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Monday, 13 November 2017

Saint George and the Dragon, National Theatre | Review

Saint George and the Dragon

Olivier Theatre, National Theatre

Reviewed on Friday 10th November 2017 by Olivia Mitchell

★★★

The National Theatre's current production of Saint George and the Dragon is a modern and ambitious twist on the traditional folk tale of Saint George the dragon-slayer. Described as "a folk tale for an uneasy nation" this production time travels from the medieval times all the way to the current day and questions whether England is losing it's traditional values and whether change is always positive.

Rory Mullarkey's play has faults and drags a little but its interesting and humourous throughout and works extremely well in the space of the Olivier theatre.

As George himself, John Heffernan is Shakespearean, larger than life, witty and charming- perfect for the role. A particularly funny moment is when he disguises himself as 'Ian' in the 2017 world, raising the question of how much we're willing to change to fit in. The character is interesting because as those around him change, he stays the same and becomes somewhat innocent in nature. This transition from the bold hero, to almost childlike is an interesting watch and the idea that distant 'heros' aren't always what the world needs is especially relevant now when it's being revealed that many Hollywood idol's are not the people we should be looking up to at all.

Julian Bleach is the perfect contrast as the sinister but witty Dragon; his portrayal is fantastically strong and gave me major child-catcher vibes in the second act. As the feisty, voice of reason heroine, Elsa, Amaka Okafor is brilliantly cast.

This show wouldn't be what it is without Rae Smith's outstanding set design which transitions along with the characters seamlessly and adds a simple but strong dimension to the play. From the green fields of medieval England to the factory filled London during the industrial revolution, each set is instantly recognisable. Whilst extremely fitting for the time period, the sets also have a humourous aspect such as the way smoke puffs out of the factories. Accompanied by the great, atmospheric lighting by Bruno Poet we are transported through the history of England.

Overall I don't think this play will be to everyone's taste and it could certainly be trimmed down for a smoother flow but it's definitely interesting and I enjoy how it raises some important and relevant questions whilst still remaining humourous. Its genuinely funny and entertaining and Rory Mullarkey has done a great job of reinventing a traditional tale.

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Friday, 6 December 2024

The West End’s Most Stylish Show? The Devil Wears Prada Musical Delivers Glamour and Heart

The Devil Wears Prada musical delivers a dazzling blend of nostalgia, fresh storytelling, and powerhouse performances- a night out that even Miranda Priestly might deem acceptable"

The Devil Wears Prada

Dominion Theatre

When adapting a cultural phenomenon like The Devil Wears Prada, the stakes are high. Fortunately, this musical adaptation succeeds in channeling the charm and sass of the beloved 2006 film while refreshing the story for modern audiences. With a talented creative team led by Elton John (music), Shaina Taub/Mark Sonnenblick (lyrics), and direction/choreography by Tony Award-winning Jerry Mitchell, the musical brings a vibrant mix of fashion, drama, and heartfelt character development to the stage.

One of the show's strengths lies in its balance of homage and reinvention. Fans of the movie will appreciate iconic nods like the cerulean sweater monologue and Andy’s stunning transformation, while new elements ensure the production feels fresh. For example, Andy's struggles with her weight are taken out, reflecting contemporary sensibilities. Similarly, the character of Nigel (played with warmth and depth by Matt Henry) has been given more of a backstory, highlighting his journey as a gay man and his profound love for fashion. These updates add layers of relatability and emotional resonance to the narrative.

Another welcome change is the improved portrayal of Andy’s boyfriend, Nate (played here by Rhys Whitfield). In the film, he’s often criticised for being unsupportive, but here he’s a far more sympathetic figure, expressing his emotions and making genuine efforts to support Andy as she navigates the high-stakes world of Runway magazine. These tweaks make the story feel less dated and more nuanced.

The cast is a powerhouse, led by Georgie Buckland, who shines as the ambitious and relatable Andy Sachs; her vocals are fantastic and she does a great job of showing Andy's journey and development throughout. As recently promoted assistant Emily, Amy Di Bartolomeo completely steals the show. Her razor-sharp wit and impeccable comedic timing make every scene she’s in a delight, and her big number is a standout moment that earns thunderous applause; her vocals are astounding and she truly shines in every single moment. Vanessa Williams as Miranda Priestly is commanding and effortlessly stylish, capturing the character’s icy exterior and surprising moments of vulnerability with finesse. Universally, the cast are really strong with a number of member multi-rolling to great effect.

Visually, the show is a feast for the eyes. The costumes-unsurprisingly-are spectacular, Gregg Barnes has done a stellar job of bringing high fashion to life on stage. The gala scene, paired with the title number 'The Devil Wears Prada', is a jaw-dropping spectacle where the wardrobe truly takes centre stage. The lighting design (Bruno Poet) is equally impressive, often framing characters as though they’re mannequins in a window display- a clever and effective visual motif that underscores the story’s themes of image and identity.

Elton John’s score is undeniably fun, packed with witty lyrics and catchy melodies. While it doesn’t push the boundaries of musical theatre, it fits the show perfectly, delivering the energy and humour fans expect. Numbers like 'How to Survive at Runway' and 'Miranda Girl' capture the glitzy yet cutthroat world of fashion, while more introspective songs give the characters room to breathe and connect with the audience.

This production knows its audience: die-hard fans of the film and lovers of fashion will relish every moment, but it also has the potential to win over theater newcomers. Its approachable storyline, dazzling production values, and killer performances make it an excellent introduction to musical theatre.

Ultimately, The Devil Wears Prada is not a groundbreaking work of art, but it doesn’t need to be. It’s a stylish, fun, and faithful adaptation that celebrates what we loved about the original while making smart updates for today. With its 2000s nostalgia, enviable wardrobe, and impactful performances, this is a show that delivers exactly what it promises: a fabulous night out.

Miranda Priestly may not gush, but this production earns a well-deserved four stars. That’s all.

★★★★

Reviewed on Sunday 1st December 2024 by Olivia

Photo Credit: Matt Crockett

{AD PR Invite- tickets gifted in exchange for honest review}

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Friday, 14 October 2016

Miss Saigon: 25th Anniversary Performance (film) | Review

Movie musicals often get a bad rap and with some previously released ones its not surprising, so I was cautious about how the spectacle that is Miss Saigon would translate to film. Before watching the movie I thought that a production as big as this could only really be experienced live in the flesh... I was wrong. This is a momentous and immersive triumph like no movie musical I've seen before.

Universals HD recording brings every moment of Miss Saigon to life; we hear the background conversations and see all the facial expressions which could easily be missed live at the Prince Edward Theatre. Every breath, song and moment of choreography is perfectly framed with a mix of close-ups and wide angles making the whole production visually stunning. Every magical feature of Bruno Poet's lighting design and Totie Driver and Matt Kingley's fantastic set design is highlighted and glorified.

The whole thing isn't just watching a musical filmed live from a theatre, its a cinematic experience where one feels truly immersed in the production and can relate and attach to the characters even more. I truly have no faults with this film and for the majority of it being filmed in front of a live audience on one night, its really mind boggling how perfect the team have managed to make it!

Of course a review of Miss Saigon would not be complete without mentioning the insane talents of the cast. Although I saw this cast twice live at the theatre, I was even more in awe of their talents watching this recording. The extreme close ups show every emotion that crosses their faces and you can truly see how much they commit making their characters as realistic and provocative as possible.

Eva Noblezada's voice as Kim is just on another level; it actually depresses me how young and talented she is and I can only dream of being so flawless one day. Every note that comes out of her mouth is golden and its worth going to see the film purely to hear I'd Give My Life For You which sent chills down my spine! Jon Jon Briones gets the comedy and depth of the hilarious but calculating engineer down to a tee and I will never be over his performance of The American Dream. Alistair Brammer is the perfect lead, his voice soaring with ease and complementing Eva's dulcet tones entirely. If I could mention every cast member I would but I'm afraid that would take forever so I'll just say that every performance is remarkable and each individual truly shines in this recording.

Whether you've seen the production before or not, you must go and see this film. If you saw the show at the Prince Edward you'll get to see it in an entirely new light and if you haven't seen it before you'll be introduced to one of the most fantastic works of musical theatre in complete and utter style. Its definitely a must-see for musical theatre fans but I am almost certain that anyone will enjoy it. This is a production which is truly, completely and utterly unforgettable and altogether an impeccable cinematic experience. ★★★★★

Miss Saigon will be at cinemas on Sunday 16th October 2016 and will then be released on DVD.

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