Showing posts sorted by relevance for query Laura Baldwin. Sort by date Show all posts
Showing posts sorted by relevance for query Laura Baldwin. Sort by date Show all posts
Friday, 21 February 2020
Laura Baldwin on The Importance of Female Led Musicals | Beautiful: The Carole King Musical | Interview
A jukebox musical with a book by Douglas McGrath, Beautiful: The Carole King Musical tells the story of the life and career of Carole King, using the songs she wrote as well as others by people she knew or were influential in her life.
Taking on the role of one of these, is Laura Baldwin who plays Cynthia Weil, King's best friend and writing rival. Having previously starred in Waitress, Laura is no stranger to female led stories, she sat down to tell us why these stories are so important and what people can expect from this musical...
Give us the lowdown on Beautiful, what can we expect?
Well you can expect a story of what went on behind the music surrounding the life of Carole King, told by an AMAZING cast. You’ll hear incredibly nostalgic songs and hopefully you’ll leave feeling elated, inspired and a little bit warm inside.
Whats your favourite song from Beautiful and why?
God that is SO hard! The Locomotion is definitely up there but it has to be Walking in The Rain. It’s just such a stunning song and it feels so lovely to sing.
You’re playing Cynthia Weil, what do you draw from in your own life and what research do you do to play a real person?
So Cynthia Weil is the first character I’ve played that I don’t feel anything alike. I couldn’t find any similarities for a while so that was a new challenge for me. It did however feel really refreshing to become someone completely different and, play parts of her that don’t come naturally to me. Now we’re well into the run I do see myself in her, like I love making people laugh, so does she! We’re both very ambitious and love our work. It was great to finally identify with her in some way.
I researched lots about Cynthia! I watched so many interviews and we talked extensively with Ed Goggin our director, all about the characters lives and motives throughout the show. I wanted to make sure I do her justice!! Hopefully I’m doing enough!
You previously starred in Waitress, another musical about female empowerment, what do you think makes these musicals so important and special?
Because we need women to be seen as the hero’s that they are and have always been! Waitress was a human story and Beautiful is a real life story, both with an underdog message. The characters find strength from within and that is always incredibly special to watch. Sara Bareilles is a power house as is Carole King. Their stories and music should be heard simply because of the talent behind them. I am honoured to be a small part of their work and portray the characters that are so dear to them, and inspiring to women and to everyone.
If a musical was going to be made about your life, who would you like to play you?
Oh Amy Adam’s or Kristen Wig just because I love them!!
What’s your best piece of advice for aspiring performers?
Keep the gorgeous people around you who lift you up! ALWAYS treat yourself after an audition. You will constantly struggle to balance everything and things will get hard but that’s okay. There will be highs and lows but the lows make it worth it. Stay humble, find ways to reconnect with yourself, book the holiday and know that your career doesn’t define you. I also feel like being yourself is HUGE and the moment I started accepting my weird crazy self, everything started to fall into place :) stay strong! x
Beautiful: The Carole King Musical plays at the New Victoria Theatre until 22nd February before continuing its tour
Interview by Editor, Olivia Mitchell
photo credit: Helen Maybanks
Thursday, 1 February 2018
Eugenius, The Other Palace | Review
Eugenius
The Other Palace
Reviewed on Tuesday 30th January 2018 by Olivia Mitchell
★★★★★
I saw and loved Eugenius back in 2016 at it's premiere concert at the London Palladium, so I was very excited when I read it was returning to The Other Palace. I'm pleased to say I stand by my initial review- I absolutely adored this, unique, hilarious, feel-good show.
Eugenius tells the story of Eugene, a G-E-E-K who has written a comic book and gets thrown into a crazy Hollywood, space story. Alongside we have Janey who is head over heels in love with him and does everything she can to impress him but has been placed firmly into the friend zone.
With music and lyrics and a book by Ben Adams and Chris Wilkins, Eugenius is a full on cheese fest of all things brilliant about the 80s. I'm 21 so wasn't alive then but it's so iconic that I couldn't help but feel nostalgic in a weird way. The music is catchy, the dialogue is laugh a minute and the whole show is just a big, joyous delight.
The cast are absolutely outstanding. As Eugene we have West End newbie Liam Forde, who is geeky and charming with a beautiful voice. His chemistry with everyone is great but especially with the delightful love interest Laura Baldwin as Janey. Laura's voice is something else, 'The Future is Bright' is definitely a stand out moment. Equally witty and loving, Laura is perfectly cast in the role.
As the best friend, Dan Buckley is hilarious as Feris. Despite being a comic role, Daniel's vocals shine and he is wonderful throughout. Equally comic is Scott Paige as Theo who is sassy and vocally outstanding. As the mean man, Cameron Blakely is perfectly despicable as Lex. His demeanour and crude actions make you pray for his demise. Ian Hughes is striking as the other, spacey villain, Evil Lord Hector.
This show creates an infectious atmosphere and has everyone bouncing and humming the songs as they leave the theatre. In my initial review I said that "this musical is bound to become a cult classic and pave the way for a whole wave of new musicals" and I think that still sums up my feelings. Eugenius is a unique, humourous celebration of being yourself and embracing your inner geek. With catchy music and a stellar cast, there's not a reason you shouldn't see this show!
Eugenius runs at The Other Palace until 3rd March
photo credit: Pamela Raith
Thursday, 7 March 2019
Waitress, Adelphi Theatre | Review
Waitress
Adelphi Theatre
Reviewed on Thursday 7th March 2019 by Olivia Mitchell
★★★★
Based on the 2007 film of the same name, Waitress is a quirky, sweet, fun show by late comedic legend, Adrienne Shelly. Having taken Broadway by storm, it has now opened in London and is a pastry wrapped parcel of theatrical sweetness.
With music and lyrics by Sara Bareilles, it's the score that's really the stand out factor of this show. The music is a magical combination of folk, pop, country and musical theatre, and gives the musical a really cinematic element. The contrast between high energy songs, calmer numbers and highly emotive pieces, cleverly matches the way the show emphasises the highs and lows of life.
As we are welcomed into the Adelphi Theatre with the smell of pie permeating the air, we instantly feel a sense of relaxation and as if we really are visiting the small diner in rural America where most of the show is set. We're introduced to the characters as if they're friends and get to see the great cast at work.
In Waitress, the ensemble act as though they are one. Of course they scatter the stage and have individual character moments (a particular stand out is Kelly Agbowu as the wonderfully sarcastic Nurse Norma as well as Charlotte Riby who is fantastic as Jenna's mum and really shines during her featured moments) but they really come into their own when they work as a team. Much of the choreography (Lorin Latarro) is ensemble based and features smooth movements as well as perfectly timed motions. The men and women combine at times to symbolise Jenna's internal thoughts, as well as keeping the show fluid and highlighting the connections between people on stage. Natural feeling movements are in reality, highly choreographed but the show still feels pretty free and spontaneous.
Whilst the show is cute and there are various witty moments, the book itself is not particularly strong as a whole. Leading lady Jenna, is pregnant with her abusive husband's child and falls in love with her gynaecologist Dr Pomatter, whilst her work colleagues also have romances of their own.
The romantic encounters are charming but the consistent cheating which runs throughout the show, feels somewhat jarring. It's not the cheating itself which feels wrong- Jenna wants someone who loves her outside of her abusive relationship, whilst Becky's husband is unwell so she feels tied to him but wants something more- but the lack of resolution to these stories feels unfulfilling. The story is clearly meant to be about female empowerment, but it doesn't seem right that the men are allowed to act in any way they like (and motivate all decisions the women make). Ogie for example, doesn't think twice about hounding Dawn when she says no to seeing him again, whilst Dr Pomatter has no qualms with seducing a vulnerable patient. Of course these things are meant to make us root for them and see it as 'forbidden love' but unfortunately it leaves a bit of a sour taste.
However, the performances throughout are pretty uniformly wonderful and the cast do all that they can with the book they've been given. Katharine McPhee as Jenna, gives a graceful but vivacious performance, which at times feels a little too understated but truly delivers in her stand out moments such as She Used to be Mine and she leads to show with a delicacy that is enviable. David Hunter is suitably geeky and charming and brings a great vocal performance to Dr Pomatter, whilst Jack McBrayer is hilarious but lacks vocal strength and technique as Ogie. Marisha Wallace is sassy as Becky and Laura Baldwin gives a standout performance both vocally and in terms of characterisation as timid, love-struck Dawn.
Waitress is a show that takes you off the beaten track and provides a more intimate, less flashy show compared to those we usually see. This nuanced musical is a sweet treat that will warm your heart, purely thanks to it's quirkiness and affectionate score.
Tickets for Waitress can be booked via www.londonboxoffice.co.uk
Tickets for Waitress can be booked via www.londonboxoffice.co.uk
photo credit: Johan Persson
Wednesday, 19 February 2020
Beautiful: The Carole King Musical (UK Tour), New Victoria Theatre | Review
Beautiful: The Carole King Musical (UK Tour)
New Victoria Theatre
Reviewed on Tuesday 18th February 2020 by Olivia Mitchell
★★★★
Beautiful opens with music icon, Carole King sitting alone on stage at a piano, singing to a sold out audience at Carnegie Hall. In an instant the piano moves out of view and we are taken to a Brooklyn apartment where a 16 year old Carole, with songs sing sell and dreams to dream, arrives on stage.
It's from here that we follow King through the trials and tribulations of her life from the vivacious teen, to young mother, wife, divorcee and eventually solo Grammy Award winner. From the outset Daisy Wood-Davis is engaging and endearing; giving a performance as Carole which certainly blooms throughout the musical and ends on a high. Her unique Brooklyn accent is strong, and whilst her performance is not always completely convincing, Wood-Davis does a solid job at bringing the legend to life.
What's impressive about this musical is how cleverly the scenes transition from the song-writing to the actual performances. The famous artists appear to perform the songs as the final lyrics and chords are written and highlight just how fast the music world moves. At times, some of the ensemble are a little lacklustre in their performances, but it's still nice to get a chance to hear the music of The Shirelles and The Drifters.
Aside from the music, the show mainly focusses on the relationship between Carole and her husband/lyricist Gerry Goffin. Played by Adam Gillan, Gerry is equal parts endearing, fragile and gushy. His vocals are strong and the chemistry between the pair, especially in the young love phase at the start, is very enjoyable to watch. We also see writing rivals/best friends Cynthia Weil (Laura Baldwin) and Barry Mann (Cameron Sharp) who want to succeed in all aspects of their lives. The pair give great vocal performances and bounce off one another well.
Many aspects come together to make this such a wholesome and enjoyable musical, including the excellent set design by Derek McLane which seamlessly transforms the stage and provides a welcoming backdrop for every moment. Alejo Vietti's costumes are also highly detailed and it's great to see how fashions changed as well as the music. Also, giving standout performances are Susie Fenwick as Carole's witty New York mother; Jordan Fox who shines in his vocal moments and Carly Cook who draws the eye throughout and gives an excellently polished performance all round.
A sentimental musical which captures all generations and celebrates the talent and drive of Carole King, and showcases the music industry Beautiful is certainly worth the watch.
Beautiful: The Carole King Musical plays at the New Victoria Theatre until 22 February and then continues its tour
photo credit: Helen Maybanks
photo credit: Helen Maybanks
Friday, 7 September 2018
Five Reasons to see Eugenius
I've been lucky enough to see Eugenius throughout it's journey, from it's first public concert at the London Palladium, to its first stay at The Other Palace and now at its triumphant return. It's wonderful to see such a fun British show become an audience favourite and a cult classic. At risk of full on repeating myself, instead of reviewing the show again, I bring you a list of reasons why should see it...
It's the Definition of Catchy- If you're a fan of upbeat, 80s inspired music and heartfelt ballads then this show is for you. If you don't find yourself humming "go Eugenius" or "Don't shoot for the stars, shoot higher" basically all the time after seeing the show, then you are very good at escaping musical earworms! (It's in my head even just from writing those words)
The Cast are Superstars- The talent on the stage of The Other Palace is unreal. Rob Houchen perfectly embodies the geeky Eugene who loves comics more than life and dreams of a brighter future where he will "inherit the earth". Laura Baldwin's voice is complete perfection as she balances angst, humour and joy with ease. Dan Buckley is the ultimate musical theatre comedian and Scott Paige brings the ideal level of sass to The Other Palace. Basically, this cast are astronomical and deserve to be seen.
It Allows us all to be G.E.E.K Geeks- However hardcore we try and be, deep down (or not deep down in my case) we're all geeks. This show allows us to embody this whilst living our best 80s lives. The message of the show is all about acceptance and inspiring us to strive for more, which is pretty great indeed.
The Whole Show is Pure Fun- Eugenius is one of the most self-aware shows I've ever seen. There are so many parts that are ridiculous and super cheesy and it does have it's faults but it knows that and doesn't try to be anything more than it is, which is a pure fun-fest. For a light-hearted, truly joyous night, get yourself along to Eugenius.
The Fans Are the Best- It's my belief that the fans can make or break a show. Regardless of what critics/reviewers say, a shows fanbase can spread the love and word quicker than wildfire. Sitting in row G I had a wonderful view of the fantastic fans who took up much of the first two rows and who were giving as much to the cast as the cast were giving to the audiences. Their beaming smiles, instant applause, knowledge of every word and action in the show and love on social media is heartwarming to watch. Go see Eugenius purely to see what the fans are raving about!
Eugenius runs at The Other Palace until October 21st 2018
photo credit: Scott Rylander
Wednesday, 16 October 2024
Final cast announced for Jack and the Beanstalk: What a Whopper!
The full cast has been revealed for the highly anticipated adult pantomime Jack and the Beanstalk: What a Whopper!, written by Jon Bradfield and Martin Hooper, with songs by Bradfield. Directed by Andrew Beckett, the show will run from 23 November 2024 to 11 January 2025 at Charing Cross Theatre, following the record-breaking success of last year’s Sleeping Beauty Takes A Prick!, which sold over 14,000 tickets and became London’s biggest adults-only pantomime.
Leading the cast is Keanu Adolphus Johnson as the poor, gay, and extremely horny Jack Trott. Johnson, who recently made waves in Backstairs Billy and dazzled audiences in Kinky Boots, brings his vibrant energy to this outrageous role. He’ll be joined by Matthew Baldwin, the reigning “Queen of Adult Panto,” who returns to reprise his role as Dame Dolly Trott, the sharp-tongued, quick-witted matriarch with a heart of gold. Baldwin is renowned for his commanding panto performances, described by critics as “one of the classiest Dames in the business.” Also joining the cast is Chris Lane as Dale, the friendly fairy, and Jordan Stamatiadis as the wickedly lascivious landowner, Lady Fleshcreep.
New faces in the production include Laura Anna-Mead as the lovable Simple Simone, Joe Grundy making his professional debut as Reverend Tim, and ensemble members Laura Buhagiar, Caitlin Swanton, and Fin Walton, who returns after his performance in Sleeping Beauty Takes A Prick!.
The story follows Jack Trott, who lives with his scandalous mother, Dame Dolly, on a dilapidated dairy farm in the quaint Yorkshire village of Upper Bottom. As Jack embarks on his cheeky quest to find something truly “giant,” he must also contend with the evil Lady Fleshcreep, navigate a 10-mile drought of potential Grindr dates, and find hilarity along the way. With its outrageous songs, glittering choreography, fabulous set design by David Shields (winner of Best Set Design at the National Panto Awards), and more innuendos than you can swallow, this panto promises to deliver a night of side-splitting laughter and risqué fun.
The show’s creators, Bradfield and Hooper, are known for their string of acclaimed gay pantomimes, which found a loyal following at the now-closed Above The Stag Theatre. The team behind Jack and the Beanstalk: What a Whopper!—including director Andrew Beckett and set designer David Shields—are dedicated to keeping the tradition alive, now at a larger venue, with their unique brand of big-hearted, sophisticated smut.
Bradfield says, “It’s been a joy to work with this hilarious family of collaborators. We started in the smallest theatres, and last year it was thrilling to see that there’s a bigger audience out there for our particular brand of outrageous, queer fun.”
This new production is set to be the wildest adult pantomime in London this winter, offering a raucous night out with dazzling designs, saucy humour, and laugh-out-loud moments that you won’t forget. With all the fun of a traditional pantomime but with a deliciously naughty twist, Jack and the Beanstalk: What a Whopper! is not one for the kids, but it’s perfect for adults looking for a hilarious, queer night out during the festive season.
Tickets for this must-see show are on sale now—don’t miss the chance to experience the madness for yourself!
photo credit: Johan Persson
Subscribe to:
Posts (Atom)
Hello!
