Posts with the label rock
Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts
Thursday, 13 September 2018
Wasted, Southwark Playhouse | Review
Wasted
Southwark Playhouse
Reviewed on Wednesday 12th 2018 by Olivia Mitchell
★★★
With a cast of just four, Wasted tells the story of the Brontë siblings and their journeys to success, and questions (to an extent) what makes a legacy and how fulfilment is achieved. Whilst there are some catchy songs and the cast do a good job conveying the struggles of 18th century women, Wasted is drawn out and somewhat uninformative.
The entire show has a tonne of potential and with tweaks could certainly be a coherent, enjoyable show. However, in it’s current state it feels somewhat self indulgent and the basic story (the girls struggle, eventually get published but feel they have Wasted their lives) is stretched unnecessarily to fill almost three hours.
The cast are helmed by West End superstar, Natasha Barnes who has made a triumphant return to the stage after giving birth to a beautiful baby earlier this year. Working with Christopher Ash's demanding score, Natasha leads the show with faultless vocals and outstanding commitment to the level-headed, dreamer Charlotte Brontë.
As her brother who aims to be famous, Matthew Jacobs Morgan is suitably humourous but troubled. As her sisters, Emily and Anne, Siobhan Athwal and Molly Lynch give strong performances although at times it is hard to understand what is being said. This may be due to mics but does mean that it takes real attention to keep up with the story.
Another issue is the amount of repetition. The first act especially feels like we hear the same thing over and over again; after the first 10 minutes it was clear the girls “need to work” but we were told several more times which instead of reinforcing something important, felt unnecessary and added to the length of the show dramatically.
Wasted could easily have been performed as two separate shows. Both act one and act two have good starting and finishing points which would make for solid 90 minute straight-through shows but together just felt too much.
Despite it's flaws, it is wonderful to see such an experimental, new, British musical and the cast do an outstanding job of bringing a mischievous, fresh view of the Brontës.
Wasted runs at the Southwark Playhouse until 6th October
photo credit: Helen Maybanks
Thursday, 15 March 2018
Bat Out of Hell, Dominion Theatre | Press Launch
Yesterday afternoon I attended a strobe filled, electrifying press launch for Bat Out of Hell's sure-to-be-triumphant return to the West End as it prepares to take over the Dominion Theatre from April.
Now I must admit, I didn't adore the show when I saw it at it's Coliseum press night but I think that's because I had no idea what to expect. Seeing the performances yesterday put the show into a new light for me (quite literally) and made me really appreciate the skill and talent that goes into it. It's true that Bat Out of Hell has a very random and vague plot, but this show, the performances and the way its presented is unlike anything currently in the West End and for that it should be applauded.
The event took place at the American International Church; an out there choice for an out there musical. The brightness and space of the room perfectly showcased the music and the juxtaposition of a rock musical being performed in a church was really very special.
Once the doors opened we were ushered in, handed a branded notebook, pen and lanyard and shown the way to our seats to get a wonderful view of the wild performances. The pews and upstairs area quickly filled up with a selection of excited fans who'd won tickets, as well as press and other guests. For those that couldn't be there, the launch was also live-streamed and as we counted down to go live there was a buzz of excitement in the air.
The event was co-hosted by Planet Rock Radio and their presenter Paul Anthony who stepped out in a flash of light and introduced us to the rocking cast. From then on it was high energy entertainment as the cast performed five songs and showcased their talents brilliantly. The small venue felt like a full-scale arena as it was filled with loud, rock music, dry ice and lots and lots of lights. The cast opened with Bat out of Hell then performed Two Out of Three Ain’t Bad, What Part of My Body Hurts The Most, Dead Ringer for Love and finally, the rousing I Would Do Anything For Love. The cast gave each song their all and seemed to genuinely be loving what they were doing.
After the performance we were invited to meet Andrew Polec, Christina Bennington, Sharon Sexton and Rob Fowler, we took a very quick photo and briefly congratulated them on their work before heading to the Dominion Theatre for some drinks and a sneak peek at the get in.
With a cast of 34 and 145 people on the payroll each night, everything about this show is big, including it's set which filled 17 containers and took 5 weeks to get back to London after the shows run in Canada. It was extremely impressive to see the hard work that goes in behind the scenes to make this show what it is and also to see how passionate everyone that's a part of it is.
Despite not being a number one fan of Bat Out of Hell when I made my way to this launch, I can now say that I am more than excited to see the show as its rocks, rolls and rages at it's new home, the Dominion Theatre from April 2nd. The energy, talent, passion and drive from the performers and everyone involved in this show is infectious and is sure to take the West End by storm on it's second run.
If you missed the livestream you can watch it here.
Post written by Olivia Mitchell, Editor
Saturday, 25 February 2017
Lizzie, Greenwich Theatre | Review
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Lizzie
Greenwich Theatre
Reviewed on Friday 24th February 2017 by Olivia Mitchell
Reviewed on Friday 24th February 2017 by Olivia Mitchell
★★★
I've been finding it very hard to write this review because I honestly don't know what I thought of Lizzie. There were parts I loved and parts I didn't but overall I was kind of confused.
I suppose that could be seen as a good thing though. The show seems to get more disjointed as Lizzie's own mind gets more confused and crazy so it seems natural that after a well told story I, as an audience member, should leave feeling affected by the characters. So maybe confusion is a good thing?
Funny story, when I first saw this advertised quite a few months ago, I thought it was my wildest dreams coming true with Lizzie, meaning Lizzie McGuire... I was very wrong! The aforementioned Lizzie is in fact Elizabeth Andrew Borden who allegedly killed her father and stepmother with an axe in 1892. Whilst it's not the obvious choice of storyline, it works well with the rock music and insane lighting.
The show has recently finished a run in Denmark and has now made the transition to the Greenwich Theatre in London where it feels more like an arena concert than a stage show. There are minimal props so we are really able to focus on the story and impeccable voices of the four leads. The show opens with an eerie music-box tune which sets the dark, suspense filled show up perfectly. The powerhouse vocals are out of this world, with the ladies belting higher and higher with perfect technique throughout. The lyrics by Steven Cheslik-Demeyer and Tim Maner are cleverly tweaked and shaped depending on what's happening in the scene or in Lizzie's mind.
The cast are sublime with each woman holding her own and commanding the space. Bjorg Gamst as Lizzie Borden is impeccable, switching from innocence and sweetness to sheer and utter madness. Her eyes portray a thousand emotions and every movement she makes shows her transition to the manic killer who is truly revealed in act 2. Her sister, played by musical theatre royalty, Eden Espinosa, really comes into her own in act 2 and shows off her superb voice wonderfully. I previously saw Jodie Jacobs in 27: The Musical and was blown away by her killer voice. As Bridget Sullivan she gets to show off that voice again but also provides humour in this otherwise dark drama, often indirectly telling Lizzie to kill her parents in witty ways. Although it is unclear what her motivation for this is, she does it very well. Alice Russell, Lizzie's friend is played greatly by Bleu Woodward who again has a stunning voice and works very well with the other ladies. Her performance is tasteful and delicate and often provides a nice contrast to the loud, rage filled numbers in the show.
The lighting fit well with the erratic feeling but I felt at points it was too much with the lights and smoke covering up a lack of plot and coherence. My opinion is that with some developments and tweaks this could be a wonderful production. The cast are there, the songs are there and the basic ideas are there but it need to be refined to make it really flow. Again, the roughness does fit with with the story but to me it felt more like a piece of performance art than a show to come and just sit in your seat watching. If it's going to be performed like this then it would be good to somehow incorporate more audience interaction, like at a rock concert.
However, Lizzie is a fun show and it's wonderful to see a performance led solely by women. With a few tweaks this could be something incredible. I would still go and see it if you can because I guarantee it'll be like nothing you've ever seen before, and the vocals will blow you away!
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Wednesday, 2 November 2016
Sunny Afternoon (UK Tour), New Victoria Theatre | Review
Sunny Afternoon
New Victoria Theatre
Reviewed on Tuesday 1st November 2016 by Olivia Mitchell
Reviewed on Tuesday 1st November 2016 by Olivia Mitchell
★★★★★
I wouldn't say I'm the biggest fan of The Kinks but I know pretty much all their music thanks to my dad playing it everyday of my childhood and I'd heard incredible things about Sunny Afternoon from so many people but for some reason I never got round to seeing it in the West End so when I got the chance to review the tour I was very excited!
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