Showing posts sorted by relevance for query Aimie Atkinson. Sort by date Show all posts
Showing posts sorted by relevance for query Aimie Atkinson. Sort by date Show all posts
Monday, 23 November 2020
Thespie Present Streamed Concert Series with Dozens of UK Stage Stars
Theatre discovery platform Thespie today announces the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December. Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage.
The concerts are designed to inspire global theatre audiences, by bringing the UK’s best musical theatre talent directly to their homes this holiday season. The artists collectively represent over two and a half centuries of experience on UK stages; their recent credits include The Prince of Egypt, Pretty Woman, SIX, & Juliet, Come From Away, Wicked, The Phantom of the Opera, Les Misérables, and Kinky Boots.
Thespie Creative Producer Aimie Atkinson commented, “We’re thrilled to be bringing you our first shows—high-energy, joyful concerts with great production values and astonishing vocal performances. I am so in awe of the level of talent working with us to make these December shows incredibly special. You are in for a treat.”
The series begins with the premiere of Unlimited: The Songs of Stephen Schwartz on 3 Dec at 8pm GMT, a celebration of the famed composer’s works including Wicked, Pippin, Godspell, Children of Eden, and The Prince of Egypt, Schwartz’s newest musical. The nine artists in the concert (Nikki Bentley, Sophie Evans, Alice Fearn, Alexia Khadime, Melanie La Barrie, Carl Man, Dianne Pilkington, Liam Tamne, Oliver Tompsett) all starred in Wicked during its first 14 years in London, and two (Khadime, Tamne) are in the current cast of The Prince of Egypt. Schwartz himself will make a special appearance in the program, with further details to be announced.
Oops!... I Streamed It Again... premieres 10 Dec at 8pm GMT and is a high-energy concert of favourite classic pop, rock, and musical theatre songs. The concert is performed by five artists who met as part of the original company of the UK musical & Juliet: Jordan Luke Gage, Tim Mahendran, Grace Mouat, Oliver Tompsett, and 2020 Olivier Award Winner Cassidy Janson.
Next up is the return of the artists from The Reunion, with an empowering concert of songs by famous girl bands through the decades: Girl Power premieres 17 Dec at 8pm GMT. Expect the tight harmonies and true sisterhood vibes that these artists have come to be known for since they first met as the original West End queens of the musical SIX. Girl Power stars Aimie Atkinson, Alexia McIntosh, Grace Mouat, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel.
Finally, the fourth instalment of the Reunited Series arrives on the 21 Dec at 8pm GMT. All I Want For Christmas Is Theatre is a love letter to the tradition of seeing theatre with those you love during the holiday season. More than three dozen top UK theatre artists are lending their talents to this special concert, featuring classic Christmas songs of all styles. Performers from Unlimited, Oops!... I Streamed It Again, and Girl Power will all be featured, alongside more than a dozen more, to be announced in the coming weeks.
Streaming tickets for a single concert are £12.50 ($15) if booked early (by 30 Nov), or £15 ($18) if purchased in December. (10 other currencies available.) Purchasers of the first three concerts will have 72 hours to watch, and purchasers of All I Want For Christmas Is Theatre will have 7 days to watch with their households. An Extended-Access bundle (£37.50/$45 in Nov; £45/$54 in Dec) gives purchasers access to all four concerts from their premiere through 31 December, and provides a 25% discount over booking the concerts separately. All concerts and the bundle can also be purchased after their premiere, with the same window of access (72 hours, 7 days, or through 31 Dec.)
The Reunited Series and Thespie’s original content initiative support its work to foster the connection between artists and audiences on its theatre discovery platform. Thespie’s first original production, The Reunion, was one of the bestselling paid theatre streaming events in the UK, selling tickets to 3600 households across 65 countries; and employed 35 live entertainment workers who received over £30k in income from the event.
Thespie founder Tyler Stoops said, “Watching our first concert, The Reunion, revived my spirits, and hundreds of viewers told us how meaningful it was, how inspired they were, and how much fun they had. So I’m thrilled we can deliver four more concerts for audiences at home around the world, just in time for Christmas. I think all of us are ready for some joy and excitement.”
Thespie offers listings for theatre streaming, theatre music & audio, theatre eBooks, educational resources, live London theatre, theatre news, and more. Audiences can use Thespie to stream the Reunited Series and more than 400 other shows, or to discover over 1000 more shows available on other popular platforms and services, such as Disney+, Amazon Prime, and Audible.
Tuesday, 25 May 2021
Monday Night at the Apollo, Apollo Theatre | Review
Monday Night at the Apollo
Apollo Theatre
Reviewed on Monday 24th May by Olivia Mitchell
★★★★
Since my last trip to the theatre in December, I have been dreaming of starting my week enveloped in the stagey comfort of musical theatre and I am oh so happy that last night my dream came true. Created by Wild Mountain Productions and presented by Greg Barnett, a spectacular lineup were brought to the stage of the Apollo to take us through a night of vocal gymnastics, diversity, humour and just a bunch of fun in the first instalment of Monday Night at the Apollo.
You couldn't have gotten a much better bunch than the first five performers in the series: Aimie Atkinson, Cassidy Janson, Lucie Jones, Cedric Neal and Julian Ovenden. Every artist gave powerhouse performances, as well as bouncing off one another and highlighting the fantastic camaraderie and community that comes along with the world of theatre.
After a lockdown of creating content online, forming a girl band and most recently performing on This Morning, seeing Aimie Atkinson back on stage was a real treat. Don't Rain On My Parade felt very apt as we all hold our breath hoping theatres can remain open and Aimie's performance was top notch. Sparkles galore, being a complete professional during technical difficulties and serving sassy vocals were the best reminders of why Aimie is quickly becoming West End royalty.
If you search "riff legend", it should really show a whole host of pictures and videos of Cedric Neal who is the definition of control. His smooth, pin-sharp vocals are passionate and utterly mesmerising. It's also incredibly impressive to see and hear how versatile he is as a performer, with So You Wanted to see the Wizard and Hold Me in Your Heart showcasing contrasting vibes but both being completely absorbing and joys to watch.
As always, Lucie Jones provided not only the most stunningly dexterous, ice clear and faultless vocals, but also showed off her excellent humour and stage presence which create a perfect performance. At this point I think Lucie just needs to star in everything and sing everything!
I also wouldn't complain if Julian Ovenden started singing everything, including phone books, instruction manuals, weather reports etc... His absolute dream of a voice carried so well throughout the night and I found myself in complete awe of the the technical ability he displays in every note. He really is a masterclass in the importance of support, diction and classical technique. All of his songs were honestly just joyous to hear.
Completing the line up, recent Olivier Award winner Cassidy Janson brought her usual magnetism and soulful vocals to the Apollo as she performed a variety of songs, with Nobody's on Nobody's Side proving a real highlight.
The evening absolutely wouldn't have been the musical success it was without the stellar band who both backed the singers and also shed light on the importance of live music. The synchronicity and musicality was evident throughout and it really seemed like everyone was thrilled to be back on stage. The simplistic stage adorned by rugs and bathed in warm light worked brilliantly to create a welcoming atmosphere.
Also streaming online via Thespie the future Monday Night at the Apollo events are sure to be complete treats and the perfect way to bring back the stageyness we've all been missing.
photo credit: Danny Kaan
Sunday, 22 July 2018
A Stagey Guide to Singing... Aimie Atkinson | Six | Stagey Sunday
What time is it?
Stagey Sunday time!
Stagey Sunday time!
Welcome back to this week's Stagey Guide to Singing, this week we chat to the vocal goddess that is, Aimie Atkinson. Aimie is a part of glitzy girl-group, Goldstone who recently won the Voice of Astana competition; she is also starring in the new concert musical Six, all about the wives of Henry VIII. The show is taking the country by storm and will be heading to London in August/September. It's all go for Aimie, so vocal health and maintaining her voice is very important, keep reading to find out her tips, tricks and vocal stories...
What has your vocal journey been? (eg. have you always been a singer, were you in a choir as a child, have you changed voice type over time?)
My dad was in a rock band so I grew up singing along to all the legendary rock singers. My dad would teach me harmonies and we would sing together. When I was old enough I went to an am dram group in my home town in Stevenage and thats when my passion for theatre began.
You’re part of Goldstone and are starring in the concert musical, Six so you’re used to both theatre and concert styles of singing. Do you find you have to adapt your voice for the two or does switching come naturally?
For me both theatre and concerts are quite similar. However the sound tech is slightly different- with Goldstone we have in ears which really helps with hearing your own voice and the other girls harmonies. In theatre it's usually onstage monitoring which is slightly trickier to hear the blend of voices but more authentic which works for stage. On Six the Musical because it's a theatre piece but in the style of a concert we use in ears. The show is very hard vocally so to have this is a god send and is really saving our voices over the tour schedule.
Six is a new musical which people are loving; it must be really exciting being part of creating a brand new show. What’s the journey been like so far? Have you had a lot of input on what works for you vocally throughout the process?
Being a part of a new musical is an absolute dream come true. For me it's just so exciting to create a role and to have input into something new. We've definitely had input when it comes to character and what works vocally for us. Katherine Howard is based partly on Ariana Grande so she definitely influenced my vocal choices and mannerisms. However the song I sing in the show is pure story telling so for me that always come first before the vocal sound.
Vocal health is obviously so important but do you have any coping techniques for the mental side of performing such as when you lose your voice or feel unmotivated?
You're going to lose your voice! That will happen it's inevitable- we are not machines and a theatre schedule is incredible tough and for me I try not to be harsh on myself. As long as I've told the story truthfully who cares if a few notes are not quite perfection.
What is your pre-show warm up like?
My pre show warm up is low about warming up my body- I believe if your body is warm then you are in the right physical condition to sing. I do a short concise vocal warm up. Nothing too intense as I find so many warm ups tire you out before you've even started the show.
I also warm up my neck/ jaw and tongue which really helps me to keep relaxed when doing tough Goldstone sets.
Who would your dream duet partner be?
My dream duet partner would be my fellow Six Queen Natalie May Paris. Her voice is divine! You must come see the show to believe it! She's a star.
What’s your top piece of advice for aspiring performers in terms of finding and maintaining your voice?
My biggest piece of advice would be to just enjoy singing, when you've been in the industry for a while sometimes people can take for granted what an incredible life we lead. Really enjoy what you do and that will shine through in your voice.
Thank you so much Aimie for chatting about all things singing! Be sure to catch Six either on tour, in Edinburgh or in London. More information about the show can be found here.
Interview by Editor, Olivia Mitchell
Tuesday, 4 April 2017
Goldstone Live, Hippodrome Casino | Review
Goldstone Live
★★★★★
Goldstone Live brings a group of stunning ladies with glorious voices together in their global entertainment company which provides sparkling entertainment for a number of various private events. This was Goldstone's first ever public event and it did not disappoint.
With it's 54 Below vibes, the Hippodrome Casino was the perfect venue for this retro, glitzy evening. The audience were seated at tables with food and drink flowing which combined with the golden goody bags adorning the place and the warm lighting created an intimate atmosphere.
The stage is small but the whole thing was used to it's full extent with dances and sequins covering every tiny inch. The buzzing atmosphere of anticipation was prevalent from when the audience entered the venue and it certainly went up and up with every high energy performance!
The Goldstone trio Aimie Atkinson, Helen Kurup and Vicky Hoyles opened the show with a fabulous rendition of 'One Night Only' from the current West End hit, Dreamgirls and things only went up from there. The theme of the night was definitely glamour, with a level of glitz I can only dream of! The night was made up of three sets of varying styles and genres but each one was lively and full of energy. The girls put their own Goldstone spin on on every songs; performing pieces from artists such as The Supremes, Beyonce and Nicki Minaj. Their repertoire had something for everyone and I found myself dancing and singing along all night and just enjoying a truly wonderful evening of entertainment.
Along with the 'official' Goldstone girls, the night included some special guests who all fit in perfectly with soaring voices, stunning outfits and glorious personalities. Jodie Steele was a particular standout of the night but it was the overall high caliber of performance which made the night so enjoyable. There were no weak links and everyone gave it their all to create an outstanding evening of entertainment.
I can't review this concert without mentioning the little In The Heights reunion at the end where Gabriela Garcia, Stephanie Rojas, Aimie Atkinson, Genesis Lynea and Sarah Naudi performed a sizzling rendition of 'Lady Marmalade' which really brought the house down and exuded glee!
The show closed in proper Goldstone style with golden dresses as far as the eye could see and an outstanding performance of 'Proud Mary' which I was tired just watching! Overall this was a perfect Sunday evening full of talent, glamour and endearing personalities and I hope one of many more public events put on by these crazily adept ladies! Congratulations to everyone involved for a magnificent performance and true embodiment of girl power!
For more information about Goldstone Live visit: http://www.goldstonelive.com
Wednesday, 22 July 2020
Spice World drive-in concert to feature Lucie Jones, Aimie Atkinson, Bronté Barbé, Danielle Steers and Zizi Strallen
Five West End stars will come together to perform a live concert of Spice Girls hits before a drive-in cinema screening of Spice World.
Presented at the Troubadour Meridian Water, the drive-in experience will start at 9pm on Saturday 1 August, with doors opening at 8.15pm.
Put together by producer Paul Taylor-Mills, the concert will feature Aimie Atkinson (Six / Pretty Woman) as Ginger, Bronté Barbé (Shrek/Beautiful) as Baby, Lucie Jones (Waitress/Rent) as Sporty, Zizi Strallen (Mary Poppins/Strictly Ballroom) as Posh and Danielle Steers (Bat Out of Hell/Six) as Scary.
The performances are in a raised central location and relayed back to a giant cinema screen, giving everyone a great view wherever they park up.
Social distancing guidelines will be adhered to and updated in accordance with government guidelines for the performances, with cast, crew and audiences all observing protocols throughout the evening.
The concert has lighting by Andrew Exeter, sound by Dan Samson and choreography by Alexzandra Sarmiento.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Tickets are on sale now. There are ten free car tickets per showing for NHS and care workers, booked with the code NHSSTAFF. Valid ID must be presented at event.
Wednesday, 6 March 2019
Six, Arts Theatre | Review
Six
Arts Theatre
Reviewed on Tuesday 5th March 2019 by Olivia Mitchell
★★★★★(★)
Yesterday, the 2019 Olivier Awards nominations were announced and Six are up for five. For a show which started as a university project, its pretty amazing and inspiring that Six is reaching such levels of stardom, and rightly so. Since debuting with the Cambridge University Musical Theatre Society, showcasing at the Edinburgh Fringe, having a stint at the Arts Theatre, touring and now returning for a pretty open ended run at the Arts, Six has gone up and up, reaching stratospheric levels of brilliance and dazzle. Creators and besties, Toby Marlow and Lucy Moss have somehow managed to capture every type of audience member with their inventive and exciting pop re-telling of Henry VIII's wives. It seems impossible that this show can get better but on my fifth visit, I can confirm: it can!
The concept is that each of Henry VIII's wives sing a song about the hardships of their time with him in the hope of having the most dramatic life story, and therefore becoming the Queen of Queens and leader of the girl group. The setup is the perfect instrument to provide showcase moments for each performer and allow each story to be told with enough depth to keep it interesting and entertaining. This is really an ensemble piece of theatre as each Queen has the opportunity for a solo, as well as backing up the others, so it's only right that all six have been nominated as team for Best Supporting Actress in a Musical. Even the structure of the show, without the songs themselves, upholds the notion of women supporting women.
The Arts Theatre is transformed to a pop concert, Tudor Court with harpsichord remixes of modern songs greeting us as we take our seats. Tim Deiling's pre show lights act like a crown framing the stage and set the tone for the epic lighting that is to come. Of course the music and performances are outstanding but they are taken up several notches by Tim's well thought out and supremely effective lighting. Gabriella Slade's costumes are also spectacular. The clever use of stiff and sparkly fabrics mirror the message of femininity alongside power and are just another tick to add for this show. The sharp wit of the ladies, is matched by Carrie-Anne Ingrouille's choreography which is modern, pop inspired and oh so sharp. If the Arts Theatre paid it's bills in sass, this choreography alone would do the job.
The Arts Theatre is transformed to a pop concert, Tudor Court with harpsichord remixes of modern songs greeting us as we take our seats. Tim Deiling's pre show lights act like a crown framing the stage and set the tone for the epic lighting that is to come. Of course the music and performances are outstanding but they are taken up several notches by Tim's well thought out and supremely effective lighting. Gabriella Slade's costumes are also spectacular. The clever use of stiff and sparkly fabrics mirror the message of femininity alongside power and are just another tick to add for this show. The sharp wit of the ladies, is matched by Carrie-Anne Ingrouille's choreography which is modern, pop inspired and oh so sharp. If the Arts Theatre paid it's bills in sass, this choreography alone would do the job.
Whilst Six does follow real life people, not all the facts are historically correct and everything needs to be taken with a pinch of salt and a peep into a history textbook. However, Marlow and Moss have done an outstanding job of scattering facts here and there and allowing their own writing style, alongside influences from famous pop performers to develop the stories. The composers provide catchy tune after catchy tune as each of the queens tell their stories in their distinctly them style.
The two queens who got off the lightest (aka they were not killed and had pretty great lives post-Henry) bring fiery, energetic performances. Jarneia Richard-Noel as Catherine of Aragon is the definition of sass as she tells Henry there's No Way he can throw her out like a pheasant carcass (not a direct quote but it sounds like a Tudor insult, right?) Anna of Cleves (Alexia McIntosh) shows her success as she regales us with snippets of her life in her resplendent, Richmond Palace. Both ladies perform their upbeat songs with enough energy to power the entire West End and give their absolute all night after night.
Otherwise, Natalie May Paris gives a completely heartfelt performance as "the only one he truly loved", Jane Seymour who died young in childbirth. Her hilariously awkward one liners bring a like-ability to her character, as does her note perfect, chill-inducing rendition of Heart of Stone.
Natalie's performance beautifully and painfully highlights the exploitation of women by the men in power. Whilst she proclaims her love for Henry, she also realises that Henry only loved her because she was able to provide him with an heir. Although all the women are treated badly by men, it's Aimie Atkinson as Katherine Howard who gives the most strikingly painful display. All You Wanna Do is a slow building piece which portrays the dark way in which Katherine was essentially groomed her entire life. The way Aimie manages to show a complete character arc in this song, is truly skilful.
Millie O'Connell is utterly dazzling as the super cheeky Anne Boleyn who is equally used by men but employs her wit and sex appeal to fight back. Although this led to her head off demise, it allows for a fantastically well characterised performance which is worthy of every ounce of applause it receives.
This is an undoubtedly feminist show that inspires women to support each other and reminds us all that we're stronger together. Maiya Quansah-Breed's number towards the end I Don't Need You Love is a pinnacle of the show as it is not only performed perfectly, but wraps up the show and its message so well. The queens combined are an absolute force to be reckoned with and upon leaving the theatre, my friend exclaimed "I've never wanted to be a sassy woman more... I've never felt so empowered!" and that is absolutely true.
Whilst many deep and pretty dark themes course through the roots of this show, writers Marlow and Moss and co-director (with Moss) Jamie Armitage have done a superb job of never making anything too heavy or overwhelming. They maintain a balance which thrills and moves the audience.
Otherwise, Natalie May Paris gives a completely heartfelt performance as "the only one he truly loved", Jane Seymour who died young in childbirth. Her hilariously awkward one liners bring a like-ability to her character, as does her note perfect, chill-inducing rendition of Heart of Stone.
Natalie's performance beautifully and painfully highlights the exploitation of women by the men in power. Whilst she proclaims her love for Henry, she also realises that Henry only loved her because she was able to provide him with an heir. Although all the women are treated badly by men, it's Aimie Atkinson as Katherine Howard who gives the most strikingly painful display. All You Wanna Do is a slow building piece which portrays the dark way in which Katherine was essentially groomed her entire life. The way Aimie manages to show a complete character arc in this song, is truly skilful.
Millie O'Connell is utterly dazzling as the super cheeky Anne Boleyn who is equally used by men but employs her wit and sex appeal to fight back. Although this led to her head off demise, it allows for a fantastically well characterised performance which is worthy of every ounce of applause it receives.
This is an undoubtedly feminist show that inspires women to support each other and reminds us all that we're stronger together. Maiya Quansah-Breed's number towards the end I Don't Need You Love is a pinnacle of the show as it is not only performed perfectly, but wraps up the show and its message so well. The queens combined are an absolute force to be reckoned with and upon leaving the theatre, my friend exclaimed "I've never wanted to be a sassy woman more... I've never felt so empowered!" and that is absolutely true.
Whilst many deep and pretty dark themes course through the roots of this show, writers Marlow and Moss and co-director (with Moss) Jamie Armitage have done a superb job of never making anything too heavy or overwhelming. They maintain a balance which thrills and moves the audience.
With various international productions and tours already in the works, there's no doubt that Six will continue to receive acclaim and a posse of adoring fans around the world. This is the history lesson you'll love and want to return to over and over again. Perfectly executed (!) and superbly created, Six is the smash hit you need to see... and see again.
Read my original Six review here
photo credit: Idil Sukan
Read my original Six review here
photo credit: Idil Sukan
Tuesday, 22 August 2023
Death Note the Musical in Concert at the London Palladium Review: An Ambitious and Engaging Evening
a testament to the creative team's dedication to translating the essence of Death Note to the stage"
Death Note the Musical (Concert)
London Palladium
★★★★
In its first ever English language performance Death Note the Musical in Concert provides an engaging experience, that beautifully combines a concert style show with the allure of a full-fledged production, including captivating staging, meticulously designed costumes, and expertly executed choreography. Drawing inspiration from the iconic Death Note franchise, which originated as a manga series written by Tsugumi Ohba and illustrated by Takeshi Obata, this musical adaptation pays homage to the rich history and context of the source material.
The exceptional cast, which include remarkable talents such as Frances Mayli McCann as Misa Amane, Dean John Wilson as L, Aimie Atkinson as Rem and Adam Pascal as Ryuk, deliver performances that breathe life into the characters. Their portrayal of the characters showcasing both their impressive vocal prowess and their deep understanding of the emotional complexities within the story which questions morality, justice and power.
While the storyline can be a bit challenging to follow, particularly for those not acquainted with the original Manga, the production's sleek execution manages to pack in a lot without feeling overwhelming. The adaptation skilfully navigates the intricate plot points, a testament to the creative team's dedication to translating the essence of Death Note to the stage.
The translation of various elements from the manga to the stage is nothing short of impressive in this truly ambitious concert debut. The show's director, Nick Winston, and the rest of the creative team, including choreographer Alexzandra Sarmiento and costume designer Will Skeet, deserve commendation for their remarkable work in seamlessly integrating these elements into the live performance. The audience's palpable elation is a testament to the success of this collaborative creative endeavour.
The pre and post-show buzz, along with the audience's enthusiastic reactions, clearly indicate that Death Note the Musical has found its niche. Wonderfully, it manages to attract those who might not typically be drawn to musicals, thanks to its connection to the established Death Note franchise and the efforts of the cast and creatives. This broad appeal speaks volumes about the production's ability to engage and captivate diverse audiences.
Admittedly, the sound balance did exhibit some issues on opening night, which can be expected with such an ambitious score. While it occasionally detracted from the overall experience, it's understandable for a complex production. Once the sound balance is finely tuned, there's no doubt that this show will achieve the impactful resonance it aims for.
Death Note the Musical in Concert at the London Palladium showcases the successful fusion of storytelling, outstanding performances, and production design. By highlighting the talents of the cast, and thanks to the creative vision, the musical celebrates the legacy of the Death Note franchise while crafting a unique and captivating theatrical experience. The show's potential to become an unforgettable sensation is evident, and with further refinements, it's poised to leave a lasting mark on the world of musical theatre and is a must see for fans of the source manga.
Reviewed on Monday 21st August 2023 by Olivia Mitchell
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 6 June 2022
Six in the West End to be Filmed Live from the Vaudeville Theatre
The producers of Six the Musical are pleased to announce that the original principal cast members of SIX will remain in (re)formation following next month’s sold out, open-air performances at Hampton Court Palace, swapping the cobblestones of their infamous ex-husband’s courtyard for the silver screen, with a cinematic capture of the production to be filmed at the Vaudeville Theatre.
The film, recorded for future release, will immortalise the hit West End production and feature the original West End Queens Jarnéia Richard-Noel (Catherine of Aragon), Millie O’Connell (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anna of Cleves), Aimie Atkinson (Katherine Howard) and Maiya Quansah-Breed (Catherine Parr). Since the show’s first full run at the Arts Theatre in 2019, the ‘OG’ Monarchs have become synonymous with the show, earning an Olivier Award nomination for their roles, and winning a legion of loyal fans for their royal portrayals.
From Monday 27 June, performances of Six at the Vaudeville will be suspended for four nights to create a film that combines the best elements of live theatre and cinema, culminating in a performance on Friday 1 July for the show’s biggest fans - the Queendom.
The film of Six will be directed by Liz Clare, who most recently directed Adele - Live at the London Palladium.
A limited number of tickets for the performance on Friday 1 July will be made available to purchase via a public ballot, which opens at 10am on Friday 10 June via the production’s social media channels. Lucky winners will be given the opportunity pose on the purple carpet, pose for photos, and be part of SIX history - the ultimate bragging rights to the show’s most ardent fans.
Creators of Six Toby Marlow and Lucy Moss said: “Having our original Oliviers cast captured on film is just such an exciting, mind-blowing prospect. We are so thrilled that we are finally going to be able to share their incredible performances of our show with the whole world! Live captures are SUCH an important part of the world of theatre accessibility today - and we are so very grateful that we get this opportunity to share the six queens’ story this way.”
The seating capacity of the Vaudeville Theatre will be reduced to allow for the camera and sound equipment necessary to capture the performance. Some sightlines may be affected, and access seats will remain available for patrons who require them, subject to availability.
Six, which now has productions in London, on Broadway (for which it recently received eight Tony Award nominations), and tours across the UK, North America and Australia, is produced by Kenny Wax, Wendy and Andy Barnes, and George Stiles.
Performances at the Vaudeville Theatre, featuring the reigning West End cast will resume on Saturday 2 July.
photo credit: Idil Sukan
Friday, 18 March 2022
Six The Musical to be Performed Live at Hampton Court Palace
Worldwide hit musical SIX, created by Toby Marlow and Lucy Moss, will play three open-air concert performances at Hampton Court Palace, reuniting the original West End Queens and performing within the iconic main courtyard of their infamous ex-husband’s former residence on Sunday 19 June and two performances on Monday 20 June, 2022.
This production, staged in partnership with Historic Royal Palaces – the independent charity which cares for Hampton Court Palace - will see the global musical phenomenon staged outdoors for the first time, in front of an audience of over 3,000 at each performance.
SIX Live at Hampton Court Palace will reunite the original West End line-up of Olivier Award nominated cast members; Jarnéia Richard-Noel (Catherine of Aragon), Millie O’Connell (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anna of Cleves), Aimie Atkinson (Katherine Howard) and Maiya Quansah-Breed (Catherine Parr).
The production will be co-directed by Lucy Moss and Jamie Armitage, with choreography by Carrie-Anne Ingrouille, musical supervision by Joe Beighton and costumes by Gabriella Slade based on the original staging with Scenic Design by Emma Bailey, Lighting Design by Tim Deiling, Sound Design by Paul Gatehouse and Orchestrations by Tom Curran.
Speaking about SIX Live at Hampton Court Palace, producers said: “We are delighted to be working in partnership with Historic Royal Palaces and reuniting our original West End Queens for three performances. While SIX continues to triumph worldwide, we are thrilled to be celebrating this home-grown musical and staging it within the beautiful grounds of Hampton Court Palace this summer.”
Liz Young, Head of Events at Historic Royal Palaces, said: “Bringing the phenomenon that is SIX to Hampton Court Palace has been a long-term aspiration, and we’re delighted that this summer loyal fans and newcomers alike will get the chance to experience the award-winning show in the very place where the lives, loves and legacies of these legendary Queens live on.”
SIX has become a global phenomenon since its debut as a student production at the Edinburgh
Fringe Festival in 2017. Since then, and following the reopening of theatres across the world,
performances have resumed in London’s West End, on Broadway and in Sydney (as part of an Australia anNew Zealand Tour), with a brand-new production opening in Chicago later this month, and a second North American Tour due to open in July.
SIX was nominated for five Olivier Awards including Best New Musical and Best Actress in a Supporting Role, for which the Hampton Court Palace cast were collectively nominated. It won the BBC Radio 2 Audience Award for Best Musical at the WhatsOnStage Awards 2019, and was most recently awarded Best West End Show at the WhatsOnStage Awards 2022.
The music from SIX has also achieved global prominence, with its hit songs streamed over 340 million times across all platforms, with over 2 million views on YouTube and 3 billion views on TikTok, making it one of the world’s most successful cast recordings in music history. In October 2021 the original studio cast recording was officially awarded Gold status, in an event streamed globally, live on TikTok.
On-Sale Information
Priority On-Sale opens at 10am on Saturday 19 March
to existing Historical Royal Palace Members
and subscribers to the SIX UK Mailing List
General On-Sale opens at 10am on Sunday 20 March
Booking link
www.sixthemusical.com/london/tickets
Performance Times
Sunday 19 June - 9pm
Monday 20 June - 3pm* and 9pm
The performance will last approx. 80 minutes without an interval and will feature flashing lights, strobe effects, theatrical haze and loud music.
*Monday 20 June 3pm will integrate British Sign Language (BSL) interpretation throughout the performance.
Ticketing Information
The appearance of any particular cast member cannot be guaranteed in the unforeseen event of illness or other circumstances beyond producers’ control. Maximum of 8 tickets per transaction. Tickets are available exclusively through SIX Tickets without booking/transaction fees. Tickets sold elsewhere are in breach of the T&Cs and liable to be cancelled. Please check all terms and conditions regarding entry, the event and further information prior to booking.
Venue information
The formal East Front Gardens are open for SIX Ticket Holders up to four hours prior to each performance where attendees are welcome to experience Hampton Court Palace Gardens.
SIX at Hampton Court is an outdoor event and therefore open to the elements.
Undercover seating can be selected at the time of booking.
No umbrellas are permitted during the performance.
Access Information
A number of wheelchair spaces and adjacent companion seats are available at each performance, subject to availability at the time of booking. In addition, wheelchair and ambulant accessibility requirements can be accommodated in other areas of the auditorium, subject to availability, booked on a first come first serve basis. Further venue information is available here.
Priority On-Sale opens at 10am on Saturday 19 March
to existing Historical Royal Palace Members
and subscribers to the SIX UK Mailing List
General On-Sale opens at 10am on Sunday 20 March
Booking link
www.sixthemusical.com/london/tickets
Performance Times
Sunday 19 June - 9pm
Monday 20 June - 3pm* and 9pm
The performance will last approx. 80 minutes without an interval and will feature flashing lights, strobe effects, theatrical haze and loud music.
*Monday 20 June 3pm will integrate British Sign Language (BSL) interpretation throughout the performance.
Ticketing Information
The appearance of any particular cast member cannot be guaranteed in the unforeseen event of illness or other circumstances beyond producers’ control. Maximum of 8 tickets per transaction. Tickets are available exclusively through SIX Tickets without booking/transaction fees. Tickets sold elsewhere are in breach of the T&Cs and liable to be cancelled. Please check all terms and conditions regarding entry, the event and further information prior to booking.
Venue information
The formal East Front Gardens are open for SIX Ticket Holders up to four hours prior to each performance where attendees are welcome to experience Hampton Court Palace Gardens.
SIX at Hampton Court is an outdoor event and therefore open to the elements.
Undercover seating can be selected at the time of booking.
No umbrellas are permitted during the performance.
Access Information
A number of wheelchair spaces and adjacent companion seats are available at each performance, subject to availability at the time of booking. In addition, wheelchair and ambulant accessibility requirements can be accommodated in other areas of the auditorium, subject to availability, booked on a first come first serve basis. Further venue information is available here.
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