Posts with the label the last five years
Showing posts with label the last five years. Show all posts
Showing posts with label the last five years. Show all posts
Thursday, 5 March 2020
The Last Five Years, Southwark Playhouse | Review
The Last Five Years
Southwark Playhouse
Reviewed on Wednesday 4th March 2020 by Olivia Mitchell
★★★★
Originally premiering in Chicago in 2001 and then transferring to off-Broadway, Jason Robert Brown's song cycle musical was last seen in London in 2016 at the St James theatre. Chronicling a couple's passionate but ultimately doomed relationship, it is a brilliant exploration of life and cleverly plays with time; having one partner starting at the end of their story and the other at the start. They only overlap during their proposal and marriage mid way through.
This Southwark Playhouse production is a completely transfixing showcase of a spectacular musical. Jonathan O'Boyle's production is wonderfully staged and feels completely fresh in it's approach to the score and story.
Lee Newby's set provides a fantastic canvas for the emotional drama to evolve, with small props effectively emphasising moments but always leaving the focus on the characters and their story. At times these props do feel a little too literal but they are so briefly used that it's barely an issue. There's always a sense of momentum in this piece thanks to the varying styles of Jason Robert Brown's music which keep the pace up. Additionally in this production, there is the use of a revolve which physically adds drive as it often seems to move clockwise for Jamie's plot and anti-clockwise for Cathy's- a very clever touch.
Jamie Platt's lighting is an especially enjoyable element of this musical, with contrast and darkness being used extremely well. A particularly effective moment is when the sun rises and the space is gradually transformed from a blue tinge to a warm orange.
Jamie Platt's lighting is an especially enjoyable element of this musical, with contrast and darkness being used extremely well. A particularly effective moment is when the sun rises and the space is gradually transformed from a blue tinge to a warm orange.
Oli Higginson brings a great sense of journey to the up and coming writer, Jamie. Genuinely loving Cathy at the start, his self-absorbed personality and wandering eye soon become his, and the relationship's downfall. There's often an argument as to who was really in the wrong in this pairing and of course, both are to blame, but in the end Jamie really is a jerk and Oli does a great job of showing it. The contrast between the whimsy and elation in The Schmuel Song and the downright aggression in If I Didn't Believe in You, is highly effective. Higginson's accent does falter at times and occasionally the theatrical facade is broken, but overall his performance is joyous and enraging to watch.
As Cathy, Molly Lynch is just radiant. Rewinding from the bitter breakup to the jubilant start, Molly is consistently magnificent to watch. Vocally her performance is as clear as glass and beautifully controlled in her strong mix, but it's her acting which really brings her character to life. A mixture of nuanced and grand moments showcase the skills Molly possesses, and completely wrap you up in her journey.
Plus, both actors bring their musician skills to the table, deftly swapping places at the piano. Their incompatibility is even highlighted as they aggressively accompany one another and often give particular attention to the discordant parts of the music, or the melodies which are repeated throughout but are continually out of sync with each other.
With humourous sequences (Jamie on facetime during A Summer in Ohio) and devastating moments of relationship failure, this really is a roller coaster gem of a piece. Brown's music gives so much to work with and the team on this production have really done an excellent job. The two leads are esteemed in their performances as they give a masterclass in acting through song that will break you and build you at once.
The Last Five Years plays at the Southwark Playhouse until 28th March
photo credit: Pamela Raith
Thursday, 12 April 2018
An Evening With Jason Robert Brown, London Palladium | Review
An Evening With Jason Robert Brown
London Palladium
Reviewed on Wednesday 11th April 2018 by Olivia Mitchell
★★★★★
Last night the London Palladium played host to one of the most brilliant concerts I have ever witnessed. American composer, pianist and conductor Jason Robert Brown debuted some of his new songs as well as hits from his various musicals and orchestral works. He was joined by the BBC Concert Orchestra (plus his own rhythm section), conductor Larry Blank, Capital Voices and musical theatre superstars Rachel Tucker, Betsy Wolfe and Norm Lewis in this one night only musical spectacular. Concerts of this caliber are so often confined to the New York scene so to get something like this live in London was truly magical and is not a night I'll forget in a hurry.
Jason opened the show with an emotive song about finding hope in a hopeless situation which he revealed was written the day after the last presidential election. He followed this with a song from a musical he has yet to complete, which tells the story of a teen in New York who dreams of having a career as a musician. The upbeat, rhythmical song, Melinda had the audience tapping their feet and ready for the concert ahead of them. This song with various musical dance genres entwined in it was the perfect song to show off Jason's musicianship and vocals as well as the clear dexterity of the BBC Concert Orchestra players. The two songs in succession set the tone for what was set to be a joyous as well as moving night.
The entire concert was of an immense standard and it would be unfair to pick a particular stand out but over the course of just over two and a half hours, we were treated to some of the gems of Jason Robert Brown's career, as well as a glimpse of what's to come with his new album, How We React and How We Recover. Similarly to last year's Kristin Chenoweth concert, this performance made the vast space of the London Palladium feel intimate and warm and proved that whilst donning various hats as singer, conductor and pianist, at the heart of it all Jason is a storyteller. In my recent interview with him, Jason told me that he loves when you can "go on an adventure with a piece of music" which truly sums up what this night was about.
Rachel Tucker who Jason called "the real thing" gave a glorious rendition of Stars and the Moon from Songs For a New World, which Jason described as "a medley of my greatest... hit!" Her rendition of the anthem, Invisible, written by Jason for a young wheelchair bound girl in collaboration with the Ronald McDonald House and Broadway Inspirational Voices was especially moving and energetic. Rachel also brought the house to their feet with her final performance of Flying Home, which although usually sung by a male voice, sounded as though it was written for Ms Tucker.
Norm Lewis performed gorgeous, mellow renditions of It All Fades Away and All Things in Time as well as joining Betsy Wolfe for a beautiful duet of Before and After You/One Second and a Million Miles which proved that the West End needs a production of The Bridges of Madison County, pronto! I know I said I didn't want to name stand-outs but Betsy's act 2 performance of I Can Do Better Than That from The Last Five Years was truly marvellous and proved why she's as adored as she is.
In addition to these songs we also got to experience a whole selection of songs from Honeymoon in Vegas which I saw in it's concert form at the Palladium last year, as well as some beautiful excerpts from Jason's symphony, The Trumpet of the Swan. Not only did this instrumental moment show of the virtuosic playing of the orchestra but showed just how emotive music is. Before beginning, Jason briefly explained the plot of the symphony which is based on a children's book, so we knew what was coming. What I found incredible was how everyone laughed and gasped at the same times despite there being no lyrics to describe the drama. This just proved how powerful music is as an art form and was an especially magical moment for me.
I have to briefly mention the lighting for this concert which was outstanding. For a one night only event which is going out to radio, not television, I was blown away by how much thought and time had clearly gone into every lighting cue. This really added to the warm feeling of the entire night.
At the risk of babbling on for an obscene amount of time, I'm going to wrap up my review here. I'm sorry to say that if you weren't there you missed out of a truly fantastic night but don't worry because you can hear the whole things on this week's Friday Night is Music Night and experience the joy of Jason Robert Brown's music for yourself. I was enchanted, surprised and blown away by every moment of this gem of a concert.
photo credit: Danny Kaan
Sunday, 21 May 2017
Samantha Barks, Mayflower Theatre | Review
Samantha Barks with Kerry Ellis
Mayflower Theatre
Reviewed on Saturday May 20th 2017 by Mary Schofield
★★★★★
The Mayflower is a fantastic venue located in the heart of Southampton, I have visited it frequently over the past two years that I have been at University and it's brilliant that such a wonderful theatre is on my doorstep. The venue is often visited by West End shows on their UK tours and seats a capacity of 2,300 people.
Despite the large capacity of the theatre the performance itself felt intimate as Samantha Barks (first discovered on I'd Do Anything and known for her recent appearances in: Les Miserables, The Last Five Years, Oliver and most recently her films Bitter Harvest and Interlude in Prague) took us on a nostalgic journey down memory lane. She sung a collection of songs from her new album including: “When He Loved Me” and “If I Die Young” as well as a gorgeous cover of "Blackbird" by The Beatles. Sam also shared with us a spectacular performance from The Last Five Years, “I Can Do Better Than That” which she wrapped in the St James Theatre (now The Other Palace) last December. Unfortunately I wasn’t lucky enough to see this in the theatre but the film version will have to help ease my new musical obsession!
Samantha's special guest for this one off concert event was the wonderful Kerry Ellis (known for her appearances in Wicked and currently on tour with the production Wonderland). Her set consisted of performances from both Wonderland and We Will Rock You. Ellis really showed off her unique, rocky voice and was a perfect complement to Barks.
The highlight of the evening was definitely when both ladies joined together for a wonderful duet of "For Good" from Wicked. Samantha went on to explain that this performance was one that she previously had on her bucket list, making the occasion even more special. You truly missed a magical moment if you weren't there! The evening was rounded up with a throwback to Les Mis with “On My Own”, bringing tears to every member of the audience and showing the power of Samantha's stage presence.
The only thing that upset me about the event was the timings; I would have been more than happy to listen to Barks sing for another 3 hours! This was a fantastic concert with two powerhouses of musical theatre joining together for a fabulous evening of entertainment. Hopefully this isn't the last of the pairing we see and I can't wait to see Samantha perform again- fingers crossed for another stint on a West End stage!
Saturday, 31 December 2016
Olivia's Top 10 Shows of 2016
Without repeats, I saw 59 different shows this year so compiling this list has been difficult to say the least! This has been a brilliant year for theatre and through this website I really feel that I've become a part of the theatre community. 2016 has seen some brilliant big budget shows as well as smaller fringe ones, many of which have thrilled me. This list is of the shows that stuck with me long after I'd seen them and that I feel are very resonant in our 2016 world. This will probably be a bit of a long post, I have a whole year to fit in after all, so grab yourself a cuppa and some biscuits and enjoy!
This list is in reverse order, cause we all need that extra bit of excitement in our lives.
One of Paul Taylor-Mills' incredible productions of 2016. The music was performed beautifully and the touching and heartbreaking story of conjoined twins Daisy and Violet was told sincerely and gracefully by Laura Pitt-Pulford and Louise Dearman.
Did anyone not like this show? All I heard were incredible reviews and rightly so. An exciting and refreshing revival of a much loved Classic which ticked all the boxes of a hit musical. Charlie Stemp is talent on another level. I'm sure we'll be hearing plenty more good things about the show and cast in 2017!
This was my first visit to The Union Theatre and wow was it a good first. I absolutely adored this show. I was completely unfamiliar with the music and was just blown away by it. The cast were sublime and the story telling was impeccable. I'm sure this would be a huge hit if more people got to see it.
27 must have been one of the most hyped musicals of 2016 and I could certainly see why when I saw it. It's a musical like I've never seen before, so fresh and different to what's currently on the West End stages. The plot twist at the end had me physically breathless, a stunning piece of artistry.
This was another small show but it definitely packed more than a small punch. It was sweet, pink, sassy and sumptuous. One of those shows which really made you think and reflect on your life. Lauren Samuels gave a standout performance!
I saw this show alone so the minute I stepped out of the theatre I called my friend to fangirl about it like a mad woman. I was completely awestruck by the whole performance. It was moving, funny, relevant and thought-provoking. The use of songs was done smoothly and effectively and it was overall just an A* worthy production.
This was the perfect treat to see just before Christmas. Although the story is slightly dated and everything is a little over the top, it's a fantastic production full of sweetness, heartbreak and love. Scarlett Strallen's performance was absolutely impeccable and nothing short of perfection. With the amount of people I've told to see this, I wouldn't be surprised if it gets a West End transfer in the near future.
I've grown up with Rent so finally seeing it on stage was a very special experience for me. Each cast member is fully immersed into their roles and the whole production is raw, gritty and believable. Philippa Stefani gives the performance of a superstar and had me in floods of tears. The production will continue to tour next year and I'll certainly be seeing it again so don't be surprised if it features in my top 10 of 2017 too!
The St James theatre was on fire this year! The Last Five Years is another one which I've wanted to see on stage for years. Jason Robert Brown's story is heart-warming and heart-breaking at the same time. It's always a joy to see Samantha Barks on stage and seeing her shine as Cathy was even more wonderful because of how incredibly she showed off her effortless belt and sincere acting. The wonderful mix of simplistic staging, the stellar duo of Barks and Bailey and Jason's beautiful music, rightfully earn The Last Five Years my number two spot!
1. Dreamgirls: Savoy Theatre
If you haven't heard about Dreamgirls' triumphant return to the West End then you must have been living in a cave. This was the 2nd to last show I saw and I couldn't be happier that I could end the year on such a fantastic note. This has got to be the theatrical spectacle of the year, the sets, costumes, choreography and cast are all exquisite and I cried a bucket load of happy tears, which I never do! Go see Dreamgirls in 2017, I guarantee you'll leave singing it's praises!
So there's my top 10 shows, of course there's other brilliant ones and I'm sure your list varies but this has been a brilliant year for theatre and I can't wait to see what 2017 brings *cough* Hamilton *cough*
But wait, where's that other show that I've been posting and tweeting about like crazy and have seen 32 times!? I haven't forgotten it, I just wanted to give it a special mention because its such a special show. So my "The Show Which Changed My Life: 2016" award goes to IN THE HEIGHTS at the Kings Cross Theatre! I've done a billion posts on it (just search it on the homepage) so I don't need to write any more soppy words but this show has seriously been my everything this year. I've met incredible people from it, both fans and cast members and I'm so incredibly grateful for that. Unfortunately I won't be at the last show as I'm in Australia (boo hoo, woe is me, right?) but I'm so sad its closing, and I'm sending all my thoughts and positive vibes to the theatre gods that they will bring it back because I will never be ready for the lights to go down on Washington Heights! Thank you In The Heights for being there and helping me and I'm sure many others, through tough times and making us feel at home in the theatre. Even if you had no idea how you were helping, I guarantee you made some tough days just that much easier. No pare sigue sigue!
I hope you had a brilliantly theatrical year too and I'd love to hear your favourites so drop me a comment on here or tweet me @OliviaMitche or @RewriteThisWeb
Au Revoir 2016! Stay Stagey, 2017!
Thursday, 3 November 2016
The Last Five Years, St James Theatre | Review
The Last Five Years is a heartbreakingly beautiful story of a failed marriage set to song
The Last Five Years
St James Theatre
Reviewed on Wednesday 2nd November 2016 by Olivia Mitchell
★★★★★Reviewed on Wednesday 2nd November 2016 by Olivia Mitchell
Jason Robert Brown's musical tells the story of Cathy and Jamie with her story running backwards from heartbreak to giddiness and his running forwards from the first moments of meeting to the disillusion at the end. Somehow this concept which could have been very confusing manages to work exquisitely and is carried out with professional style and ease by Samantha Barks and Jonathan Bailey.
The show runs for 90 minutes straight through and includes a number of musical styles which help to maintain the pace and make the whole relationship feel very realistic. Personal highlights were "See I'm Smiling", "The Schmuel Song" and "Moving Too Fast" all of which were total lessons in storytelling from Samantha and Jonathan. The simple staging works well to show scene changes without distracting from the intimacy of the show.
Jason Robert Brown's songs seem to get more beautiful every time I hear them and believe me I've heard them a lot! From watching the film version of The Last Five Years to listening to various youtube versions I have pretty high standards for it and this production smashed them all out of the park. This seems to be the musical exactly how it should be. Each moment seems so well thought out with each acting choice complementing the beautiful music and vice versa.
Jonathan Bailey brings humour and wit to the character of the up and coming writer Jamie who in his heart is really just a jerk; despite his love for Cathy at the start, his wandering eye and his self-absorbed personality become his downfall and the relationship fails. Jonathan's acting choices are dramatic whilst still being understated at points and he truly relates to the audience, especially when he picks out audience members to be his Cathy in certain songs.
Samantha Barks shows off her acting and singing chops once again in the role of Cathy. From the opening number of the iconic "I'm Still Hurting" Samantha embodies the character and gracefully rewinds from the bitter end of the relationship to the extreme joy she felt at the start. Samantha's star power glistens like a diamond as she commands the stage in this role and shows her versatility in moments of happiness, sadness and humour.
This is a positively admirable production which ticks every box on what makes a great musical. Its truly a lesson in acting through song and the two stars are faultless in their performances. The Last Five Years is a beautiful, bold and poignant depiction of a relationship, impeccably brought to life on stage by two wonderfully esteemed performers.
The Last Five Years is on at the St James theatre until December 3rd. You can book tickets on the website here.
photos by Scott Rylander
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