Posts with the label new wimbledon theatre
Showing posts with label new wimbledon theatre. Show all posts
Showing posts with label new wimbledon theatre. Show all posts
Tuesday, 8 October 2019
Priscilla Queen of the Desert (UK Tour), New Wimbledon Theatre | Review
Priscilla Queen of the Desert (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 7th October 2019 by Olivia Mitchell
★★★
You'd be hard pressed to find a touring production this year which features more glitter, sequins and colour than Priscilla Queen of the Desert, which is an explosion of all things camp and a treat of a night out.
Based on the 1994 movie of the same name, Priscilla tells the entertaining story of a trio of drag queens who venture across the Australian outback in a temperamental bus to put on the show of a lifetime. Along the way they meet a variety of people, some accepting, some not, and realise the importance of friendship and staying true to themselves. Despite appearing superficial, the story tackles some important issues including diversity and acceptance.
Miles Western plays Bernadette, the older drag queen who has seen the world change around her and often spends time reminiscing on her glamourous past. Whilst, Joe McFadden and Nick Hayes star as Tick/Mitzi and Adam/Felicia, the younger queens who are still discovering themselves and following in the footsteps of those who came before them. Behind all the lashes and costumes, the trio have a genuine chemistry on stage and give strong performances throughout. Miles is especially engaging and give a very well rounded and entertaining performance.
It's the Diva's who give the stand out performances of the show. Aiesha Pease, Claudia Kariuki and Rosie Glossop are absolute powerhouses who sing, sing, sing. Their voices are second to none ad they'd only be better if they had more stage time to wow us with their sass and sanging.
It's the Diva's who give the stand out performances of the show. Aiesha Pease, Claudia Kariuki and Rosie Glossop are absolute powerhouses who sing, sing, sing. Their voices are second to none ad they'd only be better if they had more stage time to wow us with their sass and sanging.
Charles Cusick-Smith and Phil R Daniels' set design is pretty basic, but the show is cleverly scaled for tour. The van Pricilla is a multi-piece design which works well as it's transformed various times. It's the glitzy costumes which are really the visual treats in this show as they create a rainbow coloured, feather filled spectacle on stage. Over the top beyond belief but wonderfully well executed, they are of the highest standard.
This is a dance heavy production which features non-stop motion, with Tom Jackson Greaves's choreography providing high energy action from start to finish. The ensemble do an excellent job of maintaining this and continually provide visual treats which fill scenes and make scene changes full of interest.
With a jukebox score of some incredibly catchy songs, you can't help but bop along to this mile a minute show. From It's Raining Men to I Will Survive and I Can't Stand the Rain, there's something everyone will know and you'll be tapping your stilettos along to the disco beat. The songs provide the momentum for the show as opposed to the storyline. Whilst there are moments of light and shade, the prejudice the group experiences often feels rushed and the darkness and intensity is lost.
photo credit: Darren Bell
This is a dance heavy production which features non-stop motion, with Tom Jackson Greaves's choreography providing high energy action from start to finish. The ensemble do an excellent job of maintaining this and continually provide visual treats which fill scenes and make scene changes full of interest.
With a jukebox score of some incredibly catchy songs, you can't help but bop along to this mile a minute show. From It's Raining Men to I Will Survive and I Can't Stand the Rain, there's something everyone will know and you'll be tapping your stilettos along to the disco beat. The songs provide the momentum for the show as opposed to the storyline. Whilst there are moments of light and shade, the prejudice the group experiences often feels rushed and the darkness and intensity is lost.
Whilst this production could definitely do with a touch more heart and emotional oomph, it's certainly an enjoyable tour and a thrilling example of highly camp, highly glam show with an important message about tolerance.
Priscilla Queen of the Desert runs at the New Wimbledon Theatre until 12th October before continuing its tour
photo credit: Darren Bell
Wednesday, 2 October 2019
Calendar Girls the Musical (UK Tour), New Wimbledon Theatre | Review
New Wimbledon Theatre
Reviewed on Tuesday 1st October 2019 by Olivia Mitchell
★★★★
In 1998, a group of ladies in Yorkshire rallied together to help one of their members when her beloved husband died. They decided to raise money in his memory for the Lukaemia Research fund, by posing naked for a calendar and selling copies. Calendar Girls tells their story of unity as it exudes warmth and joy.
Tim Firth and Gary Barlow spent five years collaborating to create this musical and it has been seen across the UK in a variety of forms. Thanks to their brilliantly witty and heartfelt lyrics and music, the show retains it's heart wherever it goes and will surely continues to bring a smile to faces around the world. What's wonderful about this musical is how it focusses on a number of human emotions and relationships and does so with sensitivity, pathos and simplicity. We are really forced to think about what it means to pushed outside our comfort zones and it's marvellous to see a group of older women completely letting go and having the best time on stage. I can only hope to be as confident as these ladies when I grow up!
In terms of both acting and singing, it took a little while for the performances to really bloom (excuse the pun) as they seemed somewhat reserved and quiet in the opening number. However, once they got into the swing of things, the whole cast gave brilliantly strong, well-rounded and clever performances.
Sarah Jane Buckley brings the silent struggle of grief to light with immense sensitivity and provides some vocal stand out moments, especially during act two. Rebecca Storm as Chris is the embodiment of fizz as she floats around the stage with an energy which can't help but lift spirits. All the ladies of the cast have a fantastic chemistry but these two in particular really do seem as though they've grown up together and seen the highs and lows of life. Judy Holt is great as the traditional leader of the WI, Marie; Julia Hills is hilarious as the tragically overly helpful Ruth; whilst, Sue Devaney delivers some hilarious one liners and vocal gems as Cora. Ruth Madoc really embodies the role of an ex-teacher as she gets the other girls in line with her stern Welsh remarks and Lisa Maxwell is excellent as the brash ex-air hostess trying to fit in with her new found community.
The set design by Robert Jones is basic but completely works for the production. Minimal scene changes are kept entertaining through small tweaks including a sunset in the background and a seasonally decorated piano. The audience are really transported to the Yorkshire dales, village green, hospital and hall and feel as though we've stepped from London to the countryside.
This is a totally British feel-good show which warms the heart, uplifts and entertains. Calendar Girls has something for everyone and is a beautiful portrayal of women supporting women.
Calendar Girls runs at the New Wimbledon Theatre until 5th October before continuing it's tour
photo credit:
Friday, 24 May 2019
Amélie (UK Tour), New Wimbledon Theatre | Review
Amélie
New Wimbledon Theatre
Reviewed on Thursday 23rd May 2019 by Olivia Mitchell
★★★★
The cult French film Amélie has been on a long journey to get to the UK and it's finally set down here for a shortbread-box-sweet tour which captures the whimsy and delight of the film wonderfully.
Audrey Brisson plays Amélie the girl who grew up unloved but came to have a heart of gold as she sweetens the lives of others among the Paris streets. A host of characters surround her as bar staff, neighbours, customers and strangers. They also double as bohemian musicians, an element which really brings the show to life and adds to the floaty feeling of it all.
Elliot Griggs' sepia toned lighting drenches the stage fantastically to create an intimate feeling. Madeleine Girling's set featuring a metro station, a photo booth and two worn pianos, doesn't change but rearranges to create the various atmospheres of the show. Amélie's bedroom is a lampshade lift up and perfectly sums up the sweet life she leads. When Amélie spot Nino (Danny Mac) at the train station, he soon becomes a focal point of romantic attention and the set almost seems to move around him at times. The combination of set, costumes, puppets and lighting all work together in a seamless fashion to bring the surreal imaginative aspects of the show to life.
Daniel Messé's music is fluent and catchy as we are transported around Paris, with Times Are Hard For Dreamers and Stay, providing the most memorable moments. Craig Lucas' book is somewhat wacky with gnomes and figs that come to life, but the fantastical element of it all is very enticing. Whilst there is a good flow to most of the show, it does feel just a tad too long, some splicing here and there would add shine to the gem it is.
Audrey Brisson's beguiling interpretation of the lead character is truly what makes this show special. Her sublime voice and outstanding characterisation make her an ideal lead who enchants from start to finish. Danny Mac is suitably enigmatic and provides some swooping vocal moments. The ensemble throughout are masterful at what they do and this team production really does warm the heart.
This effective musical uses nuance, silence and soaring sound in equal measure as it tells a heart warming tale. For a sweet, whimsical night out, Amélie is certainly one to catch. Follow the blue arrows and check it out for yourself.
photo credit: Pamela Raith
Wednesday, 15 May 2019
American Idiot (UK Tour), New Wimbledon Theatre | Review
American Idiot (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 14th May 2019 by Olivia Mitchell
★★★★
Taking Wimbledon by storm, American Idiot is a maelstrom of epic performances, high intensity choreography, a killer score and fantastic acting. Taking the music of Greenday and combining it with a story about three men facing darkness and pain on their journeys to finding something they can believe in; it is a very well constructed show which packs all the right punches.
Sara Perks' design is simplistic but does complete justice to the theme and aesthetic of the show. Screens are cleverly used to show various emotions and flashbacks and to emphasise certain scenes. These also allow original American Idiot cast member Lucas Rush to be cleverly worked into the show as the Rock 'n' Roll Boyfriend, these little details make the show stand out and no doubt are a factor in keeping loyal fans returning time after time.
Tim Deiling's lighting is suitably in your face, but equally precise and emotive in the higher intensity moments of the show. Chris Whybrow also achieves good balance between creating blast-your-ears-off numbers and more acoustic sounding pieces. For a show which on the surface may seem a bit of a mish-mash, it's very well conceived and carried out.
The American Idiot cast are uniformly strong as they perform Racky Plews' choreography with bite and aggression, and give note-perfect vocal performances. Tom Milner is darkly captivating as Johnny who leads the show with spades of commitment. Milner's breakdown moment is act two is utterly superb. The audience can physically feel each others tension as Milner has mastered controlling a crowd with every breath. His well-acted and well-sung performance is impeccable.
Sam Lavery is a vocal powerhouse who brings a sexiness and sadness to the show. He vocals are smooth and captivating. Luke Friend give a manic and electric performance with killer vocals and a performance which crackles and fizzles throughout; and Samuel Pope plays the troubled Will with sincerity and subtlety. As Tunny, Joshua Dowen gives a striking performance with a great character arc.
Another stand out is Glenn Adamson who captures our attention whenever he's on stage and who provides particularly strong vocals in his solo moments. Alexandra Robinson, Shekinah McFarlane and Siobhan O'Driscoll are especially memorable throughout.
Musical highlights include 21 Guns, Wake Me Up When September Ends, St Jimmy and Good Riddance (Time Of Your Life), but the whole score is performed superbly well.
Whether you've grown up with Greenday, or like me just know a few of the most popular songs, you'll certainly enjoy this raucous show. The storyline itself is pretty thin but thanks to the outstanding vocal performances and incredibly emotive and shocking scenes, American Idiot provides a fun, feisty night out.
American Idiot runs at the New Wimbledon Theatre until 18th March 2019 before continuing its tour
photo credit: Mark Dawson Photography
Friday, 26 April 2019
Club Tropicana (UK Tour), New Wimbledon Theatre | Review
Club Tropicana (UK Tour)
New Wimbledon Theatre
Reviewed on Thursday 25th April 2019 by Olivia Mitchell
★★★★
A whirlwind of big hair, 80s hits, innuendos and humour, Nick Winston's Club Tropicana isn't a musical masterpiece but it is a whole lot of fun and a harmless piece of entertainment.
The storyline is minimal but follows Lorraine who jilts her fiancé at the alter and goes on a friend holiday to drink and dance away her blues. Her fiancé also goes on a friend holiday... to the same Spanish hotel....
Said hotel is in the running to be awarded a prestigious award so they're doing their best to impress the hotel inspector. Featuring a host of humourous characters and larger than life performances, the gaps in the book are made up for with verve and energy.
Diego Pitarch's set doesn't have much depth to it, but does its job exactly and brings the colour of the show to life well. Making clever use of the space, as well as using the more basic elements for comedic effect, Pitarch has done a great job. Equally, his costumes are very 80s and effective.
The cast are the life of this show, performing the 20 well-known 80s bops wonderfully. As entertainment manager Joe McElderry shines. A great voice, fab comic timing and well done audience interaction, McElderry makes a stellar addition to the cast. Neil McDermott is entertaining, if a little underused as Robert, but his performances alongside the hilarious Emily Tierney as double-crossing hotelier Christine, and lovestruck Amelle Barrabah as Serena are great. The extremely well characterised Consuela, is a sure stand out thanks to Kate Robbins' completely hilarious portrayal, which provides laugh out loud moments every time she's on stage.
As leading man and lady Cellen Chugg Jones and Karina Hind are marvellous. Their strong vocals are well showcased and the pair work well together.
Mention must also go to Rebecca Mendoza, Tara Verloop and Kane Verrall who give fabulous performances. The entire cast are superbly invested throughout and with Nick Winston's choreography and Charles Ingles' musical direction, do a stellar job of keeping the energy alive throughout.
Club Tropicana has the feel-good factor and is sure to bring a bounce to your step. For a self-aware, super cheesy but well done production, take a trip to Hotel Tropicana and laugh the night away.
Club Tropicana runs at the New Wimbledon Theatre until 27th April before continuing its tour.
photo credit: Darren Bell
Wednesday, 17 April 2019
Matthew Bourne's Swan Lake (UK Tour), New Wimbledon Theatre | Review
Matthew Bourne's Swan Lake (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 16th April 2019 by Olivia Mitchell
★★★★
Matthew Bourne's Swan Lake premiered in 1995 and has since received critical and audience acclaim. Bourne's Swan Lake which replaces the female swans with an ensemble of skilled, menacing men, is one of the most groundbreaking ballet retellings and remains fresh and innovative today.
In typically Bourne fashion, the storyline is dark but with many injections of humour and fine attention to detail (the adorable Corgi which crosses the stage is just one example). The set is extravagant and luxurious enough to make you forget you're watching a touring production. Equally, Lez Brotherston has done an outstanding job with the delicately designed costumes which conjure up the atmosphere of each scene and setting wonderfully. Particularly impressive are the glamorous ballroom scenes where everything sparkles and shines; and the sinister hospital scene where masks bring a nightmarish world to life against stark white.
The entirety of this ballet is fantastically nuanced, with every emotion interpreted perfectly. The balance between dance, comedy and drama is exquisite and there are often so many brilliant things happening at once that you don't know where to look. This production is truly a feast for the eyes.
Tchaikovsky's score also provides a feast for the ears. The Swan Lake Orchestra's lush, virtuosic recording shines and soars exactly as one would wish. The recognisable music, accompanied by masculine dance has the audience transfixed from open to close.
Max Westwell as The Swan is outstandingly multi-faceted. At times he is menacing as he rears up, but equally calm and regal as he defensively bows down. The contrast is amazing to watch as is the way the Price (Dominic North) complements him. The pair are both strong and delicate as they create a thrilling union on stage.
Nicole Kabera is suitably regal as the queen, with Freya Field a complete contrast, constantly stepping on toes and causing laughs as the Girlfriend. Both ladies are highlights of the production.
Swan Lake is a sumptuous production full of glorious moments which you'd be hard pressed not to revel in. A powerful, intricately choreographed and danced show, this is a must see for ballet regulars and newbies alike.
Swan Lake runs at the New Wimbledon Theatre until April 20th, before continuing its tour.
photo credit: Johan Persson
Friday, 29 March 2019
Hair (UK Tour), New Wimbledon Theatre | Review
Hair (UK Tour)
London Palladium
Reviewed on Thursday 28th March 2019 by Olivia Mitchell
★★★½
Having first premiered in 1967, Hair doesn't have much of a story but focusses on hippies, LGBTQ+ rights, Black Live Matter, women's equality, the anti-war movement, freedom and so much more. Despite being a piece of it's era, these are issues and themes which resonate with a contemporary audience. The book loosely follows a group of hippies in New York City as they navigate life and their political views during the Vietnam War. More of a think piece and political statement, than a story, Hair successfully shows insights into real life struggles and celebrates living.
This revival which began at the Hope Mill and continued to become a semi-immersive experience at The Vaults, is now a vast production. This transfer in venue size means the show has lost some of it's authenticity and spark but retains its exciting, enthusiastic performances and energy. Natalie Green is the absolute stand out of the cast as she provides killer vocals; both belting her face off and providing glorious soprano moments. Natalie also showcases her supremely versatile acting with a number of accents and personas which are all faultless and she gives an entirely wonderful and memorable performance.
Kelly Sweeney also gives a fantastic performance in her solo moments as Crissy. After Unexpected Joy its great to see Kelly continuing on what's sure to be an outstanding career. Superb vocal moments are delivered by Alison Arnopp and Marcus Collins. As Woof Bradley Judge is well developed and entertaining to watch.
This is an intrinsically ensemble piece, with the whole cast banding together to really create the tribe, and bring the "haggle of hippies" together. Within the ensemble, Jake Quickenden and Paul Wilkins take the lead with agility and energy. Wilkins especially, gives a performance which the audience can really invest in, as his character Claude struggles with being himself and fitting societies expectations. Quickenden gives a commanding performance but lacks the oomph to really own the stage at times, however his vocals are strong and he'll surely only get better as he relaxes into the role.
This is an intrinsically ensemble piece, with the whole cast banding together to really create the tribe, and bring the "haggle of hippies" together. Within the ensemble, Jake Quickenden and Paul Wilkins take the lead with agility and energy. Wilkins especially, gives a performance which the audience can really invest in, as his character Claude struggles with being himself and fitting societies expectations. Quickenden gives a commanding performance but lacks the oomph to really own the stage at times, however his vocals are strong and he'll surely only get better as he relaxes into the role.
The hippie commune and various hallucinations are brought to life marvellously by Ben M Rogers' lighting which is vibrant, contrasting and superbly done. William Whelton's choreography is loose and well done, with the tribe effectively becoming one at times. The theatre is bright and hallucinatory thanks to Maeve Black's set and costumes. Streamers adorn the stage in an in-your-face manner that is dynamic and impressive.
Whilst it does drag a little, Hair is an easy watch that thrills the eyes and ears and remains relevant to this day. Outstanding performers make the most of a limited book and play to the theatre almost as if they're in an intimate space. Despite not being as revolutionary as it was fifty years ago, Hair is still an exciting piece of theatre and the rousing chorus of 'Let The Sunshine In' is enough to leave you feeling free and uplifted.
Hair runs at the New Wimbledon Theatre until March 30th before continuing its tour.
photo credit: Johan Persson
Tuesday, 12 February 2019
Rocky Horror Show (UK Tour), New Wimbledon Theatre | Review
Rocky Horror Show (UK Tour)
New Wimbledon Theatre
Reviewed on Monday 11th February 2019 by Olivia Mitchell
★★★★
A Transylvanian delight, Rocky Horror will have you laughing in delight and dancing in your seat from the moment it begins in all its sparkly, transsexual glory.
Newly engaged couple Janet and Brad find them selves heading to an old castle when their car breaks down in the middle of a storm. There they meet Transylvania Transvestite Frank N Furter and his amazing and adoring entourage.
Rocky Horror brings a whole range of people to the theatre and everyone is welcome. Between those in full costumes and those in their normal everyday clothes, one thing is common: everyone is excited for a high energy night out. A whole range of ages and types of people clearly love this show and the smiles on everyones faces as they leave the theatre is a reminder of just how wonderful theatre can be, especially in trying times.
The show opens with a bang as the band bring the score to life (led by George Carter) and Laura Harrison as the cinema usher belts the opening number, Science Fiction/Double Feature, to rapturous applause. Laura is also fantastic as Magenta as she slinkily makes her way round the stage throughout and leads the Time Warp with high energy and oomph. Fellow slaves, Miracle Chance (Columbia) and Kristian Lavercombe (Riff Raff) also provide stellar, well characterised performances.
As Frank N Furter, Stephen Webb absolutely commands the stage. He struts around like he owns the theatre and everyone on it as as he embodies sass and sex as well as providing killer vocals.
As naïve lovebirds, Joanne Clifton (Janet) and Ben Adams (Brad) are well cast as they deliver engaging and suitably wide-eyed performances. The pair work very well with each other and bring this wacky story to life with fun and energy.
Making his theatrical debut, Dom Joly as the narrator is wonderful as he steers us through the highly chaotic tale with charisma and natural charm. Responding to the audience and adding in 'local humour' makes the piece just that bit more entertaining.
Nick Richings' lighting brings vibrance to every part of the stage and he does an outstanding job of being over the top without being unnecessary. Sue Blane's costumes are suitably glittery and indulgent, whilst, Nathan M Wright's choreography delivers punch after punch to accompany the high octane score.
Christopher Luscombe has directed a highly fun production with just enough space for audience interaction and all the ups and downs we expect from Rocky Horror. Whether you've seen the show before, or are a new viewer, there's no reason for you to dislike this wildly entertaining musical.
Rocky Horror runs at the New Wimbledon Theatre until 16th February before continuing its tour
Wednesday, 6 February 2019
Avenue Q (UK Tour), New Wimbledon Theatre | Review
Avenue Q (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 5th February 2019 by Olivia Mitchell
★★★★★
The puppets are back in one of the naughtiest and funniest musicals around, and they will make you laugh, cringe, gasp and howl as they make their way round the UK.
Avenue Q is set in New York and follows English graduate Princeton as he moves into the city alone with the ambition of finding his purpose. On this journey of discovery, he meets his neighbour Kate Monster and a whole host of highly unique characters who teach him life lessons through ridiculously catchy and OTT songs. Princeton realises how important love and friends are as well as how enjoying the moment is crucial in life.
Lawrence Smith, Cecily Redman, Tom Steedon, Saoiri Oda and Oliver Stanley lead the small cast, alongside Megan Armstrong, Nicholas Mclean, Jasmine Beel, Ellis Dackombe, Chloe Gentles and Robbie Noonan. Each company member is outstanding and they provide an amazing ensemble performance that is strangely realistic in this wacky world of Avenue Q.
Special mention must go to Cecily Redman as Kate Monster and Lucy the Slut (yes, really) who is utterly wonderful. Cecily has one of the most beautiful tones and clearest voices I've ever heard and it was a real treat to see her perform in such a technically strong and well thought out way.
Cressida Carré has directed this show with a gentle hand and really lets the songs and characters shine. From the simple but highly effective set design (Richard Evans) to the powerful lighting (Charlie Morgan Jones) and fantastically designed puppets (Paul Jomain) everything has been so well put together and makes the whole show feel extremely cohesive.
So much of this production is highly memorable and the entire cast and crew have done a fantastic job in engaging the audience through the fantastic show and contemporary themes. This is a show which instills joy and celebrates amazing performers. If you miss out on this show, it'll really "suck to be you"!
Avenue Q is at the New Wimbledon Theatre until February 9th before continuing it's tour around the country.
*production photos are of previous Avenue Q tour*
*production photos are of previous Avenue Q tour*
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