
Sam Yates will be directing us and I have full confidence that he will make this show incredible.
Can you describe ‘Murder Ballad’ in 5 words?
Dangerous passionate electric emotional and fun
Interview by Olivia Mitchell, Editor
A huge thank you to Kerry for taking the time to answer these questions!
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