Wednesday, 19 January 2022

Bat Out of Hell (Tour), New Wimbledon Theatre | Review


Bat Out Of Hell (Tour)
New Wimbledon Theatre
Reviewed on Tuesday 18th January 2022 by Olivia Mitchell 
★★★★★

There aren’t many touring shows where fire, confetti and belts that melt your faces off are the key selling points, but that’s what makes Bat Out of Hell such a unique and refreshing addition to the touring circuit.

The jukebox musical, with book, music and lyrics by Jim Steinman has had various incarnations since it originally opened in Manchester in 2017. From London to Germany to New York, it’s now entertaining audiences across the country with its larger than life performances.

This certainly isn’t a show that relies on its book which is sometimes hard to follow and all in all is very bare and ridiculous. Instead it is helmed by the stellar effects and outstanding solo and ensemble performances that make it such a high octane and enjoyable show.

Choreography adapted by Xena Gusthart is snappy and incredibly tight as well as being very fitting for the apocalyptic-place-like-no-other Obsidian where the musical is set. This is further helped and developed by Jon Bausor’s grungy set and Patrick Woodroffe‘s lighting which both shocks the audience into watching as well as literally highlighting more tender moments on stage.

Of course over the various productions there have been a number of changes. Perhaps most noticeable with this current iteration, is the smaller cast and cut down set. Despite being somewhat noticeable if you’ve seen the show before, these cuts don’t mean there’s any less oomph or energy and in fact, a Tuesday night performance in Wimbledon, felt like a Saturday show (complete with some audience members who wanted their own solos!) In many ways, it’s a show which thrives off of its audience, with many loyal fans supporting it in every possible way. And despite it sometimes detracting from the performers on stage, it’s quite nice to see and hear people so engaged and uplifted by a performance after so long not having live theatre. It's really a show which encourages community and enjoyment, two things we could all use a little more of.



Bat Out of Hell is very much cast led and excels due to its incomparably talented performers who are full out in every moment. As the caged daughter Raven, Martha Kirby is excellent, showing both a tempestuous side and a softer, head over heels in love side. Alongside this her vocals are extraordinary, with a number of stand out moments including Heaven Can Wait and All Coming Back to Me Now. Matha's stage presence is magnetic and it's just a 10/10 performance all round. Alongside her as the male lead is Glenn Adamson who is bold and boisterous with his performance. He brings a kind of frenzied side to Strat and is utterly engaging, as well as giving vocals that soar and shine.

Another change from past London productions is the reworked  placement and character of Valkyrie who becomes one of the main trio of The Lost. As Valkyrie, Kellie Gnauck is a complete powerhouse who steals the show several times and adds a lovely new dimension to many songs thanks to her fine tuned harmonies. Bat Out of Hell veterans Rob Fowler and Sharon Sexton continue to triumph and delight as Raven's parents, Falco and Sloane. Their comedic timing is marvellous, as are their vocals and ability to switch moods on a dime. It's a joy to watch them perform together and with the other cast members. What Part of My Body Hurts The Most is a real high point of the show.

Everything is brought together by the ensemble who are electric and so in sync with one another. What's also great about this show is how you can watch various mini plot lines unfurl throughout and the ensemble especially do a great job of highlighting anxieties, relationships etc... within the group. 

If it's a sophisticated narrative you're after, this categorically isn't the show for you, but if you want to escape reality, hear top notch vocals and have an evening that's truly like no other, then fly down to see Bat Out of Hell on tour.

Bat Out Of Hell plays at the New Wimbledon Theatre until 29th January before continuing its tour

photo credit: Chris Davis Studio

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Friday, 19 November 2021

Little Women, Park Theatre | Review



Little Women 
Park Theatre
Reviewed on Thursday 18th November 2021 by Olivia Mitchell 
★★★★

Louisa May Alcott's timeless 1886 classic has earned praise and adoration, especially after the recent adaptation starring Florence Pugh and Timothée Chalamet, therefore there's a lot of excitement surrounding  the London premiere of the Little Women Musical.

Thankfully, this production, adapted by Allan Knee and directed by Bronagh Lagan is a completely wholesome treat which is full of youthful energy and is brilliantly loyal to the novel. It's a tale of life and love, with dramatic ebbs and flows that fit perfectly with musical moments.

The story follows the March sisters, with Jo, the outspoken writer taking us on a whirlwind journey through her life with her other sisters and the people they meet along the way. Everything about the story is intimate and familial and the sleek two level set and general feeling of the theatre fits it exactly.  Particularly enjoyable are the moments when Jo brings her stories to life, at times cleverly mimicking the actions of various performers and later on with projections.

Whilst most of the music adds emotional depth, there are quite a few songs and at times the dynamic feels somewhat one level. They're performed admirably but several songs are a bit samey. However, that's no reflection on the female string quartet who are vivacious from start to finish, nor the cast who are stellar.

Leading the charge is Lydia White as Jo who is entirely excellent. Her voice is clear as ice and her emotional variety and intensity is a dream to watch; she exudes star power from start to finish. As the other sisters Hana Ichijo (Meg),  Anastasia Martin (Beth) and Mary Moore (Amy) complement one another as well as having super strong solo moments. Savannah Stevenson's voice is stunning as she plays the role of the matriarch Marmee. Stevenson's vocal technique shinea through as she gives a nuanced and throughly endearing performance.  Ryan Bennett as Professor Bhaer is charming as is Sev Keoshgerian who makes Laurie a bumbling, loveable and humourous character. Mention must also go to Lejaun Sheppard who is brilliant as John Brooke. 

As a whole this is a wholesome musical that will have you laughing and tearing up. A number of shining performances and a story which highlights the importance of both unity and independence make it a thoroughly enjoyable time. Little Women is a little show with a big heart and hopefully a big future ahead of it!

photo credit: Pamela Raith
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My Fair Lady to Open at the London Coliseum


New York’s Lincoln Center Theater’s critically acclaimed and multi award-winning production of Lerner & Loewe’s much loved MY FAIR LADY will transfer to the London Coliseum for a limited summer engagement in what will be the first major West End revival of the show for 21 years. The season comes as part of the ongoing celebrated tradition of summer musicals at the London Coliseum. The perfect way to celebrate London’s theatre scene as it blossoms once more after the pandemic. Performances begin on 7 May 2022 with an opening night on 18 May 2022.

Tickets will go on sale to the general public on 23 November 2021 at 10am. For the latest news and to be amongst the first to access tickets please sign up to the mailing list at www.myfairladymusical.co.uk 

Directed by Bartlett Sher, this sublime production, which premiered in the spring of 2018 at Lincoln Center’s Vivian Beaumont Theater, was the winner of the Tony Award for Best Costume Design,  5 Outer Critics’ Circle Awards including Best Musical Revival, the Drama League Award for Outstanding Musical Revival, and the Drama Desk Awards for Best Musical Revival and Costume Design. The London production will feature the English National Opera’s award-winning Orchestra playing Frederick Loewe’s ravishing score.

Bartlett Sher said: “Getting a chance to revisit Shaw's extraordinary story of class and privilege in a new age, and especially for London audiences, is a rare and special event.  And I am also thrilled to be back at the ENO and the Coliseum, a perfect space for this epic musical.”

“Lerner and Loewe’s My Fair Lady has returned to Broadway in a smashing new production from Bartlett Sher (The Sound of Music, The King and I).”
The Guardian

“Lavish revival of Lerner and Loewe’s 1956 masterwork…”
The Washington Post

My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady”. But who is really being transformed?

With a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, MY FAIR LADY boasts a score including the classic songs “I Could Have Danced All Night,” “Get Me to the Church on Time,” “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “The Rain in Spain,” and “I’ve Grown Accustomed to Her Face.” 

“Thrilling! Glorious and better than it ever was! A marvellous and transformative revival.”
New York Times

Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion, Lerner & Loewe’s MY FAIR LADY premiered on Broadway in March 1956, winning 6 Tony Awards including Best Musical, and becoming the longest-running musical in Broadway history at the time. Following this success, the production transferred to London in 1958, where it played in the West End for five and a half years. 

MY FAIR LADY has seen many notable revivals and adaptations, including the acclaimed 1964 film starring Audrey Hepburn and Rex Harrison, which won eight Academy Awards, including Best Picture. Most recently on the London stage, Cameron Mackintosh’s 2001 revival at Theatre Royal Drury Lane won three Olivier Awards, and later toured across the UK and Ireland in 2005.

James L. Nederlander, Jamie Wilson, Hunter Arnold, Playful Productions and the English National Opera present the Lincoln Center Theater production of Lerner & Loewe’s MY FAIR LADY at the London Coliseum, with sets by Michael Yeargan, costumes by Catherine Zuber, lighting by Donald Holder, sound by Marc Salzberg, original musical arrangements by Robert Russell Bennett and Phil Lang, and dance arrangements by Trude Rittmann. 

Full casting for the London production will be announced in due course.

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Wednesday, 17 November 2021

My Name is Not Wigs, Angela Cobbin (Book) | Review



My Name is Not Wigs! | Angela Cobbin
Published: 11th November 2021 by Brown Dog Books
Rating: 4 out of 5 stars

If you're a theatre fan (which I'd assume you are if you're reading this) then I would urge you to pick up My Name is Not Wigs! by Angela Cobbin. It's not just a look at theatre but it provides a deep dive into what goes on behind the scenes, and a look at all the hard work which goes into learning and perfecting a craft.

The book is an enticing and enthralling journey through theatre, fashion and history as Angela goes from a hairdresser/manicurist in the 1960s, to a wig maker for massive West End and Broadway shows. What's lovely about this book is that it feels like chatting to an old friend. Angela's writing is witty and natural from page one, with the whole thing reading like a very entertaining and humourous train of thought.

Angela expertly makes us feel part of her backstage adventures without being excessive or including gossip to make things seem extra dramatic. As far as stagey memoirs go, this is up there with the most entertaining and certainly broaches an aspect which is not often written about. Angela's career is super interesting, with so many exciting moments combined with hard graft. The beautiful imagery included in the book adds another element and takes you through the various locations Angela mentions. I particularly loved the photo of Angela's work place Nathans at the start which was so evocative of the time- I felt like I could breathe in the photo and would absolutely love to watch a film set purely in that work room!

My Name is Not Wigs is a fascinatingly beautiful insight into what goes on behind the scenes at theatres as well as a celebration of a theatrical aspect which is so important to shows but often goes unsung. My Name is Not Wigs! is a perfect addition to a theatre fan's bookshelf and you'll never watch a show without paying special attention to the hair on the characters heads after reading it!

My Name is Not Wigs! is available for purchase now

*This book was sent to me for review purposes. All views and opinions are my own*

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Friday, 12 November 2021

The Choir of Man, Arts Theatre | Review


The Choir of Man 
Arts Theatre 
Reviewed on Thursday 11th November 2021 by Olivia Mitchell 
★★★★

Nine men, a pub, singing, dancing and amazing energy levels, The Choir of Man is an absolute treat of a show that's ready to entertain audiences this year at the Arts Theatre. Following three sell-out seasons at the Sydney Opera House and various US and European tours, a West End debut seems like the natural next step and how lucky we are that it's found a home in London where it can spread musical joy every evening.

Set in your average pub (The Jungle), the show follows nine individuals as they discuss aspects of their lives and share their stories with one another in a sort of beer filled utopia. The show features a number of reimagined classic songs such as Sia's Chandelier, The Impossible Dream from Man of La Mancha, Somebody to Love and many more. Every single number is performed expertly by the performers and you're constantly waiting for the next song to start and wrap you up in its harmony filled embrace.

What's so wonderful about this show is the simplicity of it. The basic set includes a bar, some tables and the band set up on a higher level. The costumes are everyday clothes and aside from some glasses and the occasional other item, there are no props. This is a show which really relies on its cast to carry it and they do so with an ease and grace that only comes with innate musicality. It's wonderful to experience such powerful harmonies without any gimmicks overshadowing them. One aspect which must be mentioned though, is Richard Dinnen's lighting design which works perfectly with the songs and helps evoke the various moods throughout.


The only flaw with The Choir of Man is that there isn't really any story or through line to the songs. Whilst it's great that each moment is a snapshot into one of the men's lives, it would be nice if there was a little more plot to tie everything up and round it out. However, credit must go to Ben Norris who plays The Poet and also wrote the monologues which open and close the show and are dotted throughout. These moments are funny, moving and so well performed. Ben is really a masterful storyteller and is completely enthralling.

In fact, the whole cast and band are first-rate. They work smoothly both individually and as a team and really make you feel like you're on a night out with a group of friends.

The energy of this show is really like nothing else on in the West End. Each moment was a sucker punch of emotion or musical brilliance and the whole audience seemed to be buzzing throughout. If you want feel-good, The Choir of Man is the show for you! The cast seems to so genuinely enjoy performing and it really shows and helps make the experience so uplifting and welcoming. This show is a perfect reminder of the importance of community, a message which couldn't be more prevalent now, and it's well worth a visit (and probably a repeat visit) for a night of carefree fun.

Photo credit: Helen Maybanks
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Thursday, 11 November 2021

Six the Musical, Vaudeville Theatre | Review



Six The Musical
Vaudeville Theatre 
Reviewed on Wednesday 10th November 2021 by Olivia Mitchell 
★★★★★

Since opening in 2017 Six the Musical has taken the world by storm, with productions running in the West End, Australia and Broadway, as well as on tour and cruise ships. Laden with awards, critical, and audience praise, it's a history lesson you'll want to revisit time and time again.

In Six the wives of Henry VIII come back to life and remix five hundred years of trauma, grief, drama and exploits to decide who will get to lead their girl-power band. A series of stylistically varied songs chronicle their lives and how they got their place in the classic rhyme: Divorced, Beheaded, Died, Divorced, Beheaded, Survived. It's an 80 minute treat that flies by in a whizz of comedy, vocal excellence, spangly costumes and heart.

The incredible women who make up the cast (at this performance: Jarnéia Richard-Noel, Courtney Bowman, Collette Guitart, Cherelle Jay, Sophie Isaacs and Hana Stewart) give first class solo performances, whilst also bouncing off of one another perfectly. The chemistry and camaraderie on stage is a joy to watch and alongside the stellar audience reaction, makes you really feel part of the girl power rewrite. From the opening beats the energy in Six's new home, the Vaudeville theatre, is completely frenetic and doesn't slow until you're brought back to the real world when you step onto the Strand.

Gabriella Slade's bedazzled costumes are the perfect combo of modern sass, mixed with historical elements. With Tim Deiling's fantastically precise and impactful lighting the women sparkle like royal disco balls and the whole production is an explosion of brilliance. Like the whole show, Emma Bailey's set has had a slight upgrade and continues to perfectly frame the Tudor tale. Toby Marlow and Lucy Moss' score continues to hit however many times you hear it and since last seeing the show, the small tweaks and tucks have made the whole thing tighter and chicer than ever before. 

With huge energy, this royal riot is everything you could wish for and Six the Musical is sure to continue it's reign long into the future. Move aside Henry, it's these Queens we want to remember!

photo credit: Pamela Raith
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Wednesday, 10 November 2021

Barlow & Bear, Creators of the Unofficial Bridgerton Musical to Perform in London



ATG Productions and CAA in association with Wagner Johnson Productions are delighted to announce that musical theatre writing sensations, Abigail Barlow and Emily Bear will perform AN EVENING WITH BARLOW AND BEAR at the Underbelly Speigeltent, Leicester Square on Monday 22 November at 7.30pm. They will be joined on stage by stars from the West End, performing some of the duo’s viral smash hits.

 

Tickets are on sale now. www.christmasinleicestersquare.com

 

Abigail Barlow and Emily Bear are best known as the creators of the viral sensation The Unofficial Bridgerton Musical, inspired by Netflix’s hit series. Their songs and performances have attracted a massive international fanbase, receiving over 250 million views on TikTok. They have broken new ground by involving their audience in their process every step of the way via social media. The Unofficial Bridgerton Musical album was released in September and within two hours was #1 on iTunes U.S. Pop Albums and received over 10 million streams in one week. They have been featured in Variety, People, Entertainment Weekly, The Boston Globe and on the Today Show, BBC, NPR’s All Things Considered and The Kelly Clarkson Show.

 

Abigail Barlow and Emily Bear said today, “We are THRILLED to be performing in London - the city that uplifted our spirits, lit our minds with inspiration, and sparked the idea to create the Unofficial Bridgerton Musical!” 

 

Barlow & Bear are passionate about arts education and the power of theatre to transform lives. A portion of ticket sales will benefit Mousetrap Theatre Project – a charity dedicated to enriching the lives of young people in the UK by making theatre accessible to all, particularly those with limited resources, opportunities or support.

 

Emily Bear is a chart-topping concert pianist, composer, producer, singer-songwriter and performer who made her professional concert debut at five years old. Emily was featured on The Ellen DeGeneres Show for first time at six years old. She has since performed at Carnegie Hall, Lincoln Center, the Hollywood Bowl and Montreux Jazz Festival. She has received the highest accolades across musical styles including ASCAP Concert Music Composer of the Year, Herb Alpert Jazz Composer of the Year, W Magazine’s “It Girl” of the year and a recent award from the Songwriters Hall of Fame. Her mentor, Quincy Jones, produced her debut album and she was the subject of the Emmy-award winning documentary “Girl with a Gift.” Her film and television scoring work includes projects for Disney, Dreamworks, Warner Bros., and Universal. 

 

As a songwriter and performer, Abigail Barlow caught the attention of Meghan Trainor when a song Abigail wrote went viral on TikTok, beginning a lasting collaboration and mentorship between them. Her recent single “Heartbreak Hotel” topped the iTunes Pop Chart at #6 and obtained over 200K streams on Spotify in less than 48 hours. To date it has 7.4 million streams on Spotify. Her artful lyricism and unique melodies have garnered international acclaim. As a young teenager, Abigail’s love of performing live was refined when she found a worldwide audience online with performance platforms YouNow and Musically. A 2017 Shorty Award nominee, she was a founding creator on TikTok — writing and performing her original music in real time for a growing fanbase.

 

“Bridgerton®” is a registered trademark of Netflix Studios, LLC

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Friday, 5 November 2021

Mrs Doubtfire Musical to Receive UK Premiere


Producers Kevin McCollum and Jamie Wilson are thrilled to today announce the UK premiere of Mrs. Doubtfire, the new comedy musical based on the iconic movie.

Mrs. Doubtfire will begin performances at the Manchester Opera House on Friday 2 September 2022, with a strictly limited season through until Saturday 1 October.

Tickets for the Manchester season of Mrs. Doubtfire go on priority sale on Monday 8 November and on general sale on Thursday 11 November at www.mrsdoubtfiremusical.co.uk

Out-of-work actor Daniel will do anything for his kids. After losing custody in a messy divorce, he creates the ​alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.

A hilarious and heartfelt story about holding onto your loved ones against all odds, Mrs. Doubtfire is the musical comedy we need right now.

Kevin McCollum and Jamie Wilson said: “We are thrilled to announce that Mrs Doubtfire will make its UK premiere next year. Manchester is one of the great cities of theatre, and we can’t wait to bring Mrs Doubtfire to the Opera House. We hope audiences will take this hilarious and touching show to their hearts, and promise a great evening for everyone!”

Sarah Bleasdale, General Manager, Palace and Opera House Theatres, said: 

“We’re incredibly excited to have another production launching in the UK from Manchester, and this time – direct from Broadway. We continue to proudly showcase the very best in new musical theatre under our Manchester gets it first banner and know that our audiences have a real treat on the way with the iconic Mrs Doubtfire. A big moment for our theatres and the city, and a production we cannot wait to open our doors to”.

Mrs. Doubtfire has been created by a transatlantic team of award-winning artists, with a book by Karey Kirkpatrick and John O’Farrell, original music and lyrics by Wayne and Karey Kirkpatrick, (the Tony Award-nominated team behind Something Rotten!, along with O’Farrell), direction by 4-time Tony winner Jerry Zaks (Hello, Dolly!), scenic design by David Korins (Hamilton), choreography by Lorin Latarro (Waitress), and music supervision by Ethan Popp (Tina: The Tina Turner Musical).

Mrs. Doubtfire is performing at the Stephen Sondheim Theatre on Broadway, having started at with a spectacular run at Seattle’s 5th Avenue Theatre in 2019. Extended by popular demand, the Seattle engagement shattered the record for the bestselling new musical in the history of The 5th Avenue Theatre, selling over $4.7M worth of tickets and playing to more than 75,000 people in just 42 performances. 

Mrs. Doubtfire is produced by Kevin McCollum and Jamie Wilson and is presented by special arrangement with Buena Vista Theatrical.


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Full Cast Announced for Love Story in Concert




Rebecca Caine (Les Miserables, The Sound of Music, Preludes) will join the previously announced Emma Williams and Michael Xavier for Love Story: 10th Anniversary Concert, directed by Kirk Jameson (I Love You, You’re Perfect, Now Change, Marry Me A Little).

Michael Matus (The Phantom of the Opera, La Cage Aux Folles) will replace Peter Polycarpou as Phil Cavilleri, who has had to withdraw due to scheduling conflicts. Simon Green (Titanic, Mrs Henderson Presents, Priscilla Queen of the Desert) will play Oliver Barrett IV. Completing the cast is Jenna Boyd (Come from Away) as the Doctor. 

The Ensemble features Simbi Akande (The Prince of Egypt), Jordan Cunningham (Priscilla Queen of the Desert), Alison Driver (What’s New Pussycat?), Charlie-Jade Jones (West Side Story), Maximillian Murphy (Parade), and Nikhil Singh Rai (Les Miserables, Mountview). 

Love Story celebrates the 10th Anniversary of Love Story’s premiere at Chichester Festival Theatre and subsequent transfer to the West End’s Duchess Theatre. 

Based on the 1970 New York Times #1 bestselling novel by Erich Segal - which was adapted into one of the highest grossing films of all time - Love Story follows Oliver Barrett IV, a Harvard jock, and Jenny Cavilleri, a gifted musician studying at Radcliffe. 

Love Story was Olivier-nominated for Best Musical, Best Actor in a Musical (Xavier) and Best Actress in a Musical (Williams). Since its West End run in 2010, the show has been performed in the USA, Russia, The Netherlands, Belgium, Brazil, South Korea, Italy, Germany and Bolton Octagon Theatre. 
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Bonnie and Clyde in Concert Full Cast and Company Announced



Fourth Wall Live is delighted to announce the full cast joining Broadway star Jeremy Jordan in the sell-out BONNIE AND CLYDE IN CONCERT at the Theatre Royal Drury Lane on Monday 17 and Tuesday 18 January 2022. www.bonnieandclydeconcert.com
 
Joining the previously announced Jeremy Jordan as ‘Clyde’ will be Olivier-nominated performer Frances Mayli McCann as ‘Bonnie’. The previously announced Laura Osnes is no longer performing in Bonnie and Clyde in Concert.
 
The principal cast is completed by West End stars including Olivier Award winner George Maguire as ‘Buck’, Natalie McQueen as ‘Blanche’, Trevor Dion Nicholas as ‘Preacher’ and Liam Tamne as ‘Ted’.
 
The cast is completed by Casey Al-Shaqsy (The Prince of Egypt, Joseph and the Amazing Technicolor Dreamcoat) as ‘Stella’, Simon Anthony (The Wedding Singer, Ragtime) as ‘Cop/Bud/Archie/Deputy Johnson’ Gillian Bevan (Holby City, Into The Woods) as ‘Cummie Barrow/Eleanor’, Eloise Davies (Be More Chill, Grease) as ‘Trish’, Adrian Grove (Follies, Wonder.land) as ‘Henry Barrow’, Olivier Award nominee Debbie Kurup (Girl From The North Country, The Bodyguard) as ‘Governor Miriam Ferguson’, Matthew Malthouse (Matilda, Mrs Henderson Presents) as ‘Bob Alcorn’, Jeremy Secomb (Sweeney Todd, Les Misérables, The Phantom of the Opera) as ‘Judge/Sheriff Schmid’, Russell Wilcox (Billy Elliot, Annie) as ‘Captain Frank Hamer’ and Julie Yammanee (Lazarus, Spamilton) as ‘Emma Parker’.
 
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent.
 
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of Kylah in Our Ladies of Perpetual Succour. Her other West End credits include ‘Heather McNamara’ in Heathers at the Theatre Royal Haymarket, ‘The Mistress’ in Evita at Regent’s Park Open Air Theatre and Eponine’ in the UK and International Tour of Les Misérables.
 
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace.
 
Trevor Dion Nicholas’s West End credits include ‘George Washington’ in Hamilton at the Victoria Palace Theatre and ‘Genie’ in Aladdin at the Prince Edward Theatre. He also presents on Magic at the Musicals and appears as a panellist on ITV’s All Star Musicals.
 
Liam Tamne’s West End credits include playing ‘Ramses’ in The Prince of Egypt at the Dominion Theatre, The Light in the Piazza at the Royal Festival Hall, The Phantom of the Opera at Her Majesty’s Theatre, Les Misérables at the Queen’s Theatre, Hairspray at the Shaftesbury Theatre and Wicked at the Apollo Victoria Theatre.
 
BONNIE AND CLYDE IN CONCERT has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents) and is directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with musical direction by Katy Richardson (SIX, Rent, Jersey Boys). The Assistant Director is Alexzandra Sarmiento (Hamilton, Message in a Bottle), Lighting Designer is Zoe Spurr (The Unreturning, Tiny Dynamite), Set and Costume Designer is Philip Whitcomb (Atlantis, Stones In His Pockets, Mame), Sound Designer is Tom Marshall (The Drifters Girl, Nativity! The Musical), Production Manager is Phil McCandlish (Rock of Ages, Elf), Company Stage Manager is Graham Harrison (Joseph and the Amazing Technicolor Dreamcoat), Deputy Stage Manager is Anne Baxter (Singin’ in the Rain, Spamalot), Assistant Stage Manager is Tom Fisher (The Curious Incident of the Dog in the Night-Time), Dialect Coach is Charmian Hoare (The Curious Incident of the Dog in the Night-Time, War Horse) and children’s casting is by Keston and Keston (Nativity! The Musical, A Christmas Carol).  BONNIE AND CLYDE IN CONCERT is produced by Fourth Wall Live and co-produced by DLAP Group, Jason Haigh-Ellery and David Treatman Creative.

The band is made up of Assistant Musical Director Chris Poon (Keys 2), Kate Ingram (Reed 1), Hannah Lawrance (Reed 2), Kobi Pham (Guitar 1), Jack Pennifold (Guitar 2), Zach Okonkwo (Drums), Elliot Lyte (Fiddle)and Annie Blake (Bass).

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

Fourth Wall Live is a live entertainment company that produces concerts internationally. It regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Laura Benanti, Sierra Boggess, Kelli O'Hara, Chita Rivera, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke and Bonnie Langford. Upcoming productions at Cadogan Hall include Jenna Russell, Shoshana Bean, Keala Settle and Jessica Vosk.

Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Next year Bonnie & Clyde the musical concert will run for two nights to a sold-out audience at Theatre Royal Drury Lane starring Jeremy Jordan. 

Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live event post lockdown. The current season of Hippodrome concerts runs from September 2021 to December 2021 and features 20 nights of musical entertainment featuring Alice Fearn, Kerry Ellis, Hayley Tamaddon and David O’Reilly.Fourth Wall Live is committed to following all relevant UK Government Covid-19 guidelines, creating a safe working environment for our cast, musicians, creatives, crew and their families.
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