Friday, 6 December 2024
The West End’s Most Stylish Show? The Devil Wears Prada Musical Delivers Glamour and Heart
The Devil Wears Prada musical delivers a dazzling blend of nostalgia, fresh storytelling, and powerhouse performances- a night out that even Miranda Priestly might deem acceptable"
The Devil Wears Prada
Dominion Theatre
When adapting a cultural phenomenon like The Devil Wears Prada, the stakes are high. Fortunately, this musical adaptation succeeds in channeling the charm and sass of the beloved 2006 film while refreshing the story for modern audiences. With a talented creative team led by Elton John (music), Shaina Taub/Mark Sonnenblick (lyrics), and direction/choreography by Tony Award-winning Jerry Mitchell, the musical brings a vibrant mix of fashion, drama, and heartfelt character development to the stage.
One of the show's strengths lies in its balance of homage and reinvention. Fans of the movie will appreciate iconic nods like the cerulean sweater monologue and Andy’s stunning transformation, while new elements ensure the production feels fresh. For example, Andy's struggles with her weight are taken out, reflecting contemporary sensibilities. Similarly, the character of Nigel (played with warmth and depth by Matt Henry) has been given more of a backstory, highlighting his journey as a gay man and his profound love for fashion. These updates add layers of relatability and emotional resonance to the narrative.
Another welcome change is the improved portrayal of Andy’s boyfriend, Nate (played here by Rhys Whitfield). In the film, he’s often criticised for being unsupportive, but here he’s a far more sympathetic figure, expressing his emotions and making genuine efforts to support Andy as she navigates the high-stakes world of Runway magazine. These tweaks make the story feel less dated and more nuanced.
The cast is a powerhouse, led by Georgie Buckland, who shines as the ambitious and relatable Andy Sachs; her vocals are fantastic and she does a great job of showing Andy's journey and development throughout. As recently promoted assistant Emily, Amy Di Bartolomeo completely steals the show. Her razor-sharp wit and impeccable comedic timing make every scene she’s in a delight, and her big number is a standout moment that earns thunderous applause; her vocals are astounding and she truly shines in every single moment. Vanessa Williams as Miranda Priestly is commanding and effortlessly stylish, capturing the character’s icy exterior and surprising moments of vulnerability with finesse. Universally, the cast are really strong with a number of member multi-rolling to great effect.
Visually, the show is a feast for the eyes. The costumes-unsurprisingly-are spectacular, Gregg Barnes has done a stellar job of bringing high fashion to life on stage. The gala scene, paired with the title number 'The Devil Wears Prada', is a jaw-dropping spectacle where the wardrobe truly takes centre stage. The lighting design (Bruno Poet) is equally impressive, often framing characters as though they’re mannequins in a window display- a clever and effective visual motif that underscores the story’s themes of image and identity.
Elton John’s score is undeniably fun, packed with witty lyrics and catchy melodies. While it doesn’t push the boundaries of musical theatre, it fits the show perfectly, delivering the energy and humour fans expect. Numbers like 'How to Survive at Runway' and 'Miranda Girl' capture the glitzy yet cutthroat world of fashion, while more introspective songs give the characters room to breathe and connect with the audience.
This production knows its audience: die-hard fans of the film and lovers of fashion will relish every moment, but it also has the potential to win over theater newcomers. Its approachable storyline, dazzling production values, and killer performances make it an excellent introduction to musical theatre.
Ultimately, The Devil Wears Prada is not a groundbreaking work of art, but it doesn’t need to be. It’s a stylish, fun, and faithful adaptation that celebrates what we loved about the original while making smart updates for today. With its 2000s nostalgia, enviable wardrobe, and impactful performances, this is a show that delivers exactly what it promises: a fabulous night out.
Miranda Priestly may not gush, but this production earns a well-deserved four stars. That’s all.
★★★★
Reviewed on Sunday 1st December 2024 by Olivia
Photo Credit: Matt Crockett
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Tuesday, 12 November 2024
The UK Tour of The Rocky Horror Show Delivers Electrifying Fun
Rocky Horror (UK Tour)
New Victoria Theatre
The current UK tour of The Rocky Horror Show is a dazzling celebration of camp, comedy, and timeless rock ‘n’ roll rebellion. Richard O’Brien’s cult classic continues to delight audiences, and this production pulls out all the stops, blending sensational performances with impressive choreography and vivid lighting design that heightens the show’s electrifying atmosphere.
This 2024-25 tour boasts a stellar ensemble led by the charismatic Stephen Webb as Frank-N-Furter, whose magnetic stage presence and powerful vocals breathe new life into the iconic 'Sweet Transvestite'. Erica Wild (at this performance) shines as Janet, combining comedic timing with vocals that soar in numbers like 'Touch-a, Touch-a, Touch Me'. Opposite her, Connor Carson brings humour and vulnerability to Brad, nailing his transformation from buttoned-up to liberated, as well as providing spectacular vocals.
A special shoutout goes to Edward Bullingham as Eddie/Dr. Scott, whose versatility and energy light up the stage, and Joe Greuter as Riff Raff, whose performance captures both menace and mischief, and brings some of the most amazing vocals to the show. Meanwhile, Natasha Hoeberigs delivers a spellbinding portrayal of Magenta, and Jayme-Lee Zanoncelli infuses Columbia with relentless charm. Together, the cast creates a perfect harmony of chaos, comedy, and glamor.
As always, The Rocky Horror Show thrives on audience interaction, and the current tour embraces this with gusto. The Narrator, played by Nathan Canton, deserves particular praise for his impeccable wit and quick-thinking, delivering ad-libbed responses to audience callouts that kept the theatre roaring with laughter. His dry humour perfectly balances the wild, unrestrained energy of the rest of the production and brought a modern twist to the show that works really well.
The technical brilliance of this production enhances the experience. The lighting design uses bold, neon hues and dramatic contrasts to amplify the show’s gothic and sci-fi aesthetic, especially during key numbers like 'Over at the Frankenstein Place'. The choreography, spearheaded by Nathan M. Wright, is a standout, with each dance number exuding energy and precision while maintaining the delightful chaos that defines Rocky Horror.
What makes this tour particularly noteworthy is how it embraces the timeless themes of liberation, self-expression, and community while subtly nodding to modern sensibilities. The chemistry between the cast and the audience creates a shared experience that feels both nostalgic and refreshingly contemporary.
Whether you’re a longtime “Transylvanian” or a first-time viewer, this tour of The Rocky Horror Show promises a night of unapologetic fun, unforgettable music, and stellar performances. From the iconic 'Time Warp' to the heartfelt 'I’m Going Home', every moment brims with energy and passion.
Book your tickets now to catch this phenomenal production on its UK tour- it’s a thrilling night out that’s guaranteed to leave you grinning and singing along. With its flawless cast, stunning visuals, and classic rock ‘n’ roll charm, The Rocky Horror Show continues to be a cult masterpiece that’s impossible to resist.
★★★★
Reviewed on Monday 11th November 2024 by Olivia
Photo Credit: David Freeman{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 11 November 2024
Olivia Rodrigo to Headline BST Hyde Park 2025 with a Stellar Lineup of Guest Performers
BST Hyde Park just announced an exciting 2025 lineup, with Olivia Rodrigo taking the spotlight on June 27 for her biggest UK show yet. With three GRAMMYs and a string of hits since her debut single "drivers license," Rodrigo has swiftly become a defining voice of her generation. Her most recent album GUTS topped global charts and set the tone for her critically acclaimed world tour, which recently drew rave reviews for its authentic, edgy performances. Now, her headline slot at Hyde Park promises to be a major highlight, giving UK fans a chance to see her perform new hits live.
Rodrigo won’t be taking the stage alone. Joining her is The Last Dinner Party, the BRIT Rising Star and BBC Sound of 2024 winners whose recent album Prelude to Ecstasy reached No. 1 on the UK charts, and girl in red, whose indie-pop style and deeply relatable lyrics have established her as an international favorite and “queer icon.” More acts are still to be announced, ensuring an unforgettable night of diverse musical talent and powerhouse performances.
BST Hyde Park 2025 is already shaping up to be one of the year’s must-attend events, with other headliners including Jeff Lynne’s ELO, Zach Bryan, Hugh Jackman, and Noah Kahan. Tickets for Rodrigo’s show go on general sale at 9am GMT on November 15. Whether you’re a fan of pop, indie, or rock, this summer festival promises a lineup full of exciting, world-class artists. Don’t miss your chance to see Olivia Rodrigo and other top performers at one of London’s biggest music events!
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