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Showing posts sorted by date for query Arlene Phillips. Sort by relevance Show all posts

Wednesday, 16 October 2024

Go Live Theatre Projects Launches Online Charity Auction Featuring Rare Theatre Memorabilia


Go Live Theatre Projects, the London-based theatre education charity, has launched an exciting online charity auction packed with rare and signed theatre memorabilia. The auction aims to raise funds to support the charity’s mission of making theatre accessible to young people and their families, especially those facing financial, social, or physical barriers.

Bidders can expect exclusive items from some of the West End's biggest productions, including signed posters and programmes from Harry Potter and the Cursed Child, Hadestown, SIX, Les Misérables, Frozen, Back To The Future, Tina – The Tina Turner Musical, and Wicked. There are also signed t-shirts and hoodies from theatre stars like Michael Ball, Sheridan Smith, Derek Jacobi, Bonnie Langford, and Arlene Phillips. One of the rarest items is a pair of ballet shoes used in The Phantom of the Opera.

To view and bid on these incredible pieces, visit Go Live Theatre's auction page.

If you'd like to see some items in person, visit the Go Live Theatre Projects stand at MusicalCon on October 19-20 at the London Excel Centre.

Go Live Theatre Projects is committed to providing vulnerable and marginalised young people with access to theatre. Donations to support their educational work can be made here.

Tuesday, 17 May 2022

Grease The Musical, Dominion Theatre | Review


Grease The Musical
Dominion Theatre
Reviewed on Tuesday 17th May 2022 by Olivia Mitchell 
★★★

It’s a cult classic that’s got the word, got the groove, it’s got meaning, and in its current West End run at the Dominion Theatre, Grease provides a high energy, fun night out that’ll have you feeling good and tapping your toes.

The production which previously toured the UK features all the iconic moments and songs from the film, but shuffles them around and combines them with their original stage versions. For example The T Birds are now back to their og name of the Burger Palace Boys. These small tweaks allow the audience to be more engaged as they don’t quite know what’s coming. However, other attempts to somewhat modernise the book fall a little flat. You would assume that ending the show with the punchline of the girl changing herself so the boy likes her, could’ve been switched up a little but it remains the same as the movie and certainly feels dated. This version of Grease does give Sandy's character more of a backbone but it would be nice to see just a bit of dialogue added to give her a bit more autonomy at the end.

The West End cast is chockablock with strong performers who bring the array of characters to life incredibly well. As the leading lady, Olivia Moore is a delight as Sandy. Her powerhouse voice soars every time she opens her mouth and she gives a dynamic and endearing performance. Leader of the Burger Palace Boys, Danny Zuko is played well by Dan Partridge who really comes into his own in the angsty number How Big I'm Gonna Be and also provides great humour and vocals in Stranded at the Drive In.

Other standout performers include Jocasta Almgill, who’s rendition of There Are Worse Things I Could Do, is heart-wrenching and transforms the song to be heard in a new light. Mary Moore is also a gem as Jan and Eloise Davies is wonderfully witty and whimsical as the Beauty School Dropout, Frenchie. Paul French’s Kenickie is rough and brooding but sometimes lets his softer side show and is a delight to watch. 

If you’ve seen the adverts for this show, you’ll have probably seen Peter Andre who is starring as Vince Fontaine and Teen Idol. Whilst only appearing briefly in act one, in act two he comes to life and is highly entertaining and will certainly please audience members who are fans!

There are a few moments in the show where the energy lulls or jokes fall a bit flat but it’s the full ensemble sections that really bring it back up and make it soar. The Hand Jive and We Go Together are especially good moments that ooze energy and almost create electricity in the auditorium. This is in a big way thanks to Arlene Phillips' outstanding choreography that is fresh and exciting but completely in keeping with what we know and love as typically Grease

As a whole the cast are top notch and work really well together. It's great to see how much characterisation work has gone into each role, so that no matter who you're looking at one stage, you can always see a story or relationship developing with them.

Despite a few shortcomings, the musical is a real laugh and a nice, hand jiving escape from reality. It's not groundbreaking but Grease The Musical does what it says on the tin and delivers iconic scenes and songs that fans of the film will love. So, all you crazy cats better get booking!

Thursday, 21 April 2022

The Cher Show (Tour), Leicester Curve | Review


The Cher Show (Tour)
Leicester Curve
Reviewed on Friday 15th April 2022 by Hope Priddle
★★★★★

After a brief run on Broadway, the beat goes on for The Cher Show as a new reimagined version, directed by Arlene Phillips, opened at the Leicester Curve this week. Spanning an astounding six decades and featuring iconic hits such as Believe and Strong Enough, The Cher Show charts the early life of Cherilyn Sarkissian and her spectacular rise to fame. In this uplifting girl-powered production, join Cher as she fights to take charge of her career in a man’s world, leaving a legacy as a trailblazing feminist icon.

This is not an ordinary jukebox bio-musical – there is not just one Cher, but three; Baby, Lady and Star. Though the book (Rick Elice) relies heavily on exposition and is not always successful in divorcing itself entirely from a tired format, it is sharp and quick-witted. By introducing us to three protagonists who interrupt each other with sassy asides and sage advice, an otherwise linear narrative suddenly feels reactive and full of endless possibilities. The Chers reclaim, retell and revise their own story.

The cast is led by a powerhouse trio of women in the role of Cher. Millie O’Connell (Baby) Danielle Steers (Lady) and Debbie Kurup (Star) give natural and nuanced performances as the legendary diva. Cher has become so mythologised into the annals of pop history, it is easy to forget she is a real person. Not once however do our leading ladies stray into the territory of camp or hammy caricature.

As the eldest Cher, Debbie Kurup grounds the trio with her wisdom and worldliness. Kurup’s vocals are truly outstanding, but it is in her ability to reveal the vulnerability, resilience and tenderness behind the icon, that her true power lies. Danielle Steers plays Lady, tasked with negotiating Cher’s fraught personal and professional relationship with husband Sonny Bono. Steers is infamous for her rich contralto vocals and as such, unapologetically devours the score. Steers’ commanding rendition of Bang Bang is a total showstopper, proving that Cher was a role she was born to play. Millie O’Connell is a delight as lovestruck dreamer Baby and is a comedic genius to boot – her repartee with Lucas Rush (Sonny) during The Sonny and Cher Comedy Hour is a complete joy to watch.


It would be easy to assume that Baby and Lady take a secondary role to Star, that they perhaps function as her warm-up act. However, they shine brightly on their own. Baby and Lady are no less accomplished, no less complete than Star. What is so wonderful about The Cher Show is that although their shared story is a linear one, the Chers exist in parallel timelines, supporting rather than replacing one another along their journey.

Lucas Rush gives a tremendous performance as Cher’s first husband and lifelong artistic partner, Sonny Bono. Not only does Rush masterfully imitate Sonny’s nasally vocal inflections, they skilfully embrace his smarmy unlikability and genuine charisma. Though Sonny exhibits exploitative and explosive behaviour at the height of their career, he remains an enduring confidante and champion. We are also introduced to a host of influential characters – Cher’s Mother (Tori Scott), Bob Mackie (Jake Mitchell), and her subsequent husbands Gregg Allman (Sam Ferriday) and Robert Camilleti (Ferriday) - all of whom are treated with affection and goodwill. The ensemble are strong and deliver Oti Mabuse’s dynamic choreography with pizazz.

Tom Roger’s set design is simple yet highly effective, transporting the audience backstage by flanking the wings with monochrome rails and wig-laden shelves. The costumes retain all the glamour of Bob Mackie’s original wardrobe, but his departure from the creative team has clearly allowed designer Gabriella Slade the freedom to take a more inspired approach. Slade’s gladiatorial designs fully embody the fierce spirit of Cher and transform our leading ladies into goddess warrior queens.

The Cher Show is a universally uplifting story of a woman’s fight for independence in an industry driven by men. While it unashamedly embraces all the flair and flamboyance that fans will most certainly expect, as a respectful homage to a much-loved icon, it retains real heart. If I could turn back time, I would watch it all over again.

photo credit: Pamela Raith

Tuesday, 15 March 2022

Full Cast Announced for the UK and Ireland Tour of The Cher Show

 


“All of us invent ourselves.
Some of us just have more imagination than others.”
CHER

 
The producers of the brand new production of The Cher Show are delighted to announce the full cast joining Debbie KurupDanielle Steers and Millie O’Connell, all starring as Cher – Star, Lady and Babe respectively.

Lucas Rush will play Sonny, Jake Mitchell will play Bob Mackie, Sam Ferriday will play Greg Allman and Tori Scott will play Georgia. Joining them are Jordan Anderton, Jasmine Jules Andrews, Carla Bertran, Catherine Cornwall, Áine Curran, Sam Holden, Samantha Ivey, Aston Newman Hannington, Ingrid Olivia, Clayton Rosa, Chay Wills and Guy Woolf.

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision, orchestrations and arrangements by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett, musical direction by Danny Belton and casting by Will Burton CDG.

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

Website: www.cheronstage.com
Twitter, Facebook, Instagram: @TheCherShowUK

Friday, 25 February 2022

Millie O’Connell, Danielle Steers and Debbie Kurup to Play Cher in The Cher Show

“All of us invent ourselves.

Some of us just have more imagination than others.”CHER

The producers of the brand new production of The Cher Show are delighted to announce that the role of Cher will be played by Debbie KurupDanielle Steers and Millie O’Connell. The production features the actresses portraying Cher in three different ways throughout her iconic career, with Debbie as ‘Star’, Danielle as ‘Lady’ and Millie as ‘Babe’.  Further casting is to be announced.

 

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

 

Debbie Kurup’s theatre credits include Bonnie & Clyde (Theatre Royal, Drury Lane), Queen Tuya in The Prince of Egypt (Dominion), Blues in the Night (Kiln), Sweet Charity (Donmar Warehouse), Mrs Neilsen in Girl From The North Country (Old Vic/ Noël Coward), The Threepenny Opera (NT), Anything Goes (Sheffield Crucible/UK Tour), Nikki Marron in The Bodyguard (Adelphi - Olivier Award nomination for Best Performance in a Supporting Role in a Musical), Velma Kelly in Chicago (Cambridge/Adelphi), Sister Act (London Palladium), East (Leicester Curve), West Side Story (Prince of Wales), Tonight’s The Night (Victoria Palace), Rent (Prince of Wales/UK Tour), Fame (UK Tour), Guys And Dolls (Sheffield Crucible), Pal Joey (Chichester) and Boogie Nights (Savoy).

 

Danielle Steers’s theatre credits include The Empress in Aladdin (Theatre Royal, Plymouth),  Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre, Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.

 

Millie O’Connell’s theatre credits include Maureen in Rent (Hope Mill Theatre - WOS Award Nomination), Jeanie in Hair (Turbine Theatre), Chloe Valentine in Be More Chill (Shaftesbury Theatre and The Other Palace), Anne Boleyn in SIXThe Musical (UK Tour and Arts Theatre, London - Olivier Award nominated), Ensemble/cover Millie in Thoroughly Modern Millie (UK Tour), Ensemble/Understudy Annie in 42nd Street (Theatre Royal, Drury Lane), Ensemble/Understudy Peggy Sawyer in 42nd Street (Theatre Du Chatelet).

 

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

 

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

 

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

 

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

 

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett and casting by Will Burton CDG.

 

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

 

Website: www.cheronstage.com

Twitter, Facebook, Instagram: @TheCherShowUK


photo credit: Matt Crockett


Thursday, 3 February 2022

Peter Andre to play Vince Fontaine in Grease at the Dominion Theatre


Peter Andre will make his West End debut playing the role of Vince Fontaine at certain performances in a new production of Jim Jacobs & Warren Casey’s iconic musical GREASE opening at the Dominion Theatre on Tuesday 17 May 2022, with previews from Tuesday 3 May 2022. GREASE is directed by Nikolai Foster and choreographed by Arlene Phillips. 

 

Dan Partridge (Link Larkin in Hairspray UK tour & Pepper in MAMMA MIA! West End) and Olivia Moore (Waitress at the Adelphi Theatre & Heathers at Theatre Royal Haymarket) will star as Danny and Sandy respectively, with Jocasta Almgill (& Juliet at Shaftesbury Theatre) as Rizzo, Paul French (GreaseUK tour) as Kenickie, Mary Moore (Little Women at Park Theatre) as Jan, Jake Reynolds (professional debut) as Doody, Lizzy-Rose Esin-Kelly (A Chorus Line at Curve) as Marty, Damon Gould (Pretty Woman: The Musical at Savoy Theatre) as Sonny, Eloise Davies (Be More Chill at The Other Palace) as Frenchie, Jessica Croll (Hairspray UK tour) as Patty Simcox, Katie Lee (Matilda The Musical at Cambridge Theatre) as Cha Cha, Ronan Burns (West Side Story at Curve) as Johnny Casino and Corinna Powlesland (An Officer and A Gentleman at Regents Park Open Air Theatre as Miss Lynch. Darren Bennett (Dirty Rotten Scoundrels at the Savoy Theatre) will play Officer Mailie and Vince Fontaine at certain performances. 

 

They are joined by Jack Harrison-Cooper, Pearce Barron, Rishard-Kyro Nelson, Ellie Kingdon, Remi Ferdinand, Kalisha Johnson, Imogen Bailey, Kevin O’Dwyer and Carly Miles. Further casting is to be announced.

 

Peter Andre said “I'm beyond excited to be making my West End debut playing Vince Fontaine in Grease at the beautiful Dominion Theatre. Grease is such an iconic musical and we can guarantee audiences will have the most wonderful evening listening to songs we all know and love. We can't wait to see you there!"

 

GREASE originally opened in Chicago in 1971, followed by a move to Broadway in 1972, where it received seven Tony Award nominations, including one for Best Musical. During the show's eight-year run at the time, little known actors including Peter Gallagher, Patrick Swayze and John Travolta all appeared in the production, with Richard Gere understudying many roles before going on to star as Danny Zuko in the 1973 London premiere. GREASE was first performed at the Dominion Theatre in 1993 before transferring to the Cambridge Theatre in 1996. It returned to the West End, opening at the Piccadilly Theatre in 2007. 

 

The 1978 film adaptation starring John Travolta and Olivia Newton-John is the fourth highest-grossing live action musical of all time. The musical features beloved songs, including Summer NightsGreased Lightnin’Hopelessly Devoted To Youand You’re The One That I Want.

 

GREASE has designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and Richard Brooker, video and projection design by Douglas O’Connell and casting by David Grindrod CDG.

 

This production of GREASE is produced by Colin Ingram for InTheatre Productions, Donovan Mannato, Playing Field, Gavin Kalin, and Curve.

Wednesday, 22 July 2020

Grease UK Tour starring Peter Andre to return in 2021


The producers of the first new production in 25 years of Jim Jacobs & Warren Casey’s iconic musical Grease, are delighted that the show will tour the UK and Ireland in 2021. The musical was due to tour in 2020 but had to be postponed due to COVID-19.

Following his success starring in the UK and Ireland tour in 2019, Peter Andre will star in the 2021 tour at certain venues and performances (Plymouth, Cardiff, Bristol, Milton Keynes, Dublin, Liverpool, Bromley, Southampton, Nottingham, Manchester, Dartford, Canterbury and Birmingham). As well as reprising the role of Teen Angel, Andre will also play Vince Fontaine.

The 2021 tour will begin at Theatre Royal Plymouth, running from 22 – 30 January, and will then play Wales Millennium Centre, Cardiff from 1 – 6 February, Bristol Hippodrome from 8 – 13 February, Edinburgh Festival Theatre from 16 – 20 February, Norwich Theatre Royal from 22 – 27 February, Milton Keynes Theatre from 1 – 6 March, Bord Gais Energy Theatre, Dublin from 16 – 27 March, The Alhambra Theatre, Bradford from 29 March – 3 April, Liverpool Empire from 5 – 10 April, Sheffield Lyceum from 12 – 17 April, Churchill Theatre, Bromley from 19 – 24 April, Stoke Regent Theatre from 3 – 8 May, Mayflower Theatre, Southampton from 11 – 15 May, Grand Opera House, Belfast from 18 – 22 May, Theatre Royal Nottingham from 24 – 29 May, Royal & Derngate Northampton from 31 May – 5 June, Palace Theatre Manchester from 7 – 19 June, The Orchard Theatre Dartford from 21 – 26 June, The Marlowe Canterbury from 28 June – 3 July, The Sands Centre, Carlisle from 6-10 July and The Alexandra, Birmingham from 12 – 17 July.

Andre said "I was so thrilled to have been returning to Grease this year as I had the most wonderful time last year working with our incredible cast and creative team. Sadly, this year's tour had to be postponed due to COVID-19 but I'm overjoyed that we can return in 2021. Grease is joyous and will truly allow you to escape to a different time, with show-stopping dance routines and some of the most iconic songs of all time. It's a show about solidarity and it celebrates friendship. As the song goes, We Go Together!"

Grease is directed by Nikolai Foster and choreographed by Arlene Phillips, with designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and 2021 tour casting by Kay Magson CDG, with original tour casting by David Grindrod CDG.

This new production of GREASE is produced by Colin Ingram, InTheatre Productions, Donovan Mannato, Playing Field, Hunter Arnold, Araca and Curve.

photo credit: Manuel Harlan

Tuesday, 12 September 2017

Grease (UK Tour), Edinburgh Playhouse | Review


Grease (UK Tour)
Edinburgh Playhouse
Reviewed on Monday 12th September 2017 by Liv Ancell

The turn of Grease at the Edinburgh Playhouse transformed the theatre into a lively hothouse of hand jiving, bomber jackets and 50s nostalgia. With hundreds of costume changes, multiple set changes and an enviable line-up of cast and crew, including Tom Parker of The Wanted fame, this production of Grease was far from an understated affair.


The first surprise in the production came when the curtain initially lifted to reveal an exposed upper mezzanine level to the stage, where the live band was on display for all to see. With charismatic showmanship, the flamboyant conductor introduced each of his band members with the flick of the wrist, while they in turn stood up and gestured to the audience to boast their musical prowess. As far as warm-up acts go, this one was pretty spectacular. 


Cut and the band are once again hidden from view (only to emerge later in a few choice scenes), with the show’s two star-crossed lovers emerging from opposite ends of the stage, raised on pedestals in a creative use of staging. Danielle Hope astounded the audience as Sandy from the very first note, captivating even the back seats with her commanding theatrical voice, with seemingly endless levels of range and depth. Tom Parker successfully portrayed the too-cool-for-school attitude of well-loved character Danny Zucko, but the powerful contrast at play between his boy-band tones and Danielle’s finely trained voice was at times, very clear to see. His “Sandy” solo was less than electrifying, whereas Danielle’s solo performances had the audience clinging onto every perfectly delivered note. 





The supporting cast in this musical raised the energy levels tenfold; hand-jiving, flipping and jesting their way into the audiences hearts. Jan (Rosanna Harris) and Roger (Oliver Jacobson) were transformed from sideline characters into firm audience favourites. Each couple’s voices were paired to perfection, making for some harmonious duets. Special mention goes out to Alessia McDermott, who was standing in for ChaCha on the evening we attended; she high-kicked and smouldered her way through the show, leaving the audience clueless as to why she was only an understudy in the first place! 


As far as performances go, this one was extremely physical, but the young cast kept pace the whole way through. It will come as no surprise to any viewer that the dance scenes were the brainchild of Strictly’s Arlene Phillips – the couple’s competition at the school dance featured more lifts and swings than you could shake a baton at. The razor-sharp choreography throughout was a real highlight of this performance, with not a single cast member slipping up during the lightning-speed handjiving sequences. 





In a nutshell, this show was both ambitious and energetic in equal measure. The flashes, bangs, fire and sparks during the Greased Lightning song resulted in a real show-stopping moment, while Danielle’s voice reached dimensions far beyond what Olivia Newton-John could deliver in the movie version. Whether it was down to delivery or acoustics, some of the snappy tongue-in-cheek comments were unfortunately difficult to hear, and many of these jokes were as a result missed by the audience. 


Overall, this was a very well-assembled production of an old school classic, delivered with such youthful energy and accompanied by great staging - viewers of any age or gender are guaranteed to get swept up by the excitement and extravagance of this show.


Grease runs at the Edinburgh Playhouse until  before continuing its tour.

Tuesday, 11 July 2017

Grease (UK Tour), New Victoria Theatre | Review


Grease (UK Tour)
New Victoria Theatre
Reviewed on Monday July 10th 2017 by Valerie Field
★★

Grease first appeared on Broadway in 1972 but became really popular in 1978 when it was made into a film with John Travolta and Olivia Newton-John and became a cult classic. Set in the 1950’s as a High School Musical when Rock and Roll was extremely popular with the younger generation and the great Elvis Presley was on the scene, it was a cool time to be around and the musical is just as popular now as people are always eager to experience the nostalgia of their youth either because they grew up in the 50s or grew up with the film. This new tour revival of the show has all the classic songs and is a fun night out for any Grease lover.


The well known story revolves mostly around Bad Boy Danny Zuko and the innocent new girl Sandy after the two had a summer fling before unknowingly ending up at the same school. Tom Parker who played Danny in my opinion didn’t have enough presence on stage although as the show went on he seemed to come across a bit more confident especially in the dance routines. His voice was strong at points but he didn't quite reach the level of charm, charisma and roughness needed to really be Danny Zuko.


Michael Cortez as Sonny and Tom Senior as Kenickie both had much more presence on stage and I feel would have been better suited to the part of Danny. Both actors were funny, charismatic and over the top enough to steal the scenes they were in.

Danielle Hope was very good as Sandy and her singing voice had shades of Olivia Newton-John, she was wonderful as both the sweet, innocent Sandy and the sexy Sandy who comes in act two. George Olney was fantastic as Teen Angel/Vince Fontaine and had the audience really involved and with him throughout his scenes. 

The costumes by Andreane Neofitou and choreography by Arlene Phillips really brought 50’s to life and the special effects were brilliant, especially when Greased Lightning came to life on stage. It was nice to see the orchestra on stage as they were great and really got the audience in the feel good mood.

All in all it's a very energetic and enjoyable show for any lovers or likers of the original.

Grease is at the New Victoria theatre until July 15th before continuing it's UK tour.