Showing posts sorted by relevance for query Eleanor Worthington-Cox. Sort by date Show all posts
Showing posts sorted by relevance for query Eleanor Worthington-Cox. Sort by date Show all posts
Tuesday 22 October 2024
Anne-Marie Duff Leads Revival of The Little Foxes at Young Vic Theatre
The Young Vic Theatre has unveiled the full cast for its upcoming revival of Lillian Hellman’s The Little Foxes, starring the acclaimed Anne-Marie Duff (Bad Sisters, Suffragette) as Regina Hubbard. Directed by Olivier Award-winner Lyndsey Turner (Coriolanus, The Witches), this production runs from December 2, 2024, to February 8, 2025, with the official press night on December 11. Tickets are available now at www.youngvic.org.
Joining Anne-Marie Duff is a star-studded cast, including BAFTA Scotland award-winner Mark Bonnar (Napoleon, World on Fire) as Benjamin Hubbard, Anna Madeley (All Creatures Great and Small) as Birdie Hubbard, and Steffan Rhodri (Gavin and Stacey) as Oscar Hubbard. The ensemble also features Andrea Davy (Coronation Street) as Addie, Olivier nominee John Light (Showtrial) as Horace Giddens, Stanley Morgan (The Serpent Queen) as Leo Hubbard, Olivier winner Eleanor Worthington-Cox (Next to Normal) as Alexandra Giddens, and Freddie MacBruce in his professional debut as Cal.
A Gripping Tale of Power and Family Conflict
The Little Foxes centres on Regina Hubbard, a woman who has grown tired of standing on the sidelines while her brothers grow wealthier. When the opportunity for immense power and fortune presents itself, Regina sparks a chain of events that pits family members against each other—brother against brother, father against son, and Regina against her entire family.
The production promises a visually striking presentation with design by Lizzie Clachan, lighting by Lucy Carter, and sound by Tingying Dong. Fight direction is by Kev McCurdy, with voice and dialect coaching by Rebecca Gausnell. Phillippe Cato joins as the Jerwood Assistant Director, and Aoife Scott is the Jerwood Trainee Assistant Director.
This revival marks Anne-Marie Duff’s return to the Young Vic after 17 years, promising a powerful portrayal of Regina Hubbard, a character at the heart of this searing exploration of ambition, greed, and family dynamics. The Little Foxes is produced in association with Second Half Productions.
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
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