Showing posts sorted by date for query JoAnn M Hunter. Sort by relevance Show all posts
Showing posts sorted by date for query JoAnn M Hunter. Sort by relevance Show all posts
Friday, 1 November 2024
New ‘Little Women’ Musical ‘Jo’ to Record Concept Album at Abbey Road Studios Ahead of 2025 West End Premiere
A stunning new musical adaptation of Louisa May Alcott’s beloved Little Women is preparing for its world premiere in London’s West End in 2025. This fresh retelling, titled Jo- The Little Women Musical, brings Jo March’s journey to life through a rich, cinematic score by composer Dan Redfeld and compelling lyrics by Christina Harding and John Gabriel Koladziej. At the heart of this adaptation is Jo’s transformation of grief over her sister Beth’s loss into a powerful work of art, highlighting her growth as a writer and her enduring quest to capture the voice of her generation.
An all-star cast will bring this story to life on a concept album recorded at the iconic Abbey Road Studios in January. Broadway and West End talent, including Grammy-nominated Christine Allado (Jo March), acclaimed singer Chris Mann (Professor Bhaer), and Disney Channel star Sophie Pollono (Amy March), will be joined by a 29-piece orchestra for the album produced by five-time Grammy nominee and three-time Emmy winner Nigel Wright. The Abbey Road recording represents a monumental first step, with several tracks and videos slated for release before the full album debuts.
Following the album’s release under Grammy-winning Center Stage Records, Jo- The Little Women Musical will take the West End stage in a semi-staged concert directed by JoAnn M. Hunter, known for her acclaimed work on Bad Cinderella and School of Rock. Excitement is building as lead producer Brian Purcell of 4 Times Entertainment, Inc., remarks:
We are honoured to be recording at Abbey Road Studios, where some of the world’s most iconic music has been created. The journey of Jo March will soon come to life for a global audience with unparalleled artistry and ambition.”
With its innovative direction, profound storytelling, and high-caliber cast and production team, Jo- The Little Women Musical promises to deliver a timeless narrative infused with fresh, emotional depth and will likely resonate with audiences across generations. Final dates and ticketing information for the West End concert will be announced soon, making this a show to watch.
Thursday, 17 October 2024
Full Cast Revealed for 2025 Tour of Joseph and the Amazing Technicolour Dreamcoat
Michael Harrison has announced additional casting for the highly anticipated second UK tour of the London Palladium production of Joseph and the Amazing Technicolour Dreamcoat. The show, which kicks off on December 3, 2024, at Edinburgh Playhouse, features two iconic Pharaohs- Donny Osmond and Joe McElderry- and introduces Christina Bianco as the Narrator and Adam Filipe as Joseph.
Tickets are on sale now at uktour.josephthemusical.com.
Global entertainment legend Donny Osmond will return to the stage in the UK for the first time in years, playing Pharaoh in this celebrated production. Having performed as Joseph in over 2,000 shows and starring in the 1999 filmed version with Joan Collins, Richard Attenborough, and Maria Friedman, Osmond brings his signature charisma to the role for a limited run. His UK dates will be exclusive to the Edinburgh Playhouse Christmas season.
Joining Osmond on tour is pop sensation and former Joseph star Joe McElderry, who takes over the role of Pharaoh across several UK locations. After his popular turn as Joseph in the 2017–2018 tour, McElderry is set to captivate audiences in venues like Sunderland’s Empire Theatre, Nottingham’s Theatre Royal, and Leicester’s Curve, among many others.
Christina Bianco, a two-time Drama Desk Award nominee and viral YouTube sensation known for her diva impressions and recent West End role as Glinda in The Wizard of Oz, will narrate the 2025 tour. She is joined by Adam Filipe as Joseph, whose credits include Titanic The Musical, The Prince of Egypt, and Les Misérables. Together, they will perform at all tour dates, promising show-stopping performances.
The ensemble features Hugh Cotton as Reuben and Will Haswell as Simeon. The full cast also includes Aaron Archer, Bella Baldock, Daniel Bowskill, Imogen Bowtell, Taylor Bridges, Joseph Browlie-Johnson, Joseph Craig, Davide Fienauri, Ellie Greenway, Oliver Hawes, Kiera Haynes, Siobhan James, Ben Lancaster, Nicole Lupino, Bradley Perret, Harvey Shulver, Jessica Sutton, Charley Warburton, Jenna Warne, and Alex Woodward. The children’s company will feature an array of talented young performers from across the UK.
The 2025 tour is directed by Laurence Connor, whose previous work includes School of Rock, Miss Saigon, and Les Misérables. Choreography is by JoAnn M Hunter, who has worked on 20 Broadway shows, including On A Clear Day You Can See Forever. Set and costume design is by Morgan Large, with lighting design by Ben Cracknell and sound design by Gareth Owen. The musical direction is led by John Rigby, with John Cameron as orchestrator.
Joseph and the Amazing Technicolour Dreamcoat remains one of the world’s most beloved musicals, with its pop-infused score by Andrew Lloyd Webber and lyrics by Tim Rice. The show has been performed globally since its 1969 debut and features timeless hits like "Any Dream Will Do" and "Close Every Door."
With an incredible cast and spectacular production values, the 2025 tour of Joseph promises to be a dazzling celebration of one of musical theatre’s greatest shows. Whether you’re a longtime fan or new to the musical, this tour is not to be missed!
Thursday, 16 November 2023
SuperYou! the Musical in Concert at the Lyric Theatre Review: Potential to be Otherworldly
SuperYou! the Musical in Concert
Lyric Theatre
Having made its UK debut performance at MusicalCon in October 2022, where it was an audience hit, SuperYou went on to do two days of workshop performances in London last year and last night had its West End premiere concert performance. With music, lyrics and book by Lourds Lane, the show tells the story of Katie White, a comic book author whose superheroines aid her in navigating through grief, discovering self-love, and embracing the strength of her own voice.
After being lucky enough to catch one of the workshop performances, I was incredibly excited to follow the development of this show and see how it grows and evolves over its various iterations. Whilst this concert version didn't quite live up to the expectations I'd built up in my head, it did have a number of stand out moments and showcased the potential of this beautifully heartfelt musical, and hopefully paved the way for future outings.
What I love about this show is how much passion and care has clearly gone into telling the tale of embracing your differences and being true to yourself. The energy is next level throughout and the performances are so earnest you can't help be charmed by it all.
Musically there's an array of styles, from rock songs to country ballads, all of which are performed with vigour and power, just as you'd expect in a show about superheroes. Leading the gang, SuperLu-cie Jones once again soars, delivering larynx lifting vocals with ease, sincerity and heart. Her shining voice matched with greatly witty and endearing characterisations once again cement her as a star of musical theatre. As her brother and fellow comic enthusiast, Matty, Jonty Peach gives a wonderful performance, I only wish we got more chance to see and hear him. His chemistry with young Katie (gloriously played by Aaliyah Monk) is really lovely and the pair create a convincing back story to root the show.
Completing the hero squad are Joni Ayton-Kent as Seven, Sharon Ballard as Blast, Lourds Lane as Rise and Jenny O'Leary as Ima-Mazing, who all give strong, well characterised performances. The roles themselves are quite stereotyped and not hugely well-rounded but they're performed well and bring some killer vocals. Luke Brady as Jay is really engaging and gets to really soar vocally in act two.
Choreography is a big part of this show, with Maddy Brennan (Mom) and Will Bozier (MiRoar) communicating almost solely through JoAnn M. Hunter's choreographed dance/movement, to great effect. The concert setting doesn't quite allow the movement to soar as it would in a full production but it's certainly a great way to tell the story and is quite striking at times. I do feel that it sometimes covers for a lack of character development, especially with the Mom who is pretty one dimensional but there's a lot of promise and a number of ways for the movement to elevate the storytelling.
There were also a few balancing issues, with the vocals sometimes being overpowered by music, so crucial lyrics were lost. Also, the setup of music stands across the stage meant the audience were physically disconnected from the action. Moments when it really shone were when these were stepped in front of, such as the closing of act one. Of course, this is a show put on with a week of rehearsal so a lot of issues can be forgiven but it would be great to see and hear the musical in it's full, fine-tuned glory.
Whilst the musical owes a lot to social media, having achieved huge popularity on tiktok during lockdown, something about the social media portrayal in the show doesn't quite work. Compared to the workshop showing, this version regularly mentions virality and tiktok, and whilst this does push the story along, it also feels somewhat cringey and awkward. It does provide opportunity for a discussion on the impact of social media but that doesn't feel necessary in a show like this which already has so many other messages to put across, so instead it just comes across as an underdeveloped layer. Perhaps it's an attempt to appeal to younger audiences but the show has so much to offer in terms of heart, and performances, it really doesn't need anything else to be appealing to a wide range of theatre patrons.
In transitioning the show to be more "mainstream" and 2023 relevant, it has lost a lot of the charm and sincerity which was so abundant before. The changed plot also means the character development is diminished. Previously, Katie had a clear journey from an unconfident girl, brought down by various traumas, to eventually finding herself and making her own choices; however this time, her journey feels less well rounded and the actual big moment of discovery sort of comes from nowhere.
Despite its flaws, SuperYou is a genuinely good show that deserves a future life. The potential is overflowing and I hope it gets a chance to develop further. SuperYou is a life affirming show with some wonderful messages, performances, energy and music and with some tweaks to supercharge it, the show could be a really glorious addition to the theatre scene.
★★★
Reviewed on Wednesday 15th November by Olivia
Photo Credit: Matt Marlin and Simona Sermont for Shooting Theatre
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 3 August 2022
Joseph and the Amazing Technicolor Dreamcoat (Tour), New Victoria Theatre | Review
Joseph and the Amazing Technicolor Dreamcoat
New Victoria Theatre
Reviewed on Wednesday 3rd August 2022 by Olivia Mitchell
★★★★★
Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat is a staple and rite of passage for many musical theatre fans so when a production is mounted there's always a ready and willing audience to view it. Thankfully for current audiences, the Palladium production which is touring the country is absolutely top notch and a dream night out.
Laurence Connor's version of Joseph is a reinvigorated, large scale, glitzy production that feels like it's been plucked straight from the West End and dropped into Woking. The excellent sets by Morgan Large look luxurious but there's also a lovely element of simplicity which is reminiscent of the hugely popular film version. The entire set design is sleek and perfectly embodies the joy and energy which this show provides.
If you're looking for a killer cast, you need to look no further than Joseph. Every single cast member fires on all cylinders and the power and joy which pours out from the stage is just a treat to experience. In the lead role Jac Yarrow is star quality embodied. His Close Every Door To Me is absolutely excellent and he brings a lovely cheeky quality which draws you to Joseph and makes you root for him even more.
Yarrow is joined by Linzi Hately who is wonderfully witty as The Narrator as well as Bobby Windebank who gives a brilliant portrayal of the Elvis-esque Pharaoh. Mention must also go to Matt Gibson as Rueben and Will Hawsworth as Simeon, both of whom are real standouts vocally in their solo moments. The child performers are a joy to watch as they take on various roles and exude happiness.
This is also a choreography heavy production which further elevates it. There are tap numbers alongside a string of high intensity ensemble moments. Joann M. Hunter has done an outstanding job of providing an array of styles and making every number engaging.
For a show which could easily become pantomimic, there is a real level of intensity which upgrades it and makes it a two hour treat that you'd have to be a scrooge not to enjoy. The outstanding band led by the joyous musical director John Rigby, alongside the super strong ensemble and superbly adapted show, mean and you can't help but leave the theatre smiling from ear to ear.
photo credit: Tritram Kenton
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