Showing posts sorted by relevance for query White Christmas. Sort by date Show all posts
Showing posts sorted by relevance for query White Christmas. Sort by date Show all posts

Tuesday 26 November 2019

White Christmas the Musical, Dominion Theatre | Review


White Christmas the Musical
Dominion Theatre
Reviewed on Monday 25th November 2019 by Olivia Mitchell 
★★★★

Seen last Christmas at the Leicester Curve Theatre, Nikolai Foster's exceptionally staged and completely charismatic production of White Christmas has taken it's place in the West End for a Christmas of festivities and theatrical joy.

Based on the 1954 film starring Bing Crosby, Danny Kaye, Rosemary Clooney and Vera Ellen, the musical follows the stories of two former World War II American soldiers who became a famous musical duo. The pair use their fame to join forces with Judy and Betty to save a holiday inn from financial ruin and spread cheer all around.

The embodiment of glamour from start to finish, this musical whisks you away and takes you to a wintery wonderland where lullabies and tap dances reign supreme. The audience are enthralled thanks to the intimate feeling which is somehow created in the vast cavern of the Dominion Theatre. 

The story is nothing special and there's really very little of it but there's a level of characterisation which runs deep throughout and makes the audience really care about the action and people on stage and brings a contemporary feel to an otherwise un-relatable musical. For example, Martha, Judy and Betty sing 'Falling Out of Love Can Be Fun' which highlights their desire to not being completely reliant on men. In another vein, the vulnerability of Bob (Danny Mac) is shown thoughtfully and delicately. Whilst at first he appears distant and uncaring, it soon becomes clear that he is struggling to rejoin civilian life. These human characteristics are realistically brought to stage with great effect. 


The cast of all round triple threats provide enough energetic festive cheer to power all the Christmas lights in London. Clare Halse is a theatrical treasure as she draws the eye every moment she's on stage and is the epitome of Hollywood glamour. Her performance is faultless as she glides around and radiates excellence. Halse also gives a dazzling tap performance of 'I Love a Piano' alongside Dan Burton and the ensemble. Burton as Phil is equal measures charm and sleaze as well as giving top top top notch vocals and choreographic quality. Danny Mac once again gives a faultless performance and has a great love/hate chemistry with Danielle Hope as Betty. Their blossoming romance is lovely to watch just another level of sweetness in this candy-cane-sugary musical.

Michael Brandon is commanding but vulnerable as General Henry Waverly, whilst, Brenda Edwards is a compelling force of comedic nature as Martha and provides a real show stopping moment with 'Let Me Sing and I'm Happy'. The ensemble are unanimously joyous and captivating throughout, with Aimée Hodnett and Kayleigh Thadani giving stand out performances as the ditzy, amorous Rhoda and Rita.

This is a visually exquisite musical which is the embodiment of production value. Diego Pitarch's sumptuous costumes not only look beautiful on their own, but float and flow divinely as part of Stephen Mear's choreography which is elegance and style wrapped up with a bow. The post-war era is brought to life glitteringly, as is the music of Irving Berlin which soars and fills the Dominion.

It's not about the story and of course there are faults as with many classic films but this is an utterly lavish production which will fill even the Grinch's heart with Christmas cheer. 

photo credit: Johan Persson

Tuesday 22 October 2024

The Mill at Sonning's White Christmas to Play with Uplifting Musical Magic and All-Star Cast


The iconic 1954 film White Christmas, directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen, became the highest-grossing musical of its time. The stage adaptation, featuring additional Irving Berlin songs, debuted on Broadway in 2008 and quickly became an audience favorite, returning the following year after rave reviews. The musical will play at The Mill at Sonning from 27th November 2024 to 25th January 2025.

The talented cast includes Jason Jajdi as Bob, Connor Hughes as Phil, Gabriella Williams as Betty, and Nic Myers as Judy. Mark Curry takes on the role of General Waverly, with Shirley Jameson as Martha and Natasha Cayabyab as Susan. Shem Omari James plays Sheldrake, with Greta McKinnon as Rhoda, Eleanor Walsh as Rita, Elliot Allinson as Mike, and Lewis Rae as Ezekiel. Grace Chan and Jack Speck join as swings.

The story follows Veterans Bob Wallace and Phil Davis, now successful performers after World War II, follow a pair of singing sisters to a Vermont lodge, owned by their former army commander. With a heartwarming story and a score featuring timeless hits like "Blue Skies," "I Love A Piano," "How Deep Is the Ocean," and the beloved "White Christmas," this musical promises to enchant audiences of all ages with its wholesome charm and dazzling performances.

The creative team features director Jonathan O'Boyle, set designer Jason Denvir, costume designer Natalie Titchener, choreographer Gary Lloyd, and assistant choreographers Lauren Gore and Emma Hunter. Lighting is designed by David Howe with Freddy Sherwood as associate, and Jae Alexander serves as musical arranger and director. Sound design is by Chris Whybrow, with casting by Jane Deitch.

Tuesday 7 June 2022

Full Cast and Creative Team Announced for Billy Elliot the Musical


Curve has announced the cast and creative team for its upcoming Made at Curve production of Billy Elliot the Musical.

The first new UK production is directed by Nikolai Foster (A Chorus Line, Sunset Boulevard – At Home, West Side Story) and will run at the Leicester theatre for six weeks only from Thursday 7 July to Sunday 14 August. Press night will take place on Thursday 14 July.

The titular role of Billy Elliot, the miner’s son with a passion for ballet, will be performed by Leo Hollingsworth from Nottinghamshire, Alfie Napolitano from Northamptonshire, Samuel Newby from Hertfordshire and Jaden Shentall-Lee, whose family live in Leicestershire.

Billy’s dance teacher Mrs. Wilkinson will be played by West End and Broadway legend Sally Ann Triplett, whose iconic roles include Reno Sweeney in Anything Goes (National Theatre and Theatre Royal Drury Lane) and Young Phyllis in Follies (Shaftesbury Theatre), as well as Martha in the recent Made at Curve UK tour of White Christmas.

Michael, Billy’s best friend will be performed by Bobby Donald, Lucas Haywood, Ethan Shimwell and Leicester’s Prem Masani, who will make his stage debut in the production.

All hailing from the East Midlands, Pearl Ball, Caitlin Cole, Lola Johnstone and Ellie Copping – who returns to Curve’s stage having previously appeared as Susan Waverly in the 2018 Made at Curve production of White Christmas - will share the role of Debbie, Mrs. Wilkinson’s daughter.

Joe Caffrey, who previously performed in the West End production of Billy Elliot the Musical, will join the cast as Billy’s Dad Jackie, while Broadway and West End sensation Rachel Izen will play Billy’s Grandma Edna. Luke Baker (Everybody’s Talking About Jamie, the Made at Curve UK tour of Grease) will play Billy’s older brother Tony and Jessica Daley (recently seen in Made at Curve productions of White Christmas and The Music of Andrew Lloyd Webber) will play Billy’s Mum.

The adult company will be completed by Craig Armstrong as George, Minal Patel as Big Davey, Cameron Johnson as Mr. Braithwaite, Micky Cochrane as Scab, Robin Paley Yorke as Lesley, Christopher Wright as Mr. Wilkinson, Michael Lin as Pit Supervisor, Jonathan Dryden Taylor as Posh Dad, William Atkinson as Older Billy and ensemble, and Steph Asamoah, Tori McDougall, Anna Rossa and Louie Wood as members of the ensemble.

The young company of ballet dancers and boxers, most of which are Midlands-based or have local family connections, will feature Willow Adamson, Maddie Seren Ashley, Oliver Back, Aneeka Kaur Bains, Ella-Rose Blackburn Price, Harvey Clarridge, Lily Corkill, Miley Dalton, Matisse Didier, Isabelle Francis, Ethan Galeotti, Rahul Gandabhai, Isla Granville, Uzziah Gray, Orlaith Rae Hunt, Ava Rose Johnson, Ava Mia Komisarczuk, Kyrelle Lammy, Lienna-Jean Langdon, Tahlia Maddox, Lorcan Murphy, Nesisa Mhindu, Sophia Pirie, Hayden Polanco, Gopal Thacker and Mirabelle Varakantam.

The Made at Curve production of Billy Elliot the Musical will by choreographed by Lucy Hind, with Musical Supervisor and Musical Director George Dyer. The set will be designed by Michael Taylor with costumes designed by Edd Lindley. Also joining the creative team are Lighting Designer and Curve Associate Ben Cracknell, Sound Designer Adam Fisher, Props Supervisor Lizzie Frankl, RYTDS Resident Assistant Director Lilac Yosiphon, Birkbeck Trainee Director Thyrza Abrahams, Associate Choreographer James Berkery, Dialect Coach Elspeth Morrison, Fight Director Kev McCurdy and Head Chaperone Helen ‘H’ Mclaren-Frost.

Children’s casting is managed by Jo Hawes, with adult casting led by Curve Associate Kay Magson CDG.

Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:

“We are beyond excited to share our extraordinary cast for Lee Hall and Elton John’s astonishing musical Billy Elliot, ensuring this summer in Leicester is truly memorable.
“Billy Elliot is a musical filled with incredible characters, epic ideas and at its heart, the story of a young boy who has the passion and courage to dance down a different path from the one prescribed for him. We are thrilled to be working with our four Billys - Alfie, Leo, Jaden and Sam - and the entire young company - all hugely talented, brimming with energy and representing the very best young talent in the UK today.
“And leading the entire company, theatre legend Sally Ann Triplett takes on the role of the inspirational teacher we all need in our lives, Mrs. Wilkinson. Joining Sally, we are proud to welcome a first-class company to Curve, totally 55 performers! This is by far the most ambitious show we have staged at Curve and there is no better time to present this musical which recognises the value of culture in our society, the importance of expressing your truest self and gives a voice to the courageous working-class communities who are depicted in Lee Hall’s astonishing play. All beautifully framed by Elton John’s electrifying score.”

Based on Stephen Daldry’s BAFTA-winning 2000 film starring Jamie Bell and Julie WaltersBilly Elliot the Musical features music from Elton John and book and lyrics by Lee Hall. The musical first premiered at London’s Victoria Palace Theatre in 2005 and went on to win a host of international awards, including four Olivier Awards and ten Tony Awards.

Tickets for Billy Elliot the Musical at Curve be purchased on Curve’s website www.curveonline.co.uk, over the phone by calling 0116 242 3595 or in-person at Curve’s Box Office.

photo credit: Marc Brenner

Sunday 27 October 2024

THEATRE NEWS ROUNDUP 20th-26th October 2024


This week in the theatre world saw anniversaries, cast announcements, world premieres and pantomime news....

The highlight of the event was a powerful rendition of The Circle of Life, featuring five Rafikis from productions across Europe, sung in multiple languages.


The UK Theatre Awards 2024 celebrated excellence across British theatre, with Leeds Playhouse’s Oliver! leading the way, winning Best Musical Production and Best Performance in a Musical. Jenny Sealey OBE received the Outstanding Contribution to British Theatre Award, and Polka Theatre was named UK’s Most Welcoming Theatre.


Celebrate Back to the Future Day with a special cameo appearance in the hit musical, and look forward to new international productions and exclusive backstage content.


Historalia Productions will premiere Anne Boleyn the Musical in August 2025, telling the Queen’s powerful story at her childhood home.


Anne-Marie Duff leads a star-studded cast in the revival of Lillian Hellman’s The Little Foxes at the Young Vic, directed by Lyndsey Turner.

Stalled is a powerful new musical premiering at King’s Head Theatre, exploring the intersecting lives of diverse characters with soul-stirring melodies and a commitment to inclusivity.


Matthew Bourne's award-winning show returns, bringing its poignant tales of love and longing on a nationwide UK tour.


The classic holiday musical White Christmas will play at The Mill at Sonning with a heartwarming story, featuring an all-star cast and timeless Irving Berlin hits like "Blue Skies" and the beloved title song.


The Lightning Thief: The Percy Jackson Musical London premiere reveals its star-studded cast, bringing Rick Riordan's beloved characters to life in an epic musical adventure this November.


Celebrate the holidays with the Royal Ballet and Opera at Covent Garden, featuring stunning performances, festive events, delicious dining, and unique gift shopping.


The hit musical comedy embarks on a UK and Ireland tour in 2025, bringing the beloved TV show to life with a fast-paced, laugh-out-loud original score.


Starring Drag Race UK’s Ella Vaday as one of the Ugly Stepsisters and Maddy Erzan-Essien as Cinderella, the production promises a magical mix of comedy, puppetry, and audience participation.


Louis McCartney reprises his award-winning role, marking his highly anticipated Broadway debut in 2025.


See you next Sunday for another theatre news recap! In the meantime, keep an eye on our socials for live news and updates.

Wednesday 14 December 2016

Snow White, New Victoria Theatre | Review

A real laugh a minute show, with something for everyone


Snow White (Pantomime)
New Victoria Theatre
Reviewed on Tuesday 13th December 2016 by Melanie Mitchell
★★★★★

I have never been a great fan of pantomime’s, I haven’t seen one for years, in fact can’t remember the last time I saw one. So I have to say, this wasn’t my idea of a great night at the theatre: silly jokes, screaming kids and forced audience participation. How wrong could I have been! Snow White is an absolute treat and the most fun I’ve had at the theatre in a long time.

A real laugh a minute show, with something for everyone. The scenery is beautiful as are the spectacular costumes and choreography with one woodland scene, reminiscent of the Beatrix Potter ballet. 

Melissa Potts makes a lovely Snow White: sweet and gentle but feisty all the same. Anne Smith as Queen Morgiana is suitably malevolent and evil but funny at the same time. Her accomplices are quite terrifying but the kids loved them! Chris Cox as Muddles really entranced the kids as well as the adults with his slapstick portrayal of the character- he played the part brilliantly. Warwick Davis as Prof is amazing, an accomplished actor and singer with great comedic timing.

Prince Wayne is played by Shaun Dalton. What can I say? Handsome, debonair and charming, he is so perfectly cast he could have been drawn by a Disney animator. He can sing too. Despite there being one dwarf less due to illness. The other six took over his role with such ease you didn’t even notice.

Andy Ford as Herman the Henchman steals the show. He is absolutely hilarious with wonderful jokes for the kids and just the right amount of smutty innuendo for the adults. He makes a great double act with Chris Cox (Muddles). Very silly but they get the comedy completely right for panto.

The whole audience were encouraged to participate all the way through the show which they did completely willingly, me included! There are lots of songs we all know, along with references to the locality which really made the audience members feel involved.

Snow White is a fun filled, festive treat for the whole family. Book now while you still can, it’ll really put you in the Christmas mood.

By the way check out the magic mirror by the grand piano in the bar, I’ll say no more!

Thursday 17 March 2022

The Witches of Eastwick to have Concert Performance Starring Giles Terera


Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce a special one-off concert of The Witches of Eastwick at the Sondheim Theatre on Monday 20 June 2022.

The Witches of Eastwick has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. Maria Friedman will direct with musical staging by Stephen Mear. Olivier Award-winning actor Giles Terera will star as Darryl Van Horne. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001. Tickets are on sale from 10am on Thursday 17 March.
 
Further all-star casting is to be announced.
 
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. 
 
Cameron Mackintosh said “I’m really thrilled that Jack Maple is conjuring up the wickedly funny Witches of Eastwick again, for one night only in concert with a glorious cast at the Sondheim Theatre.  It has always been one of my favourite scores, which I’m very much looking forward to hearing in its full splendour.”
Maria Friedman said “I’m so incredibly excited to be revisiting Eastwick after all these years. To be reunited with the fantastic Stephen Mear and to have the opportunity to bring this beloved musical back to London, and at the simply stunning Sondheim Theatre, for one night only is an absolute thrill and I can’t wait to get started.” 

Giles Terera MBE is an award-winning actor, musician and writer. He is best known for originating the role of Aaron Burr in the London production of the award-winning musical Hamilton, for which he won the 2018 Olivier Award for Best Actor in a Musical. Giles’s other work on stage includes RosmersholmThe Tempest, Avenue Q, The Book of Mormon, 125th Street, Rent (West End); Ma Rainey’s Black Bottom, Hamlet, Death and the King’s Horseman, The Hour We Knew Nothing of Each Other, Troilus and Cressida, Candide, Honk! (National Theatre); The Merchant of Venice (Shakespeare’s Globe/international tour); The Resistible Rise of Arturo Ui (Donmar Warehouse); Pure Imagination – The Songs of Lesley Bricusse (St. James’s); King John (Shakespeare’s Globe/UK tour);  The Ratpack (West End/international tour); Jailhouse Rock (Theatre Royal Plymouth/West End); The Tempest (RSC) and Generations of the Dead (Young Vic). As a writer, his theatre work includes The Meaning of Zong (Bristol Old Vic), The Ballad of Soho Jones (St. James’) and Black Matter (Crazy Coqs). Giles was appointed a Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to theatre.

The winner of three Olivier Awards and an Evening Standard Award, Maria Friedman is one of Britain’s most successful and acclaimed Musical Theatre actresses. Maria starred in the original West End production of The Witches of Eastwick as Sukie alongside Lucie Arnaz as Alex and Joanna Riding as Jane. Her many other West End acting credits include PassionRagtimeMerrily We Roll Along, Blues in the Night, ChicagoThe Woman in White and, most recently, she played Golde in the Olivier Award-winning Trevor Nunn production of Fiddler on the Roof at the Playhouse Theatre. Maria won over a whole new audience when she joined the cast of long-running soap EastEnders, playing Elaine Peacock.  In 2013, Maria made her directorial debut at the Menier Chocolate Factory with a production of Stephen Sondheim's musical Merrily We Roll Along.  After a series of 5-star reviews, the Critics’ Circle Award for Best Musical and a sell-out extended run, it transferred to the West End and played Boston.  In 2014, it won the Olivier for Best Musical Revival. It was recently announced that Maria will stage Old Friends, a celebration of the work of Stephen Sondheim at the Sondheim Theatre, with Matthew Bourne in May, as well as an Off-Broadway production of Merrily We Roll Along starring Daniel Radcliffe as part of New York Theatre Workshop’s 2022/23 season.

The multi award-winning Stephen Mear, is one of the world’s most celebrated choreographers, with two Olivier Awards, an LA Drama Critics Circle Award, and a Helpmann Award. His theatre work includes Mary Poppins with co-choreographer Matthew Bourne (Prince Edward Theatre 2004 & 2019); Funny Girl and Guys and Dolls, as director/choreographer (Marigny Theatre); Guys and Dolls Concert, as director/choreographer (Royal Albert Hall); Chess (ENO); Sunset Boulevard (ENO and Broadway); On the Town (ENO and Théâtre du Châtelet); 42nd Street as director/choreographer (Théâtre du Châtelet); Singin’ In The Rain (Grand Palais);  City of AngelsThe Vote and The Resistible Rise of Arturo Ui (Donmar); White Christmas (Dominion Theatre and Curve, Leicester);  Mack and MabelThe Pajama GameShe Loves Me as director/choreographer, Amadeus, The Music Man, Funny Girl, How to Succeed In Business, Putting it Together and The Grapes of Wrath (Chichester Festival Theatre);  Die Fledermaus (The Metropolitan Opera, New York) and The Little Mermaid (Broadway). Stephen will be choreographing Old Friends at the Sondheim Theatre this May.

John Dempsey wrote both the book and lyrics for Zombie Prom (Off Broadway & Germany), The Fix directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations) and lyrics for The Reluctant Dragon, A Country Christmas Carol, and the Ringling Bros. Barnum & Bailey Circus. Plays include; One Miracle in a Lifetime (Ohio Arts Council Award), The World Today and The Greater Goode.

Dana P. Rowe wrote the music for Zombie Prom (Off Broadway & Germany) and The Fix, directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations). He also  prepared the score for The Ballad of Bonnie & Clyde which premiered at the 2005 New York Musical Theater Festival as a featured production.

Tuesday 16 August 2022

Cast Announced for World Premiere of The Time Traveller’s Wife: The Musical



David Hunter will star as Henry and Joanna Woodward as Clare and in the world premiere of The Time Traveller’s Wife: The Musical, based on the best-selling novel by Audrey Niffenegger and the New Line Cinema film screenplay by Bruce Joel Rubin. The new musical will premiere at Storyhouse in Chester from 30 September to 15 October 2022. The two-week season will precede a West End transfer, to be announced at a later date.

David Hunter's theatre credits include: Waitress (Adelphi and UK Tour); Kinky Boots (Adelphi); Once (Phoenix); One Man, Two Guvnors (National Theatre, Adelphi, UK Tour); Songs for a New World (Palladium); Tommy (Prince Edward); Seussical (Arts); The Hired Man (Leicester Curve and Colchester Mercury); Pub and Spinach (the Royal Exchange); The Mayor of Zalamea (Liverpool Everyman). His film and TV credits include: Nativity 3; Holby City and Doctors (BBC); Superstar (ITV). David’s pop/rock band Reemer had support slots, playing alongside The Feeling, Scouting for Girls and McFly on their full UK Arena Tour.

Joanna Woodward most recently understudied and played Vivian Ward in Pretty Woman: The Musical (Piccadilly Theatre & Savoy Theatre). Her other theatre credits include: Emily in Zombies: The Musical and Eulpha Miziam in Confessions (The Other Palace); Mary in The Life (Southwark Playhouse); understudied and played Carole King in Beautiful: The Carole King Musical (Aldwych Theatre); Margaret in Fings Ain't Wot They Used T'Be (Theatre Royal Stratford East); understudied Beth/Meg/KT in Merrily We Roll Along (Menier Chocolate Factory and Harold Pinter Theatre); Tinker Bell in Lost Boy (Finborough Theatre and Charing Cross Theatre); Audrey in Little Shop of Horrors (Kilworth House Theatre).

Also in the cast will be Aisha Davis (UK theatre debut, with previous theatre work in Kingston, Jamaica) as Dr Kendrick, Ross Dawes (Dennis Dupree in the UK Tour of Rock of Ages) as Henry’s Dad, Hiba Elchikhe (Pritti Pasha in Everybody’s Talking About Jamie in West End and Los Angeles) as Charisse, Stevie Hutchinson (UK and Chinese Tour of Ghost: The Musical and UK Tour of Oliver!) as Clare’s Dad, Tim Mahendran (Spring Awakening at Hope Mill Theatre) as Gomez, Sorelle Marsh (Vicky Monroe in Stand Up at the Floral Pavilion, Wirral, and Tessie in White Christmas at the Lowry Theatre) as Henry’s Mum, Benjamin Purkiss (Zorro in Zorro the Musical at Charing Cross Theatre and Hope Mill Theatre and Alternate Strat in Bat Out of Hell at the London Coliseum/International Tour/Manchester Opera House) as Jason / Mark and Alwyne Taylor (won the Manchester Evening News Best Actress Award for Once in a Lifetime, Company, Sweet Charity and Accrington Pals at the Library Theatre and was nominated for Manchester Evening News Best Actress Award for her role as Madame Arcati in Blithe Spirit at the Oldham Coliseum) as Old Clare. The actresses playing Young Clare will be announced shortly.

Henry and Clare’s love story is like no other and yet like all others; they meet, flirt, fight, love, marry... but all out of order. Henry is often and uncontrollably ripped out of time, because he suffers from a rare condition where his genetic clock periodically resets, pulling him into his past or future, vanishing before one’s eyes, never knowing where or when he’s going next. Except he knows he’ll always come back to Clare, at some point in time, dreaming of her time-travelling husband.

The Time Traveller’s Wife: The Musical weaves a heart-breaking and soaring original musical score by multi Grammy Award-winning composers Joss Stone and Dave Stewart with one of the most beloved novels of the last 50 years. All couples ask how to truly know one another, to trust, to commit, to build a family, to work at something bigger than ourselves. Not all of us are time travellers. How do you love across time?

With a book by Lauren Gunderson, original music and lyrics by Joss Stone and Dave Stewart, additional music by Nick Finlow and additional lyrics by Kait Kerrigan, the production will be directed by Bill Buckhurst and designed by Anna Fleischle, with choreography by Shelley Maxwell, lighting design by Lucy Carter, illusions by Chris Fisher, video design by Andrzej Goulding, sound design by Richard Brooker, musical supervision & arrangement by Nick Finlow and orchestrations by Bryan Crook. Casting will be by Grindrod Burton Casting. It will be produced by Colin Ingram for InTheatre Productions, Gavin Kalin Productions, Teresa Tsai and Crossroads Live, by special arrangement with Warner Bros. Theatre Ventures.