Sunday 4 October 2020
Cabaret All Stars, Proud Embankment | Review
Proud Cabaret
Proud Embankment
Reviewed on Friday 2nd October 2020 by Olivia Mitchell
★★★★
With theatrical nights out so few and far between (for obvious reasons) each opportunity to experience live performance is a real treat. With the weather getting colder and the nights getting longer, Proud Cabaret is a perfect remedy for the gloom which is so often prevalent these days, and is a treat for anyone craving some glitz and glam in their lives; plus you get to see West End superstar Kerry Ellis headline the night.
The evening takes place at Proud Embankment, a bustling venue under the arches of Waterloo bridge. You're escorted in by ushers draped in feathers and sparkles (including a glitzy face mask, of course) and it almost feels like entering a speak easy where unknown adventures will take place. The tables in the venue are socially distanced and you are asked to wear your own face mask any time you stand up or move around. As well as the performances the ticket includes a wonderful Japanese fusion three-course meal and a welcome cocktail, provided by head chef, Antonio Vacca. The food is outstanding, and a show in itself.
The show/event itself occurs in the round over two levels. Each table has a great view of the action and the varying levels of the acts themselves means every view is completely unique. The night is jam packed with world class circus and cabaret performers who keep you on the edge of your seat and completely invested from start to finish. The whole thing feels very vintage but with a modern twist; there's classic burlesque numbers mixed in with mime, sword swallowing and aerial work. There's no story or dramatic structure as such but the whole thing flows well and feels very dreamlike. Each week features a slightly different line up but they are all high class and high quality.
The through-line of the show is Kerry Ellis who appears periodically throughout the evening to wrap us around her finger with her powerhouse vocals. She is a certified star who controls the stage with elegance and power in perfect balance. Ellis' rendition of Diamonds Are Forever is completely brilliant and like each song, is followed by rapturous applause.
It's a treat to see any sort of live performance these days, but performances of such high standards make it even more of a treat. A night of decadence which evokes the Jazz age, Cabaret All Stars is definitely worth a visit.
Saturday 3 October 2020
The Theatre Channel, Episode One | Review
Innovation is coursing through the theatre community, as new ideas and ways to spread the joy of performance are brought to life everyday. One of these ways is the new brainchild of The Theatre Café and Adam Blanshay Productions: The Theatre Channel.
The channel is a series of musical episodes which celebrate the all-singing, all-dancing joy of theatre as well as showcasing fantastic performers and the café itself. Each episode is roughly half an hour long and features a different group of stage stars, as well as the Café Four (Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) who appear in each episode as a sort of omnipresent group of musical theatre muses. The performers are encouraged to perform songs or roles they've not previously had the chance to, which leads to an eclectic episode of musical excellence.
The first episode opens with the café four performing the very fitting Coffee in a Cardboard Cup, in which they use pretty much the entirety of the café to showcase their vocal, dance and acting skills; they're definitely a talented bunch! From then Tarinn Callender takes us on a soulful journey with On Broadway and Lucie Jones serves her stunning, clear-as-glass vocals with a brilliant rendition of Maybe This Time. Amongst an abundance of flowers, Carrie Hope Fletcher and Oliver Ormson bring the classic duet, Suddenly Seymour to life brilliantly. Jodie Steele takes things up an octave (and a level) as she gives a gender-switched version of Heaven on Their Minds from the roof of the cafe, which oozes sass and strength. Rounding off the episode, Matt Henry is smooth and oh so stirring with Let It Sing from Violet and Jenna Russell is completely excellent in every way with Sondheim's Ladies Who Lunch.
Whilst of course the performances are uniformly wonderful, it's the production value which really makes this series worth the hype. Ben Hewis' outstanding videography is sleek, high quality and just beautifully shot; and alongside Bill Deamer's choreography-which is astoundingly bold for happening in such a small space- the whole thing feels much more cinematic than any of the online theatrical offerings so far.
The creative team clearly have a strong vision and there's no doubt that each episode is going to be a step bigger and bolder. With themed episodes in the works including the upcoming Halloween episode, there are sure to be surprises galore. With everything from the vocals to the finished product being recorded on the premises, this really is a celebration of not only theatre and performance, but the Theatre Café itself where the arts still has the space to thrive, even when performances themselves are few and far between.
With a great team behind it, this series is a treat for those missing theatre and a gem of an online offering. Once purchased for £12 you have unlimited access to the episode so you can relive the stagey goodness time and time again. So grab your laptop and take yourself on a virtual trip to the theatre.
★★★★★
Monday 21 September 2020
Original West End Stars of Six to perform Reunion concert
The Reunion brings together seven of the UK’s top vocal powerhouses for an epic evening of empowering pop music in a unique intimate venue.
Performing together for the first time since their reign as the original West End queens of the musical SIX, these women are close friends on stage and off, and have been eager to perform together again. They shared: “We are beyond thrilled and excited to be back together again with our reunion show! and with an actual LIVE audience! We cannot wait to belt out some of our favourite girl power anthems and bring our fans an epic show they will never forget!”
The Reunion stars Aimie Atkinson, Alexia McIntosh, Grace Mouat, Jarneia Richard-Noel, Maiya Quansah-Breed, Millie O’Connell, and Natalie Paris. Each has an Olivier Award nomination, prestigious theatrical and concert credits, and they have been featured on studio recordings, cast albums and concert livestreams spanning musical theatre and pop.
The live performances and streaming are ticketed and run by theatre platform Thespie which aims to be the most trusted way to discover theatre and the arts. Thespie launched in May as a means to keep people connected to theatre and the arts during lockdown, and now offers more than 1,500 digital streaming listings as well as audio, theatre ebooks, and educational resources, including nearly 400 productions to stream for free. Now that London live indoor theatre performances can safely resume, Thespie has expanded to develop ways to help artists resume working safely in the current conditions.
Commenting on the announcement, Thespie founder Tyler Stoops said: “These incredibly talented artists are the ideal collaborators to deliver a thrilling performance for in-person and at-home audiences simultaneously. So many people are ready to experience incredible shows again and are happy to follow robust, simple-to-follow safety measures, so we’re proud to be solving the operational challenges that can get artists working again.”
Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Audiences receive their seating assignment and scannable digital ticket prior to the event.
Additional safety measures in place include:
• Time indoors is minimised using ample outdoor space and the terrace bar
• Scannable digital tickets, with no paper tickets or box office collection
• Seating is by household/support bubble with appropriate distance between each
• Masks are required and should be worn whenever feasible
• Thorough cleaning of all customer areas between performances
• If the performance cannot proceed, purchasers will automatically be refunded
The global livestream will take place at 9:30PM BST on Saturday, 10 October and will be available in over 100 countries, with several local currency prices available. Advance purchase of a Household Livestream Pass is £12.50 (or $15 US) if booked before 30 September. One pass entitles the purchaser to view with their entire household live, or on-demand for 72 hours following the initial livestream. Repeat viewing is permitted, but a pass can only be used on a single account and a single device. Livestream Pass prices rise in October to £15 ($18 US).
Live tickets are £35-£55 and can be booked at https://thespie.com/TheReunion
photos by Danny Kaan
Saturday 19 September 2020
Pippin, Garden Theatre | Review
Pippin
Garden Theatre, Vauxhall
Reviewed on Friday 18th September 2020 by Olivia Mitchell
★★★★
After six months of a world with no in person theatre, it feels almost foreign to see a stage in front of you with real life performers, performing real life music, but ever so slowly it's becoming the norm again. Well, the new, socially distanced norm.
The Garden Theatre in Vauxhall are paving the way for the reopening and reconfiguring of venues as one of the first to put on productions in this post-lockdown world. The latest in their programme being Stephen Schwartz's Pippin; the tale of a boy trying to prove he's extraordinary as he finds his place in the world. A show which often excels by involving the audience could be a strange option given the regulations, but the cast do an outstanding job of making you feels as though you're getting a personal performance and that you're part of the story, without being too close. The team of "players" who are often shown as circus performers, are in this production, a hippie tribe who are telling the tale of young Pippin. Together they weave a story of drama and excitement which feels truly uplifting and joyous during these unpredictable times.
Thanks to Steven Dexter's Direction, this is a production which highlights all the wonderful parts of fringe theatre and Nick Winston's choreography is overwhelming in all the best ways. Bursting from all nooks and crannies every movement feels both precise and free and it's amazing how much power has been fit into such a small space. Plus, the way so many dance styles (including wonderful homages to Bob Fosse) flow into one another, is truly sensational to experience.
The title role is taken on expertly by Ryan Anderson who relentlessly showcases his brilliant vocals and outstanding dance ability, whilst making Pippin a multi-faceted, endearing, earnest and infuriating character. His renditions of Corner of The Sky and the motif versions which are consequently peppered throughout are beautiful and controlled oh so well.
Pippin's glamourous, manipulative "normal" step-mother is played excellently by Joanne Clifton who also takes on the role of the sweet and sassy Grandmother, Berthe. Each moment of Clifton's stage time is completely electrifying. Whether she's ad-libbing hilariously or leading the audience in a singalong she finds a way to completely draw the audience in.
It would be shameful to not mention the rest of the cast who bubble with energy throughout. Harry Francis is playfully enjoyable as the self-obsessed bother Lewis and sweet Theo who longs for a father figure and also provides vocals which stand out due to their exceptional power and mastery. As Charlemagne Dan Krikler is dominant and impressive and his Gilbert and Sullivan-esque solo is a right treat; he leaves you wanting more from him once his individual moments end . Tsemaye-Bob Egbeis takes on the role of the Leading Player with ease and freedom. Her vocals soaring above the sounds of passing busses and her movement around the stage oozing authority. Completing the cast, Tanisha-Mae Brown thrives in the intimate moments of the show and is in beautiful contrast to the more high-octane, over the top moments of the story.
The only downside to this production is the sometimes questionable approach to social distancing. While the staff are brilliant and it appears lots of measures have been put in place such as temperature checks, table service, copious amounts of hand sanitizer and social distancing before the show, the actual auditorium is somewhat cramped. Seats are very close together which it does feel strange when everything else is so organised. Whilst the audience does only seat 50, it would perhaps be better to have even fewer seats for the moment.
Despite this, the terrific cast of triple threats make this bittersweet, upbeat and consistently enjoyable musical a must see (covid permitting, of course). There's magic to do and the Garden Theatre are certainly doing the most they can in these crazy circumstances to do it.
Photos by Bonnie Britain Photography
Monday 14 September 2020
Six to be the first West End musical to open post-Lockdown
The international smash-hit SIX announces that it will be the first West End musical to reopen since Lockdown
Electrifying musical phenomenon SIX by Toby Marlow and Lucy Moss will become the first West End musical to resume performances in a West End theatre when the show temporarily moves from its home at the Arts Theatre to the Lyric on Shaftesbury Avenue for a limited 11-week run beginning on Saturday November 14 through to January 31, 2021.
SIX will perform 9 shows a week at the Lyric Theatre. Capacity has been reduced to comply with COVID-19 Secure guidelines for social distancing plus robust risk mitigation. In addition to hand sanitation, face coverings and track and trace, other measures will include contactless tickets, temperature testing and the deep clean and sanitation of the theatre.
Simultaneously SIX is announcing that the UK Touring Cast will resume performances in the Lyric Theatre at the Lowry in Salford from Friday November 27, 2020 for a 6-week Christmas season.
SIX producers Kenny Wax, Wendy & Andy Barnes and George Stiles say, ‘Across our two UK productions of SIX we have the opportunity to give work to 100 or so actors, musicians, technicians, stage managers, production managers, costume makers, marketing, press, ticketing and office staff. We accept that with social distancing it is unlikely to be economically viable, but we hope to entertain many thousands of theatregoers who have been starved of live entertainment since March. We hope that opening SIX will help build audience confidence and bring business back to the local economy. We also understand that restarting productions, particularly musicals, remains impossible for most producers for reasons of scale, finance and lack of cancellation insurance. We continue to look forward to the day when social distancing is removed and theatre can play to 100% capacity.”
SIX has become a global phenomenon since its early days as a student production in a 100-seat room at Sweet Venue during the 2017 Edinburgh Fringe Festival. As the pandemic struck, SIX was playing to sold out houses in London’s West End, across the UK and Australia, and had its opening night in New York on Thursday March 12 cancelled when the New York Governor shut down Broadway three hours before the show was due to open.
SIX will return to the Arts Theatre in March 2021 subject to the lifting of social distancing, and ‘Get Up, Stand Up! The Bob Marley Musical’ opens at the Lyric.
Tickets for SIX at the LYRIC THEATRE will go on sale at 8am Friday 18 September
Photos by Eleanor Howarth
Wednesday 2 September 2020
16 Her-storical Facts That Didn't Make it into Six The Musical
Six the Musical isn't only full of absolute boppage, but also a fair few facts about the Queens we know and love. However, the 75 minute musical can't cover everything so here are sixteen herstorical facts you may not know...
1. Twenty one years Henry’s junior, Catherine Parr was actually named after Henry’s first wife, Catherine of Aragon, to whom Catherine’s mother had been a lady-in-waiting.
2. Before marrying Henry VIII, Catherine of Aragon was married to his elder brother, Arthur. Arthur died of a mysterious “sweating sickness” shortly after their marriage, leaving Catherine a widow at just 16 years old.
3. Between Arthur’s death and her marriage to Henry, Catherine served Henry’s father (Henry VII) as the royal ambassador to Spain, making her the first female diplomat in European history.
4. The day after Anne Boleyn’s beheading, Henry got engaged to Jane Seymour, Anne Boleyn’s lady in waiting. While she was publicly proclaimed queen, her coronation never went ahead due to an outbreak of plague.
5. Catherine Parr was a dedicated patron of the arts, and she encouraged the spread of Renaissance humanism. When Spanish scholar Juan Luis Vives wrote a book arguing that women had the right to an education, he dedicated it to Catherine.
6. As a young woman, Jane Seymour almost married William Dormer, the son of Sir Robert and Lady Dormer. However, William’s mother canceled their engagement because she thought Jane wasn’t noble enough.
7. Two months before her execution, Anne Boleyn helped pass the poor law which said that “local officials should find work for the unemployed”
8. Contemporaries held Holbein’s pictures to be accurate depictions of the girls—not flattering misrepresentations, as the legend came to describe them. However, both Anne of Cleves and her sister Amalia wore veils covering their faces most of the time, so it is believed that it was a struggle to get them to reveal themselves for portraits.
9. Jane Seymour divided opinions, with one courtier saying she was “not of much beauty,” whilst another named her “the fairest of all the king’s wives.”
10. Henry’s treatment of Catherine of Aragon after their divorce caused a major rift between Henry and his daughter, Mary. To help curb Mary’s resentment, Henry forbid the mother and daughter from communicating, but sympathetic servants secretly carried letters back and forth between them.
11. According to one legend, Henry wrote the famous, anonymous “Greensleeves” to seduce the woman who would become his second wife, Anne Boleyn.
11. According to one legend, Henry wrote the famous, anonymous “Greensleeves” to seduce the woman who would become his second wife, Anne Boleyn.
12. Catherine of Aragon remained married to Henry VIII for 24 years. Their marriage lasted longer than all of Henry’s other marriages combined.
13. Catherine Howard was at least two, if not seven, years younger than Henry's daughter Mary, so she found it very hard to be a motherly figure
14. Catherine of Aragon spent her final days as the image of Catholic piety. Though she had access to all of Kimbleton Castle, she remained in a single room, fasting and praying.
15. During his courtship with Anne of Cleves, Henry also considered her sister, Amalia! After Holbein returned and Henry saw both portraits of the women, he went with Anne over Amalia. Many historians agree that the choice probably had less to do with looks, and more because as the younger daughter, Amalia had less hereditary rights than her sister.
16. Whilst still married to Anne, Henry began a flirtation with Jane Seymour, even giving her a locket with his own portrait inside!
15. During his courtship with Anne of Cleves, Henry also considered her sister, Amalia! After Holbein returned and Henry saw both portraits of the women, he went with Anne over Amalia. Many historians agree that the choice probably had less to do with looks, and more because as the younger daughter, Amalia had less hereditary rights than her sister.
16. Whilst still married to Anne, Henry began a flirtation with Jane Seymour, even giving her a locket with his own portrait inside!
So there you have it, sixteen facts about the Queens of the castle! Hopefully it won't be long until we can rock out like royalty at the theatre, but in the meantime, stay safe and channel your inner queen!
Friday 14 August 2020
Indoor Theatre Allowed To Resume From Weekend
It has been announced that from the weekend socially distanced audiences can return for indoor performances in theatres, music halls and other venues. Building on pilot success from a number of venues, including the London Palladium.
Oliver Dowden said that this is Another important step on the recovery of the arts, helped by the government's £1.57bn rescue package and that this government is #HereForCulture
This is a developing story
photo credit: FreePik
Monday 3 August 2020
A Stagey Guide to Singing... Rachel Tucker | Interview
Hello stagey people! Light seems to be shining at the end of the tunnel but there's still a distinct lack of theatre in our lives; so I thought today I would bring you a mini Q&A from the Rewrite This Story vaults. A while back I chatted to Rachel Tucker and asked her a few vocal technique related questions...
What are your go to warm ups?
I have a great warm up that a friend from New York introduced to me. A slow long warm up that slowly builds and is quite a classical warm up and it gets my break from my chest voice to head voice really smoothed out and warm.
You are the Queen of belting, do you have any tips? Do you change vowel shapes or anything like that?
It shouldn't really be the vowels you change it's the back of the throat. You can still sing the same vowel bright and belted with just some adjustment of the throat. It depends but I wouldn't really because it's nothing to do with the vowel shape, you should be able to belt any vowel or consonant. It's about the shape at the back of your throat. Space, space, space!
What are your tips for keeping your body and voice healthy?
Oh definitely to consume more water than you think is physically possible. Don't underestimate how much talking tires your voice, if you have a big sing just go on vocal rest, text friends and write things down.
And steaming after a big sing for sure- about 45 minutes with a facial steamer with a mouth piece and it'll bring down any swelling in your throat down, it should be for 30 minutes... at least!
And steaming after a big sing for sure- about 45 minutes with a facial steamer with a mouth piece and it'll bring down any swelling in your throat down, it should be for 30 minutes... at least!
Thanks so much to Rachel for answering these questions way back when! Stay safe and stay stagey!
-Olivia
Editor of Rewrite This Story
Wednesday 22 July 2020
The Barn Theatre announce outdoor festival: BarnFest
The Barn Theatre in Cirencester has announced the launch of their first Summer outdoor theatre festival, BarnFest – Outdoor Theatre Festival, which will run from 25 July until 5 September.
The outdoor festival, which will be held within the grounds of Ingleside House adjacent to the theatre, will bring the award-winning theatre outdoors with entertaining productions catered towards the whole family ranging from children’s entertainment to re-imagined Shakespeare.
Giffords Circus star Tweedy the Clown will launch the inaugural BarnFest season with his new family entertainment extravaganza Tweedy: Al Fresco!
The season will be followed by Natasha Barnes and Vikki Stone in their musical mashup Funny Gals: A History of Women Being Hilarious In Musicals. The show explores the comedy music written for women in musical theatre.
Outdoor theatre company Illyria Theatre will be bringing three of their acclaimed productions to the festival: The Wind in the Willows, The Emperor’s New Clothes and The Adventures of Doctor Dolittle.
Rosie Day, will star in her play Instructions For A Teenage Armageddon. The production, directed by Georgie Staight and featuring the voice of Maxine Peake as Sensible Scout Leader Susan, previously had a successful run at The Old Red Lion Theatre in London. Instructions For A Teenage Armageddon is co-produced by Studio POW and the Barn Theatre.
New theatre company SCOOT Theatre will bring their re-imagined production of A Midsummer Night’s Dream, a 60-minute retelling set within the world of cricket, to the festival. The production, directed by Joseph O’Malley, features a cast including past Barn Theatre actors Aaron Sidwell and Max Hutchinson.
The season will also feature two brand new co-productions from the Barn Theatre. The first will be a new production of Simon Reade’s play adaptation of Private Peaceful by Michael Morpurgo, directed by Alexander Knott, will run at BarnFest from 17th to 22nd August. The show is co-produced by Take Two Theatricals, BoxLess Theatre and the Barn Theatre.
A new production of the Kander & Ebb musical revue The World Goes ‘Round will complete the run as part of BarnFest. The production will be directed by Kirk Jameson with musical direction by Nick Barstow.
Iwan Lewis, Artistic Director said: “We’re back! I am absolutely delighted to announce that the Barn Theatre, under unprecedented circumstances, is launching its very first outdoor theatre festival, BarnFest. Since the government statement allowing outdoor theatre to take place just over a week ago, the team have worked tirelessly to bring together a month-long programme of events featuring everything from children’s entertainment to Shakespeare. So, there’s something for all the family. I’d like to assure everyone thinking of attending that your safety has been paramount in planning this event. All precautions have been taken to ensure you enjoy a safe and friendly festival environment and we cannot wait to have our audiences back at the Barn.”
The theatre will be adhering stringently to all government guidelines during the festival and have released further details and information regarding the venue and procedures to keep audiences, staff and performers safe on their website here: https://barntheatre.org.uk/barnfest/bfyoursafety
Grease UK Tour starring Peter Andre to return in 2021
The producers of the first new production in 25 years of Jim Jacobs & Warren Casey’s iconic musical Grease, are delighted that the show will tour the UK and Ireland in 2021. The musical was due to tour in 2020 but had to be postponed due to COVID-19.
Following his success starring in the UK and Ireland tour in 2019, Peter Andre will star in the 2021 tour at certain venues and performances (Plymouth, Cardiff, Bristol, Milton Keynes, Dublin, Liverpool, Bromley, Southampton, Nottingham, Manchester, Dartford, Canterbury and Birmingham). As well as reprising the role of Teen Angel, Andre will also play Vince Fontaine.
The 2021 tour will begin at Theatre Royal Plymouth, running from 22 – 30 January, and will then play Wales Millennium Centre, Cardiff from 1 – 6 February, Bristol Hippodrome from 8 – 13 February, Edinburgh Festival Theatre from 16 – 20 February, Norwich Theatre Royal from 22 – 27 February, Milton Keynes Theatre from 1 – 6 March, Bord Gais Energy Theatre, Dublin from 16 – 27 March, The Alhambra Theatre, Bradford from 29 March – 3 April, Liverpool Empire from 5 – 10 April, Sheffield Lyceum from 12 – 17 April, Churchill Theatre, Bromley from 19 – 24 April, Stoke Regent Theatre from 3 – 8 May, Mayflower Theatre, Southampton from 11 – 15 May, Grand Opera House, Belfast from 18 – 22 May, Theatre Royal Nottingham from 24 – 29 May, Royal & Derngate Northampton from 31 May – 5 June, Palace Theatre Manchester from 7 – 19 June, The Orchard Theatre Dartford from 21 – 26 June, The Marlowe Canterbury from 28 June – 3 July, The Sands Centre, Carlisle from 6-10 July and The Alexandra, Birmingham from 12 – 17 July.
Andre said "I was so thrilled to have been returning to Grease this year as I had the most wonderful time last year working with our incredible cast and creative team. Sadly, this year's tour had to be postponed due to COVID-19 but I'm overjoyed that we can return in 2021. Grease is joyous and will truly allow you to escape to a different time, with show-stopping dance routines and some of the most iconic songs of all time. It's a show about solidarity and it celebrates friendship. As the song goes, We Go Together!"
Grease is directed by Nikolai Foster and choreographed by Arlene Phillips, with designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and 2021 tour casting by Kay Magson CDG, with original tour casting by David Grindrod CDG.
This new production of GREASE is produced by Colin Ingram, InTheatre Productions, Donovan Mannato, Playing Field, Hunter Arnold, Araca and Curve.
photo credit: Manuel Harlan
Spice World drive-in concert to feature Lucie Jones, Aimie Atkinson, Bronté Barbé, Danielle Steers and Zizi Strallen
Five West End stars will come together to perform a live concert of Spice Girls hits before a drive-in cinema screening of Spice World.
Presented at the Troubadour Meridian Water, the drive-in experience will start at 9pm on Saturday 1 August, with doors opening at 8.15pm.
Put together by producer Paul Taylor-Mills, the concert will feature Aimie Atkinson (Six / Pretty Woman) as Ginger, Bronté Barbé (Shrek/Beautiful) as Baby, Lucie Jones (Waitress/Rent) as Sporty, Zizi Strallen (Mary Poppins/Strictly Ballroom) as Posh and Danielle Steers (Bat Out of Hell/Six) as Scary.
The performances are in a raised central location and relayed back to a giant cinema screen, giving everyone a great view wherever they park up.
Social distancing guidelines will be adhered to and updated in accordance with government guidelines for the performances, with cast, crew and audiences all observing protocols throughout the evening.
The concert has lighting by Andrew Exeter, sound by Dan Samson and choreography by Alexzandra Sarmiento.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Andrew Scott to appear in new play streamed live from the Old Vic
Andrew Scott will star in a new play streamed live from an empty Old Vic auditorium, for five performances in July and August.
Entitled Three Kings, the scratch performance of Stephen Breresford's piece is directed by Matthew Warchus. The play follows Patrick, a man who reflects on the role of his father in shaping his life following eight years of absence.
Warchus said: "I am hugely grateful to Stephen for writing this play specially for the Old Vic: In Camera series and to Andrew for agreeing to perform it. Their generous support of the Old Vic at this critical time and their spirit of adventure in joining us in this crucial fundraising experiment is enormously appreciated."
Tickets to watch the stream will cost between £10 and £40, with dates from 29 July to 1 August.
Following the performance on 1 August, the venue will stream a conversation between Scott and Dermot O'Leary. General booking opens 22 July.
photo credit: Michael Buckner/SHOWTIME
Monday 20 July 2020
Fanny and Stella musical to run at new open-air theatre in London
A brand new socially distanced open-air production of Fanny And Stella, a musical with Book and Lyrics by Glenn Chandler, the creator of ‘Taggart’, and Music by Charles Miller, is to be staged as the premiere production at The Garden Theatre in the newly refurbished beer garden of The Eagle.
Producer Peter Bull said: “We are taking baby steps as we venture into the brave new world of open-air socially distanced performances. We are only performing three shows a week initially but we aim to increase this after a successful launch.”
This hugely entertaining, relentlessly entertaining romp is based on bizarre events and real characters in Victorian London. Ernest Boulton and Frederick William Park were two young men who, in 1871, were put on trial in London for dressing as women and conspiracy to commit sodomy, a felony at the time. They dressed up as women (and were very good at it) for amateur theatricals, but when the show was over, and sometimes when there wasn’t even any show, as ‘Fanny and Stella’ they would frequent places of entertainment in the West End where men encountered men for sex and male prostitutes plied their trade. Park and Boulton were acquitted - an amazing victory for the time when sexual acts between men carried a sentence of two years - primarily because conspiracy could not be proved. Or perhaps it was because one had a father who was a judge, and the other a mother who swayed the court with her tears.
Upon their acquittal, Park and Boulton - as Fanny and Stella - along with their theatre company, take their story on the road. They hire a venue for “one night only” to tell their amazing true story of their lives, their trial, and their sensational acquittal. But are they in an ungiving age putting themselves on trial a second time?
The show will star Jed Berry as Ernest Boulton/Stella and Kane Verrall as Frederick William Park/Fanny. Further casting to be announced.
It has a first class creative team led by director Steven Dexter, with musical staging by Nick Winston, musical director Aaron Clingham, designer David Shields and casting by Anne Vosser. It is produced by Peter Bull for LAMBCO Productions.
Please note: face masks or coverings must be worn throughout the performance by socially-distanced audience members.
Concept album of new British musical Mascherato released on all streaming platforms
In the heart of 18th century Venice we meet Luca and Elena, and follow as they fall in love
against the backdrop of the thriving carnival. However, the pair are torn apart as Venice
sinks into war against the Ottoman Empire. When the conflict finally ends, and the empire
proves victorious, the two lovers must fight against fate to be reunited.
With music, lyrics, and original story by Michael Elderkin, and book by James Willett, this
sweeping epic is ready to be experienced.
Originally conceived by Elderkin in 2015, and following a successful workshop in 2017, the
show has proven to be hugely popular.
As such, and wanting to reach as wide an audience
as possible, the show has been transformed into a concept album. Recorded with a stellar West End cast (including Rob Houchen, Katy Treharne, Jeremy
Secomb, and Nathaniel Parker), a chorus of twelve, and a 22- piece orchestra in Abbey Road
Studios – this lush and colourful score will take you on a journey through the mystery and
magic that resides within the twisted labyrinth of Venice.
A new British musical, Mascherato is now available on all music streaming services (iTunes, Spotify, Amazon, etc).
Mascherato is a story of hope – of belief in something greater than ourselves and the
importance of having faith that all will be well in the end. A message that the world as whole
really needs right now.
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