Monday 17 July 2023

The Wizard of Oz at the London Palladium review: A Delightfully Nostalgic Experience

a visual spectacle that fits so well with the whimsical and well-loved world of Oz"

The Wizard of Oz
London Palladium
★★★★

Magic, wonder, and unforgettable melodies reign supreme as you step into the mesmerising world of The Wizard of Oz at the London Palladium. This enchanting production, a transfer from the Leicester Curve, weaves a delightful experience that is sure to captivate audiences of all ages.

Thanks to Nikolai Foster’s direction, once the curtain rises you will find yourself immersed in a world of imagination and fantasy. The detailed costumes, effective sets and strong video effects seamlessly blend together to create a visual spectacle that fits so well with the whimsical and well-loved world of Oz. The semi-modern, steampunk aesthetic lends a unique twist to the classic tale, infusing it with a fresh and vibrant energy.

The cast of The Wizard of Oz delivers exceptional performances, breathing life into the beloved characters with charm and charisma. Dorothy, portrayed by the stunning Georgina Onuorah with innocence and determination, effortlessly captures our hearts as she embarks on her journey to find her way back home. Joining Dorothy on yellow brick road are three iconic friends she makes. Searching for courage, the Cowardly Lion is played superbly well by Jason Manford, who is perfectly evocative of Lahr in the film but with a spin of his own that really works. Looking for a heart the Tin Man is oiled by well by Ashley Banjo who creates some really brilliant moments; the vocals aren’t as stellar as they could be but his dance skills and charisma more than make up for it. Completing the quad is Louis Gaunt as the Scarecrow searching for a heart, who is utterly charming and a real triple threat. The chemistry between the group is well portrayed, however on stage you don’t feel as a strong of a connection to their journey and never root for them quite enough; their story is enjoyable but not as emotionally intense as it could be.

The other supporting cast members shine in their respective roles, each bringing their own unique flair and personality to the story. Christina Bianco’s Glinda and Dianne Pilkington’s Wicked Witch of the West are throughly entertaining, if a little underdeveloped but both provide some of the stand solos of the show. The musical numbers in The Wizard of Oz combine Andrew Lloyd Webber's new compositions with the beloved songs from the classic film and while Webber's additions may not steal the spotlight, they seamlessly blend with the original score, enriching the overall experience. The familiar melodies of ‘Somewhere Over the Rainbow’ and ‘Follow the Yellow Brick Road’ undoubtedly take centre stage, evoking a wave of nostalgia and bringing smiles to the faces of the audience.

This musical really does exactly what you’d expect it to in telling the story which so many love. All the classic moments are featured and there are also some fun things to spot such as Ozified show names (West Witch Story, Margaret Hamilton etc…) a hidden Olaf and some swanky costumes which are truly Ozian. However, act two is a little bit lacking as a whole, with the video aspect which is so effective in act one, becoming gimmicky and a little basic, especially when showing the wicked witch’s army and the flying monkeys. Moments which could have been really awe-inspiring are instead brushed over and there’s never a true wow moment.

A way the production does soar is in how it pays heartfelt homage to the original book by Frank L. Baum, incorporating references that will surely delight fans. The inclusion of Dorothy's return to Kansas in her Oz dress adds a touch of nostalgia, serving as a loving nod to the source material. These thoughtful gestures elevate the production, reminding us of the timeless charm that made the story a classic in the first place.

It’s not a faultless show but The Wizard of Oz offers a delightful escape into a world of fantasy and adventure. With its talented cast, striking visuals, and heartfelt nods to the original, this production is well worth seeing. Whether you are reliving cherished childhood memories or experiencing the magic for the very first time, this show will transport you to a place where dreams come true and a trip to Oz should definitely be part of your summer plans.

Reviewed on Wednesday 12th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner

{AD PR Invite- tickets gifted in exchange for honest review}

Friday 7 July 2023

New Cast Announced for The Phantom of the Opera at His Majesty's Theatre


Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.

Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur AndréMatt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry.  At certain performances the role of Christine Daaé will be played by Paige Blankson.

 

The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.


Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.

The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.

The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.

Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.

Matthew Kelly and Denise Welch to star in world premiere of The Gap at Hope Mill Theatre


Hope Mill Theatre is thrilled to announce the world premiere of a captivating new play, titled The Gap, written by Jim Cartwright and featuring the talented duo of Matthew Kelly and Denise Welch. Directed by Anthony Banks, this highly anticipated production will grace the stage of Hope Mill Theatre from February 9th to March 9th, 2024, for a limited engagement. Mark your calendars as tickets go on sale starting July 8th.

The Gap delves into the audacious adventures of Walter and Corral, two individuals who haven't crossed paths in half a century. Once inseparable during the vibrant '60s in Soho, Walter finds himself up north while Corral remains down south. However, a chance phone call reunites them for one magical night, and before they know it, they're immersed in their old tricks once more.

Matthew Kelly, renowned for his exceptional performances on both stage and screen, graces us with his presence in this production. With an illustrious career that includes memorable roles such as the original Stanley in Funny Peculiar, Waiting For Godot alongside Ian McKellen and Roger Rees, and a captivating portrayal of Lennie in Of Mice and Men, for which he earned an Olivier Award for Best Actor, Matthew Kelly's talent shines brightly. His recent theatre credits include Noises Off, The Habit Of Art, and The Dresser, among others, showcasing his remarkable versatility. Not only a master of the stage, Matthew has also made his mark on the screen, with notable appearances in various TV shows and presenting credits on beloved programs such as You Bet! and Stars in their Eyes.

Joining Kelly is the esteemed actress Denise Welch, whose upcoming engagement in Diana: The Musical at The Eventim Apollo has already garnered significant attention. Denise's theatrical repertoire boasts impressive performances in productions like Calendar Girls the Musical, The Rise and Fall of Little Voice, and Steel Magnolias, to name a few. Her television career includes series regular roles in shows like Coronation Street, Waterloo Road, and Hollyoaks, solidifying her presence in the industry. As a regular panellist on ITV's Loose Women since 2001, Denise continues to captivate audiences with her engaging presence and insightful commentary.

Playwright Jim Cartwright and director Anthony Banks express their excitement about collaborating once again after their successful ventures with Mobile Phone Show in 2013 and Raz in 2016. They eagerly anticipate witnessing the extraordinary lives of Walter and Corral come to life through the exceptional talents of Denise Welch and Matthew Kelly, spanning five decades of change.

Matthew Kelly, filled with anticipation and enthusiasm, exclaims, "Dear Manchester, I'm coming home, and what better reason to return than with actress Denise Welch and playwright Jim Cartwright. We will star in the world premiere of Jim's remarkable new play, THE GAP, at Manchester's prestigious venue, Hope Mill Theatre. This funny, moving, and exquisitely crafted play will showcase the superb talents of Denise Welch, and I will be right by her side, shining throughout. Directed by Anthony Banks, this top-tier team embarks on an exceptional project at an extraordinary venue. I couldn't be more thrilled and excited. I invite you all to join us and be a part of this unforgettable experience. Sincerely, Matthew Kelly off the Telly."

Denise Welch expresses her elation, stating, "I am incredibly excited to return to my first love, theatre, and collaborate with the fantastic team at Hope Mill Theatre next year. Working opposite Matthew Kelly in a new play by Jim Cartwright is truly a dream come true. I hope each and every one of you will come and witness what promises to be an outstanding production."

The Gap is produced by Hope Mill Theatre

photo credit:

Police Cops: The Musical to transfer to The Large at Southwark Playhouse Borough


After their successful performances at the Edinburgh Fringe Festival in August, Police Cops: The Musical, will be moving to The Large theatre at Southwark Playhouse Borough for a limited run. The show will be running from September 8, 2023, to October 14, 2023.

After achieving five years of sold-out shows at the Edinburgh Fringe, the internationally acclaimed comedy troupe Police Cops returns with an updated version of their very first musical. With an exciting new score composed by the Brit Award-winning Ben Adams (known for his work on "Eugenius! The Musical"), the Police Cops are bringing their high-energy, action-packed physical comedy to the stage in their most ambitious production yet.

The creators of the show, Zachary Hunt, Nathan Parkinson, and Tom Roe, are joined by Melinda Orengo and Natassia Bustamante. The cast is completed by Mychele Lebrun and Ben Lancaster.

Follow rookie Police Cop Jimmy Johnson as he enters the force with the intention to protect and serve. However, Jimmy finds himself in deep trouble, paired up with a rebellious Police Cop and under the pressure of a racist Chief. With guns at the ready and safety catches off, Jimmy embarks on a thrilling adventure from the tough streets of America to Mexico, where his destiny awaits in the form of the seasoned ex-Police Cop, Juanita Gonzalez.

The creative team behind the production includes Rich Morris (Musical Supervision, Arrangements, and Orchestrations), Andrew Exeter (Set & Lighting), Charlie Smith (Sound), and Pearson Casting (Casting Director).

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