Tuesday, 31 January 2023
Cast for Cake- The Marie Antoinette Playlist Announced
Paul has said, “We are delighted to be partnering with 5 of the leading regional theatres to present a development production of this brilliant new show. I first commissioned this at The Other Palace five years ago and am delighted to be working with some of the best theatre makers in Drew McOnie, Morgan Lloyd Malcolm, Tasha Taylor Johnson and Jack McManus. The show started life at our first MTFestUK and it’s great to see it come to production.”
Full cast announced for Winnie The Pooh The Musical
The UK and Ireland premiere will begin performances at London’s Riverside Studios (Hammersmith) from 17 March, with an official opening on 26 March. The show will then tour the UK and Ireland until September 2023. Tickets for Riverside Studios and the UK & Ireland Tour are now on sale.
Sharing the role of Winnie the Pooh in London will be the previously announced Jake Bazel (who originated the role in New York) and Benjamin Durham (Young Frankenstein). Benjamin will play the title role on tour. The much-loved characters of Eeyore, Piglet, Rabbit, Owl, Kanga and Roo will be brought to life by an ensemble of performers, including Laura Bacon (Britain’s Got Talent, Star Wars), Harry Boyd (The Play That Goes Wrong, Buddy: The Buddy Holly Story), Alex Cardall (Evita, The Osmonds: A New Musical), Chloe Gentles (Mamma Mia!, Beautiful: The Carole King Musical), Lottie Grogan (Smurfs Save Spring: The Musical, The Lips for Puppets with Guys) and Robbie Noonan (Avenue Q UK Tour, Jack and the Beanstalk).
Deep in the Hundred Acre Wood, a new adventure is about to happen. A.A. Milne’s beloved characters, Winnie the Pooh, Christopher Robin and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit and Owl (and Tigger too!), will all arrive on stage in a beautifully-crafted musical stage adaptation.
In a new story from the Hundred Acre Wood, this fresh stage adaptation is told with impressive life-size puppetry, exciting new stories and featuring characters that have played iconic roles in the lives of children for generations. Accompanying the modern narrative is an original score by Nate Edmondson, featuring some of the Grammy award-winning songs written by the Sherman Brothers for the original animated features, including Winnie the Pooh, The Blustery Day, The Wonderful Thing About Tiggers and Whoop-De-Dooper Bounce, plus A.A. Milne’s The More It Snows (featuring music by Carly Simon) and Sing Ho in a new arrangement.
Winnie the Pooh: The New Musical Adaptation is developed and presented by renowned family entertainment creator Jonathan Rockefeller (whose spectacular puppetry is omnipresent in the acclaimed productions of The Very Hungry Caterpillar Show, Paddington Gets in a Jam and Sesame Street the Musical).
Inspired by the beloved books by A. A. Milne and the classic Disney featurettes, the production was welcomed in New York in 2021, where it broke theatre box office records for the largest advance, with rave reviews where it was called “Enchanting!” (Time Out); “Winnie the Pooh: The New Musical Stage Adaptation is magical, sweet as honey, and full of humor. It's a wholesome, delightful, enchanting piece of theatre,” (BroadwayWorld); “A perfect reintroduction to live theater. It’s a captivating adventure with spectacular puppetry,” (Mommy Poppins); “Charming and whimsical stage show that Pooh surpasses every expectation I had for it,” (The Laughing Place); “Winnie the Pooh is delightfully first-rate,” (Theatre Pizzazz); “Irresistible. ‘Winnie the Pooh’ is sweeter than honey,” (DC Metro Arts); “An hour of bountiful joy,” (New York Theatre Guide); “Mesmerizing and lifestyle puppets and original Sherman Brothers tunes, the beautiful new Winnie the Pooh musical is must-see,” (Theatrely); “The wonderful thing about musicals is that musicals are wonderful things. The New ‘Winnie the Pooh’ Musical Is Sweeter than Honey,” (Toy Insider).
Website: winniethepoohshow.co.uk
Facebook: @WinnieThePoohShowUK
Twitter: @WinnieShowUK
Instagram: @WinnieThePoohShowUK
Friday, 27 January 2023
In Clay, The Vaults | Review
A sweet tale of a female artist, specifically a potter/clay creator, in 1930s France, In Clay follows our protagonist Marie-Berthe developing her love of creating as well as looking at a few of her relationships and ultimately, the way she strives for and eventually defines, success.
Rosalind Ford takes the helm of this one woman show and does so with glorious affect. Not only does Ford play Marie-Berthe, but also a number of side characters such as her best friend Henrietta and her teacher Jean-Charles, all of whom you truly feel have entered the stage. With the noise of next door's performance and the rattling trains overhead, your attention could easily wander but Rosalind does a stellar job of keeping you engaged throughout. Her vocals are also gorgeous and an absolute treat to listen to.
Aside from the performance, the star of this show is the lovely music that is typically and gloriously French. Jack Miles and Rebecca Simmonds's songs completely embody French-cafe, pre/post war vibes and are so fitting to the story, with an especially wonderful scat section that really mirrors the freedom of art. A couple of the songs feel abruptly/imperfectly ended and could do with a slight rework but overall they're very smooth and the clever lyrics are so witty and compelling.
All in all In Clay is a short, sweet, well-moulded show that with a few more tweaks on the potters wheel could be perfect. A great opener to the 2023 Vault Festival, it will be a treat to see how this musical progresses.
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 26 January 2023
The Ocean at the End of the Lane (Tour), New Victoria Theatre | Review
Thursday, 19 January 2023
Allegiance, Charing Cross Theatre | Review
Wednesday, 18 January 2023
Moulin Rouge! the Musical, Piccadilly Theatre | Review
A tale of two halves, Moulin Rouge the Musical is both a spectacular spectacular and a chaotic conundrum. Based on the 2001 film of the same name, it tells the story of fated lovers Christian and Satine, who despite the hardships which surround them, just want to be free to love one another. This musical adaptation takes elements from the film but also puts an extreme jukebox spin on the whole thing.
The real issue with Moulin Rouge is the clunky, all over the place book, which, especially in act one, feels basic. Random lines of dialogue are interspersed with pop songs that come out of nowhere and elicit awkward laughter from the audience; and the show feels confused, as if it can’t decide whether to lean into the comedy or try to be a serious show. There are also a number of side character arcs woven in to further the plot, each of which feel too random and under-developed to really elevate the show in any way. The heart of the story is Christian and Satine love and it would be more effective if we only followed their story.
Friday, 13 January 2023
Kurios, Cirque du Soleil, Royal Albert Hall | Review
Thursday, 12 January 2023
The Commitments (UK Tour), New Wimbledon Theatre | Review
Wednesday, 11 January 2023
Six the Musical, Vaudeville Theatre | Review
Entering the Vaudeville theatre last night there was a bustling energy, not just because everyone was excited to see Six but because the cast of the highly addictive tv show, the Traitors were in the audience. Murmurs of “traitor” and “faithful” filled the air and the buzz was certainly something, who knew we’d all be so starstruck!? However, once the curtain was drawn it was all eyes on the Queens and a glorious 75 minutes followed.
Going into a new year it’s great to see that Six the Musical is as vibrant and wonderful as ever. The current queens of the castle do an outstanding job of keeping the energy of the show fresh and truly engaging so that both first time audiences audiences and longtime Six fans can feel like they’re experiencing something special.
The cast, made up of Rhianne-Louise McCaulsky, Baylie Carson, Claudia Kariuki, Dionne Ward-Anderson, Koko Basigara and Roxanne Couch are a complete group of powerhouses who give stellar solo performances as well as backing up and complementing each other brilliantly. The camaraderie on stage is clear to see and really adds to the overall message of empowerment and support which is at the heart of the show. Special mention must go to Baylie Carson who is an absolute dream to watch as they bring something completely fresh and charming to the role of Anne Boleyn; I cannot wait to see all their future theatrical endeavours (Fangirls UK please!)
Having been playing at the Vaudeville theatre since 2021 the show feels completely settled and has perfectly upgraded from its first long term home, the Arts, to now filling the space on the Strand. The bigger space allows more to witness to wonder of the musical but the clever, cosy set design means none of the intimacy is lost. Emma Bailey's design is the ideal backdrop for this concert style musical. The simplistic framework really allows the performances to shine but there are also some really clever elements such as the throne which rises up grandly. Paired with Tim Deiling's lighting, you really do get the fully visceral concert experience.
A Tudor tale like no other Toby Marlow and Lucy Moss' show continues to get better and better and there's no end in sight for its reign of brilliance. Six the Musical will have you bowing down to the queens and then on your feet to dance along with them- go see this show.
photo credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 10 January 2023
Aimee Lou Wood and John McCrea to Join Cast of Cabaret
Cabaret at the Kit Kat Club in London’s West End are delighted to announce that BAFTA Award winner Aimee Lou Wood will play ‘Sally Bowles’, Olivier Award nominee John McCrea will play ‘The Emcee’ and Nathan Ives-Moiba will play ‘Cliff Bradshaw’ from 13 February 2022 until 27 May 2023. kitkat.club
Aimee Lou Wood said today “I’ve wanted to be Sally Bowles since I was around 10 so this is really special. I’m unbelievably excited and having the greatest time in rehearsals. The production is so wonderful and I feel honoured to be stepping into this beautiful team of people!”
John McCrea said today “I’m thrilled to be taking on the iconic role of the Emcee in this ground-breaking production of Cabaret. It’s an absolute honour to be joining this amazing company of artists.”
Aimee Lou Wood is best known for her portrayal of Aimee Gibbs in all three series of the Netflix series Sex Education for which she won the BAFTA Award for Best Female Comedy Performance. She recently starred in the critically acclaimed film Living opposite Bill Nighy. Her stage credits include Sonya in Uncle Vanya at the Harold Pinter Theatre in the West End and Downstate at the National Theatre.
John McCrea created the role of Jamie New in the smash hit musical Everybody’s Talking About Jamie at both the Sheffield Crucible Theatre and the West End’s Apollo Theatre. For his performance he was nominated for the Olivier Award for Best Actor in a Leading Role in a Musical and won the Most Promising Newcomer at the Critics Circle Theatre Awards, the WhatsOnStage Award for Best Actor in a Leading role in a Musical and the UK Theatre Award for Best Musical Performer. He recently appeared as Max in Daddy at the Almeida Theatre and his film credits include Artie in the hit Disney film, Cruella.
Nathan Ives-Moiba’s many theatre credits include As You Like It at the National Theatre, My Children My Africa at Trafalgar Studios, Our Country’s Good for Out of Joint, A Midsummer Night’s Dream, And Did Those Feet and Tull, all at the Octagon Theatre. For his performance in Tull, Nathan was nominated for the Best Newcomer at the Manchester Theatre Awards.
At certain performances, the role of Sally Bowles will be played by Emily Benjamin.
As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.
The final performance for Callum Scott Howells as ‘The Emcee’ and Madeline Brewer as ‘Sally Bowles’ will be Saturday 28 January 2023. Sid Sagar’s final performance as ‘Cliff Bradshaw’ will be Saturday 11 February 2023.
Between 30 January 2023 – 11 February 2023 the role of ‘The Emcee’ will be played by Matthew Gent and the role of ‘Sally Bowles’ will be played by Emily Benjamin. At certain performances the role of ‘Sally Bowles’ will be played by Sally Frith.
Matthew Gent’s West End theatre credits include Sweeney Todd at the Adelphi Theatre, The Phantom of the Opera at Her Majesty’s Theatre and Les Misérables at the Queen’s Theatre. His other theatre credits include Rags at the Park Theatre, The Queen of the Mist at Charing Cross Theatre, The Water Babies at Leicester Curve, The Carnival of the Animals at Riverside Studios and Taboo at Brixton Club House.
The cast also includes Vivien Parry as ‘Fraulein Schneider’, Richard Katz as ‘Herr Schultz’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.
The Prologue Company currently includes Rachel Benson, Ami Benton, Laura Braid, Reuben Greeph, James Hastings, Samantha Ho, Emma Holt, Liz Kamille, Andrew Linnie, Aine McLoughlin and Callum Sterling.
This unique production of Cabaret opened in December 2021 to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April 2022 the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history. The production has also won three prestigious Critics Circle Awards and most recently the Evening Standard Theatre Award for Best Design for designer Tom Scutt.
One of the most successful musicals of all time Cabaret features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.
Cabaret is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision is by Jennifer Whyte and musical direction is by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.
Cabaret at the Kit Kat Club is produced by Ambassador Theatre Group Productions and Underbelly.