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Wednesday, 23 October 2024
Full Cast Announced for The Lightning Thief: The Percy Jackson Musical London Premiere
The highly anticipated London premiere of The Lightning Thief: The Percy Jackson Musical is fast approaching, and Bill Kenwright Ltd and Paul Taylor-Mills are excited to announce the full cast for this thrilling production. Fans of Rick Riordan’s bestselling book series are in for a treat, as a stellar cast brings the beloved characters to life on stage this November.
As previously announced, the lead role of Percy Jackson will be played by Max Harwood (Stranger Things: The First Shadow), joined by a talented ensemble. Scott Folan takes on the role of Grover, Jessica Lee plays Annabeth, and Paisley Billings will be Sally Jackson. Greg Barnett steps into multiple roles as Mr. Brunner/Poseidon/Hades, while Joe Allen portrays Mr. D/Gabe. Samantha Mbolekwa brings Clarisse to life, and Joaquin Pedro Valdes takes on the roles of Luke/Ares.
Ensemble members include Philip Catchpole, Morgan Gregory, Charlotte O’Rourke, and Alex Waxman, who makes her professional stage debut.
The Lightning Thief: The Percy Jackson Musical is based on Rick Riordan’s beloved book series, which has sold over 180 million copies worldwide. Fans of the story have already seen Percy Jackson’s world adapted into films and a hit TV series for Disney+, and now it’s time for London audiences to experience the magic of the musical.
First premiering off-Broadway in 2014, the musical has gone on to tour the US and had a limited Broadway run in 2019. Now, Londoners will get their first chance to be transported into the world of Percy Jackson and the Greek gods.
When New York City teenager Percy Jackson learns he’s the half-blood son of Poseidon, his life changes forever. Plunged into a world of mythical monsters and godly powers, Percy must navigate a destiny he never asked for while discovering what it truly means to be a hero. With heart-pounding adventures and thrilling stakes, The Lightning Thief musical will keep audiences on the edge of their seats.
This dynamic musical is brought to life by an outstanding creative team. The book is written by Joe Tracz (Be More Chill), with music and lyrics by Rob Rokicki (Monstersongs). The production is directed and choreographed by Lizzi Gee (Groundhog Day). Set and costume design is by Ryan Dawson Laight, lighting by Charlie Morgan Jones, and sound by Dominic Bilkey. The team also includes video designer Duncan McLean, illusions director Richard Pinner, fight director Lisa Connell, and puppet director Laura Cubitt.
London’s premiere of The Lightning Thief: The Percy Jackson Musical promises an unforgettable experience for fans and newcomers alike. Be prepared to embark on an epic journey with Percy and his friends in this electrifying musical event.
Sunday, 13 October 2024
THEATRE NEWS ROUNDUP 6th-12th October 2024
This week in the world of theatre has brought exciting updates, casting news, and anniversaries. Here’s a quick recap of the highlights:
The beloved West End concert series West End Does revealed its complete casting. A unique highlight this year is the addition of a Wicked twist, promising an unforgettable holiday event for theatre lovers.
The National Theatre has announced the full cast for its highly anticipated production of Oscar Wilde's The Importance of Being Earnest. The show, headlined by Ncuti Gatwa and Sharon D. Clarke, promises to breathe fresh energy into the classic play.
It's been announced that international pop star Sinitta will join the UK and Ireland tour of Chicago as Mama Morton for a strictly limited run.
To celebrate milestone anniversaries, Les Misérables, Billy Elliot, and other beloved musicals will be screened in cinemas. This gives fans a unique opportunity to experience these iconic shows in a new format.
Full Cast Announced for UK & Ireland Your of Kinky Boots the Musical
Producers ROYO and Curve are thrilled to announce the complete cast for the all-new Made at Curve production of Kinky Boots The Musical, winner of Olivier, Tony, and Grammy Awards. This celebrated musical will tour the UK and Ireland starting from 17 January 2025.
Matilda the Musical is set to embark on a brand-new tour across the UK and Ireland. Initial dates have been confirmed, promising to bring the magic of Roald Dahl’s story to new audiences.
The highly anticipated Titanique has announced its full cast ahead of its West End debut. This parody musical, based on the legendary Titanic film, is set to sail with a star-studded company for its premiere.
The legendary Toyah Willcox is joining NOW That’s What I Call a Musical as a guest star, adding extra star power to the show.
The Lightning Thief musical has confirmed its lead actors for the upcoming production, generating buzz among fans of the Percy Jackson series. The casting announcement has sparked excitement for the stage adaptation which will star Max Harwood in the title role.
The highly anticipated Macbeth, starring David Tennant and Cush Jumbo, will be making its way to cinemas soon. A new clip has also been released, offering a tantalizing glimpse of the intense production.
The musical adaptation of Sing Street is slated for its UK premiere next summer. Based on the hit film, this coming-of-age musical is already generating excitement ahead of its debut.
Tom Fletcher’s family-friendly show There’s a Monster in Your Show will be embarking on a new tour, with its cast now announced. The tour promises to deliver magical fun for younger audiences across the UK.
The revival of Spend Spend Spend has revealed its complete cast ahead of the production’s return to the stage. Fans of the musical can look forward to seeing the show with fresh faces in key roles.
This week has been packed with exciting news and casting announcements that promise a thrilling season ahead in theatre! Join us next week for another wrap up.
Thursday, 10 October 2024
Max Harwood to Star as Percy Jackson in Musical's West End Premiere
Stepping into the shoes of a demigod and taking on the lead role of Percy Jackson for the London premiere of The Lightning Thief: The Percy Jackson Musical is Max Harwood (Stranger Things: The First Shadow, Everybody’s Talking About Jamie).
Max Harwood, who gained widespread acclaim in 2021 for his breakout role as Jamie New in the film adaptation of Everybody’s Talking About Jamie, has quickly made a name for himself on both stage and screen. His performances have included roles in Netflix’s Black Mirror and the Olivier Award-winning Stranger Things: The First Shadow. Now, Harwood is set to take up Percy Jackson’s lightning bolt as he leads the cast in this thrilling musical adaptation.
Presented by Bill Kenwright Ltd. and Paul Taylor-Mills, The Lightning Thief: The Percy Jackson Musical is based on Rick Riordan’s beloved book series, which has sold over 180 million copies worldwide. Percy Jackson’s adventures have already captivated audiences through film adaptations and the hit Disney+ TV series. The musical first premiered off-Broadway in 2014 to rave reviews, followed by two US tours, a 2017 off-Broadway run, and a limited 16-week Broadway engagement in 2019.
For the first time ever, London audiences will experience this magical musical starting in November. Guided by an exceptional creative team, the production promises to transport viewers to a world of gods, monsters, and epic adventures.
The story follows Percy Jackson, a New York City teenager who discovers he is the half-blood son of Poseidon. Thrust into a larger-than-life world of Greek mythology, Percy grapples with newfound powers he can’t control and a destiny he never asked for. With mythical creatures hunting him and the future of the world at stake, Percy embarks on an epic quest to prove himself a true hero.
This dynamic musical adaptation of The Lightning Thief features a book by Joe Tracz (Be More Chill), music and lyrics by Rob Rokicki (Monstersongs), and is directed and choreographed by Lizzi Gee (Groundhog Day).
Further casting and full creative team details will be announced soon.
The Lightning Thief is presented by arrangement with Concord Theatricals Ltd.
London is in for an electrifying adventure this November, so get ready for an unforgettable journey with Percy Jackson and friends!
Sunday, 17 December 2023
Stranger Things: The First Shadow, Phoenix Theatre London | REVIEW
Stranger Things: The First Shadow
Phoenix Theatre
As someone who ventured into the realm of Stranger Things: The First Shadow without much prior experience with the series, aside from watching a few episodes and a recap, I was pleasantly surprised and thoroughly captivated by this spectacular supernatural spectacle. The Duffer Brothers, with Jack Thorne and Kate Trefry have crafted a story that effortlessly drew me into the mysterious world of Hawkins, Indiana, even as a newcomer to the Stranger Things universe.
From the very first applause inducing scenes, I found myself immersed in the gripping narrative that skilfully combines elements of suspense, nostalgia, and the supernatural. The show's ability to seamlessly introduce me to its characters and the intricacies of their relationships made it easy to connect with the story, and I was quickly invested in the fates of these intriguing personalities.
The prequel introduces both beloved characters and fresh faces, each receiving substantial development and individuality. The performances are exceptional, characterised by universally nuanced and emotionally charged portrayals. Louis McCartney, in his striking West End debut as Henry Creel, delivers a chilling performance that combines twisted actions with an alarming charm. McCartney's masterful physicality, full of spasms and contortions, adds an extra layer of intensity to the role- I can only imagine how much physio he'll need during the run! Isabella Pappas embodies Joyce with fierce brilliance, seamlessly incorporating Winona Ryder's iconic traits while infusing the character with her own spin. Pappas creates a captivating, headstrong persona that garners unwavering support. Alongside her, Oscar Lloyd portrays James Hopper Jr. with suave charisma, delivering witty one-liners and exuding an aura that captivates throughout.
The brilliance of this show lies in the meticulous attention and craftsmanship dedicated to shaping the intricate backstories of every character. Each member is endowed with distinct intentions and personality traits, allowing for intrigue at every turn. There isn't a single weak link to be discovered, but special recognition is deserved for the performances of Christopher Buckley as the endearing Bob Newby and Michael Jibson, who delivers haunting moments as the tormented Victor Creel. Max Harwood as Alan Munson, injects copious amounts of humour, energy, and vitality into the narrative, fashioning a persona that practically begs for its own enthralling spin-off storyline; whilst Patrick Vaill brings eerie menace to the stage as Dr Brenner.
In the hands of Stephen Daldry and Justin Martin, the play unfolds like a blooming flower, or more aptly, the opening mouth of a demogorgon. It moves seamlessly between the whirlwind of action and the rich tapestry of each thoughtfully crafted scene. High-school hallways and bathrooms, the mundane backdrop of everyday life, transform into breathtaking alternate worlds in the blink of an eye, all thanks to the nimble touch of Miriam Buether's set design. Jon Clark's lighting is like a choreographed dance, shifting between mysterious shadows and warm sunlight, mirroring the transformative journey of the characters.
The story takes a deep dive into the shadows, embracing a genuinely dark undertone with jumps and eerie sounds reminiscent of horror films, all expertly blended into the production by Paul Arditti's exceptional sound design. Yet, within the darkness, there's a contrasting brightness—a nostalgic, retro Americana that permeates the air. Sprinkled with snippets of song, it adds layers of emotion and complexity to this multidimensional theatrical experience, making it a journey that feels both supernatural and believable.
Stranger Things: The First Shadow is a testament to the storytelling prowess of its creators. As someone unfamiliar with the series, I can confidently say that this instalment stands alone as a brilliant and engaging piece of theatre. It has ignited my curiosity about the series as a whole, and I am now eager to explore the it to uncover the mysteries that follow this captivating chapter. Whether you're a seasoned fan or a newcomer like myself, this show is a spectacle that you must see. Full of drama, amazing performances and genuine sincerity, it's a Creel-y Creel-y great piece of theatre.
★★★★★
Reviewed on Friday 15th December 2023 by Olivia Mitchell
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 3 May 2020
The Return of the Movie Musical
During the Golden Age of Hollywood, movie musicals were abundant and arguably the most popular genre. However, with the move towards pop culture in the 1960s, their popularity dwindled and gave way to a more rebellious style and tone, which meant the all-singing, all-dancing, wholesome stories fell to the side.
Since then, aside from animated films, there have been a handful of live action musicals, with a few big hits such as Hairspray, Chicago and Mamma Mia!, but these have been largely hard to come by and a rare feature at the cinema. However, it seems that things are changing and we are in the midst of musicals coming back into the mainstream!
In some ways, the huge success of La La Land in 2016, a film which combined Old Hollywood with contemporary vibes, marked the return of movie musicals, with A Star is Born, Bohemian Rhapsody and Rocketman following in its footsteps and taking the box offices by storm. Disney's live action adaptations have also proved massive hits with Beauty and the Beast and The Lion King making huge profits. Of course there's also been the occasional flop... Cats.... (which I actually enjoyed) but on the whole, each release has highlighted the demand and appreciation for musical theatre.
It seems that Hollywood are finally taking note of the power of theatre people and are giving us the sweet, sweet, high quality films we deserve. There are a whole host of movie musicals in the works which are hugely exciting. Some that I'm most looking forward to are:
In The Heights: This is my all time favourite musical and I just can't wait for the summer vibes, incredible music and general wonder of Heights to be played out on the big screen. The film was originally set for release next month but thanks to Miss Rona it's been pushed back to June 2021.
Everybody's Talking About Jamie: This brilliantly British musical is set for release in October and is sure to thrill as it tells the real-life story of Jamie New, the 17 year old drag queen who wants to go against the norm and be true to himself. We'll also get the chance to see wonderful Max Harwood take on the lead role which will be a real treat.
West Side Story: In what's sure to be another 'Star is Born' performance, Rachel Zegler will be starring as Maria in this Stephen Spielberg adaptation. The production photos that have been released so far look amazing and I cannot wait to see this sumptuous film.
The Prom: I saw this show on Broadway so it'll be wonderful and interesting to see a film version. I think this will transfer brilliantly; plus, Meryl Streep is set to star in it so it's already a win in my eyes.
Matilda: The original Matilda film is a complete classic that will always be a heartwarming treat and the musical evokes the same magical and wondrous vibes. Tim Minchin's music is so clever and will no doubt get us all tapping our feet in the cinema!
Merrily We Roll Along: Ben Platt. Beanie Feldstein. Filmed over 20 years. Okay so this isn't going to be out in the near future but I just can't wait to eventually see this movie. The whole concept sounds so exciting and the cast are absolutely stellar.
As well as these there are more live action adaptations in the works as well as a number of current Broadway musicals being transferred from stage to screen. These include Dear Evan Hansen, Tick, Tick... Boom! and Come From Away. All in all, it seems that we can expect a whole lot more musicals in the mainstream and I cannot wait! What upcoming movie musical are you excited to see?
Post by Olivia Mitchell
Post by Olivia Mitchell
Friday, 17 August 2018
Spring Awakening, Stockwell Playhouse | Review
Spring Awakening
Stockwell Playhouse
Reviewed on Thursday 16th August 2018 by Olivia Mitchell
★★★★★
I would hazard a guess that there aren't many musical theatre fans of my age that didn't go through a Spring Awakening phase. For me it went a little like this: watched the Glee pilot episode, became obsessed with Lea Michele, watched everything related to her entire career, found the bootleg of Spring Awakening, watched said bootleg obsessively, downloaded the cast recording, sung Mama Who Bore Me on an endless loop and never looked back. For someone who went through the phase hard, it's surprising that despite a number of revivals in the past few years, I'd never seen an actual production of the show so when the opportunity arose to see the British Theatre Academy's (BTA) production, I couldn't resist.
The show follows a group of German teens as they find themselves and their sexuality and discover how tough growing up really is. The BTA have done an absolutely outstanding job of bringing this Tony Award winning show to life in the confined space of the Stockwell Playhouse. For a production that is only running for three days, it's truly impeccable how well staged, polished and rounded it is.
In the lead roles of Wendla and Melchior we have Charlotte Coe and Max Harwood who give truthful performances, both individually and in unison. Charlotte brings Wendla's childlike innocence to life whilst Max as the 'educated' Melchior portrays a perfect combination of knowledge and youthfulness, that's especially effective throughout the arc of his story. With Ben Platt-esque subtle riffs and fantastically subtle acting choices, it's hard to take your eyes off Max and I'm certain he has a bright acting career ahead of him.
As Moritz, James Knudsen is exceptional. His nervous energy and frenzied eyes are perfect for the character who is struggling with school, family and sexuality. Ginnie Thompson is great as Ilse, providing an almost angelic vibe which is especially effective towards the end.
This truly is an ensemble show and what's so special is that the cast seem to have genuinely created a community feel in a very short space of time. The way they move as a whole and in waves is remarkable to watch and creates a constant sense of movement and discovery. Mention must go to Dafydd Lansley as Georg/Rupert who draws the eye throughout ad he commits fully to his role with his nuanced twitches and movements throughout. James Dodd and James Heward as Ernst and Hanschen also give wonderfully subtle performances that make the characters feel real and easily relatable for anyone facing the same struggles.
Matt Nicholson's choreography is minimalistic but effective throughout. The dance in The Dark I Know Well is especially moving and well performed. Dean Johnson has done a wonderful job of directing Spring Awakening so it has a perfect balance of humour and sadness and enough subtlety to be emotive without being over dramatic. The vocals in this production are all you could wish for, Jordan Li-Smith has done a brilliant job alongside the five-piece band who accompany the action with faultless music.
With tears still filling my eyes, I left the Stockwell Playhouse feeling moved, inspired and overjoyed at the talent of this amazing production. Whether you're a Spring Awakening fan or just someone who's curious about the show, I'd throughly recommend seeing this production.
Spring Awakening runs at the Stockwell Playhouse until August 18th
photo credit: Eliza Wilmot
The show follows a group of German teens as they find themselves and their sexuality and discover how tough growing up really is. The BTA have done an absolutely outstanding job of bringing this Tony Award winning show to life in the confined space of the Stockwell Playhouse. For a production that is only running for three days, it's truly impeccable how well staged, polished and rounded it is.
In the lead roles of Wendla and Melchior we have Charlotte Coe and Max Harwood who give truthful performances, both individually and in unison. Charlotte brings Wendla's childlike innocence to life whilst Max as the 'educated' Melchior portrays a perfect combination of knowledge and youthfulness, that's especially effective throughout the arc of his story. With Ben Platt-esque subtle riffs and fantastically subtle acting choices, it's hard to take your eyes off Max and I'm certain he has a bright acting career ahead of him.
As Moritz, James Knudsen is exceptional. His nervous energy and frenzied eyes are perfect for the character who is struggling with school, family and sexuality. Ginnie Thompson is great as Ilse, providing an almost angelic vibe which is especially effective towards the end.
This truly is an ensemble show and what's so special is that the cast seem to have genuinely created a community feel in a very short space of time. The way they move as a whole and in waves is remarkable to watch and creates a constant sense of movement and discovery. Mention must go to Dafydd Lansley as Georg/Rupert who draws the eye throughout ad he commits fully to his role with his nuanced twitches and movements throughout. James Dodd and James Heward as Ernst and Hanschen also give wonderfully subtle performances that make the characters feel real and easily relatable for anyone facing the same struggles.
Matt Nicholson's choreography is minimalistic but effective throughout. The dance in The Dark I Know Well is especially moving and well performed. Dean Johnson has done a wonderful job of directing Spring Awakening so it has a perfect balance of humour and sadness and enough subtlety to be emotive without being over dramatic. The vocals in this production are all you could wish for, Jordan Li-Smith has done a brilliant job alongside the five-piece band who accompany the action with faultless music.
With tears still filling my eyes, I left the Stockwell Playhouse feeling moved, inspired and overjoyed at the talent of this amazing production. Whether you're a Spring Awakening fan or just someone who's curious about the show, I'd throughly recommend seeing this production.
Spring Awakening runs at the Stockwell Playhouse until August 18th
photo credit: Eliza Wilmot
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