Showing posts sorted by date for query Obioma Ugoala. Sort by relevance Show all posts
Showing posts sorted by date for query Obioma Ugoala. Sort by relevance Show all posts
Tuesday, 5 November 2024
Cast Announced for Stiles + Drewe’s Best New Song Prize Concert 2024: A Star-Studded Celebration of New Musical Theatre Talent
Prepare for an unforgettable night of new musical theatre as Mercury Musical Developments and Stiles + Drewe, in partnership with Broadway Licensing Global, present the 2024 Best New Song Prize Concert. Hosted by Olivier Award-winning actor Jenna Russell, this one-night-only gala will take place at The Other Palace on Monday, December 2 at 7:30 pm, showcasing the incredible talent of both emerging and established musical theatre creators.
This unique concert features a glittering cast, including stage icons like Charlie McCullagh (42 Balloons, Jesus Christ Superstar), Desmonda Cathabel (Aladdin, Miss Saigon), Lauryn Redding (Standing at the Sky’s Edge), Natalie Paris (Pretty Woman, SIX), Obioma Ugoala (Frozen, Hamilton), Samuel Barnett (Rock Follies), and Tim Howar (Rock of Ages, The Phantom of the Opera). Also performing are Allyson Ava Brown (Hamilton, Les Misérables), Cassius Hackforth (Something Rotten), Dan Partridge (Grease), Jodie Jacobs (Hello Dolly!), and Liv Andrusier (Fiddler on the Roof).
Alongside performances from these incredible artists, the event will feature songs from recent British musical successes like Becoming Nancy, Cable Street, Two Strangers (Carry a Cake Across New York), and 42 Balloons. The evening celebrates the vitality of new writing with a special showcase of 12 finalist songs, which include:
- 'The Temptation of Me' from Proud by Mark Anderson & Lee Freeman
- 'I’m Going to Stay With You' from The Tale of the Gifted Prince by Lezlie Wade & Dan Green
- 'It Starts Small' from Unfolding by Emma Vieceli
- 'Ideal Robot Assistant' from A.I. Will Solve All Your Problems by Leo Mercer
- 'Someday My Prince Will Come' from Queering the Canon by Cheeyang Ng & Eric Sorrels
- 'Viareggio' from Lifeboats by Gus Gowland
- 'Die Like Trees' from Girl Goes to the Underworld by Sam Norman & Bela Kawalec
- 'Hero' from Man Vs Snake the Epic Musical by Stuart Matthew Price & Daniel Fletcher
- 'Spread a Little Joy Around the Place' from Retail Therapy by Hilmi Jaidin
- 'Locked Away' from The Queen is Mad by Amy Clare Tasker & Tom McGrath
- 'Drek!' from Otto's Weidt's Brush and Broom Workshop for the Blind by Amir Shoenfeld & Caitlyn Burt
- 'Invisible' from Hatched! by Lydia Shaw & Edward Court
A distinguished panel of judges, including Chris Bush, George Stiles, Anthony Drewe, and Joanne Benjamin, will select the winning song, awarding £1,000 toward the winner’s development. An additional award recognising Voice, Vision & Potential will also be presented. Sponsored by Broadway Licensing Global, Dorico, Tarento Productions, and Kenny Wax Productions, the Best New Song Prize Concert celebrates the vibrant future of British musical theatre and its outstanding creative talent.
Friday, 17 July 2020
Frozen West End cast and company announced
The leading cast members and company of the West End premiere of Frozen have been revealed, as the show moves its premiere date to spring 2021.
Joining the previously announced Samantha Barks (Elsa) and Stephanie McKeon (Anna) are Obioma Ugoala (Kristoff), Craig Gallivan (Olaf), Oliver Ormson (Hans), Richard Frame (Weselton), and alternating the role of Sven, Mikayla Jade and Ashley Birchall; with Jeremy Batt, Cameron Burt, Lauren Chia, Laura Emmitt, Emily-Mae Walker (Bulda), Danielle Fiamanya (first cover Elsa), Hannah Fairclough, Matt Gillett, Joe Griffiths- Brown, Emily Lane, Justin-Lee Jones, Jason Leigh Winter, Jacob Maynard, Leisha Mollyneaux, Gabriel Mokake (King Agnarr), Sarah O'Connor (first cover Anna), Jemma Revell, Jacqui Sanchez (Queen Iduna), Jak Skelly (Oaken/Bishop), Jake Small, Isabel Snaas, Joshua St. Clair (Pabbie), Monica Swayne, and Anna Woodside. Further casting is to be confirmed.
Frozen, which has music and lyrics by Kristen Anderson-Lopez and Robert Lopez, and book by Jennifer Lee, opened on Broadway in March 2018 and was nominated for a Tony Award for Best Musical. It follows Elsa, who is gifted with ice-manipulating powers, and her relationship with her sister Anna as they try to run a nation.
The show is based on the highest-grossing animated film of all time, which was released in 2013 and won two Academy Awards, a Golden Globe and a BAFTA. The sequel – Frozen 2 – was released last autumn.
The production, which will be presented at a refurbished Theatre Royal Drury Lane will be directed by Michael Grandage with choreography by Rob Ashford, set and costume design by Christopher Oram, lighting design by Neil Austin, sound design by Peter Hylenski, video design by Finn Ross, puppet design by Michael Curry and musical supervision and arrangements by Stephen Oremus.
Michael Grandage said today: "We're thrilled to announce the company for Frozen – an incredibly talented group of people who will be creating the London premiere at the newly refurbished Theatre Royal Drury Lane next spring. As theatres start to open their doors again, we look forward to celebrating the spectacle of this beloved story with audiences everywhere."
Thursday, 21 December 2017
Hamilton, Victoria Palace Theatre | Review
Hamilton
Victoria Palace Theatre
Reviewed on Thursday 21st December 2017 by Olivia Mitchell
★★★★★
It's worth the hype.
Like many other musical theatre nerds, I jumped on the Hamilton bandwagon just over two years ago and haven't stepped off since. Swept up in the unique style of the show and the inclusivity of it, I fell in love and couldn't wait until I would finally see Lin Manuel Miranda's musical about the rise and fall of the USA's first secretary of the treasury, Alexander Hamilton.
During the past few months, while the show was being primped and preened for its arrival at the newly renovated Victoria Palace theatre, it has been receiving more press and excitement than Prince Harry's engagement! Even as a huge fan and supporter of the show, I was getting to the point where I thought there was no way it'd be worth it. Then I saw it...
Die-hard Hamilton fans are probably expecting everything to sound identical to Leslie Odom Jr.'s Burr, Lin Manuel Miranda's Hamilton or Philippa Soo's Eliza and we can't help but compare to what we're used to from the OBC recording but thanks to the power and brilliance of the London cast, all these comparisons fade away. The entire company pump in soul, heart and skill to the glorious narrative created by Miranda, musical supervisor Alex Lacamoire and director, Thomas Kail.
Giles Terera is charismatic and sharp as Aaron Burr, bouncing brilliantly off of the suave, likeable Jamael Westman as the titular, Alexander Hamilton. The two are perfect as the historical frenemies as Burr begins to resent Hamilton for rising in the ranks of office. Giles has some of the most iconic moments of the show with some truly show-stopping vocal sections, especially in the epic 'Wait For It' and jazzy, 'The Room Where It Happens'. Jamael tackles the huge role with skill and ease, showing his brash side in big rap numbers, as well as his more emotional, Shakespearean side towards the end in his final monologue and the heart-wrenching 'It's Quiet Uptown'.
Whilst these two talented men lead the cast, there is not a weak link anywhere. Powerhouse Rachel John is sassy and strong as the heartbroken Angelica; Rachelle Ann Go manages to be innocent but powerful at the same time in her performance of Eliza who falls for, is betrayed by and eventually forgives the man she loves. Christine Allado as "and Peggy" is particularly humourous as she bounds on stage with a childlike quality in the opening and is contrastingly seductive as Maria Reynolds in act 2 when she belts out 'Say No To This' with ease and drama.
West End newbie, Tarinn Callender is suave as Hercules Mulligan and full of dry humour as James Madison. Jason Pennycooke is frantic, hilarious and all round brilliant as Lafayette/Thomas Jefferson. His fast paced, faultless rap is perfectly balanced with his acting and smooth movement around the stage and he's certainly a stand out. Obioma Ugoala wows with his vocals as he belts 'One Last Time' and as John Laurens/Phillip Hamilton, Cleve September is strong whilst maintaining his childlike quality. Michael Jibson as King George steals every scene he's in. When I say he's hilarious, I mean laugh out loud, unforgettable moments hilarious. Every movement is perfectly thought out and he milks each line with precision.
The ensemble are sharp and outstanding, with In The Heights alumni, Courtney-Mae Briggs capturing my attention throughout. The precise choreography is one of the ultimate parts of the show, it's sharp as sharp can be and mirrors the action to perfection. Like the music, each aspect of on stage drama is reflected by style. Hip-hop, operetta, lullaby's and more embelish the spirit of the moment.
I could continue to rave about this show but I fear that could turn into a full dissertation so here's where I'll end. Hamilton is truly groundbreaking, it challenges the status-quo, brings a freshness to the West End and breaks conformity by casting people of colour and challenging racial tensions. The show embodies representation in every way and is a spectacle to behold.
Hamilton lives up to the hype and is unforgettable. It's cool, unique and diverse as it subverts the typical language of storytelling. Find a way to get a ticket and see this show!
photo credit: Matthew Murphy
I could continue to rave about this show but I fear that could turn into a full dissertation so here's where I'll end. Hamilton is truly groundbreaking, it challenges the status-quo, brings a freshness to the West End and breaks conformity by casting people of colour and challenging racial tensions. The show embodies representation in every way and is a spectacle to behold.
Hamilton lives up to the hype and is unforgettable. It's cool, unique and diverse as it subverts the typical language of storytelling. Find a way to get a ticket and see this show!
photo credit: Matthew Murphy
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