Posts with the label review
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Thursday 7 November 2024
The Curious Case of Benjamin Button at the Ambassadors Theatre: A Timeless Tale with Newfound Precision and Radiance
The Curious Case of Benjamin Button
Ambassadors Theatre
The Curious Case of Benjamin Button the musical at London’s Ambassadors Theatre isn’t just a production; it’s an unforgettable journey through life’s fragility and beauty, rendered with soul-stirring precision and depth. I previously reviewed the show at the Southwark Playhouse and I'm thrilled to say that in its current run, this show has transformed into an even sleeker, tighter production, gracefully weaving together heartfelt storytelling with mesmerising visuals and a flawless cast. Every element is fine-tuned and elevated, resulting in a masterpiece that celebrates light over darkness and resilience over despair. At a time when the world is rife with uncertainty, especially on a night as charged as tonight with the outcome of US election, Benjamin Button feels like an essential reminder of hope, love, and the good in humanity. If the title makes you expect a straightforward story about aging backward or something akin to the Brad Pitt film, think again- this adaptation of F. Scott Fitzgerald’s short story blossoms into a beautifully layered, vibrant musical that’s so much more than its name suggests.
From the outset, the cast, led by the astounding performances of John Dagleish (Benjamin) and Clare Foster (Elowen), grounds the fantastical tale with warmth, authenticity, and nuance. Dagleish’s transformation through Benjamin’s reverse aging is breathtaking; he deftly captures the innocence of youth and the weariness of age within a single character arc, making every step of Benjamin’s journey feel genuine and impactful. Foster’s portrayal of Elowen exudes strength, tenderness, and an unwavering belief in love that carries the entire production. Together, their chemistry illuminates the stage, bringing the highs and lows of Benjamin’s unconventional life to vivid reality.
The supporting cast, too, delivers standout performances, each role finely crafted and essential to the show’s tapestry. This ensemble excels in maintaining a delicate balance between humour and emotion, enriching the story and infusing moments of levity that accentuate the depth of the more profound themes. It’s rare to find a cast so collectively committed to a show’s vision, and here, every actor plays a vital role (and instrument) in amplifying the story’s emotional impact.
This really is a theatrical feast and the technical design elements elevate the show even further. The lighting, created by Zoe Spurr, is simply exquisite; it bathes the stage in soft, evocative hues that shift subtly as Benjamin’s life unfurls. From warm sunlight to muted twilight, Spurr’s design captures the moods of both time and place, visually narrating Benjamin's life in a way that feels poetic and hauntingly beautiful. The sound design, crafted by Luke Swaffield, adds another layer of immersion. It gently guides the audience through the ebb and flow of Benjamin’s experiences, using carefully timed soundscapes that accentuate the emotional resonance of each scene without ever overshadowing the actors, as well as keeping us in the world during the pre-show and interval.
From the carefully curated theming of the venue with period-inspired newspaper articles and gentle nods to the show scattered around, to the Cornish-sourced drinks and playful options like Miss Moncreif's teapot cocktails, every touch feels like an invitation to step deeper into Benjamin’s world. The merchandise is equally thoughtful, with unique items that perfectly echo the essence of the production, offering mementos as distinctive as the show itself. What’s truly remarkable, though, is the respect the show affords its audience; it trusts them to form their own interpretations and to find meaning in the visual and thematic patterns woven throughout. Symbolic imagery and clever symmetry appear again and again, enriching the storytelling and leaving subtle clues for the audience to uncover on their own. The love and care that have gone into crafting The Curious Case of Benjamin Button shine through in every detail, creating a rare and unforgettable experience. Shows like this are a rarity, and it feels like a privilege to witness the start of something so genuinely special.
What makes The Curious Case of Benjamin Button particularly profound is its unwavering commitment to showcasing the best of humanity. In a story that could easily become mired in the tragic aspects of aging backward, this adaptation instead emphasises joy, connection, and the resilience of the human spirit. Every moment, whether tinged with sorrow or elation, reflects a radiant optimism that’s both disarming and inspiring. By centring the narrative on life’s beauty, fleeting as it may be, the musical leaves audiences with a renewed sense of appreciation and awe for the world we inhabit.
The score, written by Darren Clark and Jethro Compton, is both folk-inspired and timeless, perfectly complementing the story’s unique narrative. The music serves as an emotional anchor, moving with ease from soul-stirring solos to harmonious ensemble numbers that stay with you long after the final curtain call. Each song feels intricately woven into the fabric of the story, enhancing the unfolding of Benjamin's life and carrying the audience through his journey with grace and sincerity.
Reflecting on this evening's performance- especially set against the tense backdrop of the US election results- I can’t help but feel that Benjamin Button offers something the world desperately needs. It’s a beacon of light, a testament to the resilience of love and the enduring power of human connection. It urges us to look beyond divisions and differences and find solace in the beauty of a shared journey. I left the theatre not only deeply moved but also with an undeniable urge to spread the word about this remarkable production. Theatre this beautiful, this uplifting, deserves to be seen, discussed, and cherished.
In a world that sometimes seems obsessed with darkness, The Curious Case of Benjamin Button chooses to shine, offering a precious reminder of all that is good, kind, and beautiful. It’s a production that demands to be witnessed, not just for its artistic brilliance but for its resounding message: that even in a life bound by time, there’s so much to savour, celebrate, and remember. Don’t miss your chance to experience this exceptional production- it will touch your heart, challenge your perspective, and leave you with a warmth that lingers long after the lights dim.
Reviewed on 6th November 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 30 October 2024
Dear Evan Hansen UK Tour Shines with Stellar Cast Led by Ryan Kopel as Evan
Dear Evan Hansen (UK & Ireland Tour)
New Victoria Theatre
The UK touring production of Dear Evan Hansen is a powerful reimagining of this iconic musical, bringing a fresh perspective on the poignant themes of loneliness, mental health, and connection. With an emotionally charged lead performance by Ryan Kopel as Evan, this tour delivers an impactful night at the theatre, even if certain plot elements occasionally feel drawn out.
The story centers on Evan Hansen, an anxious high schooler who, after a classmate's tragic death, finds himself unintentionally entwined in a lie that spirals beyond his control. His journey explores themes of identity, social isolation, and the quest for belonging- a plot that resonates as deeply now as it did on the West End.
One of the biggest draws of this tour is the remarkable cast, each bringing a fresh, dynamic energy to their roles. Ryan Kopel’s portrayal of Evan is truly outstanding. The role is demanding, both physically and emotionally, requiring stamina, vulnerability, and incredible vocal control- Kopel delivers on all fronts. His clear, supported voice was faultless, his high notes beautifully sustained, adding depth to Evan's raw emotional state. In key numbers like 'Waving Through a Window' and 'Words Fail', Kopel navigates complex vocal lines with ease, creating a deeply moving experience for the audience.
Other cast members also stand out, especially Alice Fearn as Evan’s mother Heidi, whose raw emotion and vocal strength bring heart to the challenging role of a single mother trying to connect with her son. Lauren Conroy as Zoe Murphy brings a nuanced, sensitive touch to Evan’s love interest, balancing warmth with resilience. Tom Dickerson brings excellent comic relief to the musical as Jared Kleinman, bouncing off the other cast members brilliantly, as well as providing some great vocals. Killian Thomas Lefevre is engaging and interesting as Connor Murphy, while Vivian Panka brings real depth and charm to Alana Back. Meanwhile, Helen Anker and Richard Hurst as Cynthia and Larry Murphy round out a strong ensemble, infusing depth into the grieving parents navigating an unimaginable loss.
While the touring version of Dear Evan Hansen maintains the essence of the original West End production, subtle changes give it a fresh appeal. The staging is slightly pared down but still uses projections to convey the overwhelming impact of social media on Evan’s life. This simplified set design may lack the intricate detail of the West End, but it shifts the focus squarely onto the characters’ raw emotions, allowing the actors’ performances to truly shine.
The music, written by Benj Pasek and Justin Paul, is the highlight and fundamental strength of the production. Songs like 'For Forever', 'Only Us' and the powerful ensemble number 'You Will Be Found' are beautifully melodic and resonate deeply, perfectly mirroring Evan's emotional turmoil and the longing for connection that permeates the story. That said, the show’s pacing lags at points, especially in the second act. Certain scenes feel slightly stretched, and the plot occasionally meanders, which impacts the overall flow. Nonetheless, the emotionally charged score and Kopel’s riveting performance help the production recover from these slower moments.
Ryan Kopel’s portrayal of Evan is nothing short of stellar, capturing the emotional weight of the role with impeccable vocal and physical stamina.”
Ultimately, this touring production of Dear Evan Hansen offers a heartfelt, stirring experience, driven by a cast whose performances capture the story’s core themes. While the pacing could benefit from a tighter structure, the show’s ability to connect with audiences remains as strong as ever. Ryan Kopel’s Evan is a tour de force- worth experiencing for his performance alone, as well as for the lovely ensemble that brings this story to life across the UK.
Reviewed on Tuesday 29th October 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 24 October 2024
Pulman and Stilgoe Shine at The Other Palace: A Musical Duo in Perfect Harmony
Pulman and Stilgoe: A Couple of Swells
The Other Palace Studio
Pulman and Stilgoe’s performance at The Other Palace was a captivating display of musical brilliance, highlighting their undeniable chemistry and technical prowess. The show brought a dazzling blend of jazz, cabaret, and sophisticated storytelling through song, delivered by two accomplished performers whose talents complemented each other beautifully.
Joe Stilgoe, a well-established pianist and composer, commanded the stage with his intricate piano arrangements and playful charm. His quick wit and engaging presence set the tone for a delightful evening. Liza Pulman, on the other hand, showcased her remarkable vocal versatility and impeccable timing. Together, they created an immersive atmosphere that made the audience feel as though they were part of something truly special.
While musically the repertoire leaned into a genre slightly before my time, I still found myself swept away by the sheer brilliance of their performances. The duo’s setlist featured timeless classics alongside more obscure gems, from jazz standards to Broadway hits. While some references may have been lost on a younger audience, there’s no denying the powerful effect the songs had on those familiar with the material. Plus, there were a selection of Joe's compositions showcased, which were truly wonderful.
The real magic of the evening lay in the way Pulman and Stilgoe interacted musically. Their on-stage chemistry was palpable, each responding effortlessly to the other’s cues. The fluidity of their collaboration made the performance feel intimate and spontaneous, giving the impression that they were performing just for you. Their musicality was nothing short of glowing- Pulman’s emotive phrasing paired with Stilgoe’s delicate touch on the piano created moments of pure, soulful harmony.
Standout songs included renditions of 'Don't Rain on My Parade' and a stunning medley of 'People Will Say We're in Love/If I Loved You', both delivered with an emotional depth that resonated with the entire audience. Their ability to take well-loved songs and infuse them with fresh energy was a testament to their talent.
While I may not have connected with every musical reference, I left with an immense appreciation for the artistry displayed. Pulman and Stilgoe are a perfect pairing- two seasoned musicians at the top of their game, bringing classic songs to life with grace, humour, and passion. It’s a rare thing to witness two performers so in sync, making this a truly memorable evening, and a masterclass in musicality.
For fans of jazz, cabaret, and musical theatre, this is an unmissable experience. Pulman and Stilgoe have a magical ability to breathe new life into songs, making them feel both timeless and contemporary.
Pulman and Stilgoe’s glowing musicality and effortless chemistry made for an evening of unforgettable performances.
If you're seeking a performance rich with musical artistry and genuine connection, look no further than Pulman and Stilgoe at The Other Palace- you won’t be disappointed.
★★★★
Reviewed on Wednesday 23rd October by Olivia
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 23 October 2024
Here You Come Again: Strong Performances & Nostalgic Set Design Outshine a Thin Plot in This Dolly Parton-Inspired Musical
Here You Come Again (Tour)
New Victoria Theatre
Here You Come Again: The Musical is a lighthearted jukebox musical that blends the iconic charm of Dolly Parton’s greatest hits with a tale of self-discovery set during the lockdown era. Created by Bruce Vilanch, Gabriel Barre and Jonathan Harvey, this show brings the country queen’s signature wit and wisdom to the stage, all while exploring themes of loneliness, identity, and the universal need for connection. Currently touring, it is soon heading to the West End, where fans of Dolly’s music and humour will undoubtedly flock.
The story revolves around Kevin, a man struggling with the emotional fallout of a breakup during the pandemic. Isolated and adrift, Kevin is unexpectedly visited by his idol, Dolly Parton- part fairy godmother, part figment of his imagination—who helps him through his personal crisis with a series of humorous, song-filled moments. The concept of facing one's inner demons during lockdown is timely and offers moments of introspection, but ultimately, the plot feels somewhat underdeveloped. Kevin’s journey lacks the emotional depth to make his self-discovery truly engaging, and the ending, without giving too much away, feels a bit too convenient. While the premise is intriguing, there’s not enough character growth to sustain a two-hour show.
That being said, the real highlights of Here You Come Again lie in its stellar performances and detailed set design. The two leads- Tricia Paoluccio as Dolly and Steven Webb as Kevin- carry the production with extraordinary vocal talent and impeccable comedic timing. The chemistry between Dolly and Kevin is undeniable; their playful banter keeps the audience laughing, while their shared emotional moments add some needed tenderness to the storyline. The actors’ voices are perfectly suited to the classic Dolly Parton hits, delivering each song with warmth, power, and precision. Tricia Paoluccio is Dolly Parton, her portrayal is completely faultless, with every inflection and rhythm completely spot on. If you're attending this show for the music and the performances, you won’t be disappointed.
The set, designed by Paul Wills, is another triumph, offering a richly detailed, nostalgic environment that keeps things visually interesting despite its minimal changes throughout the show. Kevin's attic home is packed with fun Easter eggs, from a mischievous Sooty and Sweep puppet set to a slightly eerie Chucky doll lurking upstairs. Of course, Dolly Parton records dot the space, creating a shrine-like atmosphere perfect for a superfan like Kevin. The clever use of the set helps maintain the whimsical tone, with small magical effects (Richard Pinner) and props that appear out of nowhere, adding charm and surprise to each scene. The live band (led by Jordan Li-Smith) and ensemble, stationed mostly on the upper floor of the set, adds an extra layer of energy to the performance, and their seamless integration into the scenes enhances the intimate, living-room-concert vibe.
Despite the strengths of the performances and the captivating set, the plot often feels like it's simply a vehicle for Dolly’s music. While this is common in jukebox musicals, there are shows that manage to balance narrative and song more effectively. Kevin’s central conflict- his struggle with loneliness and identity post-breakup- doesn't feel fully resolved by the end. His transformation, or lack thereof, feels handed to him rather than earned, which may leave some audience members (myself included) feeling a bit underwhelmed.
However, the fairytale-like quality of Dolly’s guidance and the feel-good nature of her music provides enough sweetness and heart to make the experience worthwhile. For those who are diehard Dolly fans or enjoy a nostalgic trip through the country icon’s greatest hits, Here You Come Again offers plenty of charm. The show may not deliver the most compelling story, but its combination of five-star performances, a cleverly designed set, and Dolly’s ever-enchanting presence makes it worth a visit for a fun, light night out at the theatre.
★★★
Reviewed on Tuesday 22nd October 2024 by Olivia
Photo Credit: Hugo Glendinning
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 18 October 2024
Lord of the Dance- A Lifetime of Standing Ovations on Tour: A Footwork Feast with a Touch of Nostalgia
Lord of the Dance: A Lifetime of Standing Ovations
New Victoria Theatre
Lord of the Dance: A Lifetime of Standing Ovations is a unique production that showcases the unmatched talent of its dancers, but it also carries a sense of nostalgia that doesn’t quite hold up in today’s world. Originally created by Michael Flatley in 1996, the show is rooted in Irish mythology, featuring stunning footwork and energetic performances.
At its core, Lord of the Dance tells a mythic tale of good versus evil, with the "Lord" representing all that’s noble and heroic, while the "Dark Lord" embodies chaos and villainy. As these two archetypal male figures battle for dominance, female characters like "Saoirse" and "The Morrighan" find themselves relegated to fairly traditional roles: yearning for the hero or caught in the middle of the conflict. The story itself feels more like a backdrop to the dancing rather than a fully fleshed-out narrative, and the idea of macho men saving the day while women stand by feels a little tired in today’s cultural climate.
Visually, the show is a mixed bag. At times, the lighting, costumes, and staging can be quite effective, creating moments of real magic. However, there are other moments where the visuals feel random and disconnected, with no real cohesion in design or purpose. The costumes range from ethereal and elegant to overly flashy and out of place. The lighting effects, while dynamic, often seem to be trying to add drama where the narrative fails to deliver. These dated visual elements can distract from the otherwise incredible dance performances and make the production feel less polished than it once was.
That said, the live music elements, including violin interludes and occasional vocal performances, are a welcome addition. They break up the dance-heavy sequences in a way that adds depth and texture to the show. The mix of live music and recorded tracks is well-balanced, enhancing the energy of the performance while giving the dancers brief moments to reset.
The dancing itself is the undeniable highlight of the show. The sheer athleticism and precision of the cast are nothing short of remarkable. The iconic Irish step-dancing routines are performed with an intensity and flair that keeps the audience fully engaged, even when the story feels secondary. The choreography remains as impressive as ever, with the dancers’ footwork bringing an unmatched level of excitement and spectacle to the stage. Even if the visuals and plot don’t always hit the mark, the dancing alone is enough to make the show worth seeing.
Lord of the Dance is still a strong production for fans of Irish dance and music, but it feels very much like a product of its time. The plot is simple, predictable, and hinges on outdated gender roles, while the visual elements, although sometimes effective, lack coherence and can feel random or overdone. Yet despite these shortcomings, the live music and the incredible talent of the dancers keep the show afloat and make it worth a watch. It's a show that knows what it is and embraces it fully. It might not break new ground for those familiar with it, but it offers a nostalgic, enchanting escape for anyone craving the magic of Irish dance. For longtime fans, it’s a delightful revisit to a cherished classic, while for newer audiences, it serves as a beautiful introduction to the art form, even if it does show its age in places.
★★★
Reviewed on Friday 18th October by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 9 October 2024
A Life-Affirming Musical: Come From Away on Tour REVIEW | New Wimbledon Theatre
Come From Away
New Wimbledon Theatre
Come From Away is an extraordinary and heartwarming celebration of humanity, compassion, and community spirit. This remarkable musical, based on the true events following the tragic events of September 11th, 2001, chronicles the story of a small town that welcomed over 7,000 stranded passengers when 38 planes were unexpectedly diverted to Gander, Newfoundland. The 100-minute production, performed without an interval, captivates audiences from the first note to the final bow, leaving you inspired and deeply moved by the resilience and kindness of strangers.
The show, created by the brilliant team of Irene Sankoff and David Hein, debuted in 2013 before premiering on Broadway in 2017 to critical acclaim. It went on to win a Tony Award for Best Direction and has become a worldwide phenomenon; after (devastatingly) closing in the West End, the show is currently touring the UK and touching the hearts of countless theatergoers. What makes Come From Away unique is that it doesn’t dwell on the tragedy itself; rather, it highlights the powerful goodness that arose in response. It’s a story that everyone needs to see- a true testament to the strength of human spirit and the way communities can come together in times of need.
The cast of Come From Away is a masterclass in ensemble performance, with each of the twelve actors seamlessly taking on multiple roles, transitioning between characters with just a subtle change in voice, posture, or costume. Sara Poyzer is great as Captain Beverly Bass, commanding the stage with poise and delivering a stirring rendition of 'Me and the Sky,' a poignant ode to the barriers women face in aviation and beyond. Jamal Zulfiqar’s dual roles as Kevin and Ali are portrayed with depth and sincerity, while Nicholas Pound brings a steady warmth to Mayor Claude Elliott. Bree Smith, as Hannah, delivers an emotionally charged performance that resonates deeply, and Rosie Glossop’s Bonnie has an endearing authenticity that reflects the compassionate spirit of Gander’s residents. Daniel Crowder and Kirsty Hoiles, as Nick and Diane, exude heartfelt chemistry, and Amanda Henderson’s portrayal of Beulah is both humorous and touching, embodying the very essence of Newfoundland hospitality. Natasha J. Barnes is wonderfully endearing as newbie news-reporter Janice, while Mark Dugdale brings great light and vocals to Kevin T. Oliver Jacobson and Dale Mathurin provide some of the most humourous moments of the show and complete the universally perfect cast.
Howell Binkley’s brilliant lighting design transforms the relatively simple set into myriad locations, evoking a sense of intimacy and immediacy that brings the story to life. The lighting shifts subtly to reflect both the tension and warmth of each scene, helping audiences feel every moment of hope, uncertainty, and joy. Kelly Devine’s choreography is equally impressive- fluid and organic, it mirrors the natural rhythms of life in Gander and the mingling of so many lives, capturing the bustling energy of the community while maintaining a focus on small, authentic human interactions.
The music, with its Celtic-inspired score composed by Sankoff and Hein, is the heartbeat of the production. From the powerful opening number, 'Welcome to the Rock,' to the joyful 'Screech In,' the songs are infused with East Coast flair, featuring lively fiddles, bodhrans, and an ensemble that sings and plays with palpable passion. Under the direction of Andrew Corcoran, the music beautifully conveys both the emotional highs and lows, transporting audiences to Newfoundland with its driving rhythms and haunting melodies.
More than just a musical, Come From Away is an experience that reminds us of the inherent goodness within people. The uplifting message is amplified by the Pay It Forward initiatives that the production actively supports. These activities, organised by Lydia Greatrix, in honour of her friend and Come From Away superfan Laura Townsend, which include partnerships with local charities and community outreach, bring the show’s message of kindness off the stage and into the real world. By championing causes that encourage generosity and connection, Come From Away continues to “pay forward” the generosity of Gander, ensuring that its legacy of compassion extends far beyond the theatre.
In the end, Come From Away is not just a must-see show- it’s a life-affirming testament to the power of people and the enduring strength of community. It’s a reminder that, even in the face of unimaginable darkness, human decency shines through, and strangers can become friends. This is a show that will leave you laughing, crying, and wanting to be a better person- a story that every single person should experience, especially in today’s world.
If you would like to donate to future pay it forward events, check the Just Giving page here.
★★★★★
Reviewed on Tuesday 8th October 2024 by Olivia
Photo Credit: Craig Sugden
{AD PR Invite- tickets gifted in exchange for honest review}
Saturday 28 September 2024
Rewitched by Lucy Jane Wood: A Cozy, Witchy Autumn Read with Heart and Magic | Book Review
Rewitched by Lucy Jane Wood
Published: September 2024 by Pan Macmillan
Rewitched by Lucy Jane Wood is a delightful, whimsical read that blends magic, self-discovery, and a touch of romance. Set against an autumnal backdrop, the story feels like the perfect cosy companion for crisp autumn evenings. Lucy's writing is light, engaging, and full of charm, creating a world that feels grounded in reality but dusted with just enough magic to keep you on your toes. It’s this balance that makes the book feel both relatable and thrilling- an exciting escape that still feels close to home.
At the heart of the story is Belle, a young woman in her twenties who is on a journey of self-discovery. She’s navigating the complexities of friendship, love, and her growing abilities as a witch. What makes Belle such a relatable character is her vulnerability- her self-doubt, uncertainty, and introspective nature are portrayed in a way that many readers, especially those, like me, in their twenties, will find familiar. Her love for books and reading added an extra layer of depth to her character, which really resonated with me as a fellow book lover.
One of the standout elements of Rewitched is the way Lucy Jane Wood captures that feeling of trying to find your place in the world- whether in relationships, career, or simply figuring out who you want to be. Belle’s internal struggles, particularly her self-doubt, are written with honesty and sensitivity, giving her a relatable, human quality that grounds the magical elements of the story. I also appreciated how Belle’s passion for books was woven into the narrative- it made her feel even more real, and I loved that a character so deeply rooted in magic was also a lover of literature.
The romance subplot between Belle and Rune added a lovely dimension to the story. The slow-burn dynamic between them was enjoyable, but I did feel that it could have been developed a bit further. While the chemistry between them was palpable, there were moments where I was left wanting more- more depth, more interaction, and more emotional payoff. At times, it felt like there were missed opportunities to delve deeper into their relationship. Additionally, there were a few plot points that seemed like they were going to tie into the larger story but didn’t quite pan out. Some plot threads were left hanging, which left me wanting a bit more closure by the end.
That being said, the book's pace was fast and engaging, keeping me invested even when I could predict certain twists. I did guess the main plot twist before it happened, but it didn’t detract too much from my enjoyment of the story. The magic and mystery unfolded with a steady momentum that kept things exciting, and despite a few loose ends, I found myself eager to see how everything would play out.
What really sets Rewitched apart from other witchy reads is the slightly more grown-up feel it has. While it maintains a fun, cosy atmosphere, the themes of self-doubt, identity, and navigating young adulthood give it more depth than you might expect from a typical seasonal read. Lucy Jane Wood's writing brings a level of warmth and charm that makes this book feel comforting, while still providing enough magic and intrigue to keep it engaging.
Rewitched is a delightful, autumnal escape that’s perfect for anyone looking for a magical yet relatable read. The characters, especially Belle, are easy to connect with, and the world Lucy has created is both familiar and exciting. While the romance could have used a bit more development and there were a few loose threads, the overall experience was warm, whimsical and left me smiling. If you’re looking for a witchy book that balances heart, magic, and a touch of romance, Rewitched is a wonderful pick for your fall reading list.
Thursday 29 August 2024
A Sweet, Sun Soaked Read: Enemies to Lovers by Laura Jane Williams | BOOK REVIEW
Enemies to Lovers by Laura Jane Williams
Published: 15th August 2024 by Penguin Books
Enemies to Lovers by Laura Jane Williams is a sweet, fun read that I lapped up, especially given the perfectly matched setting—I read it on a beach in Greece, just like the characters’ family holiday destination! The novel is a delightful blend of summer vibes, humour, and romance that will satisfy any reader.
As the name suggests, the plot follows the classic enemies-to-lovers trope, with two characters who initially clash but gradually uncover deeper feelings for each other. The dynamic between the leads is engaging, filled with sharp banter and witty exchanges that had me chuckling throughout. The chemistry is undeniable, and Williams does a great job of building tension between them before allowing the romance to blossom in a satisfying way.
One of the standout elements of this book is its summery atmosphere. The vivid descriptions of the Greek island transported me directly into the story. The lazy days, family dinners, and warm evenings in Greece are beautifully captured, making it the perfect companion for a beach holiday, or to transport you if you're at home.
However, the pacing of the novel felt a bit uneven at times. While the initial setup and the growing attraction between the characters were well-paced, certain parts of the middle dragged, and I found myself wishing for a bit more momentum. That said, the book’s charm lies in its light-heartedness and the way it effortlessly combines humour with heartfelt moments.
Williams also delves into the topic of mental health, which adds a layer of depth to the otherwise breezy narrative. The portrayal is sensitive and relatable, particularly in how the characters’ past experiences shape their present behavior and relationships. This aspect of the story felt authentic and necessary, though it might not be as thoroughly explored as some readers might hope.
Overall, Enemies to Lovers is an enjoyable read that perfectly captures the essence of a summer romance, especially if you happen to be reading it in a similar setting. While it didn’t resonate with me quite as strongly as Our Stop by the same author, it’s still a sweet story with plenty of witty one liners, warmth, and heartfelt moments to keep you engaged. If you’re looking for a book that combines sun-soaked settings with a feel-good romance, this one is worth picking up.
★★★
Reviewed by Olivia
{AD PR Product- book gifted by publisher in exchange for honest review}
Saturday 17 August 2024
Taylor Swift's The Eras Tour at Wembley: An Enchanting Celebration of Music and Fandom
Taylor Swift: The Era's Tour
Wembley Stadium
The biggest show in the world right now is undoubtedly Taylor Swift’s Eras Tour, which has taken everything and everyone by storm. I’d heard incredible things and knew it would be good, but I wasn’t quite prepared for just how extraordinary it would be. As the confetti rained down and the final notes of 'Karma' rang out, I realised I’d just experienced something life-changing- an event that will stay with me forever. Over the course of three and a half hours, Taylor Swift delivered a performance that was nothing short of mesmerising, uniting a crowd of 92,000 people through her sheer talent and undeniable magnetism.
The Eras Tour, featuring over 50 songs, is a testament to Taylor’s remarkable journey, spanning her early country roots to her chart-topping pop hits and beyond. The scale of her fame is truly unparalleled, yet she carries it with effortless grace, infusing her performance with joy, playfulness, and an infectious energy that makes the entire experience feel both intimate and monumental.
Everything about The Eras Tour is big and bold. Every detail, from the intricately designed sets- such as a Folklore-inspired house and giant floating clouds- to the impeccable lighting, was executed to perfection. The visuals were stunning, creating a dynamic and immersive atmosphere that felt like a cinematic masterpiece come to life. It’s difficult to convey the impact of certain moments, but it’s truly a heart-pounding, adrenaline-fuelled experience from start to finish.
What truly stood out was the sense of community that permeated the entire event. In a world where division and isolation often dominate, this show reminded us of the power of music to bring people together. The Eras Tour wasn’t just a concert; it was a celebration of fandom. The collective energy of the audience, singing along to every word, dancing, and sharing in the moment, was a powerful reminder of music's unifying force. If you could bottle up and share the joy that a Taylor Swift concert creates, the world would be a much brighter place.
Taylor herself is unlike anyone I’ve ever seen before. Her presence on stage is magnetic and powerful, yet she brings touches of her characteristic goofiness and fun, with quirky little movements and facial expressions that make her feel relatable and endearing. Seeing her give so much on stage was inspiring, and I am more in awe than ever after witnessing her not miss a beat.
The level of pressure that comes with Taylor’s immense fame is unimaginable, yet she manages it with poise, delivering a performance that feels both grand and personal. Her ability to connect with the audience on such a deep level, while maintaining her superstar status, is truly remarkable.
As we left Wembley, there was a collective sense that we had just witnessed something truly special—an artist at the peak of her powers, giving her all to a crowd that was there for every beat, every lyric, every moment. This show proved why Taylor Swift is the word on everyone’s lips right now: She is the music industry. She’s a cultural phenomenon. She's the moment, and every moment that’s coming. She’s the embodiment of a star, and we are incredibly fortunate to witness her brilliance. Long Live The Eras Tour.
★★★★★
Reviewed on Friday 16th August 2024 by Olivia
Photo Credit: Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 31 July 2024
When the Moon Hatched by Sarah A Parker | BOOK REVIEW
When the Moon Hatched by Sarah A Parker
Published: April 2024 by Harper Voyager
When The Moon Hatched by Sarah A. Parker transports readers to a fantastical world where ancient magic and mythical creatures like dragons are brought back to life. The story centres around Raeve, an assassin for the rebel group Fíur du Ath. Her life is upended when a rival bounty hunter causes chaos, leading to her capture by the Guild of Nobles. This powerful fae group uses her as a political pawn. Meanwhile, Kaan Vaegor, haunted by his past, seeks solace and finds himself drawn to Raeve in a high-security prison. As they uncover their intertwined destinies, they face dangerous truths and a burgeoning romance. The novel is a rich blend of fantasy, intrigue, and romance.
Sarah A. Parker delivers an engaging fantasy romance in When The Moon Hatched, filled with magical intrigue and heartfelt moments. The world-building is richly detailed, creating a vivid backdrop for the story. The author constructs a world where ancient magic pulses just beneath the surface, waiting to be discovered. The setting is immersive, with unique cultural and magical elements that add depth to the narrative.
The characters are compelling and well-developed. Raeve stands out as a strong and multi-faceted protagonist. Her journey is captivating, and the romance woven throughout is genuinely engaging. The chemistry between Raeve and Kaan is palpable, and I found myself rooting for their relationship throughout the book. The supporting characters, while sometimes not fully fleshed out, add layers to the narrative and set up potential future conflicts and alliances.
One notable critique is the pacing and length of the book. At over 600 pages, the story feels drawn out at times, with certain sections that could have been more concise. For such a long novel, there are stretches where not a lot happens, and the plot meanders through world-building and side stories. This can make the book feel slower than necessary, though it also provides a comprehensive setup for future instalments. Despite these pacing issues, the writing is compelling and engaging. Sarah A. Parker's style is smooth and immersive, making it easy to race through the book even when the plot slows down.
I personally don't think When The Moon Hatched is quite as good as the hype suggests but it's definitely an enjoyable read that successfully sets the stage for an exciting series. While it could have benefited from being shorter and more tightly paced, the fascinating world-building, endearing romance, and engaging writing make it a worthwhile experience. The book promises much for future entries, and I'm eager to see where Parker takes the story next.
Saturday 13 July 2024
Unforgettable Moments at BST Hyde Park: Stevie Nicks and Harry Styles Live
Stevie Nicks
Hyde Park
To put it lightly, last night at BST Hyde Park was nothing short of magical. Like many, seeing Stevie Nicks perform was a bucket list event for me, so finally getting to see her was a dream come true and the night was a true testament to the enduring power and charisma of the legendary performer. The atmosphere was electric, filled with a sense of history and excitement that only intensified as the evening progressed. The fully female lineup for the day added an extra layer of significance and empowerment to the event which will go down in the memory of so many.
The day kicked off for me with the vibrant Catty on the Rainbow Stage. Her energy was infectious, and her vocals were stunningly strong. Each note she sang was filled with emotion, showcasing her undeniable talent. It's clear that this is just the beginning of an incredible career for her. I feel lucky to have witnessed her early steps and can't wait to see where she goes next.
Nina Nesbitt followed with a lovely set that provided a beautiful contrast to some of the other artists. Her performance showcased her as a talented singer-songwriter with a unique voice. Her heartfelt lyrics and soothing melodies were a delight to watch, and her songs added a perfect touch to the day's lineup.
As a longtime fan of Brandi Carlile, seeing her on the Great Oak Stage was another dream come true. I have to admit, I shed a tear. Her performance was nothing short of astounding, making her the perfect opener for Stevie. Hearing 'The Joke' and 'The Story' live was everything I hoped for and more. Her raspy, powerful vocals and brilliant audience interaction were captivating. Closing her set with 'We Are the Champions' in honour of the upcoming Euros final was a wonderful choice that had the audience fully on her side. From what I could hear around me, Brandi gained a lot of new fans through her performance!
And then, the moment we had all been waiting for: Stevie Nicks. From the moment she stepped on stage, the crowd was enraptured. Surrounded by fans united by their love for Stevie, there was an overwhelming sense of community and shared joy. Many, myself included, had made the effort to emulate Stevie's iconic style, with flowing shawls and layered jewellry. The lady next to me even had a ribbon-laden tambourine, a tribute to Stevie's signature accessory. As Stevie took the stage, the crowd was filled with sniffles and tears, a testament to the profound impact she has had on all of us. This was more than just a concert; it was a momentous event that celebrated the enduring magic of Stevie Nicks. The joy of music and the connection we all felt to her and to each other made it a night to remember, filled with heartfelt emotion and a sense of belonging.
Her setlist was a perfect mix of classics and deeper cuts, taking us on a journey through her incredible career. Starting with 'Outside the Rain', she immediately set the tone for an unforgettable night. 'Dreams' and 'If Anyone Falls' followed, showcasing her timeless voice that remains as strong and evocative as ever.
'Gypsy' and 'The Edge of Seventeen' were delivered with the kind of passion that only Stevie can bring. As she performed 'Bella Donna' and 'Gold Dust Woman,' the graphics on the screen behind her added a hypnotic visual element to the show, perfectly complementing the music and enhancing the overall experience.
Stevie's anecdotes between songs were like little gifts to the audience. Her Joan Didion-esque meandering Hollywood stories were fascinating; I could have listened to her regale us for hours. The way she spoke about her various shawls was delightful, adding a charming personal touch to the performance. It was evident she was thoroughly enjoying playing Hyde Park, and her joy was contagious.
A special highlight was when her vocal coach, Steve Real joined her for a song. It added an intimate and unique touch to the performance, showcasing Stevie's generosity and appreciation for her team. As she moved into 'Rhiannon,' the crowd sang along, united in their love for the music and the moment.
The night reached an unforgettable climax when Harry Styles joined Stevie on stage for the final two songs. As a huge Harry fan, I'd heard rumours he might be there, but nothing could prepare me for the sheer emotion of the moment when he appeared to sing 'Stop Draggin' My Heart Around.' Seeing him perform with Stevie on what would have been Christine McVie's 81st birthday was surreal; their rendition of 'Landslide,' accompanied by a beautiful slideshow of photos, was moving beyond words.
This concert was everything you could ask for and more. Stevie's voice is still incredibly strong, and her stage presence is unmatched. The graphics and visuals throughout the show were stunning, adding an extra layer of magic to the performance. I'm honoured to have witnessed such an icon perform in such an iconic setting. The memories of this night, especially that magical moment with Harry Styles, will stay with me forever. If you ever get the chance to see Stevie Nicks live, don't hesitate. It's an experience you'll treasure for a lifetime.
★★★★★
Reviewed on Friday 12th July 2024 by Olivia Mitchell
Photo Credit: Anthony Pham & Olivia Mitchell
Thursday 11 July 2024
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Mean Girls
Savoy Theatre
Mean Girls in the West End? That's fetch!
After much anticipation, Mean Girls the Musical has sashayed its way onto the West End stage, and it’s nothing short of a fetch-tacular extravaganza! Adapted from the iconic 2004 film penned by Tina Fey, this musical first dazzled Broadway audiences in 2018 and has now graced London with its fabulous presence, bringing all the drama, comedy, and high school hierarchies across the pond.
I first saw and reviewed Mean Girls at the August Wilson Theatre on Broadway in 2018, and I was blown away by the sharp wit, vibrant performances, and infectious energy. Seeing it again on the West End feels like a fabulous homecoming for this beloved show, and I can confidently say that it has lost none of its sparkle and charm in the transition.
For the uninitiated, Mean Girls follows the journey of Cady Heron (played with charm and sincerity by the supremely talented Charlie Burn), a previously homeschooled teenager who moves to the American suburbs from Africa. Navigating the treacherous waters of North Shore High School, she encounters the Plastics, led by the fabulously tyrannical Regina George (Georgina Castle), with her loyal sidekicks Gretchen Wieners (Elèna Gyasi) and Karen Smith (Grace Mouat). With the guidance of her quirky friends Janis Sarkisian (at this performance played by Baylie Carson) and Damian Hubbard (Tom Xander), Cady embarks on a mission to take down Regina, only to find herself transforming into the very thing she swore to destroy.
This vibrant production boasts an amazing cast, blending West End veterans with exciting new talents who are firmly cementing themselves as stars. Aaron Samuels (Daniel Bravo) steals hearts, while Ms Norbury, Ms Heron & Mrs George (Zöe Rainey) bring a delightful double dose of adult hilarity and warmth.
The performances are unanimously nothing short of wonderful. Each actor brings their unique flair, contributing to the high-energy, electrifying atmosphere that permeates the entire show and theatre. The ensemble, in particular, is incredible, delivering dance numbers with precision and enthusiasm that leaps from the stage and feels so exciting to watch. The performances are so captivating that I find myself wanting to return to the show again and again, just to focus on a different performer each time and appreciate their individual contributions to this vibrant production. Charlie Burn is infectiously charming as Cady and provides faultless, pin precise vocals to match. The commanding presence of Georgina Castle as she floats above it all as Regina George is all you could ask for from someone playing this iconic role, plus, Georgina absolutely provides a top theatre moment of the year with her rendition of World Burn. Elèna Gyasi is heartbreakingly desperate to fit in and does so in such a fun but still heartbreaking way, whilst Grace Mouat's Karen is just happy to be there. Grace's performance is laugh out loud funny and I loved her act two song 'I'm Blowing Up' which has been reworked and added back into the show to great effect. Baylie Carson and Tom Xander are the perfect double act as Janis and Damian, again bringing huge doses of humour as well as some of the strongest vocals in the musical. I also loved Lucca Chadwick-Patel as mathlete Kevin Ganatra and Daniel Bravo who brought a real sincerity to Aaron Samuels. I could go on all day about the cast because they're really all fantastic and as I say, every new visit is sure to offer a new layer of enjoyment and discovery, maybe Cady is right and the limit does not exist for how many times you could watch this show!
One of the standout features of this production is designer Scott Pask's ingenious use of screens and projections, which not only bring the hallways of North Shore High to life but also add an immersive, almost cinematic quality to the musical. This dynamic visual approach enhances the storytelling, making scenes pop with vibrancy and energy and allowing for a number of locations without the hassle of in depth scene changes, something which really allows the show to flow and maintain pace.
The West End production has seen some exciting changes from its Broadway counterpart. The creative team, led by director and choreographer Casey Nicholaw, has refined certain scenes and musical numbers to better suit the London audience. There are subtle changes in the dialogue and some new staging that add fresh layers to the beloved story, keeping it as sharp and hilarious as ever. Additionally, the musical's score has been tweaked slightly to enhance its already catchy and memorable tunes.
Let’s be real—Mean Girls the Musical may not be everyone’s cup of tea. If you’re not a fan of cheesy, over-the-top musicals, this might not be your thing. But for those who revel in fun, camp, and excellently performed music wrapped in a big pink bow, this show is pure joy. The musical numbers are infectious, with standout hits like 'Apex Predator', 'Revenge Party', and the empowering 'I’d Rather Be Me', each performed with gusto and flair by the cast.
The show captures the spirit of the original film while adding layers of depth through its songs and performances. It’s a fun, carefree romp that’s perfect for a night out with friends, a date night, or even a solo adventure to bask in its joyous glow. From the moment the curtain rises to the final bow, the audience is taken on a rollercoaster of laughter, nostalgia, and heartfelt moments.
Mean Girls in the West End is a pink-tinted, fabulously fun, spectacle that shouldn’t be missed- grab your tickets now and join the party at North Shore High!
★★★★★
Reviewed on Wednesday 10th July 2024 by Olivia Mitchell
Photo Credit: Brinkhoff / Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Thursday 11 July 2024
Monday 8 July 2024
Concert Review: Shania Twain Wows Hyde Park with Iconic Hits and Audience Sing-Alongs
Shania Twain
BST Hyde Park
Closing out the second weekend of BST, Shania Twain looked unreal as she brought excellent, boot-stomping vibes and created an evening that was an absolute blast! Despite battling a cold, Shania still managed to put on a show that had everyone living their best lives. In perhaps an attempt to save her voice, Shania often encouraged the audience to take control so we really put our school assembly singing skills to good use whenever she passed the mic to the audience. It was like a giant, joyous karaoke session under the evening sky.
The fun graphics and visuals were another highlight, becoming even more effective as the sun set. It was the perfect backdrop for Shania's performance, creating a magical atmosphere that added to the excitement. Between songs, she chatted with the audience, sharing stories and warming herself to everyone. It felt like we were all just hanging out with an old friend. I really enjoyed her clever segues into each song, and she took moments to look out at the crowd and soak it all in which was lovely to witness.
Shania’s setlist was packed with hits. She kicked off with 'Don't Be Stupid (You Know I Love You)' which was perhaps not the best opener as a lot of the audience didn't seem familiar with it but things soon stepped up and over 17 songs, there was definitely something for everyone. Her performance of 'That Don’t Impress Me Much' was a nostalgic trip that had everyone singing at the top of their lungs and of course the iconic 'Man! I Feel Like a Woman!' was a true stand out moment. Despite her cold, Shania’s energy was infectious, and she gave a performance that seemed to enchant the audience, whether it was their first time seeing her, of whether they'd caught her before during her illustrious career. 'You're Still the One' had the entire park swaying, and 'Waking Up Dreaming' was a touching highlight that showcased her still-strong vocals. Donning her cowboy hat, Hyde Park embodied the spirit of country with renditions of 'Giddy Up' and 'Who's Bed Have Your Boots Been Under', with boot-scooting and toe tapping galore. Shania told us how she really feels that were in a country music renaissance and after this performance and Morgan Wallen earlier in the week, I certainly agree!
One of the most endearing parts of the night was how Shania interacted with us. She spoke candidly between songs, sharing personal anecdotes and making the massive 50,000 person strong crowd feel like an intimate gathering. Her warmth and charisma shone through, making her performance feel genuine and heartfelt.
Before Shania took the stage, I had the pleasure of catching Nell Mescal on the Rainbow Stage. Nell was simply wonderful, delivering a selection of her own music, including some beautiful pieces from her recent EP. Her stage presence was warm and charming, and her vocals were pin sharp! They mixed delicate emotion with a powerful belt that left me eagerly anticipating her rise to stardom. She’s definitely one to watch.
Later in the day, Anne Marie and The Corrs opened on the main Great Oak Stage, and they did not disappoint. Anne Marie, with her string of bangers, got everyone hyped up with her infectious pop vibes. The Corrs brought a different style, full of emotional depth and musical brilliance. Their set was particularly moving; you could see how astounded they were by the audience’s reaction. It was a lovely, memorable moment that added a special touch to the day.
All in all, Hyde Park was alive with incredible music and unforgettable performances. Shania truly shone and made sure we all had the time of our lives. Her show was a testament to her enduring talent and connection with her fans. I was impressed much!
★★★★
Reviewed on Sunday 7th July by Olivia Mitchell
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Why Mrs Doubtfire in the West End is a Must-See: Celebrating The One Year Nan-iversary in Style!
Last week, I got to celebrate Mrs Doubtfire the Musical's One Year Nan-iversary (yes, that's a thing now!) It was an evening filled with laughter, nostalgia, and a few tears, all wrapped up in one incredible performance. Whether you're a long-time fan of the beloved film or just looking for a fantastic night out, here are five reasons why you absolutely must see Mrs Doubtfire on the West End!
Its a Heartwarming and Hilarious Story: Mrs Doubtfire the Musical is a perfect blend of comedy and heartfelt moments. The story follows the journey of Daniel Hillard, a loving but unconventional father who disguises himself as a Scottish nanny to stay close to his children after a messy divorce. The show's mix of laughter and touching scenes creates a memorable and emotional experience that appeals to all ages. Of course this is a well loved story and the show remains true enough to the source material to satisfy fans but it also has a number of changes that make it feel fresh and engaging.
It's Full of Stellar Performances: The West End production features an incredibly talented cast who bring the beloved characters to life with charm and depth. Gabriel Vick's transformation into Mrs. Doubtfire is a masterclass in physical comedy and character work, capturing the essence of the iconic role originally portrayed by Robin Williams, but again bringing a freshness that feels perfectly individual. The supporting cast members also shine, delivering strong performances that enhance the overall production. Laura Tebbutt as Miranda Hillard provides a lot of the story's heart and really vocally shines, especially during act 2. As the oldest daughter Lydia, Charlotte Fleming is absolutely wonderful, I'd love to see her take on the role of another Lydia if and when Beetlejuice makes its way across the pond!
The Stage Design is Wonderful: The show’s stage design and special effects are really brilliant and fitting for the show. The creative team have crafted a dynamic and visually engaging set that seamlessly transitions between scenes, bringing the world of Mrs. Doubtfire to life. The makeup and costume changes, particularly for the title character, are executed with impressive speed and precision, adding to the magic of the theatrical experience.
The Score if Full of Toe-Tappers: The musical score by Wayne Kirkpatrick and Karey Kirkpatrick is filled with catchy, original songs that really help to enhance and advance the story. The music ranges from upbeat, comedic numbers to moving ballads, each song perfectly capturing the emotions of the characters.
It Has Timeless Themes and Relatable Messages: At its core, Mrs Doubtfire is a story about family, love, and the lengths one will go to for those they care about. The show touches on themes of parenting, identity, and personal growth, all while maintaining a light-hearted and entertaining tone. Its messages about the importance of family and understanding resonate with audiences, making it a truly timeless piece that speaks to both adults and children alike.
All in all, Mrs Doubtfire is a fast paced, cracker of a show that features all the best elements of musical theatre. Lighthearted joy and laugh out loud humour fill the auditorium and make for a wonderful night at the theatre. Don't miss this fabulous show!
{AD PR Invite- tickets gifted in exchange for honest review}
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