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Tuesday, 19 March 2024

I Should Be So Lucky on tour at the New Victoria Theatre REVIEW: A Misguided Melange of 80s Madness

I Should Be So Lucky (Tour)

New Victoria Theatre

In the sun-drenched world of I Should Be So Lucky: The Musical, there's a flicker of potential, but sadly, it fades quicker than the sparkle of a disco ball. The show, buoyed by a strong cast and glitzy staging, is fun but struggles to hit the high notes it aims for.

Let's start with the positives: the cast. They're the shining stars of this production, injecting life and energy into every scene. With their talent and charisma, they manage to elevate even the most lacklustre moments. Each member deserves applause for their efforts in salvaging what they can from the material. To name a few, Scott Paige brings hilarity to every moment of his stage time, Kayla Carter as Bonnie provides some wonderful vocals and her blossoming relationship with Ash played by Giovanni Spanò is one of the highlights of the show. Giovanni is laugh out loud funny and get to briefly show off his killer vocals. It's a bit of theme in the show that the amazing vocal talents of the cast don't get to really be shown off, due to the hundred other things that are happening throughout. This is definitely the case with Melissa Jacques as Shelley who is wonderful, but having seen her in Everybody's Talking About Jamie, I would've loved some more chances for her to sing and soar.

As I mentioned, there's a LOT going on. There are a heap of side plots and vague character references and development which never have enough time to really mean anything. It sort of feels like every idea made it into the show and there was no development or streamlining to make it work. Another issue is that the show borders between being super sincere and not taking itself too seriously, so at times you're unsure whether you're laughing with or at the show. There's certainly potential, but in it's current form, it feels like a strange fever dream.

Now, onto the staging. It's undeniably flashy, dripping with sequins and neon lights reminiscent of a Kylie concert. The set (Tom Rogers) is really good, and there's a certain thrill in watching the glitzy spectacle unfold. However, as the show progresses, the excitement begins to wane, revealing a repetitive pattern that feels more like a recycling of ideas than a deliberate artistic choice. The 80s music video vibes are real, but there's only so many times you can get joy from the heart shaped bed rolling onto the stage.

Despite these glimmers of promise, I Should Be So Lucky: The Musical ultimately falls flat. While it may provide a momentary escape into a world of pop music and glamour, it lacks the substance needed to sustain interest beyond the surface. Thankfully the cast do wonder with what they're given, but even the most talented performers can't fully save this misguided show. Much like an 80s tune, it's enjoyable in the moment but quickly fades from memory.

★★

Reviewed on Monday 18th march 2024 by Olivia

Photo Credit: Marc Brenner

I Should Be So Lucky plays at the New Victoria Theatre until 23rd March and then continues its tour

{AD PR Invite- tickets gifted in exchange for honest review}

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Thursday, 5 November 2020

Hiba Elchikhe Brings Together West End Performers For A New Musical Theatre Series

In collaboration with Nimax and The Theatre Café, West End performer Hiba Elchikhe is thrilled to announce a brand-new musical theatre based web series: Out Of The Darkness, Into The Spotlight.

Bringing a little bit of glitter to the grey, this three-episode series hopes to not only entertain, but shine a light on the performers who are keeping the West End alive, even during lockdown.

Hiba, who is currently starring in the West End hit Everybody’s Talking About Jamie, and who has created the series says “In a time of such uncertainty I am so excited to be able to bring together a spectacular group of freelance artists, that are representative of the UK.”

Featuring a line up of stellar creatives, each episode shines a “spotlight” on something different: Everybody’s Talking About Jamie, Musical Theatre and Christmas. The first episode is set to premiere on November 18th, with the next two going live on November 25th and December 9th. Each episode will feature a different line-up of star performers, running at approximately 45 minutes and including a mixture of songs. Performers include: Danny Becker (Prince of Egypt, Aladdin), Courtney Bowman (Six, Everybody’s Talking About Jamie), Danielle Steers (Six, Bat Out of Hell), Hiba Elchikhe (Everybody’s Talking About Jamie, Brooklyn), Carrie Hope Fletcher (Les Misérables, Heathers), Sejal Keshwala (Everybody’s Talking About Jamie), Tim Mahendran (& Juliet, Spring Awakening), Grace Mouat (& Juliet, Six), Trevor Dion Nicholas (Hamilton, Aladdin), Liam Tamne (Prince of Egypt) and Noah Thomas (Everybody’s Talking About Jamie).

As well as Maisey Bawden, Paul Bradshaw, Rhiane Drummond, James Gillan, Shanay Holmes, Rob Houchen, Melissa Jacques, Emma Kingston, Carl Man, Frances McCann, Scott Paige, Sharun Phull, Amy Trigg and Andrew Patrick Walker, with more to be announced.

Tickets are available from: https://www.thetheatrecafe.co.uk/2020/11/news-out-of-the-darkness-into-the-spotlight/

#IntoTheSpotlightConcert

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Wednesday, 22 January 2020

Everybody's Talking About Jamie, Apollo Theatre | Review

Everybody's Talking About Jamie

Apollo Theatre

Reviewed on Tuesday 21st January 2020 by Olivia Mitchell

★★★★

Flying into its third year in the West End, Everybody's Talking About Jamie retains its giant heart and remains an inspiring, colourful, hilarious and all round joyous musical. Dan Gillespie Sells and Tom MacRae's show tells the story of an extroverted 15 year old who dreams of being a drag queen. Despite being sure of himself and his abilities, young Jamie New has to face those who oppose him and try to pull him down, so he can achieve his dreams and show the people around him that being true to yourself can get you far. It's a show which delights and inspires in equal measure, and is sure to retain its spot in theatre lovers hearts for the foreseeable future.

In his West End and indeed, professional debut, Noah Thomas brings every aspect of leading man, Jamie New, to life with an ease that is truthful to the story but feels just polished enough. Opening with the incredibly catchy 'And You Don't Even Know It', Noah immediately shows us who Jamie is as he transforms the stage into a world of colour and begins the journey which will shape his life. From there on in his entire performance is joyous to experience. With charm in spades and glorious vocals, Noah continually exudes life and never falters throughout his time on stage.

As Jamie's mum, Melissa Jacques is beautifully vulnerable, and draws huge amounts of empathy from the audience as she does all she can to be the best mum to her beloved son. Jacques' vocal performance is that of a powerhouse, with 'He's My Boy' providing an emotional high-point that wows the audience. The chemistry between Jamie and his mum is lovely to see, as is the truthful friendship of Jamie and and his best friend, Pritti.

Both misunderstood and outsiders in their own ways, the pair continually find common ground and support one another. It's wonderful to see such a supportive and non-toxic friendship played out on stage. As Pritti, Hiba Elchikhe is delightfully moving and vocally exceptional, especially in the act two ballad, 'It Means Beautiful'. Just as Pritti's bedroom sparkles, Hiba gives a glittering performance and makes a sensational West End debut.

Roy Haylock/Bianca Del Rio as Hugo/Loco Chanelle is highly entertaining. Compared to the rest of the cast, his vocals are not consistently top notch but the energy and commitment he performs with mostly make up for that and it's a real treat to see such a widely recognised drag star on a West End stage.

As the rapping teacher Miss Hedge, Preeya Kalidas is vocally strong. The character herself is a little jarring at times as she flits between being an enforcer of reality and a restricter of freedom. It's sometimes confusing as it's unclear whether she's a villain or just someone trying to help. Perhaps that's the whole point!

Sejal Keshwala is completely ballsy in her performance as Ray and wins over the audience in a matter of moments. Also giving a hugely strong and highly assured performance is Jordan Ricketts as the school bully and Jamie's tormentor Dean Paxton. The entire cast are the embodiment of joy and perfectly evoke the feelings of school life. Katie Prince's choreography excellently brings to life the often frenetic atmosphere of Jamie's life and is fresh and exciting to watch.

This is a musical which inspires us all to own what makes us 'different' and is just a lovely portrayal of family, friendship and acceptance. Contemporary, sassy and so very British, lets keep talking about Jamie!

photo credit: Matt Crockett

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