Showing posts sorted by date for query Morgan Large. Sort by relevance Show all posts
Showing posts sorted by date for query Morgan Large. Sort by relevance Show all posts
Monday, 28 October 2024
Dear Evan Hansen Extends UK Tour with Extra Dates for 2025!
Fans across the UK now have extra chances to experience the powerful story of Dear Evan Hansen as ATG Productions announces an extended four-week run due to popular demand. This award-winning musical- celebrated with Olivier, Tony, and Grammy wins- will reach additional cities with new dates, bringing this moving production to even more audiences. The tour, directed by Nottingham Playhouse's Artistic Director Adam Penford, premiered at the Nottingham Playhouse in September 2024 and has captivated audiences nationwide with its emotional depth and impactful story.
Dear Evan Hansen tells the story of Evan, a socially anxious high schooler whose desire to fit in leads him down a path of tangled truths and unexpected consequences. Ryan Kopel (Newsies) stars as Evan, delivering a nuanced performance alongside Lauren Conroy (Into the Woods) as Zoe Murphy and Alice Fearn (Wicked, Come From Away) as Heidi Hansen, Evan’s mother. Supporting them is an ensemble cast, including Helen Anker (Mamma Mia!), Richard Hurst (The Lion King), TikTok-discovered Sonny Monaghan as alternate Evan, Killian Thomas Lefevre (Bat Out Of Hell) as Connor Murphy, Tom Dickerson (Heathers) as Jared Kleinman and Vivian Panka (9 to 5 the Musical) as Alana Beck. The ensemble are Lara Beth-Sas, Will Forgrave, Daniel Forrester, Jessica Lim, Sonny Monaghan and Elise Zavou. This marking the first UK production to incorporate an ensemble cast.
This extended leg will visit Aylesbury Waterside Theatre (June 10-14), Birmingham Alexandra (June 17-21), Grand Opera House York (June 24-28), and Edinburgh Playhouse (July 1-5), with tickets available now at evanontour.com. The production’s team boasts a high-caliber crew, with design by Morgan Large, choreography by Carrie-Anne Ingrouille, lighting by Matt Daw, and a score by Benj Pasek and Justin Paul, whose songs have become musical theatre icons.
In partnership with The Mix, a UK charity supporting those under 25, Dear Evan Hansen provides resources and outreach to audiences affected by its themes, addressing mental health issues relevant to young people today. This partnership reinforces the musical’s mission to encourage conversation, support, and awareness for sensitive issues central to the story.
Get ready to immerse yourself in the unforgettable world of Dear Evan Hansen, a journey of truth, forgiveness, and resilience that speaks to audiences of all ages. Don’t miss your chance to witness this celebrated musical on its extended UK tour- book your tickets soon, as demand continues to grow.
photo credit: Marc Brenner
Thursday, 17 October 2024
Full Cast Revealed for 2025 Tour of Joseph and the Amazing Technicolour Dreamcoat
Michael Harrison has announced additional casting for the highly anticipated second UK tour of the London Palladium production of Joseph and the Amazing Technicolour Dreamcoat. The show, which kicks off on December 3, 2024, at Edinburgh Playhouse, features two iconic Pharaohs- Donny Osmond and Joe McElderry- and introduces Christina Bianco as the Narrator and Adam Filipe as Joseph.
Tickets are on sale now at uktour.josephthemusical.com.
Global entertainment legend Donny Osmond will return to the stage in the UK for the first time in years, playing Pharaoh in this celebrated production. Having performed as Joseph in over 2,000 shows and starring in the 1999 filmed version with Joan Collins, Richard Attenborough, and Maria Friedman, Osmond brings his signature charisma to the role for a limited run. His UK dates will be exclusive to the Edinburgh Playhouse Christmas season.
Joining Osmond on tour is pop sensation and former Joseph star Joe McElderry, who takes over the role of Pharaoh across several UK locations. After his popular turn as Joseph in the 2017–2018 tour, McElderry is set to captivate audiences in venues like Sunderland’s Empire Theatre, Nottingham’s Theatre Royal, and Leicester’s Curve, among many others.
Christina Bianco, a two-time Drama Desk Award nominee and viral YouTube sensation known for her diva impressions and recent West End role as Glinda in The Wizard of Oz, will narrate the 2025 tour. She is joined by Adam Filipe as Joseph, whose credits include Titanic The Musical, The Prince of Egypt, and Les Misérables. Together, they will perform at all tour dates, promising show-stopping performances.
The ensemble features Hugh Cotton as Reuben and Will Haswell as Simeon. The full cast also includes Aaron Archer, Bella Baldock, Daniel Bowskill, Imogen Bowtell, Taylor Bridges, Joseph Browlie-Johnson, Joseph Craig, Davide Fienauri, Ellie Greenway, Oliver Hawes, Kiera Haynes, Siobhan James, Ben Lancaster, Nicole Lupino, Bradley Perret, Harvey Shulver, Jessica Sutton, Charley Warburton, Jenna Warne, and Alex Woodward. The children’s company will feature an array of talented young performers from across the UK.
The 2025 tour is directed by Laurence Connor, whose previous work includes School of Rock, Miss Saigon, and Les Misérables. Choreography is by JoAnn M Hunter, who has worked on 20 Broadway shows, including On A Clear Day You Can See Forever. Set and costume design is by Morgan Large, with lighting design by Ben Cracknell and sound design by Gareth Owen. The musical direction is led by John Rigby, with John Cameron as orchestrator.
Joseph and the Amazing Technicolour Dreamcoat remains one of the world’s most beloved musicals, with its pop-infused score by Andrew Lloyd Webber and lyrics by Tim Rice. The show has been performed globally since its 1969 debut and features timeless hits like "Any Dream Will Do" and "Close Every Door."
With an incredible cast and spectacular production values, the 2025 tour of Joseph promises to be a dazzling celebration of one of musical theatre’s greatest shows. Whether you’re a longtime fan or new to the musical, this tour is not to be missed!
Friday, 5 July 2024
Morgan Wallen Lights Up BST Hyde Park: A Night of Country Magic | REVIEW
Morgan Wallen
BST Hyde Park
If there’s one thing that Morgan Wallen's concert at BST Hyde Park proved, it's that live music has a magical way of bringing people together. Having only dabbled in a few of Wallen's songs before attending, I wasn’t entirely sure what to expect. But by the end of the night, I was a converted fan, swept up in the collective joy and energy that only live music can create.
BST Hyde Park has a strict 10:30 pm curfew, which means performers have to make a tough choice: play as many songs as possible or spend time interacting with the crowd. Wallen masterfully did both. He packed his setlist with as many songs as he could, yet managed to sprinkle in some genuinely touching moments of interaction. Each brief pause felt intentional and heartfelt, winning over the audience every time.
One of the standout moments was when Wallen moved to a B-stage at the back of the golden circle. He explained he wanted to make eye contact with as many fans as possible, bringing an intimate feel to such a large-scale event. It was these little touches that made the evening feel special and sincere.
The music was a perfect mix of high-energy anthems and soulful ballads. Songs like 'Whiskey Glasses,' 'Last Night,' and '7 Summers' had the crowd singing along with infectious enthusiasm. Each track showcased Wallen's versatility, and it was clear that he poured his heart into every performance. It was a true celebration of country music, and the crowd couldn't get enough.
Visually, the show was a feast for the eyes. The lighting was spectacular, with lasers and wave-like smoke effects adding to the overall atmosphere. The graphics, while a bit random at times, used vibrant colour palettes that kept things interesting. The American-themed videos, featuring Wallen with a fish, a gun, and a golf club, added a fun and fitting touch, especially for a 4th of July performance, even if they were somewhat rogue choices.
Despite my initial unfamiliarity with his music, the sheer amount of joy I felt throughout the evening is a testament to Wallen's talent and the unifying power of live, communal music. The concert was not just a performance but a shared experience that brought people together, celebrating the joy of country music and live events.
Morgan Wallen's debut at BST Hyde Park was certainly a night to remember. His ability to blend energetic hits with heartfelt moments, combined with his genuine connection to the audience, made for an unforgettable experience. The quirky graphics and dazzling lighting only added to the charm. If you ever get the chance to see Morgan Wallen live, don’t hesitate – it’s an experience that will leave you with a smile on your face and a song in your heart.
★★★★
Reviewed on Thursday 4th July 2024 by Olivia
Photo Credit: Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 18 June 2024
Don't Miss Sister Act the Musical in the West End: A Heavenly Night at the Theatre
If you're looking for a divine night out in London, then Sister Act the Musical is your calling! This sparkling show is lighting up the West End, and it’s a sin to miss it. Whether you’re a theatre aficionado or a casual musical-goer, here are some heavenly reasons to catch this nun-believable production. Plus, it's going on a UK tour, so if you can’t make it to London, the show might just be coming to a cathedral near you!
Star-Studded Cast: First off, let’s talk about the cast. This production is blessed with talent that will make you want to sing “Hallelujah!” Leading the way is the fabulous Alexandra Burke as Deloris Van Cartier, whose powerhouse voice and infectious energy bring this iconic character to life. Ruth Jones, known and loved for her role as Nessa in the hit TV show Gavin and Stacey plays the strict yet lovable Mother Superior. Also gracing the stage is the dynamic duo of Lee Mead as Eddie Souther and Lemar as Curtis Jackson, adding charm and villainy in equal measures.
Joyous Music and Dance: The music in Sister Act is nothing short of heavenly. With Alan Menken's uplifting songs that blend gospel, disco, and Motown vibes, you’ll be tapping your feet and clapping your hands in no time. Glenn Slater's lyrics are jam packed with word play that'll have you laughing out loud. Hits like 'Raise Your Voice' and 'Take Me to Heaven' will have you bopping in your seat, while Lizzie Bea's astounding rendition of 'The Life I Never Led' with have you praising her talent.
A Feel-Good Story: At its heart, Sister Act is a story about friendship, faith, and finding your true voice. Deloris Van Cartier, a lounge singer on the run, transforms a convent choir with her lively spirit and unites a group of nuns in a shared purpose. It’s a tale that warms the soul and reminds us of the power of community and self-discovery. You’ll leave the theatre with a full heart and a smile on your face.
Hilarious and Heartwarming Moments: From laugh-out-loud moments to tear-jerking scenes, Sister Act the Musical has it all. The comedic timing of the cast, especially Ruth Jones and Lesley Joseph, is impeccable. The variety of interactions are both touching and hysterical. Thanks to the uniquely defined personalities of each nun, the musical strikes a perfect balance between humour and heartfelt emotion.
Stunning Production Value: Morgan Large's set and costume designs are vibrant and detailed, immersing you in the world of the convent and the seedy nightclubs. Coupled with Tim Mitchell's dynamic lighting, and a Tom Marshall's really well balanced sound, every scene is a visual feast that enhances the overall experience.
With a stellar cast, sensational music, a heartwarming story, and top-tier production value, it promises a night of entertainment that is nothing short of divine. So grab your friends, book your tickets, and get ready to be blessed with one of the most enjoyable shows of the year. And remember, if you can’t catch it in London, the UK tour is coming soon to a town near you. Praise be!
So, what are you waiting for? Don’t miss out on this heavenly experience – it's sure to be a habit-forming night out!
Photo Credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 21 February 2023
Sister Act (Tour), New Victoria Theatre | Review
Sister Act (Tour)
New Victoria Theatre
Reviewed on Monday 20th February 2023
★★★★
If you're looking for a great night out, look no further than Sister Act. It's a heat-warming show that doesn't take itself particularly seriously, while also boasting a wonderfully talented cast and songs that'll have you dancing in your seat. The musical has got something for everybody and certainly feels like bang for your buck.
Based on the iconic Whoopi Goldberg film, Sister Act tells the story of wannabe singer Deloris Van Cartier (Sandra Marvin) as she's hidden away for protection in a nunnery by Mother Superior (Lesley Joseph) after witnessing her gangster boyfriend (Jeremy Secomb) kill someone. It's a riotously funny show which thrives on excellent characterisation and really cohesive staging.
Leading the show, Sandra Marvin has star quality and seems to get more and more comfortable in the role as the show progresses. Vocally she is really strong and does brilliantly at developing her character throughout and clearly has the magnetism needed in a role like this. Lizzie Bea really does the character of Sister Mary Robert justice and gives and incredibly sweet performance, which of course is vocally outstanding. There's a not much emotional development throughout the show so Lizzie never truly gets to connect with the audience but her performance is still a touching one. As the policeman Steady Eddie, Clive Rowe is lovely to watch and has some moments which border on emotional, if never quite peaking. His solo number is vocally perfect and a real standout of the show. However, there is a slight lack of nuance to his whole characterisation which means the audience never get a chance to truly root for him.
That being said, this is a still a completely enjoyable show and the cast perform Alan Menken's disco score with great energy. The individual personalities of each nun really shine and there are some proper laugh out loud moments.
Morgan Large's set literally frames the show perfectly and Tim Mitchell's lighting transforms the space into a party within moments. It's an incredibly cohesive show which is so sleek that it allows you to bask in the joy its feel-good fabulousness throughout.
Sister Act is an utterly crowd-pleasing musical which often ascends the superficial and has some thoroughly pleasing moments. There could be some more heart and a little more development of character motives to give everything a touch more impetus, but as a whole it's a Nun-derful treat of a night out that's worth a late bedtime.
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 9 December 2022
Newsies, Troubadour Theatre | Review
Newsies
Troubadour Theatre
Reviewed on Thursday 8th December 2022 by Olivia Mitchell
★★★★
As temperatures soar below zero, the heat is definitely up at the Troubadour theatre in Wembley as their long awaited production of Newsies sizzles and soars.
The musical with a book by Harvey Fierstein has become somewhat of a cult classic in the musical theatre world, with many fans around the globe despite the show only previously being performed in America and Canada. The 2017 Broadway pro-shot brought the show within touching distance but now London finally get to see it in the flesh, and the good news is, it was completely worth the wait.
Telling the story of the New York Newboys and Girls who went on strike over unfair work conditions, it’s an unlikely plot for a musical but it mostly works so well. More than anything this is a show with dance at its core and it’s quite astounding to see so many talented dancers on stage, even more so when you hear their divine vocals which accompany the moves. Matt Cole’s choreography is fierce, sharp and so so strong. The energy and precision is truly mesmerising to see and is so appreciated by the audience who give several standing ovations throughout.
It's the plot of this show which lets it down somewhat. The pretty formulaic story doesn't exactly thrill and whilst it does touch on important issues, there's a lack of depth so you don't fully connect with the characters and their plight. Due to this there are moments where the pacing feels a bit slow, however this is quickly fixed every time a big dance number is performed.
What is great is that despite some stilted moments in the story, the show as a whole is continuously moving. Morgan Large's semi-immersive set allows for action to be taking place at all times, whether through actors walking along sides or quite literally soaring into the audience. The grey-toned backdrop somehow feels gloriously colourful as various shades leap across the stage. The multi-level design allows for varying sight lines and there's something to discover in every nook and cranny. Mark Henderson's lighting design works in complete harmony with all of this and really brings some wow moments to life; it's a very well oiled machine.
The incredibly strong cast who make up this show (and must have a physio bill to rival any other) are the beating heart of it all. The varying characters of the Newsies all get small moments to shine and their interactions are very touching to watch. Leading the pack Michael Ahomka-Lindsay is charming as Jack Kelly, at moments too cool for school, and others afraid of his circumstance, his performance is really moving. Alongside him Bronté Barbé is sparky and witty as Katherine Plumber; her performance of Watch What Happens is a real stand out (although it could be a touch faster) and her portrayal of the role allows you to really engage and connect with her. Ryan Kopel as new newsboy Davey is delightful too.
This has got to be one of the strongest casts in theatre right now and the astounding performances really need to be seen to be believed. Newsies is a hugely welcome addition to the London theatre scene and it's sure to delight anyone who sees it!
photo credit: Johan Persson
Wednesday, 3 August 2022
Joseph and the Amazing Technicolor Dreamcoat (Tour), New Victoria Theatre | Review
Joseph and the Amazing Technicolor Dreamcoat
New Victoria Theatre
Reviewed on Wednesday 3rd August 2022 by Olivia Mitchell
★★★★★
Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat is a staple and rite of passage for many musical theatre fans so when a production is mounted there's always a ready and willing audience to view it. Thankfully for current audiences, the Palladium production which is touring the country is absolutely top notch and a dream night out.
Laurence Connor's version of Joseph is a reinvigorated, large scale, glitzy production that feels like it's been plucked straight from the West End and dropped into Woking. The excellent sets by Morgan Large look luxurious but there's also a lovely element of simplicity which is reminiscent of the hugely popular film version. The entire set design is sleek and perfectly embodies the joy and energy which this show provides.
If you're looking for a killer cast, you need to look no further than Joseph. Every single cast member fires on all cylinders and the power and joy which pours out from the stage is just a treat to experience. In the lead role Jac Yarrow is star quality embodied. His Close Every Door To Me is absolutely excellent and he brings a lovely cheeky quality which draws you to Joseph and makes you root for him even more.
Yarrow is joined by Linzi Hately who is wonderfully witty as The Narrator as well as Bobby Windebank who gives a brilliant portrayal of the Elvis-esque Pharaoh. Mention must also go to Matt Gibson as Rueben and Will Hawsworth as Simeon, both of whom are real standouts vocally in their solo moments. The child performers are a joy to watch as they take on various roles and exude happiness.
This is also a choreography heavy production which further elevates it. There are tap numbers alongside a string of high intensity ensemble moments. Joann M. Hunter has done an outstanding job of providing an array of styles and making every number engaging.
For a show which could easily become pantomimic, there is a real level of intensity which upgrades it and makes it a two hour treat that you'd have to be a scrooge not to enjoy. The outstanding band led by the joyous musical director John Rigby, alongside the super strong ensemble and superbly adapted show, mean and you can't help but leave the theatre smiling from ear to ear.
photo credit: Tritram Kenton
Tuesday, 8 March 2022
Disney's Newsies to have UK Premiere
Producer Runaway Entertainment is delighted to announce that Disney’s NEWSIES, the award-winning Broadway musical with music by Alan Menken, lyrics by Jack Feldman and book by Harvey Fierstein, will have its UK premiere at London’s Troubadour Wembley Park Theatre, where the strictly limited season will run from 28 November 2022.
Based on a true story, NEWSIES is set in New York City at the turn of the 19th century. It’s the rousing tale of a ragged band of teenage newspaper sellers, who dream of a better life far from the hardship of the streets. After newspaper magnate Joseph Pulitzer hikes up the prices for his papers charged to the newsies, Jack Kelly rallies his fellow newsboys in an attempt to protest the change, falling in love with young reporter Katherine along the way. These young newsies from across the city come together and rise up against the exploitation of wealthy publishing tycoons and fight for justice using the only power they have – solidarity.
The original production of NEWSIES opened on Broadway in 2012 and was slated to play only 100 performances but went on to play over 1,000 performances before touring and winning two Tony Awards®, including Best Original Score. The original production was filmed live on stage and released in cinemas in 2017.
Now for the very first time, audiences in the UK have a chance to enjoy the thrill of one of the biggest Broadway hits of recent years. In an innovative and brand new immersive production ‘in the round’ at Troubadour Wembley Park Theatre, theatregoers will be thrust right inside the action as the newsies dance, sing, jump and fly around the streets of a booming 19th century New York City.
Alan Menken said: “I am OVER THE MOON about Newsies opening in London!! I’ve been wishing and waiting for this for soooo long. I truly cannot wait!”
Matt Cole, Director & Choreographer, said: “As a huge fan of the original Disney film and the Broadway production, I am extremely honoured and thrilled to be reimagining this brand new version for London and the UK. With an incredible score by the legendary Alan Menken and book by Harvey Fierstein we will bring this all-singing, all-dancing show to Troubadour Wembley Park Theatre. This site-specific version of the show provides an exciting opportunity to present the piece in a non-traditional format. Set in the round, the audience will be thrust into turn-of-the-century New York, where the action and choreography will weave its way in and out of the audience. I cannot wait to work with this talented creative team on delivering this wonderful and exciting show to the UK.”
This new production of NEWSIES will be following on the recent successes of large scale shows at Troubadour Wembley Park Theatre such as the National Theatre’s productions of War Horse and The Curious Incident of the Dog in the Night-Time.
Oliver Royds, CEO of Troubadour Theatres, said: “We are thrilled to be hosting the UK Premiere of Disney’s much loved musical in Wembley and look forward to showing audiences just how versatile and flexible our venues are. We are sure this will be one of the theatrical events of the year."
Casting is to be announced.
Tickets will be going on sale in May 2022. To receive priority booking sign up at www.newsiesthemusical.co.uk
NEWSIES will be Directed and Choreographed by Olivier nominee Matt Cole, with Set Design by Morgan Large, Musical Supervision, Dance Arrangements & Musical Direction by Nigel Lilley, Costumes by Natalie Pryce, Lighting by Mark Henderson, Sound by Tony Gayle, Performer Flying by John Maddox for Suspended Illusions Ltd, Casting by Lucy Casson, Children’s Casting by Jo Hawes, Fight Directors Rachel Bown-Williams & Ruth Cooper-Brown for RC Annie, Associate Choreographer Jane McMurtrie, Associate Musical Director Chris Ma and Production Management by Lee Batty and Andy Fox for Setting Line.
NEWSIES is produced by Tristan Baker & Charlie Parsons for Runaway Entertainment with Kater Gordon and Dianne Roberts, by permission of Disney Theatrical Productions.
Friday, 13 September 2019
Fame The Musical, Peacock Theatre | Review
Fame the Musical
Peacock Theatre
Reviewed on Thursday 12th September 2019 by Olivia Mitchell
★★★★
Back in the West End after 12 years, Fame makes a triumphant return with Nick Winston's production. This 30th Anniversary edition has been touring since 2018 but is having a prolonged five-week stop at the Peacock Theatre. Featuring the classic songs such as There She Goes, Fame and Bring on Tomorrow, those who grew up with the musical will be taken back to their youths. However, whilst many original aspects are still part of the show, the stage version is less leg warmers and dancing on cars, and more grit, hard work and struggle.
Despite being set in the 80s, most aspects feel fresh, relevant and grounded in truth. Nick Winston's choreography helps the entire production fizzle and buzz like a well oiled New York subway, and the young cast perform each second with conviction and power.
As Iris, Jorgie Porter gives a great showcase of her sleek dance skills and has a great chemistry with love interest Tyrone (Jamal Crawford) who gives an equally strong dance performance and gains rapturous applause after his uber-octane performance of Dancing on the Sidewalk. In the storyline with his teacher Miss Sherman (Mica Paris) Crawford gives a truthful performance as he struggles to read but doesn't want to appear stupid or weak. The battle of wills between the pair is exciting to watch and really comes to a head with Mica Paris' vocally impeccable rendition of These Are My Children.
As the quirky actress Serena, Molly McGuire is warm and instantly likeable. Her relationship with Nick (Keith Jack), a tv actor, wanting to break into the more serious world of acting, is sweet and the pair compliment each other well. With Jacques Levy and Steve Margoshes' music and lyrics, there are some lovely moments, especially Lets Play a Love Scene.
The ensemble are tight from start to finish, performing the sharp choreography extremely well and providing moments of interest away from the main action throughout. Serina Matthews and Tom Mussell particularly catch the eye throughout. This cast is also comprised of various quadruple-threats. The host of amazing actor-musos who are present on stage throughout, really transport us to a performing arts school, and help keep up the frenzied energy of working on your craft. Louisa Beadel is feisty as Lambchops and gives a brief but beautiful vocal performance in the closing number; Alexander Zane is light relief and a wonderful energy on stage. Simon Anthony is outstanding in his instrumental, vocal, acting and dance skills. Giving a very heartfelt and highly energetic performance, he is a stand out performer and works wonderfully with his love interest, Carmen.
As Carmen, it's Stephanie Rojas who is really the crown jewel of this production. Opening with a fiery, sassy performance, her decline and struggle is incredibly moving to watch. Rojas' sublime vocals, gritty acting and sharp movement really should put her Name in Lights across the West End. In a show which sometimes lacks character development, Rojas makes Carmen a truly 3D character and gives the performance all audience members will remember.
Prema Mehta's subtle but atmospheric lighting does a fantastic jobs of quite literally highlighting the crucial moments and moods of the piece. Perhaps most striking is the contrast between Carmen's opening number and closing number. In There She Goes/Fame there is a vibrancy which bathes the stage, whilst In LA is stark and simplistic. Morgan Large's set of yearbook photos, lockers and desks keeps the school vibes alive and allows most of the focus to be on the performers.
For a no gimmick show about the tenacity needed to succeed, Fame is a wonderful way to spend an evening and will certainly leave you dancing along the road (or wishing you had the skill to dance along the road)!
Fame runs at the Peacock Theatre until 19th October 2019 before continuing its tour.
photo credit: Alessia Chinazzo
Tuesday, 19 February 2019
Five Reasons to see Fame on Tour
Last night I visited the New Wimbledon Theatre to see the current UK tour of cult classic, Fame! Having already seen the show and reviewing it here, I thought I'd switch it up a bit by bringing you my five reasons to see the, feel-good, high energy show.
Developed by David De Silva and telling the story of a group of aspiring performers, this production, which is celebrating the show's 30th anniversary is all you could wish for in Fame.
So, Here She Goes with five reasons to see it...
The Emotions: Happy, sad, energetic, heartbreaking. Whatever sort of emotions you crave to feel, this show will have you feeling them. It's a un-sugarcoated look at being a performer and all that entails, and whilst it faces some ugly truths, it also reminds us of the importance of doing what you love and doing it with your whole heart.
New York: I'm an absolute sucker for anything set in New York. Be it a rom-com, an opera, a book or a musical, there's just something inspiring about watching people succeed in such a harsh but opportunity filled city. The cast do a wonderful job of showing the pure grit and determination it takes to be victorious, and Morgan Large's set brings aspects of the city to life with ingenuity and style.
The History: The original Fame film debuted in 1980 to much acclaim and since then has amassed a big following over it's various incarnations. This history that people have with the show means there's something in this tour for everyone to enjoy and reminisce about, whilst people new to the story and show can also relate and enjoy it. It's not the leg-warmer filled film you might remember, but it has all the heart and drive.
The Cast: A musical wouldn't work without a cast, and this cast is superbly strong. As opposed to having a singular lead, a number of people helm the show and do so with triple threat greatness. Mica Paris' vocal performance is second to none and completely stuns the audience into ovation. Keith Jack and Molly McGuire are suitably dramatic as Nick and Serena as they navigate acting and romance, whilst Jorgie Porter gives a strong performance as Iris. Stephanie Rojas is outstanding as she not only gives a vocally flawless performance but also completely embodies Carmen on her journey from sassy, fiery Latina, to a battered girl, and creates a stunning and moving character arc. This is a largely ensemble led piece and the entire team come together to create a realistic performing arts school, complete with actor musicians and wonderful dancers.
The Music: If you're even the tiniest bit stagey, you'll know the title song, 'Fame' and it will no doubt invoke visions of raised arms and leg-warmers. Well the high octane, upbeat music does not stop there. The show is filled with fun musical numbers that feature various musical styles and influences, with Latin vibes in 'There She Goes' and gospel sounds in 'Mabel's Prayer' that all come together to create a catchy score that'll have you tapping your toes and dancing your way out of the theatre. Mica Paris' 'These Are My Children' is certainly one of the most vocally assured performances out there, whilst Stephanie Rojas gives everything she has in her heartbreaking but exceptional performance of 'In LA'.
For a fun evening that still tackles serious issues, Fame is the show to see. It's a melodramatic, no gimmick show that'll leave you dancing on the sidewalk and no doubt belting a number of two into your hairbrush when you get home!
For a fun evening that still tackles serious issues, Fame is the show to see. It's a melodramatic, no gimmick show that'll leave you dancing on the sidewalk and no doubt belting a number of two into your hairbrush when you get home!
Fame runs at the New Wimbledon Theatre until 23rd February before continuing it's tour
Post by Editor, Olivia Mitchell
photo credit: Tristram Kenton
Tuesday, 22 January 2019
Violet, Charing Cross Theatre | Review
Violet
Charing Cross Theatre
Reviewed on Monday 21st January 2019 by Olivia Mitchell
★★★
Based on Doris Betts' short story The Ugliest Pilgrim, featuring music by Jeanine Tesori and libretto by Brian Crawley, Violet follows a disfigured woman as she embarks on a Greyhound Bus journey from Spruce Pine, North Carolina to Tulsa, Oklahoma, to be healed by a famous television healer.
The musical opened to critical acclaim off-Broadway in 1997, spawned various productions in the US and is making its UK debut at the Charing Cross Theatre before transferring to Tokyo and Osaka.
The Charing Cross theatre has been completely transformed as it becomes a theatre in the round, with a sleek and interesting set designed by Morgan Large. The space is so versatile and this is an especially unique set which works well to display the physical and mental journey our lead goes on. The musical features a number of flashbacks which are mirrored on the stage itself by the actors but also helped by the wonderful lighting from Howard Hudson. The present is bathed in warm light, whilst the flashbacks are much cooler and starker; a clever detail which helps the motion of the show.
Violet features a superb cast, led by Kaisa Hammarlund as the scarred Violet, giving a stunningly open performance that feels grounded and truthful. As her younger self, Amy Mepham does a great job. As love interest number one Monty, Matthew Harvey gives a vocally outstanding and all round enthralling performance. Harvey manages to bring the various sides of Monty to life with ease and talent. Love interest number two, Flick, is played with a beautiful vulnerability by Jay Marsh who provides the smoothest and warmest vocals. Marsh could sing the phone book and receive applause.
Despite its wonderfully strong cast, the story of Violet feels bland and somewhat uninspired. Nothing really happens and a lack of character development means the audience don't root for the characters as much as they should. The slow moving show is very plot based, rather than character based but the plot is extremely predictable and leaves much to be desired.
The cast are stellar but unfortunately the book falls flat in this revival.
photo credit: Scott Rylander
The cast are stellar but unfortunately the book falls flat in this revival.
photo credit: Scott Rylander
Tuesday, 2 October 2018
Fame the Musical (UK Tour), New Victoria Theatre | Review
Fame (UK Tour)
New Victoria Theatre
Reviewed on Monday 1st October 2018 by Olivia Mitchell
★★★★
Fame is the original high school musical drama. The story about a group of wannabe New York performers became an instant success with audiences after the 1980 film, and various incarnations including tv series and musical performances were spawned. Fame the Musical, developed by David De Silva, is currently touring again to celebrate it's 30th anniversary before a stint in the West End next year.
Fame the Musical follows the lives and struggles of students attending the New York High School of Performing Arts. It is a real-life, non-sugar-coated version of being a young adult and facing issues, including substance abuse, sexuality and self worth.
From the opening number to the very last moment of toe-tapping brilliance, Nick Winston's production screams energy and vibrance. The entire show is a well choreographed, lively machine that, although being set in the 80s, feel fresh, relevant and energetic.
The energy comes from the outstanding young cast who deliver every moment with enthusiasm and precision. Molly McGuire is loveable and quirky as she falls in love with Nick (Keith Jack) the TV actor, wanting to move to more serious roles. Both performers provide beautiful vocals, especially during Let's Play a Love Scene in which Molly shines. The pair compliment each other wonderfully and present a sweet romantic arc.
Hayley Johnston brings humour and heart to the show, with bubbly Mabel earning laughs throughout and showing off her killer, powerful vocals in Mabel's Prayer.
Jorgie Porter shows off her well-honed dance skills as Iris who falls for Tyrone (Jamal Crawford), an equally exquisite dancer who gave a standout performance with Dancing on the Sidewalk. Tyrone also has a storyline with teacher Miss Sherman (Mica Paris) as she realises he is illiterate and tries to inspire him to work on himself. The pair are realistically at odds with one another as their heightened tensions come to a boil with Mica Paris' effortlessly stunning rendition of These Are My Children.
Hayley Johnston brings humour and heart to the show, with bubbly Mabel earning laughs throughout and showing off her killer, powerful vocals in Mabel's Prayer.
Jorgie Porter shows off her well-honed dance skills as Iris who falls for Tyrone (Jamal Crawford), an equally exquisite dancer who gave a standout performance with Dancing on the Sidewalk. Tyrone also has a storyline with teacher Miss Sherman (Mica Paris) as she realises he is illiterate and tries to inspire him to work on himself. The pair are realistically at odds with one another as their heightened tensions come to a boil with Mica Paris' effortlessly stunning rendition of These Are My Children.
Mention must also go to the fantastic actor-musicians who are present on stage throughout and bring a natural, realistic feel to the show and transport us to a frenetic performing arts school- Alexander Zane is a standout of the group.
The real star of the show is undoubtedly, Stephanie Rojas who gives a fiery performance as Carmen, the Latina who longs for fame. Stephanie is everything Carmen should be with her transition from a larger than life girl in There She Goes/Fame, to a broken woman in the devastating In LA supplying a supremely moving storyline. Stellar vocals and superb acting make Stephanie's performance a must see and should be required viewing for any budding performers.
On top of the impressive performances, Prema Mehta's lighting is extremely atmospheric from the opening scene which dazzles the audience to attention and sets the tone for an exhilarating show. Particularly clever is the use of light tones, for example in Carmen's emotional climax during act 2, she is bathed in cool, stark light whilst her counterpart Schlomo (played touchingly by Simon Anthony) is lit in a warm tone. These subtle details are part of what makes this production of Fame superior.
Whilst there are a number of stereotypes and other than a couple of the main characters, not much character development, this show is raw and pure storytelling, told by a supremely talented cast. Helped by Morgan Large's set, the focus of this production is purely on no gimmick talent, so, if you want to see skilled performers and hear highly catchy songs then Nick Winston's production of Fame is the show for you- don't miss it!
Fame runs at the New Victoria Theatre until October 5th before continuing it's tour and heading to the Peacock Theatre next year.
photo credit: Tristram Kenton
Whilst there are a number of stereotypes and other than a couple of the main characters, not much character development, this show is raw and pure storytelling, told by a supremely talented cast. Helped by Morgan Large's set, the focus of this production is purely on no gimmick talent, so, if you want to see skilled performers and hear highly catchy songs then Nick Winston's production of Fame is the show for you- don't miss it!
Fame runs at the New Victoria Theatre until October 5th before continuing it's tour and heading to the Peacock Theatre next year.
photo credit: Tristram Kenton
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