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Tuesday, 29 October 2024

13 Going on 30 - The Musical Premieres in Manchester in 2025!

Get ready to be swept back into the whimsical world of 13 Going on 30 as it transforms from beloved rom-com to musical in a world premiere at Manchester Opera House. This limited season debut kicks off on September 21st, 2025, and promises a nostalgic, magical experience for fans and newcomers alike. Based on the 2004 hit starring Jennifer Garner and Mark Ruffalo, 13 Going on 30- The Musical is written by the original film’s writers, Josh Goldsmith and Cathy Yuspa, and directed by award-winning Andy Fickman (Heathers, She’s The Man). Goldsmith and Yuspa have crafted a fresh adaptation for the stage, working alongside songwriters Michael Weiner and Alan Zachary (First Date, High School Musical: The Musical: The Series) to give Jenna Rink’s story a new dimension.

The story follows 13-year-old Jenna, a quirky, awkward middle schooler who feels trapped in the struggles of high school social life. When she wishes to skip ahead to adulthood, Jenna magically wakes up “thirty, flirty, and thriving” with the glamorous job of editor at a high-end fashion magazine. But adulthood proves to be more complex than she imagined, and as Jenna uncovers the life she’s built, she goes on a journey of self-discovery, realizing what- and who- she left behind. With its signature mix of comedy, romance, and heart, 13 Going on 30 explores timeless themes of friendship, identity, and staying true to yourself, making it perfect for a new generation to experience on stage.

Goldsmith and Yuspa, who also wrote the musical’s book, are thrilled to revisit the story, marking the 20th anniversary of the original film. They shared their excitement, saying:

When we wrote the movie 13 Going on 30, we never dreamt that on the film’s 20th anniversary, we’d get the chance to see a whole new generation fall in love with Razzles and feel thirty, flirty, and thriving. It’s been a joy to work with ROYO, Revolution Studios, songwriters Alan Zachary & Michael Weiner, and director Andy Fickman to bring this story to life as a stage musical. We were thrilled by the audience’s response to our workshop last year, and now we can’t wait to officially open in Manchester at the legendary Opera House- the launchpad of so many iconic musicals. So bring your family, your friends, maybe a date, or just come alone- don’t be shy, we’re all nice. Hope you have as much fun seeing the show as we had making it!”

Tickets go on sale at exactly 1:30 PM on November 13th, so set your reminder to grab yours early for this must-see production. With the Manchester Opera House’s legacy as the launchpad of iconic musicals, anticipation is high for this adaptation to make its mark. The full casting has yet to be announced, but with a powerhouse team behind it and plenty of musical talent, 13 Going on 30- The Musical promises to captivate fans of all ages with fresh songs, heartwarming themes, and the classic charm of Jenna Rink’s journey. So bring your friends, family, or just yourself to join in on the fun, laughter, and a little bit of magic at 13 Going on 30- The Musical- an exciting new chapter for a modern classic.

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Thursday, 13 September 2018

Heathers, Theatre Royal Haymarket | Review

Heathers

Theatre Royal Haymarket

Reviewed on Monday 10th September 2018 by Olivia Mitchell

★★★★

Every so often a show comes around which receives an exceptional amount of hype and has the West End buzzing. Heathers is currently that show and the good news is that it truly lives up to it. Based on the 1989 film starring Winona Ryder, this musical adaptation is full of energy and humour as it balances the line between political correctness and incorrectness. We find ourselves drawn towards the darkness but also cringing at the atrocities that go on.

Laurence O'Keefe had huge success with his adaptation of Legally Blonde and has applied his winning formula once again to bring this show to life with a camp, sassy and at times melancholic score. The plot follows Veronica Sawyer, a girl who is 'different' to the others at her school and longs for unity between all cliques and social standings. However, in order to make it through High School, she befriends the rulers of the school, the "lipstick gustapo" made up of three girls named Heather. Our protagonist then meets a brooding new boy, Jason J.D Dean who turns out to be a kill happy psychopath. From there on there are deaths, parties, funerals and a whole lot of destruction.

When the movie came out in 1989 it became an instant hit and then received a cultish following when it opened off-Broadway in 2014. The show's transition to the West End has been no different as teens and young adults flood to the theatre with scrunchies in hair and pleated skirts on to see this wildly fun but disturbing musical brought to life.

The entire cast bring this show to life with vivacious passion and immense talent. Leading the gang, Carrie Hope Fletcher is a powerhouse as she battles between what's right and wrong and what she wants to do to boost her social standing/love life. Carrie steps on stage to well deserved cheers and blows the roof of with her entire performance, especially her new song 'I Say No' which gives her a backbone and the rough 'Dead Girl Walking Reprise'. Veronica's moments of strength are certainly where Carrie shines but she is also humourous and likeable as she swoons over JD.

Under Andy Fickman's direction, Jamie Muscato plays the mysteriously murderous JD with an intensity that you can't help but be drawn to. Whilst it's not wise to partner up with a murderer, we all love a bad boy and the combination of JD's smooth talking and Jamie's perfectly rough voice make us feel for him a little bit, even though he becomes a monster before our eyes. Muscato's frenetic energy in 'Meant To Be Yours' is certainly a theatrical highlight of the year.

The three Heathers waltz around the stage as one but have quirky personality traits which are owned and embodied by each. As leader of the pack, Heather Chandler who "floats above it all", Jodie Steele is brilliant. Her permanent scowl, sharp movements, sublime vocals and stellar comedic timing make her perfect for the role. Sophie Isaacs brings an innocence to Heather McNamara which is interesting to play out. Whilst she is part of the mean girl group, it's clear from the outset that she is merely following the pack and wishes to break away. Isaacs' rendition of Lifeboat is a pin-drop silence moment which stands out in the show. As the final Heather, Duke, T'Shan Williams is feisty and aggressive, with her solo Never Shut Up Again earning her laughs and cheers from the audience.

Stand outs of the cast also include Jenny O'Leary who gives a moving performance of Kindergarten Boyfriend, Rebecca Lock who brings the entire theatre to life with her fiery, belt-tastic Shine a Light and Christopher Chung and Dominic Andersen who are humour embodied as the jocks who combine to create Kram. Ensemble members Lauren Drew and Olivia Moore also catch the eye throughout.

Gary Lloyd's choreography is especially effective with the Heathers, namely during the iconic Candy Store which sees them sashaying round the stage but in true Heathers style, being in complete control the entire time and never stepping out of sync with one another.

Mention must go to Ben Cracknell's lighting, which like the music, intensifies every emotion on stage. Particularly effective are the varying tones of light between the characters. The Heathers are of course lit in their iconic colours (brought to life vibrantly through David Shields' costumes) but whats most striking are the moments when Veronica is lit in warm spotlights whilst JD is basked in stark, almost grey tones. This highlights the contrast between the true evil and the kind-of-forced-into-evil in a clever way.

Most of the subject matter of this show is uncomfortable but sadly ever present: bullying, suicide, murder, depression. Heathers does a good job of satirising the sensationalism of them and shines a light (pun intended) on the fact that unity and kindness are always the way forward.

Whilst this isn't a light hearted show in content, the songs are crazily catchy, the talent level is ridiculously high and it's just a really good night out. For Big Fun, get down to the Theatre Royal Haymarket!

Heathers runs at the Theatre Royal Haymarket until 24th November

photo credit: Pamela Raith

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Wednesday, 3 November 2021

Heathers The Musical (UK Tour), New Wimbledon Theatre | Review

Heathers The Musical (UK Tour)

New Wimbledon Theatre

Reviewed on Tuesday 2nd November 2021 by Olivia Mitchell

★★★★

Westerberg High School is back open and this time it's touring the UK, currently playing at the New Wimbledon Theatre. The show's popularity is evident from acclaimed Off-West End and West End runs in 2018, followed by another West End engagement this summer and a newly announced run at The Other Palace. The touring production embodies the same energy and will continue to provide Big Fun until the end of the year.

What works so well about this musical is that it doesn't take itself too seriously; the whole thing is melodramatic and larger than life, focussing on high school stereotypes that are highly stylised and humourous. Alongside this, Heathers does focus on some extremely dark issues such as suicide, sexual assault and bullying, and it does so pretty well, although at times it feels somewhat sloppily handled and it would be great if there were some sort of trigger warnings before the show or placed around the theatre to prepare people for some jarring moments.

However, Andy Fickman does a great job at directing this fast-paced black comedy, which alongside Kevin Murphy and Laurence O’Keefe’s book, music and lyrics provides an energetic and enjoyable night out. Ben Cracknell's lighting does an excellent job of packing the stage with colour and cleverly draws your eye to crucial moments as well as literally highlighting the Heathers in their signature colours and often bathing JD in a cool, eerie shade. David Shields' design effectively transfers us to each plot setting, whilst maintaining the school vibes which course throughout; and the split levels utilise the space as well as working to emphasise the hierarchies of the characters.

Phil Cornwell leads the band to bring the rock soundtrack to life vigorously, Dan Samson's sound design really shines and Gary Lloyd's choreography ties it all together, with some excellent work by the mile a minute ensemble.

As our protagonist Veronica Sawyer, Rebecca Wickes is a powerhouse force. Her vocals are sensational and she maintains her energy and intelligence from start to finish. Barely leaving the stage Rebecca is a joy to watch as she brings a wide array of emotion and has a self-awareness that is magnetic. Simon Gordon as the brooding bad boy JD has equal pull as he sweeps Veronica and the audience up with his suave mystique, only to reveal his true self as the show moves on. Simon's voice is perfectly matched to the role and the pair work brilliantly together.

The three Heathers are played boldly by Maddison Firth (Chandler), Merryl Ansah (Duke), and Lizzy Parker (McNamara). Liam Doyle and Rory Phelan as Kurt and Ram give stand out performances and have a fantastically humourous chemistry with one another. As Martha Dunnstock, Mhairi Angus is heartwarming and vocally outstanding, providing a real starring moment and some calm in an otherwise crazy show.

Overall Heathers is a musical which clearly delights audiences and is top-notch for a modern musical. It ticks the boxes of humour, angst, drama and generally being over the top and is well worth visiting as it tours the country.

photo credit: Pamela Raith

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