Thursday, 11 July 2024
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Mean Girls
Savoy Theatre
Mean Girls in the West End? That's fetch!
After much anticipation, Mean Girls the Musical has sashayed its way onto the West End stage, and it’s nothing short of a fetch-tacular extravaganza! Adapted from the iconic 2004 film penned by Tina Fey, this musical first dazzled Broadway audiences in 2018 and has now graced London with its fabulous presence, bringing all the drama, comedy, and high school hierarchies across the pond.
I first saw and reviewed Mean Girls at the August Wilson Theatre on Broadway in 2018, and I was blown away by the sharp wit, vibrant performances, and infectious energy. Seeing it again on the West End feels like a fabulous homecoming for this beloved show, and I can confidently say that it has lost none of its sparkle and charm in the transition.
For the uninitiated, Mean Girls follows the journey of Cady Heron (played with charm and sincerity by the supremely talented Charlie Burn), a previously homeschooled teenager who moves to the American suburbs from Africa. Navigating the treacherous waters of North Shore High School, she encounters the Plastics, led by the fabulously tyrannical Regina George (Georgina Castle), with her loyal sidekicks Gretchen Wieners (Elรจna Gyasi) and Karen Smith (Grace Mouat). With the guidance of her quirky friends Janis Sarkisian (at this performance played by Baylie Carson) and Damian Hubbard (Tom Xander), Cady embarks on a mission to take down Regina, only to find herself transforming into the very thing she swore to destroy.
This vibrant production boasts an amazing cast, blending West End veterans with exciting new talents who are firmly cementing themselves as stars. Aaron Samuels (Daniel Bravo) steals hearts, while Ms Norbury, Ms Heron & Mrs George (Zรถe Rainey) bring a delightful double dose of adult hilarity and warmth.
The performances are unanimously nothing short of wonderful. Each actor brings their unique flair, contributing to the high-energy, electrifying atmosphere that permeates the entire show and theatre. The ensemble, in particular, is incredible, delivering dance numbers with precision and enthusiasm that leaps from the stage and feels so exciting to watch. The performances are so captivating that I find myself wanting to return to the show again and again, just to focus on a different performer each time and appreciate their individual contributions to this vibrant production. Charlie Burn is infectiously charming as Cady and provides faultless, pin precise vocals to match. The commanding presence of Georgina Castle as she floats above it all as Regina George is all you could ask for from someone playing this iconic role, plus, Georgina absolutely provides a top theatre moment of the year with her rendition of World Burn. Elรจna Gyasi is heartbreakingly desperate to fit in and does so in such a fun but still heartbreaking way, whilst Grace Mouat's Karen is just happy to be there. Grace's performance is laugh out loud funny and I loved her act two song 'I'm Blowing Up' which has been reworked and added back into the show to great effect. Baylie Carson and Tom Xander are the perfect double act as Janis and Damian, again bringing huge doses of humour as well as some of the strongest vocals in the musical. I also loved Lucca Chadwick-Patel as mathlete Kevin Ganatra and Daniel Bravo who brought a real sincerity to Aaron Samuels. I could go on all day about the cast because they're really all fantastic and as I say, every new visit is sure to offer a new layer of enjoyment and discovery, maybe Cady is right and the limit does not exist for how many times you could watch this show!
One of the standout features of this production is designer Scott Pask's ingenious use of screens and projections, which not only bring the hallways of North Shore High to life but also add an immersive, almost cinematic quality to the musical. This dynamic visual approach enhances the storytelling, making scenes pop with vibrancy and energy and allowing for a number of locations without the hassle of in depth scene changes, something which really allows the show to flow and maintain pace.
The West End production has seen some exciting changes from its Broadway counterpart. The creative team, led by director and choreographer Casey Nicholaw, has refined certain scenes and musical numbers to better suit the London audience. There are subtle changes in the dialogue and some new staging that add fresh layers to the beloved story, keeping it as sharp and hilarious as ever. Additionally, the musical's score has been tweaked slightly to enhance its already catchy and memorable tunes.
Let’s be real—Mean Girls the Musical may not be everyone’s cup of tea. If you’re not a fan of cheesy, over-the-top musicals, this might not be your thing. But for those who revel in fun, camp, and excellently performed music wrapped in a big pink bow, this show is pure joy. The musical numbers are infectious, with standout hits like 'Apex Predator', 'Revenge Party', and the empowering 'I’d Rather Be Me', each performed with gusto and flair by the cast.
The show captures the spirit of the original film while adding layers of depth through its songs and performances. It’s a fun, carefree romp that’s perfect for a night out with friends, a date night, or even a solo adventure to bask in its joyous glow. From the moment the curtain rises to the final bow, the audience is taken on a rollercoaster of laughter, nostalgia, and heartfelt moments.
Mean Girls in the West End is a pink-tinted, fabulously fun, spectacle that shouldn’t be missed- grab your tickets now and join the party at North Shore High!
★★★★★
Reviewed on Wednesday 10th July 2024 by Olivia Mitchell
Photo Credit: Brinkhoff / Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 8 July 2024
Concert Review: Shania Twain Wows Hyde Park with Iconic Hits and Audience Sing-Alongs
Shania Twain
BST Hyde Park
Closing out the second weekend of BST, Shania Twain looked unreal as she brought excellent, boot-stomping vibes and created an evening that was an absolute blast! Despite battling a cold, Shania still managed to put on a show that had everyone living their best lives. In perhaps an attempt to save her voice, Shania often encouraged the audience to take control so we really put our school assembly singing skills to good use whenever she passed the mic to the audience. It was like a giant, joyous karaoke session under the evening sky.
The fun graphics and visuals were another highlight, becoming even more effective as the sun set. It was the perfect backdrop for Shania's performance, creating a magical atmosphere that added to the excitement. Between songs, she chatted with the audience, sharing stories and warming herself to everyone. It felt like we were all just hanging out with an old friend. I really enjoyed her clever segues into each song, and she took moments to look out at the crowd and soak it all in which was lovely to witness.
Shania’s setlist was packed with hits. She kicked off with 'Don't Be Stupid (You Know I Love You)' which was perhaps not the best opener as a lot of the audience didn't seem familiar with it but things soon stepped up and over 17 songs, there was definitely something for everyone. Her performance of 'That Don’t Impress Me Much' was a nostalgic trip that had everyone singing at the top of their lungs and of course the iconic 'Man! I Feel Like a Woman!' was a true stand out moment. Despite her cold, Shania’s energy was infectious, and she gave a performance that seemed to enchant the audience, whether it was their first time seeing her, of whether they'd caught her before during her illustrious career. 'You're Still the One' had the entire park swaying, and 'Waking Up Dreaming' was a touching highlight that showcased her still-strong vocals. Donning her cowboy hat, Hyde Park embodied the spirit of country with renditions of 'Giddy Up' and 'Who's Bed Have Your Boots Been Under', with boot-scooting and toe tapping galore. Shania told us how she really feels that were in a country music renaissance and after this performance and Morgan Wallen earlier in the week, I certainly agree!
One of the most endearing parts of the night was how Shania interacted with us. She spoke candidly between songs, sharing personal anecdotes and making the massive 50,000 person strong crowd feel like an intimate gathering. Her warmth and charisma shone through, making her performance feel genuine and heartfelt.
Before Shania took the stage, I had the pleasure of catching Nell Mescal on the Rainbow Stage. Nell was simply wonderful, delivering a selection of her own music, including some beautiful pieces from her recent EP. Her stage presence was warm and charming, and her vocals were pin sharp! They mixed delicate emotion with a powerful belt that left me eagerly anticipating her rise to stardom. She’s definitely one to watch.
Later in the day, Anne Marie and The Corrs opened on the main Great Oak Stage, and they did not disappoint. Anne Marie, with her string of bangers, got everyone hyped up with her infectious pop vibes. The Corrs brought a different style, full of emotional depth and musical brilliance. Their set was particularly moving; you could see how astounded they were by the audience’s reaction. It was a lovely, memorable moment that added a special touch to the day.
All in all, Hyde Park was alive with incredible music and unforgettable performances. Shania truly shone and made sure we all had the time of our lives. Her show was a testament to her enduring talent and connection with her fans. I was impressed much!
★★★★
Reviewed on Sunday 7th July by Olivia Mitchell
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Saturday, 6 July 2024
Andrea Bocelli Hyde Park Concert: Rain Can't Dampen Stunning Performances
Andrea Bocelli
BST Hyde Park
Andrea Bocelli's performance at Hyde Park was a night of unforgettable music, incredible talent, and, unfortunately, a lot of rain. But let's dive into the highlights that made the evening truly special, despite the less-than-ideal weather.
First off, the support acts were fantastic! His son, Matteo Bocelli, opened with some of his own compositions, including a gorgeous piece he wrote for the Netflix show From Scratch. Matteo wooed the crowd with his suave performance and stunning vocals, setting the tone for the evening. Another highlight included some moments with Grammy award-winning singer Joaquina who's voice is absolutely glorious. Katherine Jenkins followed with a delightful set, including an impromptu rendition of 'Singing in the Rain', complete with a brolly! She later swapped her Manolos for Hunter wellies, embracing the weather with style. Her sparkly outfit matched her personality and shone brilliantly against the grey skies. A highlight of her performance was her duet with John Owen-Jones on Barcelona- truly a magical moment.
Now, let's talk about the weather. There's a reason the festival is called BST- British summers are notoriously unpredictable, and yesterday was no exception. The rain did put a bit of a dampener on the evening, both literally and figuratively. The performances were impeccable, but it was hard to fully enjoy while getting drenched. That said, the shared experience of braving the downpour added a unique camaraderie among the audience. Andrea himself called us heroes for sticking it out and rewarded us with a performance that was worth every soggy moment.
Act One began with a bang as Andrea performed 'La Donna รจ Mobile', supported by the Royal Philharmonic Orchestra. The first half of the concert featured a selection of opera pieces, with standout guests like soprano Nadine Sierra, mezzo Isabel Leonard, baritone Luca Micheletti, soprano Henna Munn, flautist Andrea Griminelli, violinist Rusanda Panfili, and the Crouch End Festival Chorus. Each piece was delivered with emotion, humour, and a touch of flirtation—perfect for both opera aficionados and newcomers. However, it would have been helpful to have subtitles like at Opera House performances, allowing everyone to engage more deeply with the lyrics, or perhaps just more introductions to the pieces giving a general theme.
Act Two shifted the mood with a mix of more recent songs and Andrea's beloved classics. Highlights included a stunning rendition of 'The Prayer' with Loren Allred and a powerful performance of 'Nessun Dorma' to close the night. The set list was further enriched by appearances from German film composer Hans Zimmer, legendary British singer-songwriter Seal, and Italian gospel and blues artist Zucchero. A heartwarming moment was Andrea's duet with his daughter Virginia on Hallelujah, showcasing the immense talent within the Bocelli family.
So, while the rain did affect the enjoyment a bit, the stellar performances and the communal spirit of the audience made it a memorable evening, especially as the largest outdoor classical concert in Europe in this century. Andrea Bocelli, with his incredible voice, delivered a concert that resonated deeply, despite the weather.
★★★★
Reviewed on Friday 5th July 2024 by Olivia
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 5 July 2024
Morgan Wallen Lights Up BST Hyde Park: A Night of Country Magic | REVIEW
Morgan Wallen
BST Hyde Park
If there’s one thing that Morgan Wallen's concert at BST Hyde Park proved, it's that live music has a magical way of bringing people together. Having only dabbled in a few of Wallen's songs before attending, I wasn’t entirely sure what to expect. But by the end of the night, I was a converted fan, swept up in the collective joy and energy that only live music can create.
BST Hyde Park has a strict 10:30 pm curfew, which means performers have to make a tough choice: play as many songs as possible or spend time interacting with the crowd. Wallen masterfully did both. He packed his setlist with as many songs as he could, yet managed to sprinkle in some genuinely touching moments of interaction. Each brief pause felt intentional and heartfelt, winning over the audience every time.
One of the standout moments was when Wallen moved to a B-stage at the back of the golden circle. He explained he wanted to make eye contact with as many fans as possible, bringing an intimate feel to such a large-scale event. It was these little touches that made the evening feel special and sincere.
The music was a perfect mix of high-energy anthems and soulful ballads. Songs like 'Whiskey Glasses,' 'Last Night,' and '7 Summers' had the crowd singing along with infectious enthusiasm. Each track showcased Wallen's versatility, and it was clear that he poured his heart into every performance. It was a true celebration of country music, and the crowd couldn't get enough.
Visually, the show was a feast for the eyes. The lighting was spectacular, with lasers and wave-like smoke effects adding to the overall atmosphere. The graphics, while a bit random at times, used vibrant colour palettes that kept things interesting. The American-themed videos, featuring Wallen with a fish, a gun, and a golf club, added a fun and fitting touch, especially for a 4th of July performance, even if they were somewhat rogue choices.
Despite my initial unfamiliarity with his music, the sheer amount of joy I felt throughout the evening is a testament to Wallen's talent and the unifying power of live, communal music. The concert was not just a performance but a shared experience that brought people together, celebrating the joy of country music and live events.
Morgan Wallen's debut at BST Hyde Park was certainly a night to remember. His ability to blend energetic hits with heartfelt moments, combined with his genuine connection to the audience, made for an unforgettable experience. The quirky graphics and dazzling lighting only added to the charm. If you ever get the chance to see Morgan Wallen live, don’t hesitate – it’s an experience that will leave you with a smile on your face and a song in your heart.
★★★★
Reviewed on Thursday 4th July 2024 by Olivia
Photo Credit: Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Why Mrs Doubtfire in the West End is a Must-See: Celebrating The One Year Nan-iversary in Style!
Last week, I got to celebrate Mrs Doubtfire the Musical's One Year Nan-iversary (yes, that's a thing now!) It was an evening filled with laughter, nostalgia, and a few tears, all wrapped up in one incredible performance. Whether you're a long-time fan of the beloved film or just looking for a fantastic night out, here are five reasons why you absolutely must see Mrs Doubtfire on the West End!
Its a Heartwarming and Hilarious Story: Mrs Doubtfire the Musical is a perfect blend of comedy and heartfelt moments. The story follows the journey of Daniel Hillard, a loving but unconventional father who disguises himself as a Scottish nanny to stay close to his children after a messy divorce. The show's mix of laughter and touching scenes creates a memorable and emotional experience that appeals to all ages. Of course this is a well loved story and the show remains true enough to the source material to satisfy fans but it also has a number of changes that make it feel fresh and engaging.
It's Full of Stellar Performances: The West End production features an incredibly talented cast who bring the beloved characters to life with charm and depth. Gabriel Vick's transformation into Mrs. Doubtfire is a masterclass in physical comedy and character work, capturing the essence of the iconic role originally portrayed by Robin Williams, but again bringing a freshness that feels perfectly individual. The supporting cast members also shine, delivering strong performances that enhance the overall production. Laura Tebbutt as Miranda Hillard provides a lot of the story's heart and really vocally shines, especially during act 2. As the oldest daughter Lydia, Charlotte Fleming is absolutely wonderful, I'd love to see her take on the role of another Lydia if and when Beetlejuice makes its way across the pond!
The Stage Design is Wonderful: The show’s stage design and special effects are really brilliant and fitting for the show. The creative team have crafted a dynamic and visually engaging set that seamlessly transitions between scenes, bringing the world of Mrs. Doubtfire to life. The makeup and costume changes, particularly for the title character, are executed with impressive speed and precision, adding to the magic of the theatrical experience.
The Score if Full of Toe-Tappers: The musical score by Wayne Kirkpatrick and Karey Kirkpatrick is filled with catchy, original songs that really help to enhance and advance the story. The music ranges from upbeat, comedic numbers to moving ballads, each song perfectly capturing the emotions of the characters.
It Has Timeless Themes and Relatable Messages: At its core, Mrs Doubtfire is a story about family, love, and the lengths one will go to for those they care about. The show touches on themes of parenting, identity, and personal growth, all while maintaining a light-hearted and entertaining tone. Its messages about the importance of family and understanding resonate with audiences, making it a truly timeless piece that speaks to both adults and children alike.
All in all, Mrs Doubtfire is a fast paced, cracker of a show that features all the best elements of musical theatre. Lighthearted joy and laugh out loud humour fill the auditorium and make for a wonderful night at the theatre. Don't miss this fabulous show!
{AD PR Invite- tickets gifted in exchange for honest review}
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