Posts with the label uk tour
Showing posts with label uk tour. Show all posts
Showing posts with label uk tour. Show all posts
Monday 28 October 2024
Dear Evan Hansen Extends UK Tour with Extra Dates for 2025!
Fans across the UK now have extra chances to experience the powerful story of Dear Evan Hansen as ATG Productions announces an extended four-week run due to popular demand. This award-winning musical- celebrated with Olivier, Tony, and Grammy wins- will reach additional cities with new dates, bringing this moving production to even more audiences. The tour, directed by Nottingham Playhouse's Artistic Director Adam Penford, premiered at the Nottingham Playhouse in September 2024 and has captivated audiences nationwide with its emotional depth and impactful story.
Dear Evan Hansen tells the story of Evan, a socially anxious high schooler whose desire to fit in leads him down a path of tangled truths and unexpected consequences. Ryan Kopel (Newsies) stars as Evan, delivering a nuanced performance alongside Lauren Conroy (Into the Woods) as Zoe Murphy and Alice Fearn (Wicked, Come From Away) as Heidi Hansen, Evan’s mother. Supporting them is an ensemble cast, including Helen Anker (Mamma Mia!), Richard Hurst (The Lion King), TikTok-discovered Sonny Monaghan as alternate Evan, Killian Thomas Lefevre (Bat Out Of Hell) as Connor Murphy, Tom Dickerson (Heathers) as Jared Kleinman and Vivian Panka (9 to 5 the Musical) as Alana Beck. The ensemble are Lara Beth-Sas, Will Forgrave, Daniel Forrester, Jessica Lim, Sonny Monaghan and Elise Zavou. This marking the first UK production to incorporate an ensemble cast.
This extended leg will visit Aylesbury Waterside Theatre (June 10-14), Birmingham Alexandra (June 17-21), Grand Opera House York (June 24-28), and Edinburgh Playhouse (July 1-5), with tickets available now at evanontour.com. The production’s team boasts a high-caliber crew, with design by Morgan Large, choreography by Carrie-Anne Ingrouille, lighting by Matt Daw, and a score by Benj Pasek and Justin Paul, whose songs have become musical theatre icons.
In partnership with The Mix, a UK charity supporting those under 25, Dear Evan Hansen provides resources and outreach to audiences affected by its themes, addressing mental health issues relevant to young people today. This partnership reinforces the musical’s mission to encourage conversation, support, and awareness for sensitive issues central to the story.
Get ready to immerse yourself in the unforgettable world of Dear Evan Hansen, a journey of truth, forgiveness, and resilience that speaks to audiences of all ages. Don’t miss your chance to witness this celebrated musical on its extended UK tour- book your tickets soon, as demand continues to grow.
photo credit: Marc Brenner
Wednesday 23 October 2024
Here You Come Again: Strong Performances & Nostalgic Set Design Outshine a Thin Plot in This Dolly Parton-Inspired Musical
Here You Come Again (Tour)
New Victoria Theatre
Here You Come Again: The Musical is a lighthearted jukebox musical that blends the iconic charm of Dolly Parton’s greatest hits with a tale of self-discovery set during the lockdown era. Created by Bruce Vilanch, Gabriel Barre and Jonathan Harvey, this show brings the country queen’s signature wit and wisdom to the stage, all while exploring themes of loneliness, identity, and the universal need for connection. Currently touring, it is soon heading to the West End, where fans of Dolly’s music and humour will undoubtedly flock.
The story revolves around Kevin, a man struggling with the emotional fallout of a breakup during the pandemic. Isolated and adrift, Kevin is unexpectedly visited by his idol, Dolly Parton- part fairy godmother, part figment of his imagination—who helps him through his personal crisis with a series of humorous, song-filled moments. The concept of facing one's inner demons during lockdown is timely and offers moments of introspection, but ultimately, the plot feels somewhat underdeveloped. Kevin’s journey lacks the emotional depth to make his self-discovery truly engaging, and the ending, without giving too much away, feels a bit too convenient. While the premise is intriguing, there’s not enough character growth to sustain a two-hour show.
That being said, the real highlights of Here You Come Again lie in its stellar performances and detailed set design. The two leads- Tricia Paoluccio as Dolly and Steven Webb as Kevin- carry the production with extraordinary vocal talent and impeccable comedic timing. The chemistry between Dolly and Kevin is undeniable; their playful banter keeps the audience laughing, while their shared emotional moments add some needed tenderness to the storyline. The actors’ voices are perfectly suited to the classic Dolly Parton hits, delivering each song with warmth, power, and precision. Tricia Paoluccio is Dolly Parton, her portrayal is completely faultless, with every inflection and rhythm completely spot on. If you're attending this show for the music and the performances, you won’t be disappointed.
The set, designed by Paul Wills, is another triumph, offering a richly detailed, nostalgic environment that keeps things visually interesting despite its minimal changes throughout the show. Kevin's attic home is packed with fun Easter eggs, from a mischievous Sooty and Sweep puppet set to a slightly eerie Chucky doll lurking upstairs. Of course, Dolly Parton records dot the space, creating a shrine-like atmosphere perfect for a superfan like Kevin. The clever use of the set helps maintain the whimsical tone, with small magical effects (Richard Pinner) and props that appear out of nowhere, adding charm and surprise to each scene. The live band (led by Jordan Li-Smith) and ensemble, stationed mostly on the upper floor of the set, adds an extra layer of energy to the performance, and their seamless integration into the scenes enhances the intimate, living-room-concert vibe.
Despite the strengths of the performances and the captivating set, the plot often feels like it's simply a vehicle for Dolly’s music. While this is common in jukebox musicals, there are shows that manage to balance narrative and song more effectively. Kevin’s central conflict- his struggle with loneliness and identity post-breakup- doesn't feel fully resolved by the end. His transformation, or lack thereof, feels handed to him rather than earned, which may leave some audience members (myself included) feeling a bit underwhelmed.
However, the fairytale-like quality of Dolly’s guidance and the feel-good nature of her music provides enough sweetness and heart to make the experience worthwhile. For those who are diehard Dolly fans or enjoy a nostalgic trip through the country icon’s greatest hits, Here You Come Again offers plenty of charm. The show may not deliver the most compelling story, but its combination of five-star performances, a cleverly designed set, and Dolly’s ever-enchanting presence makes it worth a visit for a fun, light night out at the theatre.
★★★
Reviewed on Tuesday 22nd October 2024 by Olivia
Photo Credit: Hugo Glendinning
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 18 October 2024
Lord of the Dance- A Lifetime of Standing Ovations on Tour: A Footwork Feast with a Touch of Nostalgia
Lord of the Dance: A Lifetime of Standing Ovations
New Victoria Theatre
Lord of the Dance: A Lifetime of Standing Ovations is a unique production that showcases the unmatched talent of its dancers, but it also carries a sense of nostalgia that doesn’t quite hold up in today’s world. Originally created by Michael Flatley in 1996, the show is rooted in Irish mythology, featuring stunning footwork and energetic performances.
At its core, Lord of the Dance tells a mythic tale of good versus evil, with the "Lord" representing all that’s noble and heroic, while the "Dark Lord" embodies chaos and villainy. As these two archetypal male figures battle for dominance, female characters like "Saoirse" and "The Morrighan" find themselves relegated to fairly traditional roles: yearning for the hero or caught in the middle of the conflict. The story itself feels more like a backdrop to the dancing rather than a fully fleshed-out narrative, and the idea of macho men saving the day while women stand by feels a little tired in today’s cultural climate.
Visually, the show is a mixed bag. At times, the lighting, costumes, and staging can be quite effective, creating moments of real magic. However, there are other moments where the visuals feel random and disconnected, with no real cohesion in design or purpose. The costumes range from ethereal and elegant to overly flashy and out of place. The lighting effects, while dynamic, often seem to be trying to add drama where the narrative fails to deliver. These dated visual elements can distract from the otherwise incredible dance performances and make the production feel less polished than it once was.
That said, the live music elements, including violin interludes and occasional vocal performances, are a welcome addition. They break up the dance-heavy sequences in a way that adds depth and texture to the show. The mix of live music and recorded tracks is well-balanced, enhancing the energy of the performance while giving the dancers brief moments to reset.
The dancing itself is the undeniable highlight of the show. The sheer athleticism and precision of the cast are nothing short of remarkable. The iconic Irish step-dancing routines are performed with an intensity and flair that keeps the audience fully engaged, even when the story feels secondary. The choreography remains as impressive as ever, with the dancers’ footwork bringing an unmatched level of excitement and spectacle to the stage. Even if the visuals and plot don’t always hit the mark, the dancing alone is enough to make the show worth seeing.
Lord of the Dance is still a strong production for fans of Irish dance and music, but it feels very much like a product of its time. The plot is simple, predictable, and hinges on outdated gender roles, while the visual elements, although sometimes effective, lack coherence and can feel random or overdone. Yet despite these shortcomings, the live music and the incredible talent of the dancers keep the show afloat and make it worth a watch. It's a show that knows what it is and embraces it fully. It might not break new ground for those familiar with it, but it offers a nostalgic, enchanting escape for anyone craving the magic of Irish dance. For longtime fans, it’s a delightful revisit to a cherished classic, while for newer audiences, it serves as a beautiful introduction to the art form, even if it does show its age in places.
★★★
Reviewed on Friday 18th October by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 16 October 2024
Full Cast Announced for 2025 UK Tour of Bat Out of Hell The Musical
The producers of the award-winning Bat Out of Hell The Musical, which features Jim Steinman and Meat Loaf's greatest hits, have announced the full cast for the upcoming 2025 UK tour. This electrifying show, which begins performances on 6 January 2025 at the Edinburgh Playhouse, will tour across the UK until 20 September 2025, concluding in Northampton. Fans can expect a spectacular production featuring a dynamic cast, iconic rock songs, and unforgettable theatrical energy.
Joining the previously announced Glenn Adamson as Strat, Katie Tonkinson as Raven, Rob Fowler as Falco, and Sharon Sexton as Sloane, new cast members include Georgia Bradshaw as Zahara, Ryan Carter as Jagwire, Carla Bertran as Tink, Luke Street as Ledoux, and Carly Burns as Valkyrie. The full ensemble cast features a talented mix of West End and touring performers, including Leo Abad, Peter Camilleri, Joshua Dever, Reece Duncan, Georgia Holland, Georgia Iudica-Davies, Natalie Pilkington, Harriet Richardson-Cockerline, Sophie-Rose Emery, Catherine Saunders, Ethan Tanner, Craig Watson, James Wilkinson-Jones and Beth Woodcock. At certain performances, roles such as Strat, Falco, Sloane, and Ledoux will be covered by alternate actors, including Luke Street and Beth Woodcock.
Inspired by its arena tours in Australia and New Zealand, this reimagined production promises to be a high-octane experience, with a sprawling set design featuring multi-level platforms and an on-stage eight-piece rock band. The show immerses the audience in the fantastical world of Bat Out of Hell, delivering some of the most iconic rock anthems ever recorded. The musical features Jim Steinman’s legendary songs like You Took the Words Right Out of My Mouth, Bat Out of Hell, I Would Do Anything for Love (But I Won’t Do That), and Two Out of Three Ain’t Bad. It also includes the previously unreleased song, What Part of My Body Hurts the Most.
The stage adaptation of Bat Out of Hell has wowed audiences worldwide, with successful runs in Manchester, London’s West End, and international productions in Canada, Germany, New York, Las Vegas, and beyond. It received critical acclaim and won the Radio 2 Audience Award for Best Musical at the Evening Standard Awards, in addition to eight nominations at the WhatsOnStage Awards, including Best New Musical.
The musical tells the story of the immortal leader Strat and his love-at-first-sight obsession with Raven, the daughter of Falco, the ruler of a dystopian city. As their passionate connection grows, the two lovers find themselves caught in a struggle that threatens to tear both of their families apart. The production brings Steinman and Meat Loaf's epic collaboration to life on stage with a thrilling mix of music, romance, and rebellion.
The creative team behind Bat Out of Hell The Musical includes book, music, and lyrics by Jim Steinman, direction by Jay Scheib, musical supervision by Michael Reed, additional choreography by Xena Gusthart, set and costume design by Jon Bausor, and lighting design by Patrick Woodroffe. The UK tour is produced by Michael Cohl, Tony Smith, and David Sonenberg, with executive producer Julian Stoneman.
Audiences across the UK will have the chance to experience the exhilarating power of Bat Out of Hell when it kicks off its tour in 2025. Don’t miss this unforgettable celebration of rock ‘n’ roll, love, and rebellion!
photo credit:
Thursday 10 October 2024
Full Cast Announced for UK & Ireland Your of Kinky Boots the Musical
Producers ROYO and Curve are thrilled to announce the complete cast for the all-new Made at Curve production of Kinky Boots The Musical, winner of Olivier, Tony, and Grammy Awards. This celebrated musical will tour the UK and Ireland starting from 17 January 2025.
Joining the cast are: Newtion Matthews (Once on This Island) as Lola for select performances and Simon Snr for all others. Kara Lily Hayworth (Cilla the Musical) as Nicola, Joe Caffrey (Billy Elliot) as Don, Kathryn Barnes (Guys & Dolls) as Pat, Lucy Williamson (Fame!) as Trish, Jonathan Dryden Taylor (Fiddler on the Roof) as Mr Price, Scott Paige (I Should Be So Lucky) as George, Liam Doyle (Heathers) as Harry.
The ensemble cast also features: Kofi Dennis, Ru Fisher, Ben Middleton, Ashley-Jordon Packer, Cerys Burton, Cole Dunn, Kaya Farrugia, Jordan Isaac, Deena Kapadia, Tori McDougall, and Liam McEvoy.
These new cast members will join previously announced stars: Johannes Radebe (Strictly Come Dancing) as Lola, Dan Partridge (Grease) as Charlie Price and Courtney Bowman (Legally Blonde) as Lauren.
Kinky Boots The Musical features a score by Cyndi Lauper and a book by Harvey Fierstein, with direction by Curve’s Artistic Director Nikolai Foster. The story, based on real events and the 2005 film, follows Charlie Price, a man trying to save his family’s failing shoe factory. When he meets Lola, a charismatic drag queen, their collaboration brings hope, reinvention, and a splash of glamour to the business.
With its uplifting message of celebrating individuality and finding common ground, Kinky Boots promises to “Raise You Up” starting January 2025.
The production is helmed by Nikolai Foster, featuring choreography by Leah Hill, set and costume design by Robert Jones, musical supervision by George Dyer, lighting design by Ben Cracknell, sound design by Adam Fisher, casting by Harry Blumenau CDG CDA, and wigs, hair, and make-up design by Campbell Young Associates.
Associate direction is by Michaela Powell, with associate choreography by Johnny Bishop, and associate sound design by Harry Barker. Production management is handled by Setting Line.
Kinky Boots is produced by ROYO and Curve. Don’t miss this fabulous production when it kicks off its tour in January 2025!
Wednesday 9 October 2024
Tom Fletcher’s There’s a Monster in Your Show to Return for New Tour
The cast for this tour includes talented puppeteers like Charlie Daniels, Josh Macrow, Ben Murrell, Ashton Owen, and Gil Sidaway. The tour will start at Watford Palace Theatre in October 2023 and is expected to visit over 50 venues across the UK, running through June 2024
A Life-Affirming Musical: Come From Away on Tour REVIEW | New Wimbledon Theatre
Come From Away
New Wimbledon Theatre
Come From Away is an extraordinary and heartwarming celebration of humanity, compassion, and community spirit. This remarkable musical, based on the true events following the tragic events of September 11th, 2001, chronicles the story of a small town that welcomed over 7,000 stranded passengers when 38 planes were unexpectedly diverted to Gander, Newfoundland. The 100-minute production, performed without an interval, captivates audiences from the first note to the final bow, leaving you inspired and deeply moved by the resilience and kindness of strangers.
The show, created by the brilliant team of Irene Sankoff and David Hein, debuted in 2013 before premiering on Broadway in 2017 to critical acclaim. It went on to win a Tony Award for Best Direction and has become a worldwide phenomenon; after (devastatingly) closing in the West End, the show is currently touring the UK and touching the hearts of countless theatergoers. What makes Come From Away unique is that it doesn’t dwell on the tragedy itself; rather, it highlights the powerful goodness that arose in response. It’s a story that everyone needs to see- a true testament to the strength of human spirit and the way communities can come together in times of need.
The cast of Come From Away is a masterclass in ensemble performance, with each of the twelve actors seamlessly taking on multiple roles, transitioning between characters with just a subtle change in voice, posture, or costume. Sara Poyzer is great as Captain Beverly Bass, commanding the stage with poise and delivering a stirring rendition of 'Me and the Sky,' a poignant ode to the barriers women face in aviation and beyond. Jamal Zulfiqar’s dual roles as Kevin and Ali are portrayed with depth and sincerity, while Nicholas Pound brings a steady warmth to Mayor Claude Elliott. Bree Smith, as Hannah, delivers an emotionally charged performance that resonates deeply, and Rosie Glossop’s Bonnie has an endearing authenticity that reflects the compassionate spirit of Gander’s residents. Daniel Crowder and Kirsty Hoiles, as Nick and Diane, exude heartfelt chemistry, and Amanda Henderson’s portrayal of Beulah is both humorous and touching, embodying the very essence of Newfoundland hospitality. Natasha J. Barnes is wonderfully endearing as newbie news-reporter Janice, while Mark Dugdale brings great light and vocals to Kevin T. Oliver Jacobson and Dale Mathurin provide some of the most humourous moments of the show and complete the universally perfect cast.
Howell Binkley’s brilliant lighting design transforms the relatively simple set into myriad locations, evoking a sense of intimacy and immediacy that brings the story to life. The lighting shifts subtly to reflect both the tension and warmth of each scene, helping audiences feel every moment of hope, uncertainty, and joy. Kelly Devine’s choreography is equally impressive- fluid and organic, it mirrors the natural rhythms of life in Gander and the mingling of so many lives, capturing the bustling energy of the community while maintaining a focus on small, authentic human interactions.
The music, with its Celtic-inspired score composed by Sankoff and Hein, is the heartbeat of the production. From the powerful opening number, 'Welcome to the Rock,' to the joyful 'Screech In,' the songs are infused with East Coast flair, featuring lively fiddles, bodhrans, and an ensemble that sings and plays with palpable passion. Under the direction of Andrew Corcoran, the music beautifully conveys both the emotional highs and lows, transporting audiences to Newfoundland with its driving rhythms and haunting melodies.
More than just a musical, Come From Away is an experience that reminds us of the inherent goodness within people. The uplifting message is amplified by the Pay It Forward initiatives that the production actively supports. These activities, organised by Lydia Greatrix, in honour of her friend and Come From Away superfan Laura Townsend, which include partnerships with local charities and community outreach, bring the show’s message of kindness off the stage and into the real world. By championing causes that encourage generosity and connection, Come From Away continues to “pay forward” the generosity of Gander, ensuring that its legacy of compassion extends far beyond the theatre.
In the end, Come From Away is not just a must-see show- it’s a life-affirming testament to the power of people and the enduring strength of community. It’s a reminder that, even in the face of unimaginable darkness, human decency shines through, and strangers can become friends. This is a show that will leave you laughing, crying, and wanting to be a better person- a story that every single person should experience, especially in today’s world.
If you would like to donate to future pay it forward events, check the Just Giving page here.
★★★★★
Reviewed on Tuesday 8th October 2024 by Olivia
Photo Credit: Craig Sugden
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 8 October 2024
Matilda the Musical to Embark on New UK and Ireland Tour
The Royal Shakespeare Company (RSC) has exciting news for musical theatre lovers: Matilda The Musical will launch its second major tour across the UK and Ireland in October 2025. The tour kicks off at Curve Theatre in Leicester on October 6, 2025, and will run simultaneously with the show's West End production.
Based on Roald Dahl’s beloved book, Matilda The Musical tells the inspiring story of a determined young girl who uses her vivid imagination to overcome life's challenges. The musical has achieved remarkable success, amassing over 100 awards, including an impressive 24 Best Musical accolades. Audiences can look forward to hearing iconic songs such as "Quiet," "Naughty," "When I Grow Up," and "Revolting Children." Additionally, a film adaptation released in 2022 is available on Netflix, broadening the show's reach even further.
Written by Dennis Kelly, with music and lyrics by Tim Minchin and direction by Matthew Warchus, the production also boasts a talented creative team, including Rob Howell (set and costume design), Peter Darling (choreography), Christopher Nightingale (orchestrations and musical supervision), Hugh Vanstone (lighting), Simon Baker (sound), and Paul Kieve (special effects and illusions).
In a recent interview, Minchin reflected on the show's enduring popularity: “When we first started working on the show, our aim was to make a lovely little jewel of a musical for the RSC’s Courtyard Theatre in Stratford-upon-Avon. We never imagined that all these years later it would still be running in the West End, have been made into a film, and is now about to embark on its second tour of the UK and Ireland. I’m deeply proud of Matilda The Musical, and every single talented person who continues to work on it with passion and enthusiasm.”
The tour will celebrate its 15th anniversary at Curve Theatre, where it will run until October 25, 2025. Following that, it will continue to various venues, including the Alhambra Theatre in Bradford (October 30 to November 23), the Liverpool Empire (December 2 to January 4, 2026), Theatre Royal Plymouth (January 13 to February 7), Sunderland Empire (February 11 to 28), Edinburgh Playhouse (March 4 to 22), and Manchester Palace Theatre (March 26 to April 25). Additional dates are expected to be announced in the future.
Priority booking for RSC and Theatre Members/Friends, as well as ATG+ Members, opens at 10 a.m. on October 22, 2024, with general ticket sales starting on October 24, 2024, for most venues (with exceptions for Curve and Theatre Royal Plymouth). Details regarding casting and other creative aspects of the tour will be revealed later.
photo credit: Manuel Harlan
Tuesday 18 June 2024
Don't Miss Sister Act the Musical in the West End: A Heavenly Night at the Theatre
If you're looking for a divine night out in London, then Sister Act the Musical is your calling! This sparkling show is lighting up the West End, and it’s a sin to miss it. Whether you’re a theatre aficionado or a casual musical-goer, here are some heavenly reasons to catch this nun-believable production. Plus, it's going on a UK tour, so if you can’t make it to London, the show might just be coming to a cathedral near you!
Star-Studded Cast: First off, let’s talk about the cast. This production is blessed with talent that will make you want to sing “Hallelujah!” Leading the way is the fabulous Alexandra Burke as Deloris Van Cartier, whose powerhouse voice and infectious energy bring this iconic character to life. Ruth Jones, known and loved for her role as Nessa in the hit TV show Gavin and Stacey plays the strict yet lovable Mother Superior. Also gracing the stage is the dynamic duo of Lee Mead as Eddie Souther and Lemar as Curtis Jackson, adding charm and villainy in equal measures.
Joyous Music and Dance: The music in Sister Act is nothing short of heavenly. With Alan Menken's uplifting songs that blend gospel, disco, and Motown vibes, you’ll be tapping your feet and clapping your hands in no time. Glenn Slater's lyrics are jam packed with word play that'll have you laughing out loud. Hits like 'Raise Your Voice' and 'Take Me to Heaven' will have you bopping in your seat, while Lizzie Bea's astounding rendition of 'The Life I Never Led' with have you praising her talent.
A Feel-Good Story: At its heart, Sister Act is a story about friendship, faith, and finding your true voice. Deloris Van Cartier, a lounge singer on the run, transforms a convent choir with her lively spirit and unites a group of nuns in a shared purpose. It’s a tale that warms the soul and reminds us of the power of community and self-discovery. You’ll leave the theatre with a full heart and a smile on your face.
Hilarious and Heartwarming Moments: From laugh-out-loud moments to tear-jerking scenes, Sister Act the Musical has it all. The comedic timing of the cast, especially Ruth Jones and Lesley Joseph, is impeccable. The variety of interactions are both touching and hysterical. Thanks to the uniquely defined personalities of each nun, the musical strikes a perfect balance between humour and heartfelt emotion.
Stunning Production Value: Morgan Large's set and costume designs are vibrant and detailed, immersing you in the world of the convent and the seedy nightclubs. Coupled with Tim Mitchell's dynamic lighting, and a Tom Marshall's really well balanced sound, every scene is a visual feast that enhances the overall experience.
With a stellar cast, sensational music, a heartwarming story, and top-tier production value, it promises a night of entertainment that is nothing short of divine. So grab your friends, book your tickets, and get ready to be blessed with one of the most enjoyable shows of the year. And remember, if you can’t catch it in London, the UK tour is coming soon to a town near you. Praise be!
So, what are you waiting for? Don’t miss out on this heavenly experience – it's sure to be a habit-forming night out!
Photo Credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
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