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Tuesday, 25 February 2025
Calamity Jane 2025 Tour Review: A Rootin’-Tootin’ Revival Where Carrie Hope Fletcher Shines
Calamity Jane (Tour)
New Victoria Theatre
The 2025 UK tour of Calamity Jane bursts onto the stage with energy, charm, and a dose of old-fashioned Wild West fun. Led by the ever-brilliant Carrie Hope Fletcher in the title role, this revival brings a fresh spark to the beloved musical while staying true to its classic appeal. With impressive orchestrations, great lighting design, and dynamic staging, the production proves that Calamity Jane is as entertaining as ever.
If there was ever a performer perfectly suited to bring Calamity Jane to life, it’s Carrie Hope Fletcher. Best known for her powerhouse performances in Les Misérables, Heathers, and The Addams Family, Fletcher steps into the buckskins of the iconic frontierswoman with charisma and confidence. Her portrayal balances tomboyish bravado with heartfelt vulnerability, making her Calamity both lovable and layered.
Vocally, Fletcher is sensational. She delivers showstoppers like 'The Deadwood Stage' and 'Secret Love' with clarity, warmth, and emotional depth. Her rendition of 'My Love Is Higher Than a Hawk' is a standout moment, showcasing her ability to blend rich storytelling with soaring vocals. She brings a modern sensibility to the role without losing the charm and humour that make Calamity such an endearing character.
The production’s lighting design is a major highlight, transporting the audience from the dusty streets of Deadwood to the glittering backstage in Chicago. Soft amber tones create a rustic, sun-drenched frontier feel, while dramatic spotlighting enhances the emotional weight of key scenes. During the climatic 'Secret Love', the transition from warm candlelight to a radiant glow beautifully mirrors Calamity’s personal transformation.
The staging is dynamic and well-paced, with director Nikolai Foster and Co-Director Nick Winston ensuring seamless transitions between the saloon, the theatre, and the open plains. The use of multi-level sets adds depth to the storytelling, and the clever choreography breathes life into the ensemble numbers. The bar fights and comedic misunderstandings play out with precision, bringing a sense of playfulness to the production without feeling over-the-top.
Under the musical direction of Catherine Jayes, the orchestrations remain faithful to the show’s roots while injecting a fresh vibrancy. The lush string and brass arrangements add richness to the score, making classics like 'Windy City' feel both nostalgic and exhilarating. The live band, positioned on stage at times, adds an immersive element, reinforcing the raw, unpolished energy of the Wild West setting.
The 2025 tour of Calamity Jane delivers a highly entertaining, well-executed revival of this beloved musical. Carrie Hope Fletcher leads the charge with a captivating performance, supported by stunning visuals, lively orchestrations, and seamless staging. Modern touches and attitudes mix perfectly with the classic story and show, ensuring a night of laughter, romance, and unforgettable music.
Whether you're a longtime fan of Calamity Jane or discovering it for the first time, this tour is well worth saddling up for. Get ready for a rootin’-tootin’ adventure full of heart, humour, and standout performances.
Reviewed on Tuesday 25th February 2025 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 24 February 2025
Come with me to West End Press Launch for The Great Gatsby
Press launches are always a treat but this one had an extra air of excitement surrounding it as I, alongside a host of stagey people, stepped into the opulent Savoy Hotel for the press launch of the West End's latest sensation, The Great Gatsby musical.
A vintage Rolls Royce parked outside plus the grandeur of the iconic venue, with its art deco interiors, perfectly mirrored the Roaring Twenties ambiance that the production promises to deliver and certainly set the tone for what we can expect from this hotly anticipated Broadway transfer.
The show itself is hugely exciting, but the cast are a whole separate spectacle. Leading the ensemble is the charismatic Jamie Muscato, renowned for his roles in Moulin Rouge!, Heathers and Les Misérables. We got to hear him perform the beautiful, For Her, and I can already see how well he's going to bring the enigmatic, illusive Jay Gatsby to stage. Opposite him, the supremely talented Frances Mayli McCann, celebrated for her performances in Bonnie & Clyde and my personal favourite, Our Ladies of Perpetural Succour, portrays the captivating Daisy Buchanan. Their on-stage chemistry promises to reignite the timeless romance at the heart of F. Scott Fitzgerald's classic.
Adding to the stellar lineup is Corbin Bleu, making his West End debut as the introspective Nick Carraway. Amber Davies steps into the shoes of the vivacious Jordan Baker, while John Owen-Jones takes on the role of the shrewd Meyer Wolfsheim. Jon Robyns and Rachel Tucker round out the principal cast as Tom Buchanan and Myrtle Wilson, respectively. Clad in their finery, this cast are already killing it and I cannot wait to see how they bring their roles and the show to life.
During the launch, we were treated to another exclusive performance by Muscato and McCann, who delivered a mesmerizing rendition of My Green Light, a poignant number that encapsulates Gatsby's yearning and Daisy's allure. The song's haunting melody and evocative lyrics offered a tantalising preview of the musical's rich score.
The creative team behind this adaptation boasts impressive credentials. Director Marc Bruni, known for his work on Beautiful: The Carole King Musical, collaborates with choreographer Dominique Kelley to bring the Jazz Age to life through dynamic staging and dance sequences. The musical features a book by Kait Kerrigan and an original score by Tony Award nominees Jason Howland and Nathan Tysen, blending jazz influences with contemporary musical theater elements to create a soundscape that resonates with modern audiences.
Set to open at the London Coliseum on 11th April, 2025, The Great Gatsby musical invites audiences to immerse themselves in the opulence and decadence of the 1920s. The production promises lavish sets and costumes, transporting theatergoers to Gatsby's extravagant parties and the glamour of West Egg.
Beyond the visual spectacle, the musical delves deep into themes of love, ambition, and the pursuit of the American Dream. Audiences can expect a narrative that honors Fitzgerald's original work while offering fresh interpretations and insights into the characters' psyches.
As the evening at the Savoy concluded and the last of the Laurent Perrier champagne was drunk, it was evident that The Great Gatsby musical is poised to be a landmark event in the West End calendar. With a compelling cast, visionary creative team, and a story that has captivated readers for a century, this production offers a theatrical experience not to be missed.
Tickets are now on sale, and given the buzz surrounding the show, securing seats early is highly recommended. Prepare to be transported back in time and witness a tale of passion, decadence, and the relentless pursuit of dreams.
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Wednesday, 6 November 2024
Matthew Bourne’s Iconic Swan Lake Celebrates 30 Years with Extensive UK and Ireland Tour
Dance lovers, prepare to experience the power and artistry of Matthew Bourne’s Swan Lake, as it embarks on an extraordinary UK and Ireland tour to celebrate its 30th anniversary. With 29 weeks of breathtaking performances across 19 venues, New Adventures once again brings Tchaikovsky’s classic to audiences with a thrilling revival that pushes dance theatre boundaries. Starting at Theatre Royal Plymouth on November 11, 2024, and leading into an 8-week holiday season at Sadler’s Wells, this tour marks New Adventures’ 22nd consecutive Christmas season at the iconic venue.
In 2025, the tour extends to Aberdeen, Sheffield, and Dublin, alongside previously announced cities including Birmingham, Cardiff, Edinburgh, and Glasgow, ensuring audiences nationwide will have a chance to experience the groundbreaking production that forever changed dance theatre. Since premiering at Sadler’s Wells in 1995, Swan Lake has won over 30 international awards and become the most successful dance production of all time, celebrated for replacing the traditional female swan ensemble with a bold, male corps-de-ballet. The production’s success has reverberated globally, holding records for the longest-running full-length dance piece in both the West End and on Broadway, with Olivier and Tony Awards in categories from Best New Dance Production to Best Choreography.
This tour also welcomes a new generation of New Adventures talent making their debut in lead roles: Harrison Dowzell, Jackson Fisch, and Rory Macleod as The Swan/The Stranger; James Lovell, Leonardo McCorkindale, and Stephen Murray as The Prince; Nicole Kabera and Ashley Shaw as The Queen; Katrina Lyndon and Bryony Wood in double roles. The company’s stellar ensemble will elevate Lez Brotherston’s set and costume design and Paule Constable’s dynamic lighting, with video and projection by Duncan McLean. The dark, witty, and emotionally charged choreography, directed by Matthew Bourne, remains central to this genre-defining experience, blending wit and menace in equal parts.
As Official Partners, Fortnum & Mason and Edwardian Hotels bring their support to the tour, underscoring the cultural importance of this masterpiece. Join the excitement as Swan Lake embarks on its 30th-anniversary journey, celebrating dance theatre history with every performance.
photo credit: Johan Persson
Friday, 1 November 2024
Mary Poppins Musical Returns for a Spectacular 2024 UK & Ireland Tour with Fresh Cast and Dazzling Magic
The beloved musical Mary Poppins is set to soar again as it embarks on a new UK and Ireland tour in 2024, marking the 20th anniversary since its world premiere. Opening on November 4, 2024, at the Bristol Hippodrome- where the magic began two decades ago- the production will bring familiar faces and new talent to audiences across the UK and Ireland. Sharon Wattis joins the cast as Mrs. Corry and Miss Smythe, alongside Stefanie Jones as Mary Poppins and Jack Chambers as Bert, both praised for their portrayals in Australia.
Audiences will also be captivated by seasoned West End actors like Michael D. Xavier as George Banks, Lucie-Mae Sumner as Winifred Banks, and Rosemary Ashe, a key cast member from the original West End production, returning as Mrs. Brill. Other favourites include Patti Boulaye as Bird Woman, Wendy Ferguson as Miss Andrew, and Ruairidh McDonald as Robertson Ay, with David Burrows taking on the role of Admiral Boom. A rotation of talented young actors will portray Jane and Michael Banks, ensuring each performance remains fresh and engaging.
This upcoming tour celebrates Mary Poppins’ enduring legacy with breathtaking choreography, effects, and music that audiences cherish, featuring unforgettable Sherman Brothers classics like 'Jolly Holiday', 'Step in Time', and 'Feed the Birds'. New songs and music by George Stiles and Anthony Drewe add depth to this magical production, showcasing the beloved P.L. Travers character with fresh vibrancy. The show will travel to prestigious venues including Dublin’s Bord Gáis Energy Theatre, Edinburgh’s Festival Theatre, and Manchester’s Palace Theatre, bringing the joy and wonder of Cherry Tree Lane to life for fans of all ages.
From its award-winning orchestrations by William David Brohn to the visionary direction of Richard Eyre, the Mary Poppins musical brings Broadway and West End mastery to the UK & Ireland stage. With a unique blend of classic storytelling, iconic songs, and a phenomenal creative team led by Cameron Mackintosh and Disney Theatrical Group, this production continues to enchant audiences worldwide.
Get ready for a magical journey with Mary Poppins, touring across the UK and Ireland in 2024, and experience the spellbinding choreography, set design, and unforgettable characters that have won hearts for two decades. Tickets are available now, so don’t miss the chance to see Mary Poppins back where she belongs- onstage, bringing joy to millions.
Bush Theatre Announces 2025 Season: Showcasing New Talent and Unmissable Stories on Stage
Bush Theatre has unveiled an exciting 2025 lineup filled with world premieres, returning stars, and original plays that bring fresh voices and unheard stories to the stage. Committed to launching, establishing, and sustaining careers for emerging writers, Bush Theatre’s new season promises innovative storytelling and compelling performances. Tickets for the new season, available today, start at £15, offering theatre fans an accessible way to experience ground-breaking shows at the forefront of modern theatre.
Kicking off in the Holloway Theatre, the Bush Theatre’s main house, is Lavender, Hyacinth, Violet, Yew by Bush Theatre’s Emerging Writers’ Group alum Coral Wylie. Directed by Debbie Hannan, this world premiere follows one family’s journey of reconciliation. Starring Omari Douglas (of It’s a Sin and Constellations), alongside Wil Johnson and Pooky Quesnel, the play is both moving and unapologetically queer. Later in April, Speed, written by Mohamed-Zain Dada and directed by Olivier-nominated Milli Bhatia, explores the secrets and absurdities of daily life with humour and warmth.
In Bush Theatre’s Studio, the January debut of ...blackbird hour by babirye bukilwa, directed by malakaï sergeant, promises to be a standout. A raw look at self-love, belonging, and identity, this play features creative captioning and audio description for an inclusive experience. For those looking for more stories that explore human connection, Tender, directed by Emily Aboud, will run in November and highlights the serendipitous bond between two people searching for meaning.
The Bush Theatre’s 2025 season showcases its dedication to fresh perspectives and inclusivity, supported by its new Bush Theatre Producers' Circle, which aims to foster the next generation of playwriting talent. Artistic Director Lynette Linton reflects on the season, saying:
It’s a bitter-sweet feeling to announce my penultimate season as Artistic Director of The Bush, though exciting as it shows just what we’re all about, developing new writers and creatives and inviting them into the Bush family."
For fans and newcomers alike, Bush Theatre’s 2025 season is a must-see for those looking to experience the best of modern theatre with stories that resonate.
Thursday, 31 October 2024
SCISSORHANDZ: A Musical Reinvented co-produced by Lance Bass Michelle Visage Set for European Premiere
The European premiere of Scissorhandz: A Musical Reinvented will hit London’s Southwark Playhouse Elephant on 23th January 2025 for a limited, exclusive 10-week engagement. After a highly successful and sold-out run in Hollywood, this fresh musical reimagining of Edward Scissorhands brings Bradley Bredeweg’s critically acclaimed vision to UK audiences, blending pop culture and an empowering message about individuality. With co-producers like Lance Bass and Michelle Visage on board, the show promises a vibrant journey celebrating the courage to be unique.
Michelle Visage shared her excitement, stating:
I am beyond excited to join the producing team for Scissorhandz! The energy, the message, the joy—it’s everything we need right now. In a world that feels a little upside down, this show is a celebration of life, individuality, and fierce self-expression...we’re not just creating a show; we’re creating a movement. Get ready, because it’s going to be an unforgettable ride!”
Lance Bass added:
Producing Scissorhandz has been one of the greatest pleasures of my career, and I can’t wait for London to experience this show! I think audiences in the UK will really embrace the show...It’s not just a musical—it’s a sensory journey...by the end, you’ll be on your feet, feeling like you’ve just experienced something truly unforgettable.”
This 90-minute pop-musical features hit songs from artists like Taylor Swift, Lady Gaga, and Alanis Morissette. It is a tribute and parody rolled into one, celebrating those who “dare to be different.” Bradley Bredeweg, the show’s writer and director, shared a personal connection to the original film, saying, “As a lonely quirky gay kid growing up in the 80s and 90s, this film meant the world to me because it spoke to anyone who felt like they didn’t quite fit in...Our thrill ride of a show is packed with joy and heart, and it’s about owning exactly who you are, even if you happen to have scissors for hands. In a world where people crave that kind of joy more than ever, I’m honoured to bring this story to a new audience in London.”
The Scissorhandz creative team includes choreography by Alexzandra Sarmiento, musical direction by Gregory Nabours, set design by James Pearse Connelly, costume design by Abby Clarke, lighting design by Adam King, sound design by Yvonne Gilbert, and casting by Harry Blumenau. Tickets for Scissorhandz are on sale now, with the official opening night set for 30 January. Prepare for a musical experience that is not only a show but a vibrant celebration of self-expression and the power of standing out.
Wednesday, 30 October 2024
Dear Evan Hansen UK Tour Shines with Stellar Cast Led by Ryan Kopel as Evan
Dear Evan Hansen (UK & Ireland Tour)
New Victoria Theatre
The UK touring production of Dear Evan Hansen is a powerful reimagining of this iconic musical, bringing a fresh perspective on the poignant themes of loneliness, mental health, and connection. With an emotionally charged lead performance by Ryan Kopel as Evan, this tour delivers an impactful night at the theatre, even if certain plot elements occasionally feel drawn out.
The story centers on Evan Hansen, an anxious high schooler who, after a classmate's tragic death, finds himself unintentionally entwined in a lie that spirals beyond his control. His journey explores themes of identity, social isolation, and the quest for belonging- a plot that resonates as deeply now as it did on the West End.
One of the biggest draws of this tour is the remarkable cast, each bringing a fresh, dynamic energy to their roles. Ryan Kopel’s portrayal of Evan is truly outstanding. The role is demanding, both physically and emotionally, requiring stamina, vulnerability, and incredible vocal control- Kopel delivers on all fronts. His clear, supported voice was faultless, his high notes beautifully sustained, adding depth to Evan's raw emotional state. In key numbers like 'Waving Through a Window' and 'Words Fail', Kopel navigates complex vocal lines with ease, creating a deeply moving experience for the audience.
Other cast members also stand out, especially Alice Fearn as Evan’s mother Heidi, whose raw emotion and vocal strength bring heart to the challenging role of a single mother trying to connect with her son. Lauren Conroy as Zoe Murphy brings a nuanced, sensitive touch to Evan’s love interest, balancing warmth with resilience. Tom Dickerson brings excellent comic relief to the musical as Jared Kleinman, bouncing off the other cast members brilliantly, as well as providing some great vocals. Killian Thomas Lefevre is engaging and interesting as Connor Murphy, while Vivian Panka brings real depth and charm to Alana Back. Meanwhile, Helen Anker and Richard Hurst as Cynthia and Larry Murphy round out a strong ensemble, infusing depth into the grieving parents navigating an unimaginable loss.
While the touring version of Dear Evan Hansen maintains the essence of the original West End production, subtle changes give it a fresh appeal. The staging is slightly pared down but still uses projections to convey the overwhelming impact of social media on Evan’s life. This simplified set design may lack the intricate detail of the West End, but it shifts the focus squarely onto the characters’ raw emotions, allowing the actors’ performances to truly shine.
The music, written by Benj Pasek and Justin Paul, is the highlight and fundamental strength of the production. Songs like 'For Forever', 'Only Us' and the powerful ensemble number 'You Will Be Found' are beautifully melodic and resonate deeply, perfectly mirroring Evan's emotional turmoil and the longing for connection that permeates the story. That said, the show’s pacing lags at points, especially in the second act. Certain scenes feel slightly stretched, and the plot occasionally meanders, which impacts the overall flow. Nonetheless, the emotionally charged score and Kopel’s riveting performance help the production recover from these slower moments.
Ryan Kopel’s portrayal of Evan is nothing short of stellar, capturing the emotional weight of the role with impeccable vocal and physical stamina.”
Ultimately, this touring production of Dear Evan Hansen offers a heartfelt, stirring experience, driven by a cast whose performances capture the story’s core themes. While the pacing could benefit from a tighter structure, the show’s ability to connect with audiences remains as strong as ever. Ryan Kopel’s Evan is a tour de force- worth experiencing for his performance alone, as well as for the lovely ensemble that brings this story to life across the UK.
Reviewed on Tuesday 29th October 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Initial West End Casting Announced for Clueless the Musical
Exciting news for fans of Clueless- the beloved ’90s classic is coming to the West End stage in a fresh new musical adaptation! Emma Flynn (Beautiful, Little Shop of Horrors) will make her West End debut in the iconic role of Cher Horowitz, joined by Keelan McAuley (Heathers, Grease) as Josh. Both actors are thrilled to breathe new life into these characters, with Flynn sharing her excitement to continue Alicia Silverstone’s legacy, saying:
I can’t wait for audiences to rediscover Cher’s wit and heart in a whole new way.”
Meanwhile, McAuley looks forward to channeling the charm of Paul Rudd’s original Josh, especially as he brings a new musical twist to the role.
Fans can already get a taste of the musical's vibe with the release of 'New Girl', a track featuring Flynn alongside KT Tunstall, who composed the original score. Tunstall, known for her hit songs 'Suddenly I See' and 'Black Horse and the Cherry Tree', collaborated with three-time Tony Award nominee Glenn Slater (The Little Mermaid, Sister Act) to bring a contemporary, ’90s-inspired sound to the West End. Together, they capture the upbeat, fun-loving spirit of the original film with a fresh score that combines nostalgic ’90s pop with today’s musical stylings.
Amy Heckerling, the original writer-director of Clueless, is thrilled to see her characters return to the spotlight, noting:
I’m thrilled for Emma to bring her own take on Cher’s unforgettable charm and Keelan to make Josh his own.”
This production is directed by Rachel Kavanaugh (Chichester Festival Theatre, Regent’s Park Open Air) and choreographed by Olivier Award winner Kelly Devine (Come From Away), making it a high-energy show packed with humour, iconic fashion, and plenty of heart.
Set in Beverly Hills High, Clueless The Musical brings audiences back to the world of Cher, a matchmaking fashionista who’s trying to help her new friend Tai fit in with the cool crowd. But when her own world starts to get a little complicated, Cher finds herself on an unexpected journey of self-discovery. With its fun plot, memorable characters, and catchy tunes, Clueless promises to be a majorly cool addition to the West End.
Tuesday, 29 October 2024
13 Going on 30 - The Musical Premieres in Manchester in 2025!
Get ready to be swept back into the whimsical world of 13 Going on 30 as it transforms from beloved rom-com to musical in a world premiere at Manchester Opera House. This limited season debut kicks off on September 21st, 2025, and promises a nostalgic, magical experience for fans and newcomers alike. Based on the 2004 hit starring Jennifer Garner and Mark Ruffalo, 13 Going on 30- The Musical is written by the original film’s writers, Josh Goldsmith and Cathy Yuspa, and directed by award-winning Andy Fickman (Heathers, She’s The Man). Goldsmith and Yuspa have crafted a fresh adaptation for the stage, working alongside songwriters Michael Weiner and Alan Zachary (First Date, High School Musical: The Musical: The Series) to give Jenna Rink’s story a new dimension.
The story follows 13-year-old Jenna, a quirky, awkward middle schooler who feels trapped in the struggles of high school social life. When she wishes to skip ahead to adulthood, Jenna magically wakes up “thirty, flirty, and thriving” with the glamorous job of editor at a high-end fashion magazine. But adulthood proves to be more complex than she imagined, and as Jenna uncovers the life she’s built, she goes on a journey of self-discovery, realizing what- and who- she left behind. With its signature mix of comedy, romance, and heart, 13 Going on 30 explores timeless themes of friendship, identity, and staying true to yourself, making it perfect for a new generation to experience on stage.
Goldsmith and Yuspa, who also wrote the musical’s book, are thrilled to revisit the story, marking the 20th anniversary of the original film. They shared their excitement, saying:
When we wrote the movie 13 Going on 30, we never dreamt that on the film’s 20th anniversary, we’d get the chance to see a whole new generation fall in love with Razzles and feel thirty, flirty, and thriving. It’s been a joy to work with ROYO, Revolution Studios, songwriters Alan Zachary & Michael Weiner, and director Andy Fickman to bring this story to life as a stage musical. We were thrilled by the audience’s response to our workshop last year, and now we can’t wait to officially open in Manchester at the legendary Opera House- the launchpad of so many iconic musicals. So bring your family, your friends, maybe a date, or just come alone- don’t be shy, we’re all nice. Hope you have as much fun seeing the show as we had making it!”
Tickets go on sale at exactly 1:30 PM on November 13th, so set your reminder to grab yours early for this must-see production. With the Manchester Opera House’s legacy as the launchpad of iconic musicals, anticipation is high for this adaptation to make its mark. The full casting has yet to be announced, but with a powerhouse team behind it and plenty of musical talent, 13 Going on 30- The Musical promises to captivate fans of all ages with fresh songs, heartwarming themes, and the classic charm of Jenna Rink’s journey. So bring your friends, family, or just yourself to join in on the fun, laughter, and a little bit of magic at 13 Going on 30- The Musical- an exciting new chapter for a modern classic.
Thursday, 24 October 2024
Dame Judi Dench Lends Her Voice to King’s Head Theatre’s First-Ever Pantomime, Cinderella, This Christmas
King’s Head Theatre and Elphin Productions are thrilled to announce full casting for their first-ever family pantomime in their new 250-seat auditorium. Drag Race UK star Ella Vaday (Nick Collier) will star as Ugly Stepsister ‘Peckham’, while ITV’s Mamma Mia: I Have a Dream contestant Maddy Erzan-Essien takes on the role of Cinderella. In an extra special treat, Dame Judi Dench will lend her vocal talents as the show’s Narrator, marking a magical addition to the production.
Cinderella, running from 30 November to 5 January, promises to deliver everything you’d expect from a Christmas panto- hilarious slapstick, sensational songs, puppets from Little Angel Theatre, and plenty of audience participation. With a local twist, this production celebrates the rich history of Islington in an intimate and immersive setting.
Dame Judi Dench, Patron of Little Angel Theatre, will be joined by a host of other celebrity friends and theatre Patrons, who will lend their voices in recorded segments throughout the show. Additional star guests will be announced soon.
Ella Vaday, known from RuPaul’s Drag Race UK and The Real Full Monty, will play one half of the Ugly Stepsister duo. Harry Curley, 2023 OFFIES Best Newcomer nominee, will play the other half as Dalston. Maddy Erzan-Essien (Memphis, Nine) stars as Cinderella, alongside Joseph Lukehurst (Dreamboats and Petticoats, Urinetown) as Prince Charming. Verity Kirk, Robert Rees, and Lucia Vinyard round out the cast as Dandini, Buttons, and Fairy Codmother, respectively.
The pantomime will be written and directed by Andrew Pollard, celebrated for his 15-year run as writer, director, and Dame at Greenwich Theatre. Pollard has twice won the OFFIE Award and was the 2023 British Panto Award-winner for Best Ugly Sister.
Executive Producer Sofi Berenger expressed her excitement about working with such a talented cast, particularly having Dame Judi Dench on board as Narrator.
Ella Vaday is an incredible talent, and with our commitment to LGBTQ+ representation, this production is a perfect fit for our stage. The whole team is thrilled to bring Andrew Pollard’s hilarious script to life, and we hope this marks the beginning of a new tradition in London’s pantomime scene."
Samantha Lane, Artistic Director of Little Angel Theatre, shared her excitement as well:
We’re absolutely thrilled that Little Angel Theatre’s incredible Patron, Dame Judi Dench, has lent her voice to Cinderella. It’s an absolute honour and adds an extra layer of magic to the production."
Tickets for Cinderella are now on sale, with both family-friendly and adults-only performances available. Further announcements about special guests and additional details about the adults-only version of the show will be made soon.
Wednesday, 23 October 2024
Friends! The Musical Parody Hits the UK and Ireland for a Hilarious 2025 Tour
Friends! The Musical Parody, the smash hit from New York and Las Vegas, is set to embark on a major UK and Ireland tour, kicking off at the Barn Theatre in Cirencester from July 14 to August 23, 2025. Tickets will be available for Barn Friends starting November 4, with general sale beginning on November 11.
This hilarious musical comedy brings all the iconic moments from the beloved TV show Friends to the stage, offering fans a fast-paced, uncensored tribute to the antics of Ross, Rachel, Monica, Chandler, Joey, and Phoebe. Featuring an original musical score, the show takes audiences through the ups and downs of work, life, and love in 1990s Manhattan. Aimed at audiences aged 13 and above, the musical promises a fun-filled evening that captures the essence of the legendary sitcom.
The creative team for Friends! The Musical Parody includes Bob and Tobly McSmith on Books & Lyrics, Assaf Gleizner on Music, and Andrew Exeter handling Set and Lighting Design.
Mark Goucher, one of the producers, said:
It is great to be back supporting The Barn Theatre. We are looking forward to working with Iwan and his team creating this brand-new production which will then tour the UK and Ireland."
Iwan Lewis, Chief Executive and Artistic Director of the Barn, shared his excitement:
We’re beyond thrilled to team up with our friends and partners Mark Goucher, Matthew Gale, and Oskar Eiriksson to bring Friends! The Musical Parody to the Barn. As part of our 2025 strategy to attract new audiences, this show is the one that promises a night full of laughs and fun. Could we BE any more excited for next summer?"
The first leg of the tour will include stops at the Nottingham Theatre Royal, Sunderland Empire, York Grand Opera House, Cheltenham Everyman Theatre, and more. Additional tour dates will be announced soon.
Friends! The Musical Parody is produced by Mark Goucher, Matthew Gale, and Oskar Eiriksson under license from Theatre Mogul. The show was originally produced in New York by Lynn Shore Entertainment, Theater Mogul, and McSmith Family Entertainment. Full cast and additional creative team details will be announced later.
Monday, 14 October 2024
The Lord of the Rings- A Musical Tale to Premiere at Theatre Royal Plymouth in October 2025
The Lord of the Rings- A Musical Tale is set to embark on a new journey with the critically acclaimed theatrical production, playing exclusively at Theatre Royal Plymouth from 4–11 October 2025. This UK presentation follows its successful seasons in Chicago, Auckland, and Australia. Tickets will be available from 22 October at www.theatreroyal.com.
Originally staged at The Watermill Theatre in 2023, director Paul Hart’s adaptation of J.R.R. Tolkien’s iconic Lord of the Rings trilogy offers a fresh perspective by telling the story through the eyes of the Hobbits. What began as an intimate production has evolved into a breathtaking spectacle designed to fill larger venues. After a highly praised run at the Chicago Shakespeare Theatre in the summer of 2024, the production is set to tour in Auckland and Sydney, with additional Asia-Pacific dates on the horizon.
The show will return to the UK with a full British cast before embarking on a European tour, presented by People Entertainment Group. The ensemble features 32 actor-musicians, combining live music with an epic narrative. The production’s score includes contributions from A.R. Rahman (Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award-winner Christopher Nightingale (Matilda the Musical), with book and lyrics by Shaun McKenna and Matthew Warchus.
The story begins as the Hobbits celebrate Bilbo Baggins’ 111th birthday in the Shire, where Bilbo gifts his nephew Frodo the One Ring, setting Frodo on a perilous journey across Middle-earth with the Fellowship by his side. As the Fellowship faces the looming threat of Mordor, the production invites the audience to become part of the Hobbits’ world, journeying with them as they face the epic battle between good and evil.
Producer Kevin Wallace shared his excitement for this production, saying, "Paul's wonderful production invites us all to become Hobbits in the company of Hobbits." Wallace also expressed his enthusiasm for bringing the show back to the UK, where the musical initially began its journey before heading off to wow audiences in the U.S. and beyond.
The original production at The Watermill Theatre, which sold out its 12-week run, received widespread acclaim, winning the WhatsOnStage Award for Best Regional Production and earning eight Broadway World Awards. Critics praised its innovative use of puppetry, projections, and live music, calling the production “exhilarating” and “rewarding” for both Lord of the Rings devotees and newcomers. The musical continued its success with an expanded ensemble and a U.S. premiere at the Chicago Shakespeare Theatre in 2024, where it was lauded as a “visual marvel.”
The return of
The Lord of the Rings- A Musical Tale to the UK marks an exciting moment for British audiences. James Mackenzie-Blackman, CEO of Theatre Royal Plymouth, expressed his pride in hosting this exclusive run, saying:
We are incredibly proud to be hosting The Lord of the Rings – A Musical Tale in 2025. It’s a truly unique theatrical experience, combining music, storytelling, and a multi-skilled ensemble of performers.
Director Paul Hart reflected on the journey of the production, saying:
To tell this epic and beloved story onstage, we had to start small and think big—very much like a Hobbit! It’s been an exhilarating journey, and I am thrilled to bring the show back to the UK before we embark on the European tour.
For more information on worldwide productions, visit www.lotrmusical.com
Sunday, 13 October 2024
THEATRE NEWS ROUNDUP 6th-12th October 2024
This week in the world of theatre has brought exciting updates, casting news, and anniversaries. Here’s a quick recap of the highlights:
The beloved West End concert series West End Does revealed its complete casting. A unique highlight this year is the addition of a Wicked twist, promising an unforgettable holiday event for theatre lovers.
The National Theatre has announced the full cast for its highly anticipated production of Oscar Wilde's The Importance of Being Earnest. The show, headlined by Ncuti Gatwa and Sharon D. Clarke, promises to breathe fresh energy into the classic play.
It's been announced that international pop star Sinitta will join the UK and Ireland tour of Chicago as Mama Morton for a strictly limited run.
To celebrate milestone anniversaries, Les Misérables, Billy Elliot, and other beloved musicals will be screened in cinemas. This gives fans a unique opportunity to experience these iconic shows in a new format.
Full Cast Announced for UK & Ireland Your of Kinky Boots the Musical
Producers ROYO and Curve are thrilled to announce the complete cast for the all-new Made at Curve production of Kinky Boots The Musical, winner of Olivier, Tony, and Grammy Awards. This celebrated musical will tour the UK and Ireland starting from 17 January 2025.
Matilda the Musical is set to embark on a brand-new tour across the UK and Ireland. Initial dates have been confirmed, promising to bring the magic of Roald Dahl’s story to new audiences.
The highly anticipated Titanique has announced its full cast ahead of its West End debut. This parody musical, based on the legendary Titanic film, is set to sail with a star-studded company for its premiere.
The legendary Toyah Willcox is joining NOW That’s What I Call a Musical as a guest star, adding extra star power to the show.
The Lightning Thief musical has confirmed its lead actors for the upcoming production, generating buzz among fans of the Percy Jackson series. The casting announcement has sparked excitement for the stage adaptation which will star Max Harwood in the title role.
The highly anticipated Macbeth, starring David Tennant and Cush Jumbo, will be making its way to cinemas soon. A new clip has also been released, offering a tantalizing glimpse of the intense production.
The musical adaptation of Sing Street is slated for its UK premiere next summer. Based on the hit film, this coming-of-age musical is already generating excitement ahead of its debut.
Tom Fletcher’s family-friendly show There’s a Monster in Your Show will be embarking on a new tour, with its cast now announced. The tour promises to deliver magical fun for younger audiences across the UK.
The revival of Spend Spend Spend has revealed its complete cast ahead of the production’s return to the stage. Fans of the musical can look forward to seeing the show with fresh faces in key roles.
This week has been packed with exciting news and casting announcements that promise a thrilling season ahead in theatre! Join us next week for another wrap up.
Wednesday, 9 October 2024
A Life-Affirming Musical: Come From Away on Tour REVIEW | New Wimbledon Theatre
Come From Away
New Wimbledon Theatre
Come From Away is an extraordinary and heartwarming celebration of humanity, compassion, and community spirit. This remarkable musical, based on the true events following the tragic events of September 11th, 2001, chronicles the story of a small town that welcomed over 7,000 stranded passengers when 38 planes were unexpectedly diverted to Gander, Newfoundland. The 100-minute production, performed without an interval, captivates audiences from the first note to the final bow, leaving you inspired and deeply moved by the resilience and kindness of strangers.
The show, created by the brilliant team of Irene Sankoff and David Hein, debuted in 2013 before premiering on Broadway in 2017 to critical acclaim. It went on to win a Tony Award for Best Direction and has become a worldwide phenomenon; after (devastatingly) closing in the West End, the show is currently touring the UK and touching the hearts of countless theatergoers. What makes Come From Away unique is that it doesn’t dwell on the tragedy itself; rather, it highlights the powerful goodness that arose in response. It’s a story that everyone needs to see- a true testament to the strength of human spirit and the way communities can come together in times of need.
The cast of Come From Away is a masterclass in ensemble performance, with each of the twelve actors seamlessly taking on multiple roles, transitioning between characters with just a subtle change in voice, posture, or costume. Sara Poyzer is great as Captain Beverly Bass, commanding the stage with poise and delivering a stirring rendition of 'Me and the Sky,' a poignant ode to the barriers women face in aviation and beyond. Jamal Zulfiqar’s dual roles as Kevin and Ali are portrayed with depth and sincerity, while Nicholas Pound brings a steady warmth to Mayor Claude Elliott. Bree Smith, as Hannah, delivers an emotionally charged performance that resonates deeply, and Rosie Glossop’s Bonnie has an endearing authenticity that reflects the compassionate spirit of Gander’s residents. Daniel Crowder and Kirsty Hoiles, as Nick and Diane, exude heartfelt chemistry, and Amanda Henderson’s portrayal of Beulah is both humorous and touching, embodying the very essence of Newfoundland hospitality. Natasha J. Barnes is wonderfully endearing as newbie news-reporter Janice, while Mark Dugdale brings great light and vocals to Kevin T. Oliver Jacobson and Dale Mathurin provide some of the most humourous moments of the show and complete the universally perfect cast.
Howell Binkley’s brilliant lighting design transforms the relatively simple set into myriad locations, evoking a sense of intimacy and immediacy that brings the story to life. The lighting shifts subtly to reflect both the tension and warmth of each scene, helping audiences feel every moment of hope, uncertainty, and joy. Kelly Devine’s choreography is equally impressive- fluid and organic, it mirrors the natural rhythms of life in Gander and the mingling of so many lives, capturing the bustling energy of the community while maintaining a focus on small, authentic human interactions.
The music, with its Celtic-inspired score composed by Sankoff and Hein, is the heartbeat of the production. From the powerful opening number, 'Welcome to the Rock,' to the joyful 'Screech In,' the songs are infused with East Coast flair, featuring lively fiddles, bodhrans, and an ensemble that sings and plays with palpable passion. Under the direction of Andrew Corcoran, the music beautifully conveys both the emotional highs and lows, transporting audiences to Newfoundland with its driving rhythms and haunting melodies.
More than just a musical, Come From Away is an experience that reminds us of the inherent goodness within people. The uplifting message is amplified by the Pay It Forward initiatives that the production actively supports. These activities, organised by Lydia Greatrix, in honour of her friend and Come From Away superfan Laura Townsend, which include partnerships with local charities and community outreach, bring the show’s message of kindness off the stage and into the real world. By championing causes that encourage generosity and connection, Come From Away continues to “pay forward” the generosity of Gander, ensuring that its legacy of compassion extends far beyond the theatre.
In the end, Come From Away is not just a must-see show- it’s a life-affirming testament to the power of people and the enduring strength of community. It’s a reminder that, even in the face of unimaginable darkness, human decency shines through, and strangers can become friends. This is a show that will leave you laughing, crying, and wanting to be a better person- a story that every single person should experience, especially in today’s world.
If you would like to donate to future pay it forward events, check the Just Giving page here.
★★★★★
Reviewed on Tuesday 8th October 2024 by Olivia
Photo Credit: Craig Sugden
{AD PR Invite- tickets gifted in exchange for honest review}
David Tennant and Cush Jumbo’s Macbeth to be Released in Cinemas
Trafalgar Releasing, in collaboration with the Donmar Warehouse, has announced the cinema release of Macbeth, starring David Tennant and Cush Jumbo. This sold-out production, currently playing in London's West End, will be screened in cinemas across the UK, US, Australia, and select international locations starting February 5, 2025. Directed by Max Webster, this critically acclaimed performance was filmed live at the Donmar Warehouse.
Tickets for the cinema release go on sale October 16 at MacbethDonmarCinema.com.
Tim Sheader, Artistic Director of the Donmar, and Executive Director Henny Finch expressed excitement over the production's expanded reach, saying, “We are thrilled that this innovative staging of Macbeth will reach even more audiences beyond its original run. It’s exciting to think that thousands of viewers globally will get to experience this unique, immersive production in cinemas.”
Trafalgar Releasing’s CEO, Marc Allenby, highlighted the continued success of theatre in cinemas, remarking that, “Theatre remains a key driver of cinema box office, and working with the Donmar to bring Macbeth to global audiences further broadens our cultural content portfolio.”
The production, with David Tennant (Doctor Who, Broadchurch) as Macbeth and Cush Jumbo (The Good Wife, Criminal Record) as Lady Macbeth, has garnered rave reviews. The Daily Telegraph called it "enthralling," while The Guardian praised its "wolfish imagination and alarming surprise." The live cinema screening will capture the intense and brutal pace of this tragic tale of ambition, power, and fate, enhanced by immersive 5.1 surround sound.
The production also features Moyo Akandé as Ross, Cal MacAninch as Banquo, and Rona Morison as Lady Macduff, along with a host of seasoned performers, many with extensive theatre, television, and film credits.
The Donmar Warehouse, renowned for its intimate staging and groundbreaking productions, has teamed up once again with Trafalgar Releasing to bring theatre to a global audience. The company has previously collaborated with Trafalgar on successful cinema releases, and Macbeth promises to be no exception.
For more information and tickets, visit MacbethDonmarCinema.com.
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