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Wednesday 30 October 2024
Get Ready for the UK's First Musical Theatre Market!
Exciting news, theatre lovers! The countdown is on for the very first Musical Theatre Market on November 9th at the Custard Factory in Birmingham. This is a one-of-a-kind event- the UK’s first-ever “stagey” craft market- and it’s shaping up to be a dream come true for musical theatre fans and craft lovers alike. With just two weeks to go until the big day, here’s everything you need to know to get ready for a day full of show-stopping finds and handmade magic!
🎨 Meet the Makers: 40+ Talented Vendors and Crafters
Musical Theatre Market are bringing together an incredible lineup of over 40 talented small businesses, each with their own special touch of musical theatre magic! Among our vendors, you’ll find some familiar names, like:
Amelia Stitches- beautiful intricate embroidery and embroidery kits
LettersToJuly- beautiful, show-inspired stationary including washi tape and post its
Handmade Broadway- theatrical artwork, a staple for any theatre fan’s home decor
Eve Leoni Art- stunning, theatre-inspired illustrations and products
Musical Theatre Pins- the ultimate stop for unique, collectible pins to rep your favourite shows!
And that’s not all! They'll also be welcoming some fresh, exciting faces you may not have heard of (yet!)- like Stagey Stitches, who makes one-of-a-kind scrunchies from actual West End show fabrics (talk about authentic theatre merch!), and Musical Merch Shop, run by 12-year-old Willow, whose passion for musical theatre shines through every piece she makes.
🌟 What Makes Musical Theatre Market Special?
Musical Theatre Market isn’t just a shopping experience- it’s a celebration of the creativity and the community that make theatre so special! Whether you’re looking for show-themed gifts, personalised art, or just something that reminds you of your favourite show tunes, there’s something here for everyone.
Plus, the event is extra-special with:
-Exclusive market-only merchandise you won’t find anywhere else
-A friendly, welcoming vibe that’s all about bringing the theatre community together
-The chance to meet and chat with the talented artists and makers behind your new favorite items
📅 Save the Date & Spread the Word!
Mark your calendars, set your reminders, and make sure you’re ready to be there on November 9th at the Custard Factory in Birmingham. Grab your friends, your family, and any theatre fan in your life- they won’t want to miss it either!
For full details, visit the website musicaltheatremarket.co.uk. Pop along to make history with you at the UK's very first Musical Theatre Market and enjoy a show-stopping day!
Initial West End Casting Announced for Clueless the Musical
Exciting news for fans of Clueless- the beloved ’90s classic is coming to the West End stage in a fresh new musical adaptation! Emma Flynn (Beautiful, Little Shop of Horrors) will make her West End debut in the iconic role of Cher Horowitz, joined by Keelan McAuley (Heathers, Grease) as Josh. Both actors are thrilled to breathe new life into these characters, with Flynn sharing her excitement to continue Alicia Silverstone’s legacy, saying:
I can’t wait for audiences to rediscover Cher’s wit and heart in a whole new way.”
Meanwhile, McAuley looks forward to channeling the charm of Paul Rudd’s original Josh, especially as he brings a new musical twist to the role.
Fans can already get a taste of the musical's vibe with the release of 'New Girl', a track featuring Flynn alongside KT Tunstall, who composed the original score. Tunstall, known for her hit songs 'Suddenly I See' and 'Black Horse and the Cherry Tree', collaborated with three-time Tony Award nominee Glenn Slater (The Little Mermaid, Sister Act) to bring a contemporary, ’90s-inspired sound to the West End. Together, they capture the upbeat, fun-loving spirit of the original film with a fresh score that combines nostalgic ’90s pop with today’s musical stylings.
Amy Heckerling, the original writer-director of Clueless, is thrilled to see her characters return to the spotlight, noting:
I’m thrilled for Emma to bring her own take on Cher’s unforgettable charm and Keelan to make Josh his own.”
This production is directed by Rachel Kavanaugh (Chichester Festival Theatre, Regent’s Park Open Air) and choreographed by Olivier Award winner Kelly Devine (Come From Away), making it a high-energy show packed with humour, iconic fashion, and plenty of heart.
Set in Beverly Hills High, Clueless The Musical brings audiences back to the world of Cher, a matchmaking fashionista who’s trying to help her new friend Tai fit in with the cool crowd. But when her own world starts to get a little complicated, Cher finds herself on an unexpected journey of self-discovery. With its fun plot, memorable characters, and catchy tunes, Clueless promises to be a majorly cool addition to the West End.
Casting Announced for Cyrano at Park Theatre
Cyrano, the Fringe First award-winning, gender-flipped retelling of Cyrano de Bergerac, is set to light up Park Theatre, London, from December 11, 2024, to January 11, 2025, following a sold-out European premiere at Edinburgh’s Traverse Theatre. Written and performed by Australian actress and playwright Virginia Gay (Colin from Accounts, Winners & Losers), this reimagining redefines the classic with bold humour, heartfelt romance, and a fresh modern sensibility. Joining Gay as Cyrano are Jessica Whitehurst (Ridley, The Comedy of Errors) as Roxanne and Joseph Evans (Coronation Street) in his stage debut as Yan, alongside Tessa Wong, David Tarkenter, and Tanvi Virmani.
Directed by Clare Watson, Cyrano combines humour, aching romance, and musical interludes to tell the story of Cyrano, a witty wordsmith who conceals a personal shame behind her sparkling intelligence and charm. Cyrano, captivated by the brilliant and beautiful Roxanne, finds herself in a love triangle when Roxanne falls for Yan, a man with looks but few words. As Cyrano pours her heart out under the guise of Yan’s voice, she creates an unforgettable rom-com for the ages- filled with wit, longing, and the undeniable magic of theatre.
Described as “big-hearted, irreverent, and joyous,” Gay’s Cyrano is a tribute to hope, the search for connection, and the beauty of language. It’s an ode to the timeless power of theatre and its ability to draw out both laughter and tears.
Friday 18 October 2024
Lord of the Dance- A Lifetime of Standing Ovations on Tour: A Footwork Feast with a Touch of Nostalgia
Lord of the Dance: A Lifetime of Standing Ovations
New Victoria Theatre
Lord of the Dance: A Lifetime of Standing Ovations is a unique production that showcases the unmatched talent of its dancers, but it also carries a sense of nostalgia that doesn’t quite hold up in today’s world. Originally created by Michael Flatley in 1996, the show is rooted in Irish mythology, featuring stunning footwork and energetic performances.
At its core, Lord of the Dance tells a mythic tale of good versus evil, with the "Lord" representing all that’s noble and heroic, while the "Dark Lord" embodies chaos and villainy. As these two archetypal male figures battle for dominance, female characters like "Saoirse" and "The Morrighan" find themselves relegated to fairly traditional roles: yearning for the hero or caught in the middle of the conflict. The story itself feels more like a backdrop to the dancing rather than a fully fleshed-out narrative, and the idea of macho men saving the day while women stand by feels a little tired in today’s cultural climate.
Visually, the show is a mixed bag. At times, the lighting, costumes, and staging can be quite effective, creating moments of real magic. However, there are other moments where the visuals feel random and disconnected, with no real cohesion in design or purpose. The costumes range from ethereal and elegant to overly flashy and out of place. The lighting effects, while dynamic, often seem to be trying to add drama where the narrative fails to deliver. These dated visual elements can distract from the otherwise incredible dance performances and make the production feel less polished than it once was.
That said, the live music elements, including violin interludes and occasional vocal performances, are a welcome addition. They break up the dance-heavy sequences in a way that adds depth and texture to the show. The mix of live music and recorded tracks is well-balanced, enhancing the energy of the performance while giving the dancers brief moments to reset.
The dancing itself is the undeniable highlight of the show. The sheer athleticism and precision of the cast are nothing short of remarkable. The iconic Irish step-dancing routines are performed with an intensity and flair that keeps the audience fully engaged, even when the story feels secondary. The choreography remains as impressive as ever, with the dancers’ footwork bringing an unmatched level of excitement and spectacle to the stage. Even if the visuals and plot don’t always hit the mark, the dancing alone is enough to make the show worth seeing.
Lord of the Dance is still a strong production for fans of Irish dance and music, but it feels very much like a product of its time. The plot is simple, predictable, and hinges on outdated gender roles, while the visual elements, although sometimes effective, lack coherence and can feel random or overdone. Yet despite these shortcomings, the live music and the incredible talent of the dancers keep the show afloat and make it worth a watch. It's a show that knows what it is and embraces it fully. It might not break new ground for those familiar with it, but it offers a nostalgic, enchanting escape for anyone craving the magic of Irish dance. For longtime fans, it’s a delightful revisit to a cherished classic, while for newer audiences, it serves as a beautiful introduction to the art form, even if it does show its age in places.
★★★
Reviewed on Friday 18th October by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Saturday 13 July 2024
Unforgettable Moments at BST Hyde Park: Stevie Nicks and Harry Styles Live
Stevie Nicks
Hyde Park
To put it lightly, last night at BST Hyde Park was nothing short of magical. Like many, seeing Stevie Nicks perform was a bucket list event for me, so finally getting to see her was a dream come true and the night was a true testament to the enduring power and charisma of the legendary performer. The atmosphere was electric, filled with a sense of history and excitement that only intensified as the evening progressed. The fully female lineup for the day added an extra layer of significance and empowerment to the event which will go down in the memory of so many.
The day kicked off for me with the vibrant Catty on the Rainbow Stage. Her energy was infectious, and her vocals were stunningly strong. Each note she sang was filled with emotion, showcasing her undeniable talent. It's clear that this is just the beginning of an incredible career for her. I feel lucky to have witnessed her early steps and can't wait to see where she goes next.
Nina Nesbitt followed with a lovely set that provided a beautiful contrast to some of the other artists. Her performance showcased her as a talented singer-songwriter with a unique voice. Her heartfelt lyrics and soothing melodies were a delight to watch, and her songs added a perfect touch to the day's lineup.
As a longtime fan of Brandi Carlile, seeing her on the Great Oak Stage was another dream come true. I have to admit, I shed a tear. Her performance was nothing short of astounding, making her the perfect opener for Stevie. Hearing 'The Joke' and 'The Story' live was everything I hoped for and more. Her raspy, powerful vocals and brilliant audience interaction were captivating. Closing her set with 'We Are the Champions' in honour of the upcoming Euros final was a wonderful choice that had the audience fully on her side. From what I could hear around me, Brandi gained a lot of new fans through her performance!
And then, the moment we had all been waiting for: Stevie Nicks. From the moment she stepped on stage, the crowd was enraptured. Surrounded by fans united by their love for Stevie, there was an overwhelming sense of community and shared joy. Many, myself included, had made the effort to emulate Stevie's iconic style, with flowing shawls and layered jewellry. The lady next to me even had a ribbon-laden tambourine, a tribute to Stevie's signature accessory. As Stevie took the stage, the crowd was filled with sniffles and tears, a testament to the profound impact she has had on all of us. This was more than just a concert; it was a momentous event that celebrated the enduring magic of Stevie Nicks. The joy of music and the connection we all felt to her and to each other made it a night to remember, filled with heartfelt emotion and a sense of belonging.
Her setlist was a perfect mix of classics and deeper cuts, taking us on a journey through her incredible career. Starting with 'Outside the Rain', she immediately set the tone for an unforgettable night. 'Dreams' and 'If Anyone Falls' followed, showcasing her timeless voice that remains as strong and evocative as ever.
'Gypsy' and 'The Edge of Seventeen' were delivered with the kind of passion that only Stevie can bring. As she performed 'Bella Donna' and 'Gold Dust Woman,' the graphics on the screen behind her added a hypnotic visual element to the show, perfectly complementing the music and enhancing the overall experience.
Stevie's anecdotes between songs were like little gifts to the audience. Her Joan Didion-esque meandering Hollywood stories were fascinating; I could have listened to her regale us for hours. The way she spoke about her various shawls was delightful, adding a charming personal touch to the performance. It was evident she was thoroughly enjoying playing Hyde Park, and her joy was contagious.
A special highlight was when her vocal coach, Steve Real joined her for a song. It added an intimate and unique touch to the performance, showcasing Stevie's generosity and appreciation for her team. As she moved into 'Rhiannon,' the crowd sang along, united in their love for the music and the moment.
The night reached an unforgettable climax when Harry Styles joined Stevie on stage for the final two songs. As a huge Harry fan, I'd heard rumours he might be there, but nothing could prepare me for the sheer emotion of the moment when he appeared to sing 'Stop Draggin' My Heart Around.' Seeing him perform with Stevie on what would have been Christine McVie's 81st birthday was surreal; their rendition of 'Landslide,' accompanied by a beautiful slideshow of photos, was moving beyond words.
This concert was everything you could ask for and more. Stevie's voice is still incredibly strong, and her stage presence is unmatched. The graphics and visuals throughout the show were stunning, adding an extra layer of magic to the performance. I'm honoured to have witnessed such an icon perform in such an iconic setting. The memories of this night, especially that magical moment with Harry Styles, will stay with me forever. If you ever get the chance to see Stevie Nicks live, don't hesitate. It's an experience you'll treasure for a lifetime.
★★★★★
Reviewed on Friday 12th July 2024 by Olivia Mitchell
Photo Credit: Anthony Pham & Olivia Mitchell
Monday 8 July 2024
Concert Review: Shania Twain Wows Hyde Park with Iconic Hits and Audience Sing-Alongs
Shania Twain
BST Hyde Park
Closing out the second weekend of BST, Shania Twain looked unreal as she brought excellent, boot-stomping vibes and created an evening that was an absolute blast! Despite battling a cold, Shania still managed to put on a show that had everyone living their best lives. In perhaps an attempt to save her voice, Shania often encouraged the audience to take control so we really put our school assembly singing skills to good use whenever she passed the mic to the audience. It was like a giant, joyous karaoke session under the evening sky.
The fun graphics and visuals were another highlight, becoming even more effective as the sun set. It was the perfect backdrop for Shania's performance, creating a magical atmosphere that added to the excitement. Between songs, she chatted with the audience, sharing stories and warming herself to everyone. It felt like we were all just hanging out with an old friend. I really enjoyed her clever segues into each song, and she took moments to look out at the crowd and soak it all in which was lovely to witness.
Shania’s setlist was packed with hits. She kicked off with 'Don't Be Stupid (You Know I Love You)' which was perhaps not the best opener as a lot of the audience didn't seem familiar with it but things soon stepped up and over 17 songs, there was definitely something for everyone. Her performance of 'That Don’t Impress Me Much' was a nostalgic trip that had everyone singing at the top of their lungs and of course the iconic 'Man! I Feel Like a Woman!' was a true stand out moment. Despite her cold, Shania’s energy was infectious, and she gave a performance that seemed to enchant the audience, whether it was their first time seeing her, of whether they'd caught her before during her illustrious career. 'You're Still the One' had the entire park swaying, and 'Waking Up Dreaming' was a touching highlight that showcased her still-strong vocals. Donning her cowboy hat, Hyde Park embodied the spirit of country with renditions of 'Giddy Up' and 'Who's Bed Have Your Boots Been Under', with boot-scooting and toe tapping galore. Shania told us how she really feels that were in a country music renaissance and after this performance and Morgan Wallen earlier in the week, I certainly agree!
One of the most endearing parts of the night was how Shania interacted with us. She spoke candidly between songs, sharing personal anecdotes and making the massive 50,000 person strong crowd feel like an intimate gathering. Her warmth and charisma shone through, making her performance feel genuine and heartfelt.
Before Shania took the stage, I had the pleasure of catching Nell Mescal on the Rainbow Stage. Nell was simply wonderful, delivering a selection of her own music, including some beautiful pieces from her recent EP. Her stage presence was warm and charming, and her vocals were pin sharp! They mixed delicate emotion with a powerful belt that left me eagerly anticipating her rise to stardom. She’s definitely one to watch.
Later in the day, Anne Marie and The Corrs opened on the main Great Oak Stage, and they did not disappoint. Anne Marie, with her string of bangers, got everyone hyped up with her infectious pop vibes. The Corrs brought a different style, full of emotional depth and musical brilliance. Their set was particularly moving; you could see how astounded they were by the audience’s reaction. It was a lovely, memorable moment that added a special touch to the day.
All in all, Hyde Park was alive with incredible music and unforgettable performances. Shania truly shone and made sure we all had the time of our lives. Her show was a testament to her enduring talent and connection with her fans. I was impressed much!
★★★★
Reviewed on Sunday 7th July by Olivia Mitchell
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday 16 June 2024
Fun Things to do this Summer in London | Festivals, Food, Theatre and More...
Summer in London is always brimming with vibrant events and 2024 is no exception. Whether you're a music lover, theatre enthusiast, or just looking for a fun day out, there's something for everyone. Here's a roundup of some must-see events happening in the city this summer.
Taste of London Festival: From 12th-16th June the Taste of London festival is back at Regent’s Park, featuring top chefs, interactive workshops, and a variety of gourmet delights. This event is perfect for those looking to explore the culinary scene and try new dishes from some of the best restaurants in the city.
BST Hyde Park: BST Hyde Park is back and bigger than ever. This year's lineup is stellar, featuring Robbie Williams, Andrea Bocelli, Kylie Minogue, and Stevie Nicks among others. The festival promises not just incredible music but also gourmet food, drinks, and a posh VIP area for those looking to splurge a bit. It's happening across weekends in June and July, so mark your calendars!
Somerset House Summer Series: From July 11-21, Somerset House will host its Summer Series, offering a magical experience in the heart of the city. Expect performances from Pip Millett, Corinne Bailey Rae, and legend Patti Smith, among others. This series is known for its eclectic mix of artists and intimate setting in the iconic courtyard. A perfect summer outing!
Kaleidoscope Festival: Taking place on July 13 at Alexandra Palace, the Kaleidoscope Festival is a treat for those who love a mix of music and more. The lineup includes Soul II Soul, Ministry of Sound Classical, and Erol Alkan. Beyond the music, enjoy comedy, science workshops, and acrobatics. It's a festival that truly lives up to its name and offers a colourful array, suitable for every interest.
Wireless Festival: From July 12-14, Finsbury Park will be buzzing with the sounds of Wireless Festival. With headliners like Nicki Minaj, Doja Cat, and 21 Savage, it's a haven for hip-hop, R&B, and grime fans. Expect high energy, massive production, and plenty of surprises.
Mean Girls the Musical: Running until October 27, Mean Girls is finally in the West End. This adaptation of the classic film by Tina Fey is just as hilarious and entertaining. It's a must-see for fans of the movie and anyone looking for a good laugh. We loved it on Broadway!
Kew the Music: Kew Gardens will be hosting its annual Kew the Music series from July 9-14. This year's lineup includes fantastic artists like MIKA, JLS, and Beverly Knight. Enjoy an evening of great music in the beautiful setting of Kew Gardens. Bring a picnic or indulge in the delicious food and drink stalls on offer.
Zoo Nights at ZSL London Zoo: For something a bit different, check out Zoo Nights at ZSL London Zoo, running until July 26. Enjoy live music, street food, and after-hours tours of the zoo. It's a unique way to experience the zoo and learn about its nocturnal inhabitants.
Hampton Court Palace Festival: Just outside London, the Hampton Court Palace Festival from June 11-22 offers an enchanting setting and a fantastic lineup, including Tom Jones, Sam Ryder, and Paloma Faith. With the historic palace as a backdrop, it's a concert experience like no other.
Battersea Park in Concert: This August, Battersea Park will transform into an open-air concert venue featuring classical (Proms in the Park), West End (A Night at the Musicals), and jazz music (Ronnie Scott's Jazz Orchestra). Perfect for a summer evening, attendees can enjoy live music while indulging in delicious food and drink.
London's summer calendar is packed with incredible events that cater to all tastes. Whether you're into music, theatre, or unique experiences, you'll find plenty to enjoy in the city this summer. So, grab your tickets and get ready for an unforgettable season!
If you have an event happening between June and August that you'd like added, just send us an email, we'll be updating this post throughout the Summer.
Sunday 9 June 2024
What's on in Surrey this Summer? | Music, Family Days, Food and more...
Surrey is brimming with events that promise to make your summer unforgettable. From open-air concerts to charming village fairs, here’s a roundup of the best events happening in Surrey from June to August 2024.
The Doyle Carte Island Series: Set against the stunning backdrop of the River Thames, the Doyle Carte Island Series is a highlight of the summer. This series of performances includes a mix of music, theatre, and comedy, all taking place on the picturesque island. It’s a unique experience that combines culture with natural beauty.
Hampton Court Palace Festival: The Hampton Court Palace Festival is back from June 11-22 and offers an enchanting setting and a fantastic lineup, including Tom Jones, Sam Ryder, and Paloma Faith. With the historic palace as a backdrop, it's a concert experience like no other.
Guildford Summer Festivals: This summer, Guildford has a fantastic lineup of events. From a Chilli and Cheese Festival, to GuilFest with headliner Sam Ryder as well as a Craft Festival and family fun days. The town will be bustling and certainly have something for everyone. Don’t miss the chance to explore Guildford’s historic charm while enjoying a variety of cultural activities.
Touring Theatre: Surrey is home to a number of regional theatres including Woking and GLive, both of which have jam packed schedules this summer. At GLive you can catch Strictly's Anton and Giovanni or Horrible Histories, whilst Woking has The Tiger Who Came to Tea and An Officer and a Gentleman among many others.
Surrey Beer Festival: Line you stomachs, because Molesey is playing house to the Surrey Beer Festival on the 15th June. Including a large range of ales to try, prosecco, cider, slushie and cocktail bars, a large selection of food, live music and a kids zone, it's sure to be a fun day out.
Painshill Live Summer Lates: The annual Painshill Live Summer Lates music sessions return to this stunning garden landscape from 19th June-11th July. Take a picnic and enjoy great music in the beautiful surroundings of The Great Lawn. Acts include: Rick Parfitt Jr Band, Absolute Bowie, The Rat Pack Tribute, Abba Revival, Oasish and more.
Make the most of your summer in Surrey with these fantastic events, offering a blend of culture, food, and family fun. Whether you’re a local or just visiting, there’s something for everyone to enjoy.
If you have an event happening between June and August that you'd like added, just send us an email, we'll be updating this post throughout the Summer.
Wednesday 5 June 2024
Experience the Magic of Live Music at the BST Hyde Park Festival 2024
As summer approaches, London gears up for one of its most anticipated events of the year—the BST Hyde Park festival. Known for its incredible line-up of artists, electrifying atmosphere, and stunning location, BST Hyde Park 2024 promises to be a festival to remember. Whether you're a seasoned festival-goer or a first-timer, here's everything you need to know to make the most of this spectacular event.
A Star-Studded Line-Up
BST Hyde Park is renowned for attracting some of the biggest names in music, and this year is no exception. Headliners for the 2024 festival include legendary acts like Stevie Nicks, Andrea Boccelli, and Robbie Williams. These iconic performers will be joined by a diverse range of artists, from emerging talents to established stars, ensuring a rich and varied musical experience. Each day of the festival will feature a different headliner, giving attendees a unique concert experience every time.
More Than Just Music
While the music is undoubtedly the main attraction, BST Hyde Park offers much more than just live performances. The festival is set in the heart of one of London's most beautiful parks, providing a picturesque backdrop for the event. Festival-goers can enjoy gourmet food stalls, craft beer stands, and artisan vendors, making it a feast for the senses. Additionally, the festival features various themed areas, chill-out zones, and even family-friendly activities, ensuring there's something for everyone.
Sustainability and Community
BST Hyde Park is committed to sustainability and community engagement. This year, the festival organisers have implemented several eco-friendly initiatives, including a comprehensive recycling program, eco-friendly food packaging, and initiatives to reduce plastic use. Attendees are encouraged to bring their own reusable bottles, which can be refilled at water stations throughout the venue. The festival also supports local charities and community projects, reinforcing its role as a positive force within the local area.
Tips for a Great Festival Experience
Plan Ahead: With so much to see and do, planning your schedule can help you make the most of your time at the festival. Check the official BST Hyde Park website/app for set times, site maps, and other essential information.
Stay Comfortable: Wear comfortable clothing and shoes, and be prepared for all weather conditions. Hyde Park's open space can be unpredictable, so packing a lightweight poncho and sunscreen is a smart move.
Stay Hydrated and Nourished: With all the excitement, it's easy to forget to eat and drink. Make sure to stay hydrated and take advantage of the diverse food options available to keep your energy levels up.
Travel Smart: Public transport is the easiest way to get to and from Hyde Park. Plan your route in advance and consider staying nearby if you want to fully immerse yourself in the festival experience.
Respect the Park: Hyde Park is a historic and beautiful space. Respect the environment by disposing of your rubbish responsibly and following the festival's sustainability guidelines.
BST Hyde Park 2024 is set to be an unforgettable celebration of music, community, and summer fun. With its exceptional line-up, beautiful setting, and commitment to sustainability, it’s no wonder that this festival has become a highlight of London’s summer calendar. Grab your tickets, gather your friends, and get ready to make some incredible memories at BST Hyde Park!
For the latest updates, ticket information, and detailed schedules, be sure to visit the official BST Hyde Park website.
See you in the park!
photo credit: Jennifer McCord
Friday 1 March 2024
Standing at the Sky's Edge at the Gillian Lynne Theatre REVIEW: A Perfect Tale of Hope and Connection
Standing at the Sky's Edge
Gillian Lynne Theatre
Standing at the Sky's Edge is a captivating journey that swept me off my feet and left me utterly spellbound. From the moment the lights dimmed and the first notes filled the air, I was transported into a world where every emotion felt raw and real.
The story, set across three generations, unfolds with such grace and authenticity, drawing the audience into the lives of the characters living in Sheffield's iconic Park Hill estate. Through their joys and struggles, their dreams and disappointments, I found myself rooting for each one of them as if they were old friends.
Whilst this is technically a jukebox musical, it doesn't feel clunky as is so often the case. Richard Hawley's compositions, with Tom Deering's orchestrations are a beautiful fusion of rock, folk, and soul, each melody weaving its way into the narrative to really capture the essence of the musical. The lyrics are so poetic and heartfelt, they brought tears to my eyes and chills down my spine. This is a masterfully crafted musical that is so different to other West End offerings, in all the best ways.
Set wise, Ben Stones has done a glorious job, bringing the industrial feeling of Park Hill to life, but also capturing the warmth which filled it. Mark Henderson's fantastic lighting design also contributes to this realistic feeling, with even the first scene literally brining the sunrise to life. From the bustling streets of Sheffield to the towering heights of Park Hill, every detail is so meticulously crafted that I felt like I was actually there, witnessing the story unfold before my eyes. In my opinion this is a show which needs multiple visits because there's just so much to see, every nook of the stage is filled with action and there are so many stories going on that you could watch ten times and still spot something new!
But what truly struck me was the way this musical resonated with me on a personal level. Despite never having set foot in Sheffield, I felt a deep connection to the characters and their journey. Their struggles felt familiar, their triumphs felt like my own and whilst I didn't directly relate, the emotions portrayed are so genuine and truthful, you can't help but be moved by the tales of hurt and hope.
These intense feelings are a testament to the vast ensemble cast who are outstanding in every way. Elizabeth Ayodele as Joy brings subtle but effective character growth that melds to her surroundings, whilst Samuel Jordan is every level of charming as Jimmy, both also give brilliant vocal performances, a common theme throughout the cast. Opening the show, Jonathon Bentley sets the tone for the piece and showcases his beautiful voice which equally shines during his other solo moments. Perhaps the character with the biggest arc is Harry, portrayed with such nuance and integrity by Joel Harper-Jackson. Mesmerising is a word which gets thrown around a lot but Joel's performance is utterly the embodiment of it, as he brings to life a character that feels so multi-dimensional and showcases his innate acting ability. As his loving housewife partner who slowly finds her voice, Rachael Wooding is a powerhouse, with another slow burn performance that peaks in the second act and has sniffles filling the auditorium. Laura Pitt-Pulford gives one of my favourite vocal performances of the show with 'Naked in Pitsmoor' and again, brings to life her character Poppy perfectly. Lauryn Redding is her ideal counterpart, serving some wonderful vocals, especially during the title song and also bringing some lightness amongst the heavy themes of the show. The entirety of the cast bring this world to life and they're all stars. Mention must also go to the booming bassist who growls and grounds the Act two opening number 'Standing at the Sky's Edge'.
In the end, Standing at the Sky's Edge isn't just about the music or the set design – it's about the human experience. It's about love, loss, and the resilience of the human spirit. It's a reminder that no matter where we come from, we're all connected by our shared humanity.
Standing at the Sky's Edge touched me in a way that few musicals ever have. It's a testament to the power of storytelling and the magic of theatre. If you have the chance to see it, don't hesitate – it's an experience you won't soon forget, and the act one opening is one of the best theatrical moments possible to see on stage right now.
★★★★★
Reviewed on Thursday 29th February 2024 by Olivia
Photo Credit: Brinkhoff-Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 21 November 2023
Raw and Introspective: Noah Kahan, at O2 Forum Kentish Town, reviewed
Noah Kahan
O2 Kentish Town
If you haven't heard of Noah Kahan, you probably aren't on TikTok because you can barely scroll without hearing the rousing 'Stick Season'. His folk inspired music is beautiful and his lyrics are so heartfelt and moving, it's no surprise he's quickly building a dedicated fanbase. There's no doubt that Noah is certainly going to keep reaching new levels of success so I'm honoured to have watched him in this fairly intimate venue. Noah's music is filled with raw emotion and this London show got to showcase his stunning musicianship, and his authentic connection with the audience that few artists can achieve.
The intimate setting of Kentish Town provided the perfect backdrop for Noah’s unique blend of folk and indie-pop, allowing his lyrics to take centre stage. Opening with 'Northern Attitude,' Noah immediately set the tone for the evening – honest, vulnerable, and utterly captivating. His voice, both powerful and tender, resonated through the venue, enveloping the audience in a warm embrace.
In between songs, Noah took a moment to reflect on just how far he’s come. He shared a story about his first London show back in 2018 at The Social, where he played to a crowd of just 77 people. To see him now, commanding the stage at Kentish Town with a packed house, was a testament to his journey and the love his fans have for him. The way he spoke about it, with genuine amazement and gratitude, made the night feel even more special– like we were all part of this incredible rise.
One of the standout moments was his performance of 'She Calls Me Back,' where the energy in the room was electric. The crowd sang along to every word, creating a beautiful, shared experience that felt almost like a conversation between Noah and the audience. This was followed by the hauntingly beautiful 'False Confidence,' where his raw vocal delivery sent chills down our spines.
The setlist was a perfect mix of fan favourites and deeper cuts, showcasing Noah’s growth as an artist. His live rendition of 'Godlight' was a particular highlight, with the crowd’s harmonies blending with his voice in a way that was nothing short of magical. Later in the set, 'Stick Season' brought the house down, with its poignant lyrics and infectious melody echoing through the venue as the crowd sang along in unison.
Noah’s authenticity shone through in every song, especially during 'New Perspective,' where his storytelling prowess was on full display. He has an uncanny ability to articulate the complexities of emotion and the human experience, leaving the audience feeling deeply moved and connected.
The band’s tight, cohesive performance was the perfect complement to Noah’s vocals, adding depth and richness to the live renditions of his songs. The sound quality at Kentish Town was superb, allowing every nuance of the performance to be appreciated.
Closing the night with 'Homesick', Noah left us all in awe, wrapping up a set that was as introspective as it was uplifting. Overall, Noah Kahan’s concert at Kentish Town was a masterclass in live performance. His ability to create such an intimate, heartfelt experience in a live setting is a testament to his talent and dedication as an artist. This was more than just a concert– it was a profound experience that will resonate with those in attendance for a long time. If you have the chance to see Noah Kahan live, take it. You won’t be disappointed.
★★★★★
Reviewed on Monday 20 November 2023 by Olivia
Photo credit: Burak Cingi / Redferns
Friday 17 November 2023
Sammy Rae and the Friends at the Hammersmith Apollo Review: A Theatrical, Musical Masterclass
Sammy Rae and the Friends
Hammersmith Apollo
Sammy Rae and the Friends took over the Eventim Apollo last night for the London stop on their Camp Tour and what a glorious night it was. Under the magnetic leadership of vocalist and songwriter Samantha Rae Bowers, the Brooklyn-based septet dazzled the audience with impeccable vocals, riffs and infectious enthusiasm. Their unique blend of jazz, funk and folk with a dash of theatre kid for good measure created an electrically warm atmosphere and made the venue feel like it was hosting one big party.
From the get go it's Sammy's utterly magnetic presence which draws you in. Her infectious energy creates an almost instantaneous connection with the audience that continues throughout and provides the ingredients for a really special night. Whether belting out stellar vocals (that sound just as good if not better than on the albums), laying on the stage or bantering with the audience, Sammy Rae proves to be an outstandingly charismatic band leader, who knows how to command a stage.
The Friends, the ridiculously talented ensemble of musicians who accompany the show are as good as it gets. They each get moments to shine and showcase their musical skills which are universally outstanding, and alongside that they get to show their chemistry with one another. The whole group seem to be having the time of their lives on stage, creating a bubbling vibe which reaches into the audience and pulls us into the fold. Positivity is the heartbeat of this group and it's joyous to behold.
The setlist provided a great mix of familiar favourites including Talk it Up and Jackie Onassis as well as some sneak peeks at tracks from their upcoming album. Particularly moving was the soon to be released David, which focusses on men's mental health and is incredibly beautiful and poignant. There were also a couple of covers, with Abba's Lay All Your Love on Me proving a real audience favourite. Throughout, Sammy Rae and Friends effortlessly transitioned between vocal styles and genres, going from calmer more soulful pieces to the exuberant high-octane numbers. The diverse repertoire continually showcased the band's musical aptitude and versatility.
Alongside expert musicianship, the evening was truly a celebration of community, as fostered by the group and the infectious, frivolous atmosphere they crafted. Whilst the songs explore a lot of serious themes, the group maintain a carefree persona and invite the audience to enjoy the moment and celebrate the good things life has to offer.
The Camp tour isn't anchored around a specific album so the evening was a great chance to revel in the signature hits, whilst becoming excited for what's next in the Sammy Rae discography. The combination of Sammy Rae's magnetic stage presence, the exceptional talent of the Friends, a thoughtfully curated setlist and a welcoming crowd, affirmed the group as a formidable force in the music industry and made a promise that we'll be seeing and hearing much more of them. They certainly earned their badges for riffing, raving and raising the roof!
★★★★
Reviewed on Thursday 16th November 2023 by Olivia
Photo Credit: Mia Isabella Photography
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 27 September 2023
The King and I on tour at the New Victoria Theatre Review: An Enchanting Evening
The King and I (Tour)
New Victoria Theatre
★★★★★
Last night the New Victoria theatre came alive with Rodgers and Hammerstein's timeless musical, The King and I. Set in the 1860s, the storyline revolves around the King of Siam, portrayed by Brian Rivera, who hires the intelligent British schoolteacher Anna Leonowens, played by Annalene Beechey, to educate his extensive family. The clash of their personalities and cultural backgrounds sets the stage for a compelling narrative.
The performances showcased a beautiful transformation of understanding and mutual appreciation between the stubborn monarch and the determined British teacher. This transformation is beautifully encapsulated through the touching rendition of 'Getting to Know You' by Anna (Annalene Beechey) and the Royal Children, leaving the audience in awe.
Rodgers and Hammerstein’s memorable score stole the spotlight, standing the test of time. The talented cast breathed life into these classic songs, leaving the audience longing for more. The chemistry between the leads was palpable, and both Beechey and Rivera delivered exceptional performances. Beechey's voice charmed the audience, while Rivera's portrayal of the King of Siam was both strong and hypnotic, reminiscent of Yul Brynner's iconic performance at the London Palladium in 1979.
Special mention must be made of other outstanding cast members, including Cezarah Bonner as Lady Thiang and Marienella Phillips as Tuptim, who delivered exceptional performances that enriched the overall experience.
The stage was adorned with a stunning backdrop featuring vibrant colors that transported the audience to the sumptuous world of the King’s Palace, thanks to the masterful designs by Michael Yeargan. Catherine Zuber's costumes enhanced the performers' presence, making them glitter and shine against the opulent palace setting.
The choreography by Christopher Gattelli was a true standout, with intricate dance numbers blending traditional Thai movement with a modern flair. The 'Small House of Uncle Thomas' dance sequence was particularly mesmerising, captivating the audience with its hypnotic beauty and emotional resonance. Generally the show is well paced, although Act 2 might have felt a bit lengthy to some.
In summary, The King and I musical on tour provides a captivating experience, combining talented performers, unforgettable music, entrancing dance sequences, an immersive set, and beautiful costumes. I wholeheartedly recommend this production, and for me, it was undoubtedly a 5 out of 5.
Reviewed on Tuesday 26th September by Glenys Balchin
New Victoria Theatre
★★★★★
Last night the New Victoria theatre came alive with Rodgers and Hammerstein's timeless musical, The King and I. Set in the 1860s, the storyline revolves around the King of Siam, portrayed by Brian Rivera, who hires the intelligent British schoolteacher Anna Leonowens, played by Annalene Beechey, to educate his extensive family. The clash of their personalities and cultural backgrounds sets the stage for a compelling narrative.
The performances showcased a beautiful transformation of understanding and mutual appreciation between the stubborn monarch and the determined British teacher. This transformation is beautifully encapsulated through the touching rendition of 'Getting to Know You' by Anna (Annalene Beechey) and the Royal Children, leaving the audience in awe.
Rodgers and Hammerstein’s memorable score stole the spotlight, standing the test of time. The talented cast breathed life into these classic songs, leaving the audience longing for more. The chemistry between the leads was palpable, and both Beechey and Rivera delivered exceptional performances. Beechey's voice charmed the audience, while Rivera's portrayal of the King of Siam was both strong and hypnotic, reminiscent of Yul Brynner's iconic performance at the London Palladium in 1979.
Special mention must be made of other outstanding cast members, including Cezarah Bonner as Lady Thiang and Marienella Phillips as Tuptim, who delivered exceptional performances that enriched the overall experience.
The stage was adorned with a stunning backdrop featuring vibrant colors that transported the audience to the sumptuous world of the King’s Palace, thanks to the masterful designs by Michael Yeargan. Catherine Zuber's costumes enhanced the performers' presence, making them glitter and shine against the opulent palace setting.
The choreography by Christopher Gattelli was a true standout, with intricate dance numbers blending traditional Thai movement with a modern flair. The 'Small House of Uncle Thomas' dance sequence was particularly mesmerising, captivating the audience with its hypnotic beauty and emotional resonance. Generally the show is well paced, although Act 2 might have felt a bit lengthy to some.
In summary, The King and I musical on tour provides a captivating experience, combining talented performers, unforgettable music, entrancing dance sequences, an immersive set, and beautiful costumes. I wholeheartedly recommend this production, and for me, it was undoubtedly a 5 out of 5.
Reviewed on Tuesday 26th September by Glenys Balchin
Photo Credit: Johann Persson
{AD PR Invite- tickets gifted in exchange for honest review}
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 26 June 2023
Pink at BST Hyde Park review: An Electrifying Performance Which Soars to New Heights
truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business"
P!nk: Summer Carnival
BST Hyde Park
★★★★
In a stunning showcase of talent and entertainment, last night Pink took to the Great Oak Stage at Hyde Park, to perform a captivating show which closed her weekend at the BST festival. An awe-inspiring experience, her limitless energy, exceptional connection with the crowd, astonishing circus abilities, and unwavering vocals took the spotlight and created a really really entertaining evening. Although there were a few moments of slight lulls, the other exhilarating moments more than made up for them, resulting in a truly unforgettable evening of pure enjoyment.
Pink's natural ability to engage with her audience was truly extraordinary. From the moment she stepped onto the stage, she effortlessly commanded everyone's attention with her charming presence. She skilfully interacted with the crowd throughout the concert, making each person feel like an integral part of the performance. From taking various teddy bears, to celebrating first concert experiences and showcasing a fan's artwork, her interactions were authentic and heartfelt, creating a really welcoming atmosphere and some truly memorable audience experiences.
It's not a Pink show without some gravity defying circus acts and even at the vast open air venue she did not disappoint. Whether she was soaring high above the stage showing aerial silks or executing some beautiful choreography whilst suspended in the air, her talent left spectators in awe. These mesmerising moments added a dynamic element to the show, that truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business.
Pink's vocals remained flawless throughout the entire evening, delivering powerful performances filled with precision and emotion. Her voice effortlessly spanned a wide range of genres, captivating the audience with its raw power and vulnerability. Whether performing a song she'd written or one by someone else, each note was infused with passion and authenticity, leaving a lasting impact on everyone fortunate enough to witness her remarkable talent firsthand.
As the sun began to set, the lighting design flawlessly complemented the changing atmosphere, creating a visual spectacle that enhanced the overall experience. The lighting design effectively worked alongside the sun and shadows of nature, and the golden hue which accompanied the sunset was especially magical as it bathed the stage in a captivating glow.
Adding another layer of depth to the performance, the well-incorporated video elements were super effective. During the poignant song Irrelevant, large screens displayed videos highlighting female empowerment and the Black Lives Matter movement, creating a really significant and moving moment. These thoughtful additions not only showcased Pink's commitment to social justice but also deeply resonated with the audience, reminding everyone of the transformative power of music.
Pink's concert at Hyde Park was a remarkable demonstration of talent that left an enduring impression on all attendees. Her exceptional audience interaction, mind-blowing circus skills, and flawless vocals were the pillars of an evening that will be cherished. While there were fleeting moments of respite, they were quickly overshadowed by the sheer energy and excitement that filled the show. An undeniable triumph and a testament to her artistry, Pink and her team created a multi-sensory experience that was a treat for all in attendance.
Reviewed on Sunday 25th June by Olivia Mitchell
photo credit: Dave Hogan/Hogan Media
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 19 June 2023
Harry Styles at Wembley Stadium review: Where Strangers Become Friends and Fans Become Family
a life-changing experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community
Harry Styles Love on Tour
Wembley Stadium
★★★★★
Among the huge array of concerts on offer, some artists possess the unique ability to create an atmosphere that goes beyond a mere performance. Harry Styles, the British singer-songwriter and former One Direction member, is undoubtedly one such artist. His closing show of four sell out’s at Wembley Stadium, was a testament to his musical prowess and stage craft. The ambience he created allowed for a magical showcase of the power of friendship and community; under Harry’s command, pure, unfiltered joy permeated the evening, and made it so special to both audience and performer.
Leading up to the performance there was a frenetic energy filling every space. With bedazzled outfits, feather boas and cowboy hats filling the arena, the sea of colour was a visual indication of the bright and beautiful performance to come. From the moment Harry took the stage, the crowd came even more alive and from the moment he stepped out it was clear that the enthusiasm and genuine love was mutual between the audience and the star. He effortlessly took the role of the charismatic conductor of this extraordinary symphony and invited everyone to forget their troubles and be truly free for a few hours.
What struck me the most about the concert was the strong sense of friendship and community that Harry fostered throughout the night. From the get go Styles created an inclusive space where everyone felt accepted, loved, and celebrated for exactly who they are. The vigour with which the audience embraced this was a testament to Harry's commitment to creating an environment where diversity and individuality are not only accepted but embraced.
Throughout the evening, Harry’s music served as a catalyst, bringing people from different backgrounds together, forming an unbreakable bond. Whether it was the carefree sing-alongs to Watermelon Sugar, the semi-cultish bowing at the alter of Mitch Rowland’s guitar solo in She, the united screams of “leave America” during As It Was, the congas in Treat People With Kindness or the group hugs and tears during Fine Line, each song became a thread weaving a tapestry of emotions that bound us all. With surprise songs added, including fan favourite Medicine and Sweet Creature which Styles hasn't performed since 2018, it really was a treat to be in the room for this momentous concert that truly cemented Styles' icon status. There’s no other word to describe it than electric. If unadulterated joy could power the country, Harry Styles would be head of operations.
Beyond the music, Harry's heartfelt interactions with the audience showcased his genuine care for his fans. He took the time to engage in conversations, listen to their stories, and make each person feel seen and valued. It was a beautiful reminder that music can bridge the gap between strangers and create lasting connections.
Production wise the show was a treat, with great visuals that told a story, lighting that complemented the sun slowly going down and a fun stage design which allowed many to get almost within touching distance of Mr Styles. A sensory feast, the show really provided all you could ask for.
As the night came to an end, I couldn't help but feel an overwhelming sense of gratitude for the incredible impact that music has on our lives and the meaningful connections it brings. Harry Styles not only delivered an outstanding performance but also reminded us of the significance of finding people who allow you to be yourself. It was a night that broke down barriers, opened hearts, and created lasting memories.
This concert was a life-altering experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community. Styles' ability to deeply connect with his audience, fostered an atmosphere of inclusivity and acceptance, making the event a remarkable celebration of music and our shared humanity. It was an occasion where strangers quickly became friends, and fans collectively experienced the transformative power of music. As an artist who truly embodies his craft, Harry Styles continues to redefine the concert experience, leaving an unforgettable impact on the hearts of his fans.
Reviewed on Saturday 17th June 2023 by Olivia Mitchell
photo credit: Lloyd Wakefield
Wednesday 26 April 2023
Toby Sebastian at Omeara review: A stellar first headline show
Omeara
★★★★
Since originally releasing music in 2013, Toby Sebastian has been firmly carving his name in the music industry and this year has embarked on his first ever headline tour, which last night reached London's Omeara in a spectacular fashion.
A wonderful showcase of Toby's vocals and stellar song writing, the evening provided a mixture of fan favourite songs, as well as material from his upcoming album; all of which was received with warmth by the crowd who bopped along throughout. Also well received was a surprise appearance by Bridgerton star, Simone Ashley who got to showcase her hauntingly beautiful vocals in a duet of Rusty Snare. Fingers crossed we'll see the duo pair up again in future.
Striking throughout the evening was Sebastian's innate musicality which shone through as he poured his heart into the performance. His unique blend of indie and rock perfectly matches the raw, emotional sound of his voice, which particularly soars in his falsetto moments. These virtuosic sections were some of the best and most captivating of the set. In a bigger venue, with a slightly better sound system, one can only imagine how spectacular Toby would sound.
Equally, the evening had some really high octane moments, especially in the closing rendition of Train To Mexico which felt like a party and was certainly a fan fave. Sebastian really lets the music speak for itself and doesn't interact a huge amount with the audience which means sometimes there's a feeling of disconnect, however, his charisma still shines through and he really gives his all musically.
The three piece band work together like a well oiled machine and everyone seems like they're genuinely having fun on stage which is a real treat to see.
Mention must also go to Louis Oliver who performed a super solid opening set and really charmed the audience through his raspy, incredibly powerful vocals.
Overall a well-curated set list, and a solid and evident appreciation for music and performing made this a really special night. Whilst there's no release date yet for Toby's next album, the sneak peeks say it's going to be a really enjoyable listen; and the next tour which will hopefully accompany it will be so worth attending!
Reviewed on Tuesday 25th April 2023 by Olivia Mitchell
Photo credit: Mike Palmer
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 31 March 2023
Cast Announced for 42nd Street Tour
David Ian for Crossroads Live and Jonathan Church Theatre Productions are thrilled to announce that Samantha Womack will star as Dorothy Brock, alongside Michael Praed as Julian Marsh, Faye Tozer as Maggie Jones, Les Dennis as Bert Barry and Nicole-Lily Baisden as Peggy Sawyer in the UK tour of 42nd Street.
The cast will be completed by Sam Lips as Billy Lawlor, with Erica-Jayne Alden, George Beet, Charlie Bishop, Kevin Brewis, Olly Christopher, Briana Craig, Jordan Crouch, Rhianna Dorris, Ashleigh Graham, Alyn Hawke, Aimee Hodnett, Connor Hughes, Deja Linton, Sarah-Marie Maxwell, Greta McKinnon, Ben Middleton, Benjamin Mundy, Anthony Ofoegbu and Jessica Wright.
Following its run at the Marlowe Theatre, Canterbury, the production will visit Leeds, Bristol, Plymouth, Cardiff, Glasgow, Milton Keynes, Liverpool, Manchester, Southampton, Newcastle, Woking and Belfast. Current tour schedule below, with further dates to be announced. 42ndstreettour.com
Samantha Womack most recently starred as the White Witch in The Lion, The Witch and The Wardrobe at the Gillian Lynne Theatre. Her other credits include the role of Rachel in The Girl on the Train both in the West End and on tour, Morticia Addams in The Addams Family UK tour, Nellie Forbush in the Lincoln Center’s production of South Pacific at the Barbican and on tour, and Miss Adelaide in Michael Grandage’s production of Guys and Dolls alongside Patrick Swayze. Her screen credits include Ronni Mitchell in EastEnders, Mandy in Game On, the titular role in Imogen’s Face and The Kingsman franchise.
Michael Praed’s theatre credits include Tom Beauregard in Darker Shores at Theatre Royal Windsor and on tour, George in War of the Worlds at the Dominion Theatre, Alex in Aspects of Love at the Prince of Wales Theatre, Lawrence Jameson in Dirty Rotten Scoundrels, Dexter Haven in High Society and Captain Von Trapp in The Sound of Music all on UK tours. His television credits include the role of Frank Clayton in Emmerdale, Prince Michael in Dynasty and the titular role in Robin of Sherwood.
Faye Tozer is best known as a member of BRIT Award winning pop band Steps. Her theatrical credits include Singin’ In The Rain at Sadler’s Wells and on tour in the UK and Canada, Everybody’s Talking About Jamie at the Apollo Theatre, and touring productions of In The Spotlight, Over The Rainbow, Me And My Girl, Love Shack and Tell Me On A Sunday. Faye was also a runner-up in BBC1’s Strictly Come Dancing in 2018.
Les Dennis most recently starred as Grandad Trotter in Only Fools and Horses The Musical. His other West End credits include Wilbur in Hairspray opposite Michael Ball at the London Coliseum, Amos Hart in Chicago and Bill in Me and My Girl. His touring theatre credits include Art, Legally Blonde, High School Musical 2 and Uncle Fester in the musical comedy The Addams Family. His many TV credits include Michael Rodwell in Coronation Street and a fictional version of himself in Extras.
Nicole-Lily Baisden’s theatre credits include the role of Nabulungi in The Book of Mormon, both in the West End and on tour, and Hope Harcourt in Anything Goes at the Barbican Theatre and on tour.
Sam Lips’ theatre credits include the role of Don Lockwood in Singin’ In The Rain and Scott Hastings in Strictly Ballroom, both in the UK and Canada. His Broadway credits Cats, Chicago, Pippin, Rodgers and Hammerstein’s Cinderella and The Cher Show.
This new production will be directed by Jonathan Church (Singin’ in the Rain, The Drifters Girl) with choreography and design by Olivier Award winners Bill Deamer and Rob Jones, lighting design by Ben Cracknell, sound design by Ian Dickinson and Gareth Tucker, video design by Jon Driscoll, musical supervision by Jennifer Whyte and orchestrations by Larry Blank.
This iconic song-and-dance spectacular features a hit parade of toe-tapping songs, including the title number, “We’re In The Money”, “Lullaby of Broadway”, “Shuffle Off To Buffalo” and “I Only Have Eyes For You”. 42nd Street is a timeless and inspiring showbiz fairy tale that combines breath-taking tap dance routines, backstage intrigue, classic romance and delightful comedy to dazzling effect.
Fresh off the bus from small-town America, young and beautiful Peggy Sawyer arrives in New York City dreaming of her name in lights. She quickly catches the eye of a big-time director and lands a spot in the chorus line of Broadway’s newest show…and when the leading lady gets injured, Peggy gets her shot at stardom.
42nd Street is a larger-than-life, massively entertaining celebration of musicals and the irrepressible spirit of Broadway that’s guaranteed to lift anyone’s spirits.
42nd Street has music by Harry Warren, lyrics by Al Dubin, and book by Michael Stewart and Mark Bramble, based on the novel by Bradford Ropes. Original direction and dances were by Gower Champion. The show was originally produced on Broadway by David Merrick.
The use of all songs is by arrangement with Warner Bros. and EMI Publishing Ltd.
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