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Wednesday 16 October 2024
New Cast Joins Harry Potter and the Cursed Child at the Palace Theatre
The producers of Harry Potter and the Cursed Child- Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions—are thrilled to welcome a new cast that begins performances at the Palace Theatre this week. This acclaimed, multi-award-winning London production continues to enchant audiences, with bookings now open until 29 June 2025.
The new cast features Claire Lams as Ginny Potter, alongside David Ricardo-Pearce reprising his role as Harry Potter and Ellis Rae returning as their son Albus Potter. Eve de Leon Allen will make her debut as Rose Granger-Weasley, daughter of Ron Weasley and Hermione Granger, with Thomas Aldridge and Jade Ogugua continuing in their roles as Ron and Hermione, respectively. Steve John Shepherd remains as Draco Malfoy, joined by Harry Acklowe as his son Scorpius Malfoy.
In addition to the core cast, the ensemble includes Ishmail Aaron, David Annen, Nicole-Lily Baisden, Sabina Cameron, Rob Curtis, Zijuan Elsol, Gabriel Fleary, Rory Fraser, Tim Hibberd, Sally Jayne Hind, Max Hunter, Dewayne Jameson Adams, Emma Louise Jones, Julia Kass, Debra Lawrance, Tasha Lim, Matty Loane, Sophie Matthew, Jaden Oshenye, Helen Power, Jocelyn Prah, Conor Quinn, Ian Redford, Catherine Russell, Martin de los Santos, Adam Slynn, Benjamin Stratton, Alex Tomkins, Jake Tuesley, Sam Varley and Katie Wimpenny. Oliver Dawson, Layla Duke, Aubrey Hayes, Rhiannon Parry, Aljosa Radosavljevic, Sienna Sibley and Ethan Webster alternate two children’s roles.
Set 19 years after Harry, Ron, and Hermione’s legendary battle against dark forces, this new chapter invites audiences to join them on an extraordinary adventure with a brave new generation arriving at Hogwarts School of Witchcraft and Wizardry. Spectacular spells, a breathtaking race through time, and an epic showdown against mysterious forces await as the characters grapple with the weight of the future.
Tickets for Harry Potter and the Cursed Child are currently available, with prices starting at £15 per part. The regular performance schedule is Monday, Tuesday, and Thursday—no performance; Wednesday, Friday, and Saturday at 2 PM for Part One and 7 PM for Part Two; and Sunday at 1 PM for Part One and 6 PM for Part Two. Access performances are scheduled, including an Audio Described show on Saturday, 9 November 2024, and a Captioned Performance on Saturday, 16 November 2024, with more access performances planned for 2025.
Harry Potter and the Cursed Child is the first story from the Harry Potter universe to be adapted for the stage and serves as the eighth story in the series. Now in its ninth year at the Palace Theatre, the production has captivated over 1.7 million people in the West End and over 11 million globally, boasting an impressive collection of 60 major awards, including nine Laurence Olivier Awards and six Tony Awards for Best New Play. Currently, there are five productions running worldwide, including those in New York, Hamburg, and Tokyo. A North American tour began in September at Chicago’s James M. Nederlander Theatre and will move to Los Angeles’ Hollywood Pantages from February to June 2025, before continuing to Washington DC’s Broadway At The National starting on 8 July 2025.
Based on an original new story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is crafted into a play by Jack Thorne, directed by John Tiffany, featuring movement by Steven Hoggett, set design by Christine Jones, and an impressive array of creative talents including Imogen Heap, Neil Austin, and Jamie Harrison. Produced by Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions, this magical experience continues to be a must-see event for fans of all ages.
photo credit: Manuel Harlan
TINA- The Tina Turner Musical launches costume exhibition in Covent Garden
To honour the life and legacy of Tina Turner, TINA – The Tina Turner Musical has launched a stunning pop-up costume exhibition in Covent Garden. This free-to-attend display showcases six iconic costumes from the hit West End production, set against the backdrop of the legendary artist's most memorable moments and songs. Visitors can see these outfits up close and explore the visual legacy of the Queen of Rock ‘n’ Roll in the heart of one of London's most vibrant cultural districts.
The exhibition features six costumes, each tied to pivotal moments in Tina Turner’s career, from the golden fringe dress she wore during “Proud Mary” to the famous red dress from “The Best (Simply).” Displayed along Central Avenue in Covent Garden’s historic Market Building, the costumes are accompanied by photographs that compare their use in the musical to how Tina herself wore these iconic looks. Fans can immerse themselves in the story of Tina’s musical journey, which continues to electrify audiences in London’s West End after six record-breaking years at the Aldwych Theatre.
TINA – The Tina Turner Musical premiered in 2018, created in collaboration with Tina herself, and has since become a global sensation, with productions on Broadway and across Europe, Australia, and North America. The London show features Karis Anderson and Zoe Birkett sharing the role of Tina, with Rolan Bell as Ike Turner. This critically acclaimed production offers a powerful portrayal of Tina’s life, showcasing both her rise to global superstardom and the personal struggles she overcame along the way.
The pop-up exhibition offers a rare opportunity to see these significant costumes up close while celebrating Tina’s extraordinary influence on music and fashion. Highlights include costumes from the musical numbers “Fool in Love,” “Disco Inferno,” “What’s Love Got to Do with It,” and more. Fans can also experience the pulse-pounding soundtrack of Tina’s greatest hits live on stage at the Aldwych Theatre, where TINA – The Tina Turner Musical continues its run.
Covent Garden, known for its thriving arts scene and home to over 20 theatres, is the perfect setting for this unique exhibition. Visitors can browse the Market Building, enjoy shopping and dining, and explore Covent Garden’s iconic Piazza. The area also boasts more than 1,400 al fresco dining seats, making it ideal for a full day of theater and entertainment. Partner restaurants, including SUSHISAMBA, The Ivy Market Grill, and VyTA, offer special pre- and post-theatre menus.
In addition to celebrating Tina Turner’s legendary career, the exhibition has partnered with Women’s Aid, an organization Tina passionately supported. A survivor of domestic abuse herself, Tina Turner wanted her musical to authentically reflect her experiences, and this partnership aims to raise awareness about domestic abuse. The exhibition will include information about the charity’s mission and the impact of domestic violence on survivors, alongside opportunities to donate and support their cause.
The TINA – The Tina Turner Musical Costume Exhibition runs from 15th October to 10th November 2024 at Covent Garden’s Central Avenue, Market Building. Visitors can also enter for a chance to win tickets and backstage experiences for the musical by following QR codes and interactive boards throughout the exhibition.
Produced in the West End by Stage Entertainment in association with Tina Turner, this vibrant exhibition is a must-visit for both Tina Turner fans and theatre lovers alike.
Go Live Theatre Projects Launches Online Charity Auction Featuring Rare Theatre Memorabilia
Go Live Theatre Projects, the London-based theatre education charity, has launched an exciting online charity auction packed with rare and signed theatre memorabilia. The auction aims to raise funds to support the charity’s mission of making theatre accessible to young people and their families, especially those facing financial, social, or physical barriers.
Bidders can expect exclusive items from some of the West End's biggest productions, including signed posters and programmes from Harry Potter and the Cursed Child, Hadestown, SIX, Les Mis̩rables, Frozen, Back To The Future, Tina РThe Tina Turner Musical, and Wicked. There are also signed t-shirts and hoodies from theatre stars like Michael Ball, Sheridan Smith, Derek Jacobi, Bonnie Langford, and Arlene Phillips. One of the rarest items is a pair of ballet shoes used in The Phantom of the Opera.
To view and bid on these incredible pieces, visit Go Live Theatre's auction page.
If you'd like to see some items in person, visit the Go Live Theatre Projects stand at MusicalCon on October 19-20 at the London Excel Centre.
Go Live Theatre Projects is committed to providing vulnerable and marginalised young people with access to theatre. Donations to support their educational work can be made here.
Orange Tree Theatre Announces Exciting 2025 Season Featuring World Premieres and Classic Revivals
Orange Tree Theatre (OT) has announced its highly anticipated 2025 season, packed with a dynamic lineup of six new plays, including four world premieres, two rediscoveries, and a beloved classic comedy. Artistic Director Tom Littler and Executive Director Hanna Streeter have curated a season that blends cutting-edge new writing with timeless stories, exploring powerful themes such as war, power, privilege, and the human condition.
The season launches with Churchill in Moscow, an imagined meeting between Winston Churchill and Joseph Stalin in 1942, reuniting playwright Howard Brenton and Littler for their sixth collaboration. The production stars Roger Allam in the titular role and promises to be a standout event. Following this, the theatre will revive April De Angelis’ acclaimed Playhouse Creatures, starring Anna Chancellor and directed by Michael Oakley, before transferring to the Yvonne Arnaud Theatre and Theatre Royal Bath. Next, the London premiere of Mark Ravenhill’s Ben and Imo, produced in collaboration with the RSC and directed by Erica Whyman, will feature Samuel Barnett and Victoria Yeates reprising their original roles. The spring season concludes with a revival of Terence Rattigan’s In Praise of Love, directed by Amelia Sears.
The summer and autumn months promise even more excitement with Chiara Atik's Poor Clare, directed by Blanche McIntyre, and world premieres of two eagerly anticipated adaptations: Dance of Death, adapted and directed by Richard Eyre from the play by August Strindberg, and Hedda, a fresh take on Ibsen’s Hedda Gabler by Tanika Gupta. Tom Littler will also helm a special 250th-anniversary production of Richard Brinsley Sheridan’s classic comedy The Rivals. Additionally, the OT Young Company will present Alice in Wonderland, a new adaptation by Chinonyerem Odimba based on Lewis Carroll’s iconic novel.
As part of OT's ongoing commitment to engaging younger audiences, the theatre is launching OT Under 30 Nights, offering 18-29-year-olds the chance to see shows for just £15, complete with a post-show talk and a social event. The inaugural event will take place on 8 November, featuring the JMK Award-winning production Guards at the Taj. Cast members Usaamah Ibraheem Hussain and Maanuv Thiara will participate in the post-show panel, alongside creatives Roisin Jenner and Priya Virdee, with the discussion chaired by Kalungi Ssebandeke, the 2023 JMK award winner.
In addition to the main stage programming, the OT’s Community team will continue their work with young people, offering educational performances of Julius Caesar and Romeo & Juliet for primary and secondary school audiences, as well as participation in the National Theatre’s Connections festival for teenagers.
Priority booking for Churchill in Moscow, Playhouse Creatures, Ben and Imo, and In Praise of Love opens on 16 October, with general sales starting on 28 October. On-sale dates for the rest of the season will be announced soon.
Photo Credit: Rebecca Need Menear
Friday 11 October 2024
Sinitta to join Chicago as Mama Morton in Bradford and Stoke
David Ian for Crossroads Live, in association with Barry and Fran Weissler, is thrilled to announce that international pop star Sinitta will join the UK and Ireland tour of Chicago as Mama Morton for a strictly limited run. Sinitta will perform at Bradford’s Alhambra Theatre (21–26 October 2024) and Stoke’s Regent Theatre (25–30 November 2024).
Sinitta expressed her excitement, saying: I’m so excited to be returning to Chicago. I jumped at the chance to step back into Mama Morton’s shoes for two weeks on the upcoming UK and Ireland tour. To return to the stage with these incredible musicians and a stunning company doing amazing choreography is a dream come true. The role of Mama has certainly been good to me, and I can’t wait to rub shoulders with my merry murderesses again!
Sinitta reprises her role as Mama Morton, joining a stellar cast that includes stage and soap star Faye Brookes as Roxie Hart, Strictly Come Dancing favourite Kevin Clifton as Billy Flynn, leading West End talent Djalenga Scott as Velma Kelly, alongside Joshua Lloyd as Amos Hart and Jordan Lee Davies as Mary Sunshine.
The ensemble cast features Bethany Adamson, Victoria Anderson, Josh Crowther, Joe Dale, Jessica Keable, Robin Kent, Annabelle Laing, Jacob McLay Reid, Jonathan Milton, George Olney, Oliver Ramsdale, Elly Shaw, Lucy Anne Stacey, Matthew Sweet, and Ria Tanaka.
Sinitta is an international recording artist known for hit songs like "So Macho," "Toyboy," and "Cross My Broken Heart." No stranger to the stage, she has appeared in West End productions of Cats, Little Shop of Horrors, Hair, Smokey Joe’s Café, and as the female lead in Mutiny! Recently, she starred in the UK and Ireland tour of Now That’s What I Call A Musical. Beyond her musical career, Sinitta has made a name for herself as Simon Cowell’s right-hand woman on The X Factor, mentoring emerging talent since the mid-2000s.
Set in the 1920s, amidst the glitz and glamour of the Jazz Age, Chicago tells the story of Roxie Hart, a housewife and nightclub dancer who murders her lover in a fit of rage. To avoid conviction, she hires the smooth-talking lawyer Billy Flynn, manipulating the public, the media, and her rival cellmate Velma Kelly to turn her crime into sensational headlines.
Created by the legendary John Kander (music), Fred Ebb (lyrics), and choreographer Bob Fosse, Chicago is filled with iconic, show-stopping numbers like "Razzle Dazzle," "Cell Block Tango," and "All That Jazz." Winner of six Tony Awards, two Olivier Awards, and a Grammy, CHICAGO is the longest-running American musical in Broadway and West End history.
Since its 1996 New York premiere, Chicago has been performed in 38 countries and translated into multiple languages. With over 35,000 performances and an estimated audience of 34 million people worldwide, the show has grossed over $1.7 billion globally.
Don't miss the chance to catch Sinitta and the incredible cast of Chicago in this limited run, bringing the sizzling and sensational story to life this autumn!
Monday 7 October 2024
Les Misérables, Billy Elliot and others to be Released in Cinemas for Anniversary Celebrations
Get ready for a cinematic treat! Six filmed stage productions are set to grace cinema screens over the next six months, offering theatre fans a unique chance to experience some of the most celebrated performances from the comfort of their local theatres. Produced by CinemaLive, these screenings will mark significant milestones for each production.
Kicking off the series, Miss Saigon, filmed during its 25th anniversary gala performance at the Prince Edward Theatre in 2016, is currently being shown in cinemas. Following that, the beloved classic The Phantom of the Opera, which celebrated its own 25th anniversary at the Royal Albert Hall in 2011, will screen on November 3 and 5. This production stars Ramin Karimloo and Sierra Boggess, showcasing their incredible talents in a visually stunning performance.
Next up, the award-winning Girl From the North Country, written by Conor McPherson and featuring 20 songs by the legendary Bob Dylan, will be screened on November 21 and 24. This version was recorded at the Belasco Theatre in New York in 2022, bringing its emotional storytelling and poignant music to a broader audience.
Looking ahead to 2025, theatre-goers can look forward to Les Misérables- The Staged Concert, filmed in 2019 at the Gielgud Theatre. This production features a star-studded cast, including Michael Ball, Alfie Boe, Carrie Hope Fletcher, and Matt Lucas. It will be available to view in cinemas starting February 2, 2025.
Shortly after, the arena tour version of Jesus Christ Superstar, featuring an all-star cast that includes Tim Minchin, Mel C, Ben Forster, and Chris Moyles, will be screened across the UK from March 1, 2025. This performance promises to bring a fresh and dynamic interpretation of the rock opera to fans.
Finally, to celebrate its 20th anniversary, a re-release of Billy Elliot will hit cinemas, coinciding with the original West End premiere in 2005. Directed by Stephen Daldry, this production was captured live at the Victoria Palace Theatre in 2014 and will be available starting March 30, 2025.
For more information and to find participating cinemas, be sure to visit the CinemaLive website. This is an incredible opportunity to witness the magic of live theatre in a new and exciting format!
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 18 January 2024
Rehab the Musical at Neon 194 Review: Struggles to Find Its Narrative Harmony
Rehab the Musical
Wyndham's Theatre
Written by Elliot Davis with music and lyrics from Grant Black and Murray Lachlan Young, Rehab the Musical follows 26-year-old pop star, Kid Pop (Christian Maynard), who finds himself in court, after being caught red handed in a drug fuelled tabloid sting. A judge gives Kid the choice between jail time or a rehabilitation centre for six weeks. Kid chooses to go the Glade rehab centre where he meets a host of characters and has to face some harsh realities about himself.
The musical tries to seamlessly weave together an array of elements that, unfortunately, leave the overall production feeling a bit scattered. The emotional journey is a rollercoaster, evoking heartfelt moments that pull at the audience's heartstrings, only to be swiftly followed by chaotic, feverish musical interludes that seem to materialise out of thin air. This tonal inconsistency gives rise to an emotional whiplash, making it a bit challenging for the audience to fully immerse themselves in the unfolding narrative.
Amidst the theatrical mosaic are intriguing plot line crumbs, teeming with the potential for impactful developments. Regrettably, these narrative threads are left hanging, never fully explored or developed. The overarching structure of the production yearns for a more streamlined approach, as the multitude of introduced ideas creates an unfocused and somewhat in-cohesive storyline. The musical teeters between being sincere and heartfelt, whilst also really leaning in to over the top humour, a balance which in this instance doesn't quite work.
However, within the ebb and flow of its narrative, Rehab the Musical has some luminous moments. The production sparkles with genuinely hysterical instances and unforgettable one-liners, thanks to the standout comedic performances by Keith Allen (Malcolm Stone) and Jodie Steele (Beth Boscombe). Steele's solo number is particularly striking, a testament to her vocal prowess, even though the character she portrays lacks the nuanced depth required for a fully rounded portrayal.
The undeniable chemistry between Maiya Quansah-Breed (Lucy Blake) and Christian Maynard (Kid Pop) adds a dreamy allure to the stage. Both actors deliver performances that resonate, yet the dialogue between their characters falls short of allowing for a fully realised emotional connection. That being said, their duets and solos are truly some of the high points of the show, with vocals that float and soar around the venue.
Commendation is due to the set design (Simon Kenny), which functions seamlessly in the round. Stairs metamorphose into drawers, and a minimalist aesthetic facilitates smooth scene transitions, preventing the physical aspects of the production from feeling cumbersome. It's not particularly inventive or exciting but really works in the confines of the space. On the flip side, while the choreography (Gary Lloyd) offers visual interest from every angle, it fails to weave itself significantly into the overarching action or storyline, missing an opportunity to enhance the narrative through movement.
Mica Paris, once again, graces the stage with a stellar vocal performance but finds herself in a role that echoes with underdevelopment. Her undeniable talent radiates- especially in her duet with Maiya, Museum of Loss which is a true theatrical treat- but again, the character lacks the narrative depth necessary to fully showcase Paris's abilities.
A standout moment in the production is the glorious gospel song that concludes the first act Letters Goodbye/Don't Eat Your Feelings, etching itself into the collective memory of the audience. It underscores the musical's potential for powerful and emotionally resonant moments.
While Rehab the Musical boasts strengths, including comedic brilliance, dreamy performances, and impressive set design, it falls short of deciding what sort of show it wants to be and fails to achieve a cohesive narrative.
★★★
Reviewed on Wednesday 17th January 2024 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 6 July 2023
Cast Announced for Pretty Woman the UK & Ireland Tour
The popular West End production, Pretty Woman: The Musical, is going on a UK and Ireland tour! The tour will kick off at the Birmingham Alexandra Theatre on October 17, 2023.
The cast includes: Amber Davies as Vivian Ward, Ore Oduba as Happy Man/Mr. Thompson, Oliver Savile as Edward Lewis, and Natalie Paris as Kit De Luca. They will be joined by Becky Anderson, Rebekah Bryant, Josh Damer-Jennings, Ben Darcy, Andrew Davison, Lila Falce-Bass, Noah Harrison, Sydnie Hocknell, Elly Jay, Rachael Kendall Brown, Michael Kholwadia, Joshua Lear, Stuart Maciver, Victoria Rachael McCabe, Eleanor Morrison-Halliday, LJ Neilson, Annell Odartey, Curtis Patrick and Chomba Taulo.
Amber Davies, currently seen as Lorraine Baines in Back to the Future: The Musical, has also performed in 9 to 5 the Musical and Bring It On. Ore Oduba, known for his role as Brad Majors in The Rocky Horror Show, has also appeared in Curtains and Grease. Oliver Savile's credits include Fiyero in Wicked, Whizzer in Falsettos, and performances in The Phantom of the Opera, Les Misérables, Cats, and Joseph and the Amazing Technicolor Dreamcoat. Natalie Paris, nominated for an Olivier Award for her role in SIX, has also been part of Sunday in the Park with George, Billy Elliot, and Les Misérables.
Pretty Woman: The Musical is a spectacular romantic comedy set in Hollywood in the late '80s. The story follows Vivian and Edward's unforgettable love story, brought to life on stage in a dazzling and theatrical way. Prepare to be swept away by this sensational show that will warm your heart and lift your spirits.
The musical features original music and lyrics by Bryan Adams and Jim Vallance, a book by Garry Marshall and J.F. Lawton, and is directed and choreographed by Jerry Mitchell, a two-time Tony Award winner.
The production includes the iconic song "Oh, Pretty Woman" by Roy Orbison and Bill Dee, which served as inspiration for the beloved romantic comedy film of the same name released in 1990.
photo credit: Dan Kennedy
Tuesday 31 January 2023
Cast for Cake- The Marie Antoinette Playlist Announced
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The brand-new musical, come gig, come ballet is from some of the most exciting figures in modern British Theatre, with an Olivier Award winning creative team including Olivier Winner’s Drew McOnie(In the Heights; Jesus Chris Superstar) and Morgan Lloyd Malcolm (Emilia - The Globe)
Cake will be venturing on a UK tour from 18 March 2023, starting at the MAST Mayflower Studios, Southampton.
Casting will include, fresh from her magical run as Mary Poppins on the West End, Zizi Strallen (she/her) stars as Marie Antoinette, with Renée Lamb (she/her), Catherine of Aragon from the original cast of SIX, starring as Jeanne.
The cast is completed by B Terry (they/them) as Nicole, Travis Ross (he/him) as Cardinal with Ope Sowande (he/him) and Megan Bryony Gibbs (she/her) as the ensemble and Lukas Hunt (he/him) and Amie Hibbert (she/her) as swings.
Cake combines music with 18th century France to retell a story that sparked a revolution. When Marie Antoinette married King Louis, her reputation was already tarnished by gossip. But when she is implicated in a crime to defraud the crown jewellers of a diamond necklace, it is not just her reputation at stake, but the monarchy and France itself.
Originally commissioned by Paul Taylor-Mills (Heathers & In the Heights), Cake promises to re-define our expectations of what a musical can be.
Paul has said, “We are delighted to be partnering with 5 of the leading regional theatres to present a development production of this brilliant new show. I first commissioned this at The Other Palace five years ago and am delighted to be working with some of the best theatre makers in Drew McOnie, Morgan Lloyd Malcolm, Tasha Taylor Johnson and Jack McManus. The show started life at our first MTFestUK and it’s great to see it come to production.”
Cake is written by Morgan Lloyd Malcom directed and choreographed by Drew McOnie with songs by Tasha Taylor Johnson and Jack McManus, casting by Will Burton CDG and based on an idea byPaul Taylor-Mills.
Wednesday 11 January 2023
Six the Musical, Vaudeville Theatre | Review
Six the Musical
Vaudeville Theatre
Reviewed on Tuesday 10th January 2022 by Olivia Mitchell
★★★★★
Entering the Vaudeville theatre last night there was a bustling energy, not just because everyone was excited to see Six but because the cast of the highly addictive tv show, the Traitors were in the audience. Murmurs of “traitor” and “faithful” filled the air and the buzz was certainly something, who knew we’d all be so starstruck!? However, once the curtain was drawn it was all eyes on the Queens and a glorious 75 minutes followed.
Going into a new year it’s great to see that Six the Musical is as vibrant and wonderful as ever. The current queens of the castle do an outstanding job of keeping the energy of the show fresh and truly engaging so that both first time audiences audiences and longtime Six fans can feel like they’re experiencing something special.
The cast, made up of Rhianne-Louise McCaulsky, Baylie Carson, Claudia Kariuki, Dionne Ward-Anderson, Koko Basigara and Roxanne Couch are a complete group of powerhouses who give stellar solo performances as well as backing up and complementing each other brilliantly. The camaraderie on stage is clear to see and really adds to the overall message of empowerment and support which is at the heart of the show. Special mention must go to Baylie Carson who is an absolute dream to watch as they bring something completely fresh and charming to the role of Anne Boleyn; I cannot wait to see all their future theatrical endeavours (Fangirls UK please!)
Having been playing at the Vaudeville theatre since 2021 the show feels completely settled and has perfectly upgraded from its first long term home, the Arts, to now filling the space on the Strand. The bigger space allows more to witness to wonder of the musical but the clever, cosy set design means none of the intimacy is lost. Emma Bailey's design is the ideal backdrop for this concert style musical. The simplistic framework really allows the performances to shine but there are also some really clever elements such as the throne which rises up grandly. Paired with Tim Deiling's lighting, you really do get the fully visceral concert experience.
A Tudor tale like no other Toby Marlow and Lucy Moss' show continues to get better and better and there's no end in sight for its reign of brilliance. Six the Musical will have you bowing down to the queens and then on your feet to dance along with them- go see this show.
photo credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 7 December 2022
Full Cast Announced for 'No Limits' at the Turbine Theatre
Sam Caldwell He/Him for Paper House Productions is pleased to announce the full cast of No Limits – A Song Cycle by Sam Thomas He/Him.
Directed by Dean Johnson, He/Him, (BKLYN, LIFT), this exciting new production will open in London at the Turbine Theatre on 15th February 2023.
Joining Natalie May Paris (SIX The Musical), She/Her, in the role of #DREAMER will be, Owen Clayton (Julie: The Musical and It’s In The Air), They/He, as #ROMANTIC, Hannah Lowther (Heathers The Musical, Millennials, Emojiland), She/Her, as #CATFISH, Michael Mather (Soho Cinders and But I’m a Cheerleader), He/Him as #FIGHTER, Mary Moore (Grease and Little Women) She/They, #FUNEMPLOYED, Saffi Needham (Recently graduated and making her professional debut), She/Her as SWING.
West End and Tik Tok star Hannah Lower She/Her, said “I’m so excited to be joining the original London cast of No Limits, the team have been working so hard and we’re all so excited to finally share the show with an audience!"
Producer, Sam Caldwell He/Him said, “I am delighted to reveal the cast for our upcoming production of No Limits - A Song Cycle at the Turbine Theatre. I can’t wait to see this talent take to the stage and bring a fresh take to this wonderful material in this brand new, exciting production. This show has been a long time coming and I am looking forward to seeing how audiences connect with it in February.”
Joining Director Dean Johnson, He/Him, is Musical Director Ella Ingram She/Her, Associate Director Liv Byrom She/Her, Choreographer Rhys Wilkinson He/Him. No Limits - A Song Cycle also has set design by Justin Williams He/Him, lighting design by Alex Musgrave and stage management by Jack Evans He/Him.
No Limits - A Song Cycle deconstructs the concept of falling behind in life. It follows a diverse cast of characters from all walks of life as they dare to believe in themselves and strive for a brighter future.
This powerful collection of songs sees characters let go of their anxieties, take leaps of faith, and fight for who they truly are, from confessing their dreams of becoming a rockstar to catfishing their attractive neighbour.
No Limits - A Song Cycle features heartfelt and queer stories. This brand-new production emphasises that we are all in the same boat, and that with enough self-belief, we can always overcome our setbacks. There truly are No Limits to your journey.
Tickets for No Limits at the Turbine Theatre are on sale now
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