Thursday 26 July 2018
The Simon and Garfunkel Story, Lyric Theatre | Review
The Simon and Garfunkel Story
Lyric Theatre
Reviewed on Monday 23rd July 2018 by Lucy Jardine
★★★★
On a hot, sticky summer's evening, did I really want to sit in an equally hot, sticky theatre to listen to music from yesteryear, music I've heard so many times before?
On Monday evening, at the Lyric Theatre I expected to hear all the songs we know so well. And I did. Of course. But we were also treated to a raft of lesser known ones.
In essence, the entire show - The Simon and Garfunkel Story - consisted of 4 guys on stage: 'Simon' (Philip Murray Warson), 'Garfunkel' (Charles Blyth) and their two backing musicians/singers. Warson and Blyth's vocals were almost flawless, perfectly capturing the beautiful harmonies of the original duo. When I closed my eyes I could almost believe it was them. To be honest, that would almost have been enough.
But what made the evening even better was the story behind the songs - the anecdotes and details about Simon and Garfunkel's careers as a duo and as solo artists. This was illustrated by footage from the era, such served to contextualise the songs - we saw footage of the Everley Brothers, Martin Luther King and JFK, interspersed with photos of Simon and Garfunkel themselves.
Back to the music. What a fantastic evening. The only reason I would award this show 4 stars out of 5 would be due to the occasional lapses in harmony from the backing singers, but largely due to my frustration at not being allowed to sing along at the top of my voice.... Catch The Simon and Garfunkel Story if you can when it's next back in town!
photo credit: Betty Zapata
Theatrical, Maggie Harcourt (Book) | Things I Read Whilst Writing
A bit of a different post for you today, as you know I love theatre and books so when I heard about Maggie Harcourt's newest book release, Theatrical which is all about the stage, I was very excited to get my hands on it!
Maggie did a huge amount of research for this book, not only on shows but also a lot about what goes on behind the scenes as our lead character, Hope, is working as an intern backstage. This book is all things adorable and you can read my full review here, but without further ado lets set the stage for Maggie Harcourt's deep-dive into the DNA of Theatrical...
Maggie Harcourt: One of the best things about writing Theatrical was getting the chance to spend time completely immersed in the theatre world: not just writing about it but thinking about it, reading about it – and, of course, visiting it!
Here’s my deep-dive list of everything that went on behind the scenes. Not everything is obviously part of the world of the finished book, but it’s still part of the story…
Things I read:
- All About Theatre: the National Theatre
- Unseen London (especially the ‘backstage’ section): Mark Daly and Peter Dazeley
- London Theatres: Michael Coveney, Peter Dazeley and Mark Rylance
- Stage Management – The Essential Handbook: Gail Pallin
- Stage Management and Theatre Administration: Pauline Menear, Amanda Saunders and Terry Hawkins
- Untold Stories: Alan Bennett
- Simon Stephens – A Working Diary: Simon Stephens
- The Oberon Glossary of Theatrical Terms: Colin Winslow
- Harry Potter and the Cursed Child (black cover) souvenir brochure, which is full of detail about putting a big show together.
I also read a lot of plays: not only for research, but because I was also taking a theatre writing class, and because I just enjoy reading them. Here’s a few of my favourites, which I know I was reading at the same time as writing the book. A couple of them make cameo appearances in Theatrical as Luke’s scripts or as things Hope has seen…
- Rope: Patrick Hamilton
- The History Boys: Alan Bennett
- And Then Come the Nightjars: Bea Roberts
- The Ferryman: Jez Butterworth
- Misterman: Enda Walsh
- The Hairy Ape: Eugene O’Neill
- The Dazzle: Richard Greenberg
- Sea Wall: Simon Stephens
- The Habit of Art: Alan Bennett
- Ink: James Graham
- Harry Potter and the Cursed Child: JK Rowling, John Tiffany and Jack Thorne
Like Hope, I also read The Stage, which is the weekly theatre trade paper– especially the technical columns, and particularly Jess Gow’s stage management columns. And Usborne’s Slot Together Theatre was an invaluable tool for helping me picture the Earl’s Theatre!
I hope you enjoyed this amazing peek at all the research Maggie did for Theatrical, I know I'll definitely be picking up some of the books to fulfil my thirst for all things stagey. Theatrical is out now, more information can be found here and my full review can be read here.
This review for Theatrical is a part of the official blog tour, be sure to check out the other blog stops for more reviews, personal stories and guest posts from Maggie.
Post by Editor, Olivia Mitchell
I hope you enjoyed this amazing peek at all the research Maggie did for Theatrical, I know I'll definitely be picking up some of the books to fulfil my thirst for all things stagey. Theatrical is out now, more information can be found here and my full review can be read here.
This review for Theatrical is a part of the official blog tour, be sure to check out the other blog stops for more reviews, personal stories and guest posts from Maggie.
Post by Editor, Olivia Mitchell
Theatrical, Maggie Harcourt (Book) | Review
Theatrical by Maggie Harcourt
Published: 28th June 2018 by Usborne Publishing ltd
★★★★
Unless you've stumbled across this blog by an unexpected twister of fate (10 points if you get that reference) then I'm assuming you love or at least, like, theatre, so you'll more than likely be a fan of the book I'm talking about today: Theatrical.
The latest release from Maggie Harcourt, is Theatrical which takes us behind the scenes of the theatre and transports us to a world of romance and performance.
Our lead character Hope, dreams of working as a stage manager; her mother is a renowned costume designer who could easily get her daughter any job she wants but Hope wants to do it herself. When she lands an internship at the Earl's Theatre working on one of the biggest openings of the year, her secrets begin and she starts a journey she'll never forget. Now the story itself is fairly predictable and typical of contemporary novels but I'm a sucker for a cheesy romance so it's right up my street. What makes this book stand out is the theatre itself. Maggie highlights the world of theatre and makes it the heart of the story, showing the ups, downs and pressures of working on a production, especially one with a huge name attached and a lot of money invested into it! Of course the characters and their stories are crucial but throughout it feels as if the theatre is it's own character.
What I love about theatre is how it brings people together, not only the cast and crew, but audience members who know nothing about one another but are more than happy to launch into full conversations in the interval. There's also the pure magic of theatre when the perfect combination of great acting, stellar lighting, beautiful makeup, costumes and sets and every other aspect of a production come together to truly transport you to another world. As someone who goes to the theatre roughly 1-4 times a week I do find myself falling into a routine of going into London, picking my ticket up, watching the show and rushing home to write my review and I end up forgetting how special theatre is. Maggie has perfectly captured the magic of theatre and I found myself welling up towards the end when her writing reminded me of it and brought to the forefront why I put so much time into seeing as much theatre as I can.
Now back to Theatrical! It's just so cute. The romance between Hope and Luke had me swooning and I really felt as though I was standing alongside Hope and she worked and worked to help get the show open. Hope's determination is inspiration for anyone hoping to get into theatre and she shows us just how much hard work goes on behind the scenes. So much of what makes a great production is the work that's gone on in the rehearsal room which of course an audience never see, so this book is not only a celebration of theatre but of the unsung hero's of the stage.
Theatrical is a brilliant read for any stagey, romance lover. You'll find yourself willing everything to run smoothly with the show and will definitely finish the book with a newfound appreciation for the crew who work tirelessly behind the scenes. If you want a swoon-filled summer read then pick up Theatrical and if you're not already a theatre fan then this might just be the book to make you truly stagey!
Theatrical is available now, more information can be found here.
Maggie gave us an exclusive and very interesting deep dive into her research for this book which can be found here.
Review by Editor, Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 25 July 2018
Madagascar The Musical (UK Tour), New Wimbledon Theatre | Review
Madagascar The Musical (UK Tour)
New Wimbledon Theatre
Reviewed on Wednesday 25th July 2018 by Olivia Mitchell
★★★★
On a scorching summer night, the New Wimbledon Theatre played host to the opening of the high-energy, larger than life Madagascar The Musical. Based on the 2005 DreamWorks film of the same name, Madagascar follows a group of animals from the Central Park Zoo who find themselves in The Wild.
Fabian Aloise's choreography is wonderfully modern whilst not being overly cheesy. The children accompanying me especially loved the flossing and it's evident that Fabian know's what the show's target audience want. The cast of humans and 'animals' fill the space brilliantly and create a sense of motion throughout. This movement works hand in hand with Tom Rodgers' sets which are simplistic but vibrant and transition us well from one location to another. Howard Hudson's lighting is warming and especially effective in the more high-intensity group numbers where it feels like a party in the theatre.
The cast are superb; even in the sweltering heat they don't falter and give us intensity and power from start to finish. Medically challenged giraffe, Melman is embodied perfectly by Jamie Lee-Morgan who wanders round the stage in a somber but truly lovable manner whilst Tammika Ramsay as Gloria is sassy and commanding. As the zebra who dreams of escaping the zoo, Antoine Murray-Straughan is humourous and eccentric and his many talents are showcased especially during his brief rap and dance sections.
As the leader of the pack, Alex the lion, Matt Terry is impeccable. From his superb falsetto, riffs and generally beautiful tone, it's clear why he was voted the winner of X-Factor 2016. But, Matt's acting and dance performance is equally as strong as he owns the stage and draws the audience into the story.
Watching the show you completely forget these are not the same characters from the film. The costumes and puppets are so cleverly done that you even forget there are real humans on stage! The ensemble do a stellar job of playing a number of characters and completely transform themselves right in front of our eyes. Mention must also go to Jo Parsons as King Julian who has the audience in the palm of his hand with his epic performance of Move It.
The music of Madagascar is genuinely catchy and it's a show that both adults and children will appreciate and enjoy. If you want some light-hearted fun with a host of crazy characters and stellar performances then Madagascar is the one for you.
Madagascar runs at the New Wimbledon Theatre until July 28th before continuing it's tour.
photo credit: Scott Rylander
Fame The Musical (UK Tour) | Press Launch
1980 musical theatre favourite, Fame opens in a new reincarnation which Keith Jack (Nick) says "feels like the iconic film and series which made Fame great" tomorrow (26th July) at the Manchester Palace Theatre, before continuing it's tour. Featuring memorable songs such as Think of Meryl Streep, There She Goes, I Want To Make Magic and of course the title song Fame, the musical tells the real-life version of breaking into the performing arts and confronts many of the struggles young adults face, "we're not here to sugar coat it" says Mica Paris.
I was lucky enough to see the amazing cast in their penultimate day of rehearsals as they gave us a sneak peek into the show and whet out appetites for what's sure to be an energetic, thrilling show.
Choreographer and director, Nick Winston introduced the show and set us up to hear and see a few numbers. First up a full-out rendition of There She Goes performed by Stephanie Rojas (Carmen) and the cast. From the first moment they began, the energy was infectious and it's genuinely thrilling to see such talent on stage, Rojas is feisty as the Latina who dreams of being famous and I already anticipate her performance as being outstanding. Also notable is the fact that there are a number of actor musicians featured throughout which add to the real life feel and really transports us to a vivacious theatre school. Jorgie Porter exclaimed how excited she is to be performing in her first musical and how "it's constant all the time", Keith added that Nick's aim with the show is to make it fast paced and to feel like New York in terms of being ever moving and full of verve.
Keith Jack gave a truthful rendition of I Want To Make Magic whilst Molly McGuire was hilarious as and lovable as Serena, it will be lovely to see their relationship play out on stage. When asked about the show Keith told us that it's so special because "the cast and director and the entire team have made this electric, buzzy show" and hopes audiences will "be able to relate to a certain character and latch onto to something in the story."
Jamal Kane Crawford's performance of Dancing on the Sidewalk tired me out just watching! Full of energy he completely commanded the space. Alongside Mica Paris the pair create a realistic, but heightened portrayal of a student and teacher who are at odds. Paris' performance of These Are My Children left us all in awe at her effortless vocals. A lovely thing is how supportive the cast are of one another, all cheering each other on and embodying the family feel of being in school together, something which I think will definitely translate to the whole production. When chatting to Mica, Keith and Jorgie after the performance, this was even more evident and they all echoed that the team feel and talent of everyone is what makes the show so special for them.
The title song of Fame features the iconic lyric "remember by name". When asked what they would like to be remembered for I was met with semi-silence as it's a pretty deep question but each person had a lovely, heartfelt answer. Jorgie would love to be remembered for "making a fun situation out of anything", Mica would like to be remembered for "showing anyone that no matter what people tell you, you can be what you want to be and you should do what you feel". Finally, Keith told us a lovely story about his grandad who consistently made people happy and how it inspired him to do workshops for people to try and make them happy; so he would like to be remembered for "bringing light to people... although I'll probably be remembered for being Scottish!"
Keith rounded off with: "I think people will come to the show and get what they expect, plus even more" so if you want all the energy, excitement, romance and pure storytelling from Fame, plus even more then book your tickets for the 2018 UK tour.
Post by Editor, Olivia Mitchell
photo credit: Tristram Kenton
Sunday 22 July 2018
In Conversation With... Jordan Luke Gage and Christina Bennington | Bat Out of Hell | Interview
Hello Bat Out of Hell fans! You've may have thought the Bat content was over with Bat Month done and the leading ladies' Stagey Guide to Singing posted, but fear not because we have another interview with Christina Bennington aka Raven and Jordan Luke Gage aka alternate Strat!
You’ve been in the show since the beginning, what’s something memorable from each city you’ve been to?
Christina Bennington: I’ve been very lucky to have settled in different cities with the show. In Manchester, it was wonderful to experience Jon’s incredible set for the first time and really find our feet. Sometimes literally on that mountain. The Coliseum standing ovation on the last night and our crazy exit stunt was a ‘pinch me’ career moment. Our fans are incredible and it felt like a real party for us all together. In Canada we had a wonderful time with our audiences. We had been told they would be ‘more polite’ but I guess we had all the rockstars in the audience. We certainly felt welcomed with huge warmth there.
What’s it like going back to your ensemble after playing Strat? Are you always wanting to sing the Strat track?
Jordan Luke Gage: Being able to perform two parts each week is a blessing because it keeps the performances fresh for me. Every time I get to play Strat it feels like opening night again which is thrilling. My ensemble track dances more than Strat so it’s nice to have that difference in the shows - one day I get to sing these epic songs and play this larger than life rockstar and the next I get to sweat it out in the ensemble.
Christina and Jordan as Raven and Strat | Photo Credit @EllieLoolaVlogs
Which ensemble characters would you like to play?
Christina: Denym and Spinotti. When I grow up, I want to be Isaac Edwards. The way he makes the choreography his own and embellishes and fills in between the steps is inspirational. He’s one of the characters I interact and connect with the most. I’d love to be able to express myself physically the way he does. I also absolutely love Spinotti. Natalie Chua has made her so feisty and interesting. She is an integral part of the Lost – especially as a fighter!
What’s your favourite song to perform as Strat?
Jordan: Ooo tricky question! Obviously I love performing Bat Out of Hell. The way the song builds allows you to feel like you’re on this crazy adventure which results in totally pouring your heart out on stage and squeezing out every ounce of energy in your body. You feel totally liberated and bare on stage and it’s a beautiful feeling!
I also LOVE For Crying Out Loud. Jim Steinman’s lyrics exude passion and colour and Michael Reed’s arrangement takes you to another world. When I got the audition through for the show, this was the first song I listened to on the soundtrack and my heart rate went out the roof! I knew that I had to be in this show!
Can you tell us about any fun cut scenes from the show?
Christina: I really loved singing (and dancing) It Just Won’t Quit. That’s an absolute favourite of mine that’s been cut. It’s wonderful that the show is constantly evolving and growing. Maybe I’ll just have to sing it at a concert sometime…
How do you maintain your vocal health singing the intense Steinman music every night?
Jordan: It’s so important to rest! I can’t function without at least 8/9 hours sleep each night and lack of sleep really affects your voice so this is key! Also, hydrate! I drink water constantly throughout the day, at least 4 litres a day. Also I never sleep with the heating on in my room and always have the window open - this might just be a myth, but having natural air flow when you sleep stops you drying out!
What’s your favourite Raven outfit?
Christina: I love them all but I have a special place in my heart for the birthday party dress. It’s a beautiful handmade couture dress and I love that it’s playful and girly but with a harder edge. The net detail looks like feathers so it’s the biggest nod to a raven. I also wear a very cool raven ring with it.
photo credit: Specular
Raven’s wedding dress is gorgeous but is only seen briefly. Can you tell us a little about it?
Christina: I’m so grateful that our creatives have taken our input seriously on this show. It’s a true collaboration. When Jon was creating the wedding dress he asked me what I needed from it. I knew I wanted it to still have a lot of movement. Raven always needs to be able to run and jump, no matter what she’s wearing. We started with a full length white dress and Jon pulled up parts of it and started pinning to create texture. We played with it and adjusted the bodice until it felt right.
What do you think makes the show appeal you both old and new fans of Jim Steinman/Meatloaf?
Christina: Jim’s music is epic and bombastic. It’s full of joy and sadness, energy and feeling. My mum tells me you can’t help but leave full of joy. I think people come back time and time again to feel that high.
I certainly agree with that! If you're wondering what rocking, wild, exhilarating show to see this summer then Bat Out of Hell should definitely be your first choice! A huge thank you as always to Jordan and Christina for chatting to us and to everyone who sent in questions for them both.
Bat Out of Hell is currently at the Dominion Theatre until 27th October 2018
Post by Editor, Olivia Mitchell
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