Showing posts sorted by date for query Jo Collins. Sort by relevance Show all posts
Showing posts sorted by date for query Jo Collins. Sort by relevance Show all posts
Friday, 18 March 2022
Full Casting Announced for 101 Dalmatians at Regent's Park
Regent’s Park Open Air Theatre have today announced full casting for their forthcoming production of 101 Dalmatians (12 Jul – 28 Aug), a newly commissioned musical written by Douglas Hodge (music and lyrics) and Johnny McKnight (book), from a stage adaptation by Zinnie Harris. Based on the book by Dodie Smith, leading the cast as the iconic villain Cruella de Vil is Olivier and Tony Award nominee Kate Fleetwood.
Dalmatians Pongo and Perdi are puppeteered by Danny Collins (Pongo Voice), Emma Lucia (Perdi Voice), Yana Penrose (Perdi Head) and Ben Thompson (Pongo Head).
Also joining the cast are: Jamil Abbasi (Ensemble), Stuart Angell (Captain Head), George Bukhari (Jasper), Sonya Cullingford (Ensemble), Jade Davies (Swing), Karen Fishwick (Danielle), Joseph Fletcher (Ensemble), Taofique Folarin (Swing), Courtney George (Ensemble), Tash Holway (Swing and Dance Captain), CJ Johnson (Ensemble), Kody Mortimer (Ensemble), Simon Oskarsson (Swing), Tom Peters (Captain Voice), Eric Stroud (Dominic), Jonny Weldon (Casper), and Grace Wylde (Madam Doué).
Director Timothy Sheader said:“We are incredibly excited to finally bring 101 Dalmatians to our stage after postponing the production twice due to the pandemic. I think audiences are going to love reconnecting with this favourite story outside in Regent’s Park; the original home of Pongo and Perdi. The brand new script and music are both packed with fun and joy and I am delighted that Kate Fleetwood’s filming schedule for The Wheel of Time allows us the opportunity to work with her on creating that all time baddie, Cruella de Vil.”
101 Dalmatians is created by: Shanaé Chisholm (Casting Assistant), Josie Daxter (Associate Director), Jill Green CDG (Casting Director), Tash Holway (Associate Choreographer), Barbara Houseman (Voice and Text & Season Associate Director), Howard Hudson (Lighting Designer), Maia Kirkman-Richards (Assistant Puppet Director), Nick Lidster for Autograph (Sound Designer), Katrina Lindsay (Costume Designer), Ingrid Mackinnon (Season Associate: Intimacy Support), Tarek Merchant (Musical Director), Verity Naughton and Nick Hockaday for Verity Naughton Casting (Children’s Casting Directors), Toby Olié (Puppetry Designer and Director), Colin Richmond (Set Designer), Timothy Sheader (Director), Liam Steel (Choreographer) and Sarah Travis (Musical Supervisor and Orchestrator).
The Open Air Theatre is working with Mousetrap Theatre Projects to create a relaxed performance of 101 Dalmatians on Sunday 14 August (2.15pm). Relaxed performances are designed to provide those with learning disabilities, those who are on the autism spectrum or have other sensory and communication needs who would benefit from a more relaxed environment, the opportunity to experience the production.
Kate Fleetwood currently plays the leading role of Liandrin Guirale in Amazon Prime’s The Wheel of Time. Her previous stage roles include: Lady Macbeth (Chichester Festival/Gielgud/ BAM/Broadway) for which she was nominated for a Tony Award, Medea (Almeida) and Goneril in King Lear (National Theatre). She also appeared in Absolute Hell and Ugly Lies the Bone (National Theatre), Bug (Found111) and Life is a Dream (Donmar Warehouse), for which she received a WhatsOnStage Award nomination for Best Supporting Actress. Kate received an Olivier Award nomination for Best Actress in a Musical for London Road (National Theatre), and she also played Tracy Lord in High Society (Old Vic).
Kate’s television credits include: Victoria, War and Peace, The People Next Door, The Widower, Brave New World and Fate: The Winx Club Saga. Her film credits include: Star Wars: The Force Awakens, The Negotiator, London Road, Philomena, Les Misérables and Harry Potter and The Deathly Hallows: Part 1.
Regent’s Park Open Air Theatre’s 90th Anniversary season also includes the musical Legally Blonde (13 May – 2 July) directed by Lucy Moss, co-writer and co-director of Six the Musical, and - in a second commission from the theatre in 2022 - Antigone (3 – 24 September) by Barber Shop Chronicles writer Inua Ellams after Sophocles, directed by Max Webster and co-directed by Jo Tyabji.
Friday, 26 January 2018
Oranges and Elephants, Hoxton Hall | Review
Oranges and Elephants
Hoxton Hall
Reviewed on Thursday 25th January 2017 by Nicola Louise
★★
Originally conceived in 2013 by Lil Warren, Oranges and Elephants tells the story of two female gangs in London in the Victorian Era. The 'Oranges', a girl gang in Brixton led by their boss, Flo played by Kate Adams, and the ‘Elephants’, an Irish girl gang bonded by the family code, based in Elephant and Castle’s Woolworth road.
Being shown in Hoxton Hall, London, the place brings some authenticity to the musical. The old music hall creates a great backdrop for the narrator, the Chair played by Susannah van den Berg and her piano player Doreen, played by one of the co-founders of the inclusive theatre pioneers of Chickenshed, Jo Collins.
Van den Berg had great energy and as soon as the show started she had the crowd laughing with her large personality, she had great chemistry with Collins and their witty banter was none stop.
The girls in the gang all played instruments and they were used throughout the show, the girls were either in the wings or on stage playing the violin, cello … there was even a flute involved, they used this very well and allowed the cast to be a part of the orchestra as well as the show.
As the show went on I thought Ada, second in command of the Oranges played by Rebecca Bainbridge tried a little to hard to bring her character to life. Ada is a psychopath and although that came across very well in Bainbridge’s performance, it became a bit uneasy to watch her bring manly ways to her character. Ada is still female, but every move Bainbridge took, I couldn’t figure out if Ada was meant to be in a girl gang or wanted to be apart of the male gangs that ran Soho and Piccadilly.
My other issue with the Oranges was their leader, Flo. Now Flo was mentioned in the show as the ‘worst female in London’, she was scary, people were frightened of her, unfortunately, Adams was neither. I wasn’t convinced of her leadership within the gang, she looked too soft and the delivery of her lines didn’t make me feel anything towards her.
The Elephants, led by Annie (Liz Kitchen) with second in command, Nellie (Christina Tedders) were great. Tedders was full of energy and made the role her own and diverse; playing the thief but also the lost little girl who just wanted to sing.
When Nellie meets Mary, a young girl from the black country played by Sinead Long who had been captured by the Oranges, you start to feel sorry for both girls, they want to sing in music halls but have somehow been caught up in a life of crime.
Both girls performances were very strong, Long, was very convincing as a scared girl, on her own for the first time in London.
This musical isn’t to everyone’s taste, but I can see why people enjoy it, there also an extra added bonus of the sing along, everyone got song sheets and Van der Berg got the audience singing with no hesitation.
Oranges and Elephants runs at Hoxton Hall until February 10th 2018
Subscribe to:
Posts (Atom)
Hello!
