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Showing posts sorted by relevance for query cameron mackintosh. Sort by date Show all posts

Friday, 7 July 2023

New Cast Announced for The Phantom of the Opera at His Majesty's Theatre


Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.

Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur André, Matt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry.  At certain performances the role of Christine Daaé will be played by Paige Blankson.

 

The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.


Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.

The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.

The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.

Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.
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Friday, 1 July 2022

Les Misérables Extends Booking in the West End Until March 2023


Les Misérables at the Sondheim Theatre is delighted to announce it has extended booking until Sunday 5 March 2023, and a new performance schedule from Wednesday 5 October 2022. Tickets for the new booking period are on sale from 11.00am today, Friday 1 July.
 
From Wednesday 5 October 2022 the new performance schedule will be:
 
Wednesday at 7.30pm
Thursday at 2.30pm and 7.30pm
Friday at 7.30pm
Saturday at 2.30pm and 7.30pm
Sunday at 2.30pm
Monday at 7.30pm
 
Les Misérables currently stars Jon Robyns as Jean Valjean, Bradley Jaden as Javert, Gerard Carey as Thénardier, Josefina Gabrielle as Madame Thénardier, Chanice Alexander-Burnett as Fantine, Harry Apps as Marius, Sha Dessi as Éponine, Jordan Shaw as Enjolras and Charlie Burn as Cosette. They are joined by Kelly Agbowu, Joseph Anthony, Emma Barr, Richard Carson, Rodney Earl Clarke, Danny Colligan, Matthew Dale, Matt Dempsey, Natalie Green, Jessie Hart, Christopher Jacobsen, Connor Jones, Jessica Joslin, Michael Kholwadia, Sarah Lark, Georgie Lovatt, Ellie Ann Lowe, Luke McCall, Leo Miles, Claire O’Leary, Kathy Peacock, Mark Pearce, Sam Peggs, Sake Wijers, Mared Williams and Phoebe Williams.  
 
Since Cameron Mackintosh first conceived this acclaimed new production of Les Misérables in 2009, to celebrate the show’s 25th anniversary, it has taken the world by storm. It will relaunch its record-breaking tour of North America in October this year, a new tour of The Netherlands is set for early 2023 with further productions to be announced. The UK and Ireland tour continues its acclaimed run.
 
Boublil and Schönberg’s magnificent iconic score of Les Misérables includes the classic songs, I Dreamed a Dream, On My Own, Stars, Bring Him Home, Do You Hear the People Sing?, One Day More, Empty Chairs at Empty Tables, Master Of The House and many more. Several of its songs have become real life anthems of revolution wherever in the world people are fighting for their freedom. Seen by over 120 million people worldwide in 52 countries and in 22 languages, Les Misérables is undisputedly one of the world’s most popular and contemporary musicals.
 
Cameron Mackintosh’s production of Les Misérables is written by Alain Boublil and Claude-Michel Schönberg and is based on the novel by Victor Hugo. It has music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer and original French text by Alain Boublil and Jean-Marc Natel, additional material by James Fenton and adaptation by Trevor Nunn and John Caird. Orchestrations are by Stephen Metcalfe, Christopher Jahnke and Stephen Brooker with original orchestrations by John Cameron. The production is directed by James Powell and Laurence Connor, designed by Matt Kinley inspired by the paintings of Victor Hugo with costumes by Andreane Neofitou and Christine Rowland, lighting by Paule Constable, sound by Mick Potter, projections realised by Finn Ross & Fifty Nine Productions, musical staging by Geoffrey Garratt, and music supervision by Stephen Brooker and Alfonso Casado Trigo.

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Friday, 8 November 2024

Miss Saigon Returns to the Stage: A Legendary Musical Reborn in a New UK Tour


The powerful love story of Miss Saigon returns as Michael Harrison, in collaboration with Cameron Mackintosh, brings Boublil and Schönberg’s legendary musical back to the UK in a brand-new, contemporary touring production. Opening at Newcastle Theatre Royal on October 4, 2025, this reimagined Miss Saigon commemorates the 35th anniversary of its West End debut with fresh creative energy, captivating a new generation of audiences.

Following Newcastle, the production will tour to renowned venues including the Playhouse Theatre in Edinburgh, Palace Theatre in Manchester, The Alexandra in Birmingham, Grand Theatre in Leeds, and New Theatre in Oxford, running until early January 2026. Additional dates, full casting, and production team details are set to be announced soon, with priority booking available at miss-saigon.com.

In this epic musical set during the final days of the Vietnam War, 17-year-old Kim finds herself working in a bar run by a complex character known as The Engineer. There, she meets and falls in love with Chris, an American GI, but the fall of Saigon tears them apart. Unbeknownst to Chris, Kim bears his child and embarks on a powerful journey of survival, determined to reunite her family. Miss Saigon is filled with themes of love, resilience, and sacrifice, and features a score that has resonated with audiences worldwide.

Reflecting on this milestone, Cameron Mackintosh remarks:

Thirty-five years after Miss Saigon first opened to international success, I am delighted that this powerful, heart-wrenching love story has remained timeless around the world. This tale of two young people, an American soldier and a Vietnamese girl, who fall in love amid the devastation of war, has touched hearts and sparked connection worldwide.”

Inspired by a recent, critically acclaimed Sheffield Crucible production, this tour brings new life to the show’s intimate moments and grandeur alike, expanding to theatres beyond the reach of the original. Michael Harrison shares the excitement:

It is thrilling to be collaborating with Cameron on a brand-new production of Miss Saigon. Millions have been moved by its messages of family, love, and resilience, and now we have the opportunity to share it with audiences across the UK in a contemporary new form.”

Since its debut, Miss Saigon has won 75 major awards, including Olivier and Tony Awards, and has been performed in 378 cities, translated into 15 languages, and seen by over 38 million people globally. This extraordinary revival directed by Jean-Pierre van der Spuy promises to carry forward its legacy with modernised staging, fresh direction, and the enduring, iconic score by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil.

As Miss Saigon prepares to soar once more, this tour promises audiences the chance to experience one of the world’s most acclaimed musicals in a whole new light, bringing the sweeping story of love and sacrifice to life for theatergoers across the UK.

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Thursday, 17 March 2022

The Witches of Eastwick to have Concert Performance Starring Giles Terera


Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce a special one-off concert of The Witches of Eastwick at the Sondheim Theatre on Monday 20 June 2022.

The Witches of Eastwick has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. Maria Friedman will direct with musical staging by Stephen Mear. Olivier Award-winning actor Giles Terera will star as Darryl Van Horne. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001. Tickets are on sale from 10am on Thursday 17 March.
 
Further all-star casting is to be announced.
 
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. 
 
Cameron Mackintosh said “I’m really thrilled that Jack Maple is conjuring up the wickedly funny Witches of Eastwick again, for one night only in concert with a glorious cast at the Sondheim Theatre.  It has always been one of my favourite scores, which I’m very much looking forward to hearing in its full splendour.”
Maria Friedman said “I’m so incredibly excited to be revisiting Eastwick after all these years. To be reunited with the fantastic Stephen Mear and to have the opportunity to bring this beloved musical back to London, and at the simply stunning Sondheim Theatre, for one night only is an absolute thrill and I can’t wait to get started.” 

Giles Terera MBE is an award-winning actor, musician and writer. He is best known for originating the role of Aaron Burr in the London production of the award-winning musical Hamilton, for which he won the 2018 Olivier Award for Best Actor in a Musical. Giles’s other work on stage includes Rosmersholm, The Tempest, Avenue Q, The Book of Mormon, 125th Street, Rent (West End); Ma Rainey’s Black Bottom, Hamlet, Death and the King’s Horseman, The Hour We Knew Nothing of Each Other, Troilus and Cressida, Candide, Honk! (National Theatre); The Merchant of Venice (Shakespeare’s Globe/international tour); The Resistible Rise of Arturo Ui (Donmar Warehouse); Pure Imagination – The Songs of Lesley Bricusse (St. James’s); King John (Shakespeare’s Globe/UK tour);  The Ratpack (West End/international tour); Jailhouse Rock (Theatre Royal Plymouth/West End); The Tempest (RSC) and Generations of the Dead (Young Vic). As a writer, his theatre work includes The Meaning of Zong (Bristol Old Vic), The Ballad of Soho Jones (St. James’) and Black Matter (Crazy Coqs). Giles was appointed a Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to theatre.

The winner of three Olivier Awards and an Evening Standard Award, Maria Friedman is one of Britain’s most successful and acclaimed Musical Theatre actresses. Maria starred in the original West End production of The Witches of Eastwick as Sukie alongside Lucie Arnaz as Alex and Joanna Riding as Jane. Her many other West End acting credits include Passion, Ragtime, Merrily We Roll Along, Blues in the Night, Chicago, The Woman in White and, most recently, she played Golde in the Olivier Award-winning Trevor Nunn production of Fiddler on the Roof at the Playhouse Theatre. Maria won over a whole new audience when she joined the cast of long-running soap EastEnders, playing Elaine Peacock.  In 2013, Maria made her directorial debut at the Menier Chocolate Factory with a production of Stephen Sondheim's musical Merrily We Roll Along.  After a series of 5-star reviews, the Critics’ Circle Award for Best Musical and a sell-out extended run, it transferred to the West End and played Boston.  In 2014, it won the Olivier for Best Musical Revival. It was recently announced that Maria will stage Old Friends, a celebration of the work of Stephen Sondheim at the Sondheim Theatre, with Matthew Bourne in May, as well as an Off-Broadway production of Merrily We Roll Along starring Daniel Radcliffe as part of New York Theatre Workshop’s 2022/23 season.

The multi award-winning Stephen Mear, is one of the world’s most celebrated choreographers, with two Olivier Awards, an LA Drama Critics Circle Award, and a Helpmann Award. His theatre work includes Mary Poppins with co-choreographer Matthew Bourne (Prince Edward Theatre 2004 & 2019); Funny Girl and Guys and Dolls, as director/choreographer (Marigny Theatre); Guys and Dolls Concert, as director/choreographer (Royal Albert Hall); Chess (ENO); Sunset Boulevard (ENO and Broadway); On the Town (ENO and Théâtre du Châtelet); 42nd Street as director/choreographer (Théâtre du Châtelet); Singin’ In The Rain (Grand Palais);  City of Angels, The Vote and The Resistible Rise of Arturo Ui (Donmar); White Christmas (Dominion Theatre and Curve, Leicester);  Mack and Mabel, The Pajama Game, She Loves Me as director/choreographer, Amadeus, The Music Man, Funny Girl, How to Succeed In Business, Putting it Together and The Grapes of Wrath (Chichester Festival Theatre);  Die Fledermaus (The Metropolitan Opera, New York) and The Little Mermaid (Broadway). Stephen will be choreographing Old Friends at the Sondheim Theatre this May.

John Dempsey wrote both the book and lyrics for Zombie Prom (Off Broadway & Germany), The Fix directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations) and lyrics for The Reluctant Dragon, A Country Christmas Carol, and the Ringling Bros. Barnum & Bailey Circus. Plays include; One Miracle in a Lifetime (Ohio Arts Council Award), The World Today and The Greater Goode.

Dana P. Rowe wrote the music for Zombie Prom (Off Broadway & Germany) and The Fix, directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations). He also  prepared the score for The Ballad of Bonnie & Clyde which premiered at the 2005 New York Musical Theater Festival as a featured production.
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Thursday, 14 September 2017

Five Guys Named Moe, Marble Arch Theatre | Review


Five Guys Named Moe
Marble Arch Theatre
Reviewed on Wednesday September 13th 2017 by Olivia Mitchell
★★★★

Five Guys Named Moe premiered at the Theatre Royal Stratford East in 1990, ran for over four years, transferred to Broadway and won the Olivier Award for Best Entertainment. Despite this, it's a fairly unknown musical so is an exciting addition to the London scene which is currently made up of a lot of long running classics. 

The rise of new and unique theatrical experiences is ever growing, with pop-up theatres and immersive events offering unusual theatrical adventures. Cameron Mackintosh has grabbed this trend by the horns in his new venture with the specially built Marble Arch Theatre. The theatre is simple on the outside but completely brilliant on the inside; as you walk in it's like entering the tardis. You're brought into a large 360 bar complete with a live band above and a wonderful selection of drinks to get your night started in the perfect way.

Written and directed by Clarke Peters, the show charts the story of Nomax, whose girlfriend Lorraine has left him. With no money and booze as his best friend, he meets Big Moe, Four-Eyed Moe, Eat Moe, No Moe and Little Moe as they emerge from his 1930s-style radio to guide and comfort him as they sing the songs of saxophonist and songwriter, Louis Jordan. Personally I found the story pretty pointless. At times it felt that the songs didn't really fit and I didn't feel emotionally attached enough to either Nomax or Lorraine to care whether they got back together or not. 


Despite this not so stellar story, the music is spectacular. Each song is playful, catchy, foot-tapping and filled with warmth and affection for one another. The five Moe's are energetic and throw themselves into the fast paced, jazzy pieces and choreography by Andrew Wright with joy and exuberance. The on stage band showcase the rhythm and complexity of the music well and are particularly impressive during their solo moments. 

The Moes are Four-Eyed Moe (Ian Carlyle), Little Moe (Idriss Kargbo), Know Moe (Dex Lee), Big Moe (Horace Oliver) and Eat Moe (Emile Ruddock). The Moes are banterous with one another and seem like the kind of guys you'd have an amazing night out with. They are all equal, sharing solos with one another and each having their own personalities which bounce off one another and work together seamlessly in moments of tight harmony. All five men have absolutely outstanding voices as well as sleek, sharp dance moves which are showcased in a smooth and stylish way. Similarly, Edward Baruwa is fantastic as Nomax, his effortless, strong voice soars and he manages to be emotional, funny and contemplative at times.

As previously mentioned, the venue is very cool, however, I don't feel like it's ideal for this show. The round space doesn't really add anything to the story and due to the un-raked seating there  are moments missed by the audience. I  was sat in the third row of the stalls which sounds fine but with three tall people in front and no varying levels it was very difficult to see and I often found myself craning my neck to try and see through the gaps- something which could've been avoided with even a slight rake between rows. The screens used around the sides of the space are a very nice touch but felt underused. It would be exciting to have them at other points, as long as they don't become gimmicky.

Overall I did enjoy this show though. The story is nothing special but I adored the music and it's certainly a brilliant, toe-tapping show with flawless performances all round and perfect for a fun, light-hearted night out. It you want catchy songs and first-rate singing in a very neat London venue then this is the show for you! So let the good times roll and hop along to the Marble Arch Theatre!

photo credit: Roy Tan

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Wednesday, 13 November 2019

Mary Poppins, Prince Edward Theatre | Review


Mary Poppins
Prince Edward Theatre
Reviewed on Tuesday 5th November 2019 by Olivia Mitchell
★★★

Since she landed umbrella in hand, the mystical nanny Mary Poppins has been a much loved character. From the hit Disney film to a number of revivals and performances around the world, there's something universally adored about the feel-good story of the Banks family, so it's no surprise that the musical is once again gracing the West End. It's a musical full of sparkle, magic and wow factors but at times feels as though it's on just for the sake of being on.

In this musical, co-created by Cameron Mackintosh, with additional songs by Stiles and Drewe and a book by Julian Fellowes, the moral aspect of the story is strongly highlighted, as are the darker sides of the original book. The story of Mr Banks' redemption and the importance of making the correct moral choices for those around you remains ever relevant but much of the secondary plot feels somewhat dated and not relevant for a modern audience. Of course this isn't the making of a show, and with something like Mary Poppins it's mostly about the nostalgia and feel-good-factor but for a show that runs almost three hours long, some tweaks to make it more engaging wouldn't have gone amiss. 

However, this is a show about compassion and the cast do a joyous job of bringing the story to life with energy, wonder and colour. Thanks in part to Bob Crowley's sets and costumes which are structured, colourful and all around excellence. The house which opens like the pages of a pop-up book is magnificent each time it's seen; and the plain park which becomes a psychedelic garden of amusement is completely brilliant. Sparkly costumes and beautifully tailored coats adorn the stage and evoke the joy from both the book and film well.


Stiles and Drewe's songs are much darker and sharper than those we've grown up with, with 'Playing the Game' bringing toys to life as the stuff nightmares are made of. Elsewhere scenes are taken from book to stage effectively and interestingly. Overall the musical is a whole lot of sugar with a little bit of spice thrown in for good measure... just how Mary Poppins would like it I assume!

Richard Eyre has directed a show for adults and children which brims with surprise but at times lacks sufficient pace. However, the choreography by Matthew Bourne and Stephen Mear is sophisticated, sharp, witty and utterly first-rate. 'Step in Time' is a complete highlight as the stage comes to life with sweepers and leading man Charlie Stemp literally walks on the ceiling. 

Stemp's entire performance is a masterclass in stage presence. His continually fresh characterisation completely draws the audience in as he moves and speaks with a natural grace and charms everyone who witnesses him. Additionally his rapport with Strallen's Mary is genuine and engaging. Zizi Strallen makes the famous nanny her own as she floats around the stage with a whimsical but grounded air and takes on the leading role excellently. Elsewhere Amy Griffiths is touching and vocally excellent as Mrs Banks and the entire ensemble give top notch performances.

Yes, this show is lacking at times but much of the time it's a feast for the eyes and ears and is sure to be enjoyed by many so why not take a trip to see magical Mary float in on her brolly right in front of your eyes.

Mary Poppins is currently booking at the Prince Edward Theatre until 31st May 2020, tickets are available at www.londonboxoffice.co.uk

photo credit: Johan Persson
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Friday, 1 November 2024

Mary Poppins Musical Returns for a Spectacular 2024 UK & Ireland Tour with Fresh Cast and Dazzling Magic


The beloved musical Mary Poppins is set to soar again as it embarks on a new UK and Ireland tour in 2024, marking the 20th anniversary since its world premiere. Opening on November 4, 2024, at the Bristol Hippodrome- where the magic began two decades ago- the production will bring familiar faces and new talent to audiences across the UK and Ireland. Sharon Wattis joins the cast as Mrs. Corry and Miss Smythe, alongside Stefanie Jones as Mary Poppins and Jack Chambers as Bert, both praised for their portrayals in Australia.

Audiences will also be captivated by seasoned West End actors like Michael D. Xavier as George Banks, Lucie-Mae Sumner as Winifred Banks, and Rosemary Ashe, a key cast member from the original West End production, returning as Mrs. Brill. Other favourites include Patti Boulaye as Bird Woman, Wendy Ferguson as Miss Andrew, and Ruairidh McDonald as Robertson Ay, with David Burrows taking on the role of Admiral Boom. A rotation of talented young actors will portray Jane and Michael Banks, ensuring each performance remains fresh and engaging.

This upcoming tour celebrates Mary Poppins’ enduring legacy with breathtaking choreography, effects, and music that audiences cherish, featuring unforgettable Sherman Brothers classics like 'Jolly Holiday', 'Step in Time', and 'Feed the Birds'. New songs and music by George Stiles and Anthony Drewe add depth to this magical production, showcasing the beloved P.L. Travers character with fresh vibrancy. The show will travel to prestigious venues including Dublin’s Bord Gáis Energy Theatre, Edinburgh’s Festival Theatre, and Manchester’s Palace Theatre, bringing the joy and wonder of Cherry Tree Lane to life for fans of all ages.

From its award-winning orchestrations by William David Brohn to the visionary direction of Richard Eyre, the Mary Poppins musical brings Broadway and West End mastery to the UK & Ireland stage. With a unique blend of classic storytelling, iconic songs, and a phenomenal creative team led by Cameron Mackintosh and Disney Theatrical Group, this production continues to enchant audiences worldwide.

Get ready for a magical journey with Mary Poppins, touring across the UK and Ireland in 2024, and experience the spellbinding choreography, set design, and unforgettable characters that have won hearts for two decades. Tickets are available now, so don’t miss the chance to see Mary Poppins back where she belongs- onstage, bringing joy to millions.
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Wednesday, 30 October 2024

Lucie Jones Returns to Les Misérables as 'Fantine' in London, with Katie Hall Joining Arena Spectacular World Tour


Cameron Mackintosh has announced that Lucie Jones, multi-award-winning musical theatre star, will reprise her role as Fantine in the West End production of Les Misérables at the Sondheim Theatre for an exclusive eight-week engagement from 23rd December 2024 to 15th February 2025. Known for her powerhouse performances in productions like Wicked, Waitress, Legally Blonde, and more, Jones is a celebrated figure in theatre, also recognised from The X Factor (2009) and the Eurovision Song Contest (2017).

As Jones joins the London cast, Katie Hall, who is currently portraying Fantine at the Sondheim Theatre, will step into the same role on Les Misérables The Arena Spectacular World Tour, performing in Manchester, Newcastle, Gothenburg, Stockholm, Malmo, and Amsterdam. Hall, who has previously played both Cosette and Fantine across various Les Misérables productions, including the 25th Anniversary Concert and on UK and international tours, will return to London on 17 February 2025.

The West End Les Misérables cast also features Ian McIntosh as Jean Valjean, Stewart Clarke as Javert, Jacob Dachtler as Marius, Amena El-Kindy as Éponine, Annabelle Aquino as Cosette, Luke Kempner as Thénardier, Claire Machin as Madame Thénardier, and Robson Broad as Enjolras.

This year marks the 40th anniversary of Les Misérables in London, celebrated with a new World Tour of Les Misérables The Arena Spectacular. Opening in Belfast, the tour will cover cities across Europe and then move to Australia, Taiwan, Japan, and South Korea, with more dates to follow. Additionally, in an unprecedented move, 11 leading UK amateur companies will stage full productions of Les Misérables across the country in 2025.

Featuring iconic songs like 'I Dreamed a Dream', 'On My Own', and 'One Day More', Les Misérables has been seen by over 130 million people in 53 countries and in 22 languages. It remains a global phenomenon, breaking box office records worldwide, with productions in North America and remastered versions of the Oscar-winning film re-released internationally this year.
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Saturday, 2 February 2019

Showstopper! The Improvised Musical, The Other Palace | Review


Showstopper! The Improvised Musical 
The Other Palace
Reviewed on Thursday 31st January 2019 by Nicola Louise 
★★★★★

There’s a reason Showstopper! won an Oliver award; there’s a reason why this show (which on the tin has the potential to be messy) has been running for near enough 12 years without fail, and that reason is that it's pure brilliance.

Showstopper! is fun, new and refreshing and a different show every performance means you can go back and enjoy the comedy again and again without boredom setting in. There’s always something new and exciting to watch.

The basic premise of the show is this; Cameron Mackintosh wants a new musical, and he wants it written within the next two hours- as audience members we’re invited to help. Our job is to set the ball rolling and call out places for the setting as well as styles of musicals or composers, then vote which ones we think are the best. We also help with the title of the performance, ours was ‘Austria the Moosical’ (can you guess what that was about??)

We had a range of musical styles within out show, Fiddler on the Roof, Mamma Mia, Les Mis, Titanic, The Sound of Music and School of Rock.

There’s clearly a format which the actors follow but this doesn’t make the show less enjoyable. The story and songs are made up on the spot with the band doing very well to keep up with the styles of musicals being called out by the producer who’s sat on stage and helps move the story forward.

From scene to scene there seems to be a leader within the improv group, who the cast refer to for leads. The company work very well together and apart from a couple of actors speaking at the same time,  there’s nothing bad to say about this show.

Improv is always going to worry some theatre goers: "Are they going to be boring?", "Are they going to now know what to say next?". But personally I feel improv adds a whole other level to shows. Even scripted shows which include some improv always feel unique and special.

The cast on stage clearly love what they do and this comes through from the moment they step on stage and the first word is spoken. They enjoy the laughter their improv brings and you can see the hard work and dedication they put in to performing a new musical every night.

I wasn’t too sure what I’d make of this show when I first heard about it, but from the moment the show started, I realised that my worries were just that of how I’ve seen previous improv shows performed.

If you’re questioning whether to see this show or not ... STOP! This show defies theatre as we know it and will bring a smile to our face from beginning to end. I’ve already informed friends that they need to see this show, I suggest you run out now and buy the tickets, you won’t regret it.

Showstoppers! The Improvised Musical is currently playing at The Other Palace until the 16th March 2019. Tickets can be purchased via London Box Office here

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Sunday, 10 November 2024

THEATRE NEWS ROUNDUP 3rd November- 9th November 2024


Happy Sunday! Here's another week of arts news, including concert headliners, a Broadway transfer, contests and lots more. As always, you can find the full stories by clicking the headline...


Noah Kahan Headlines BST Hyde Park 2025 with Special Guest Gracie Abrams
The duo headline BST Hyde Park 2025 for an epic folk-pop experience on July 4th 2025.


Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.


Elektra, the electrifying West End revival of Sophokles’s timeless tragedy, directed by Tony-winning visionary Daniel Fish, features an all star cast.


The 2024 Best New Song Prize Concert will feature an incredible cast in a one-night showcase of emerging musical theatre talent at The Other Palace in London.


Experience the wit and charm of The Pirates of Penzance as the production returns to the ENO for a strictly limited season at the London Coliseum.


Experience the acclaimed adaptation of The Lonely Londoners at Kiln Theatre this January, where Selvon’s evocative story of the Windrush generation in 1950s London brings to life the challenges, dreams, and community spirit of Caribbean migrants


The groundbreaking digital-first venue in Cardiff Bay, is designed to revolutionise Welsh arts by focusing on immersive, tech-driven storytelling and creative training for thousands of participants over the next five years.


The ballet returns for its 30th anniversary tour, bringing an iconic revival to audiences across the UK and Ireland with 29 weeks of performances in 19 cities.


The smash-hit musical brings the glitz and glamour of the Roaring Twenties to London’s West End in spring 2024 at the historic London Coliseum.


Nominations are now open for the WhatsOnStage Awards, where theatre fans can vote for their favourite shows and performers, culminating in a live event at the London Palladium on February 9, 2025.


London’s new Capital Theatre will open in autumn 2025, at Westfield London, Shepherd’s Bush.


Boublil and Schönberg’s iconic musical is set for a fresh UK tour, opening October 2025 with a reimagined production led by Michael Harrison and Cameron Mackintosh.


Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure in London’s West End
Experience a holiday science adventure full of fun, facts, and festive cheer, live this December.


That's it for another week! Come back next Sunday for your weekly dose of theatrical stories and in the mean time we'll see you on socials. Stay stagey! 

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Sunday, 20 October 2024

UK Theatre Awards 2024: Winners Announced in Celebration of British Theatre


The winners of the UK Theatre Awards 2024 were unveiled at a celebratory ceremony hosted by Faye Tozer at 8 Northumberland Avenue. These prestigious awards honour the very best of theatre from across England, Scotland, Wales, and Northern Ireland, recognising creative excellence and outstanding work both on and off stage.

With winners representing all four nations, the event highlighted the diversity and strength of the UK theatre industry. Leeds Playhouse’s production of Oliver! led the way with two major wins, including Best Musical Production and Best Performance in a Musical for Jenny Fitzpatrick.

In the On Stage categories, Best Director went to Drew McOnie for The Artist at Theatre Royal Plymouth, while Best Play Revival was awarded to Rhino at Lyric Theatre Belfast. Best New Play went to Swim, Aunty, Swim! from the Belgrade Theatre. The Stephen Joseph Theatre’s production of Beauty And The Beast took home Best Show for Children & Young People, and Achievement in Dance was awarded to Mehek, a co-production by Aakash Odedra Company and Aditi Mangaldas Dance Company. Achievement in Opera went to Welsh National Opera for Death In Venice.

In the acting categories, Best Performance in a Play was awarded to David Shields for Punch at Nottingham Playhouse, and Best Supporting Performance was given to Chumisa Dornford-May for her role in Evita at the Curve Theatre.

Polka Theatre was crowned the UK’s Most Welcoming Theatre, beating out strong competition. Off-stage recognition included Chichester Festival Theatre winning the Excellence in Sustainability Award, and the Excellence in Inclusivity Award going to Antony & Cleopatra at Shakespeare’s Globe.

Full List of Winners at the UK Theatre Awards 2024:
On Stage Awards: Best Design: Kenneth MacLeod for Dracula: Mina’s Reckoning (National Theatre of Scotland & Aberdeen Performing Arts co-production with Belgrade Theatre)
Best Director: Drew McOnie for The Artist (Theatre Royal Plymouth, McOnie Company, Playful Productions & Bill Damaschke)
Best Musical Production: Oliver! (Leeds Playhouse, in association with Cameron Mackintosh)
Best New Play: Swim, Aunty, Swim! (Belgrade Theatre, in association with tiata fahodzi)
Best Play Revival: Rhino (Tinderbox Theatre Company at Lyric Theatre Belfast)
Achievement in Dance: Mehek (Aakash Odedra Company & Aditi Mangaldas Dance Company)
Achievement in Opera: Death In Venice (Welsh National Opera, in association with NoFit State)
Best Supporting Performance (in a Musical or Play): Chumisa Dornford-May for Evita (Curve Theatre)
Best Performance in a Musical: Jenny Fitzpatrick for Oliver! (Leeds Playhouse)
Best Performance in a Play: David Shields for Punch (Nottingham Playhouse)
Best Show for Children & Young People: Beauty And The Beast (Stephen Joseph Theatre)
Off Stage Awards:Excellence in Arts Education: Royal Shakespeare Company
Excellence in Touring: Parti Priodas (Theatr Genedlaethol Cymru)
Excellence in Inclusivity: Antony & Cleopatra (Shakespeare’s Globe)
Excellence in Sustainability: Chichester Festival Theatre
Workforce Award: Buxton Opera House & Pavilion Arts Centre
UK’s Most Welcoming Theatre: Polka Theatre
Special Recognition: Outstanding Contribution to British Theatre: Jenny Sealey OBE (Artistic Director of Graeae)

Claire Walker and Hannah Essex, Co-CEOs of Society of London Theatre & UK Theatre, praised the winners, saying:

This year’s UK Theatre Awards ceremony has been a truly joyful celebration and a real testament to the quality and diversity of the work that our members do both on and off the stage and in their local communities. Congratulations to all the winners and nominees."
The UK Theatre Awards 2024 were sponsored by Encore, with support from AKT, Cunard, Harbottle & Lewis, John Good Ltd, MTI Europe, Theatre Tokens, Tysers in association with Ecclesiastical, Unusual Rigging, and White Light.

photo credit: Pamela Raith
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Tuesday, 3 October 2023

Sondheim's Old Friends at the Gielgud Theatre Review: A Magical Piece of Theatre History



Sondheim's Old Friends
Gielgud Theatre
★★★★★

Musical theatre is what it is today, in no small part thanks to the brilliance of Stephen Sondheim, and this musical revue gloriously celebrates that whilst also providing an amazing memorial of Stephen and his melodic legacy. Devised by Cameron Mackintosh, the show like opening a musical time capsule which whisks you back to a bygone era, and a theatrical peak; showcasing a selection of the well known and lesser known Sondheim pieces.

Every aspect of the show is like a trip down memory lane, capturing the essence of a glamorous past. Jill Parker's costumes are simplistic enough for the setting whilst really elevating the story telling necessary to truly do Sondheim's work justice. Particularly impressive are the wolf ensemble and Mrs Lovett's get up which both have a refreshing modern feel. Set wise, Matt Kinley's design cleverly uses the Les Miserables moving pieces to create visual interest and bring some real wow moments to the stage. The entire Sweeney Todd section is impeccable. Thanks to Matthew Bourne's staging and direction, you find yourself lost in the magic, engulfed in the nostalgic beauty of a time that lives on through this production.

The show features the creme de la creme of the musical theatre world, with Broadway royalty Lea Salonga and Bernadette Peters taking the helm, and proving why they are so beloved- it feels like an out of body experience seeing such wonders. The whole cast give standout performances and there are truly too many to name but mention must go to Bradley Jaden's Wolf, Joanna Riding's 'Not Getting Married Today' and Jeremy Secomb's Sweeney Todd. Christine Allado and Bonnie Langford, are also wonderful and the cast really doesn't have a weak link. Universally their voices, movements and energy are enchanting- conjuring a musical spell that leaves you mesmerised. Each song feels like a little piece of history, beautifully presented and cherished. Stephen Mear's choreography adds to this magical experience, bringing a further touch of grace and finesse to proceedings.

Conducted by Alfonso Casado Trigo the orchestra are humungous aspect of the success of this show. Faultlessly performing every note, their music lingers long after the final bow.

Sondheim's Old Friends at the Gielgud Theatre is a magical trip through musical history. It's a celebration of Sondheim's genius and the enchantment of the stage. If you're seeking a dose of wonder and a reminder of the magic that live performances bring, don't miss this truly magical experience.

Reviewed on Thursday 28th September 2023 by Olivia Mitchell
Photo Credit: Danny Kaan

{AD PR Invite- tickets gifted in exchange for honest review}
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