Showing posts sorted by relevance for query Donmar Warehouse. Sort by date Show all posts
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Saturday 17 February 2018
The York Realist, Donmar Warehouse | Review
The York Realist
Donmar Warehouse
Reviewed on Wednesday 14th February 2018 by Olivia Mitchell
★★★★
Peter Gill's 2001 play is a beautifully moving and genuinely funny look at same-sex love. This glorious revival by Robert Hastie is natural and manages to say more in 130 minutes than many plays say in 3 hours. Nothing is force fed or overdramatic but by the end we genuinely care for the characters and believe what they're going through.
The York Realist is about an assistant director who's putting on an amateur production of the mystery plays. Ben Batt plays George who's starring in the play but hasn't been attending rehearsals so John (Jonathan Bailey) the young, well-spoken London director visits George's Yorkshire farmhouse to persuade him to return to rehearsals. There he meets George's family and the two form a relationship. This is a show all about detail; it's explores a gay relationship of course but there's an equal amount of exploration about class, family, identity and grief. It looks at the feeling of identity in terms of where you live and were brought up, with Gill's writing having it's own identity with it's glorious portrayal of Yorkshire and the community there.
The family kitchen feels truly authentic as we meet George's mother, sister, brother-in-law, nephew and family friend. The conversation flows and the intimacy of the Donmar Warehouse allows us to appreciate every moment and enjoy this understated piece of theatre.
Ben Batt is outstanding as the calm, buff Yorkshireman who struggles to leave his home and comforts behind; he manages to be strong but sensitive and gives a truly heart-warming performance. Jonathan Bailey is an extraordinary delight who perfectly gives off the big-city vibe without ever being over the top or annoying to watch. Both actors show off their vulnerabilities to devise an intricate, touching world.
The snug Donmar Warehouse transformed by Peter McKintosh's delightful cottage set provide a perfectly evocative setting. The detailed kitchen set is the perfect home for the cast of seven who seem as though they've spent their entire childhoods drinking tea in there.
This is a glorious show which creeps up on you slowly, naturally and beautifully. I couldn't think of a better way to spend 130 minutes.
photo credit: Johan Persson
Wednesday 9 October 2024
David Tennant and Cush Jumbo’s Macbeth to be Released in Cinemas
Trafalgar Releasing, in collaboration with the Donmar Warehouse, has announced the cinema release of Macbeth, starring David Tennant and Cush Jumbo. This sold-out production, currently playing in London's West End, will be screened in cinemas across the UK, US, Australia, and select international locations starting February 5, 2025. Directed by Max Webster, this critically acclaimed performance was filmed live at the Donmar Warehouse.
Tickets for the cinema release go on sale October 16 at MacbethDonmarCinema.com.
Tim Sheader, Artistic Director of the Donmar, and Executive Director Henny Finch expressed excitement over the production's expanded reach, saying, “We are thrilled that this innovative staging of Macbeth will reach even more audiences beyond its original run. It’s exciting to think that thousands of viewers globally will get to experience this unique, immersive production in cinemas.”
Trafalgar Releasing’s CEO, Marc Allenby, highlighted the continued success of theatre in cinemas, remarking that, “Theatre remains a key driver of cinema box office, and working with the Donmar to bring Macbeth to global audiences further broadens our cultural content portfolio.”
The production, with David Tennant (Doctor Who, Broadchurch) as Macbeth and Cush Jumbo (The Good Wife, Criminal Record) as Lady Macbeth, has garnered rave reviews. The Daily Telegraph called it "enthralling," while The Guardian praised its "wolfish imagination and alarming surprise." The live cinema screening will capture the intense and brutal pace of this tragic tale of ambition, power, and fate, enhanced by immersive 5.1 surround sound.
The production also features Moyo Akandé as Ross, Cal MacAninch as Banquo, and Rona Morison as Lady Macduff, along with a host of seasoned performers, many with extensive theatre, television, and film credits.
The Donmar Warehouse, renowned for its intimate staging and groundbreaking productions, has teamed up once again with Trafalgar Releasing to bring theatre to a global audience. The company has previously collaborated with Trafalgar on successful cinema releases, and Macbeth promises to be no exception.
For more information and tickets, visit MacbethDonmarCinema.com.
Thursday 17 October 2024
Complete Cast Announced for UK Premiere of Dave Malloy’s Natasha, Pierre & The Great Comet of 1812 at Donmar Warehouse
The highly anticipated UK premiere of Natasha, Pierre & The Great Comet of 1812, Dave Malloy’s celebrated musical inspired by Tolstoy’s War and Peace, has officially announced its full casting. The production will run at the Donmar Warehouse from December 9, 2024, through February 8, 2025, under the direction of Tim Sheader.
This groundbreaking musical, which garnered 12 Tony Award nominations during its 2017 Broadway run, is set in 19th-century Russia and tells the story of Natasha Rostova, a young aristocrat who falls in love with the dashing Anatole while awaiting her fiancé’s return from war. The tale weaves together passion, scandal, and redemption, with the character of Pierre stepping in as an unlikely hero to restore Natasha’s honour.
The role of Pierre will be played by Jesus Christ Superstar star Declan Bennett, while Chumisa Dornford-May takes on the role of Natasha Rostova. The rest of the cast includes a mix of acclaimed stage performers: Daniel Krikler (Oklahoma!) as Fedya Dolokhov, Eugene McCoy (Only Fools and Horses) as Prince Bolkonsky/Andrey, Annette McLaughlin (Strictly Ballroom) as Marya Dimitriyevna, Maimuna Memon (Standing at the Sky’s Edge) as Sonya Rostova, Jamie Muscato (Heathers) as Anatole, Cedric Neal (Back to the Future) as Balaga, Chloe Saracco (Pride and Prejudice) as Mary, and Cat Simmons (Aladdin) as Helene Kuragina Bezukhova.
Rounding out the ensemble are Andrew Berlin, Kimberly Blake, Ali Goldsmith, Chihiro Kawasaki, Nitai Levi, and Annie Majin, all of whom will add to the show’s immersive, multi-sensory experience.
The Donmar Warehouse production of Natasha, Pierre & The Great Comet of 1812 is helmed by a top-tier creative team. Tim Sheader directs, with Ellen Kane (Matilda the Musical) providing choreography. Nicholas Skilbeck (Follies) will serve as musical supervisor, and Sam Young will conduct the show’s vibrant, eclectic score.
Leslie Travers handles the set design, bringing 19th-century Russia to life, while Evie Gurney designs the period costumes. Lighting design is by Howard Hudson, with sound design by Nick Lidster and Gareth Tucker for Autograph, ensuring an immersive atmosphere throughout the performance. Additional creative support comes from associate director Fiona Dunn, associate choreographer Nuno Silva, associate casting director Richard Johnston, and resident assistant director Grace Duggan.
Casting is directed by industry veterans Pippa Ailion and Natalie Gallacher.
This UK premiere marks a significant moment for British audiences as they get the chance to witness one of Broadway's most unique musical theatre experiences. With a compelling score that blends folk, classical, and modern influences.
Thursday 17 March 2022
The Witches of Eastwick to have Concert Performance Starring Giles Terera
Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce a special one-off concert of The Witches of Eastwick at the Sondheim Theatre on Monday 20 June 2022.
The Witches of Eastwick has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. Maria Friedman will direct with musical staging by Stephen Mear. Olivier Award-winning actor Giles Terera will star as Darryl Van Horne. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001. Tickets are on sale from 10am on Thursday 17 March.
Further all-star casting is to be announced.
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had.
Further all-star casting is to be announced.
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had.
Cameron Mackintosh said “I’m really thrilled that Jack Maple is conjuring up the wickedly funny Witches of Eastwick again, for one night only in concert with a glorious cast at the Sondheim Theatre. It has always been one of my favourite scores, which I’m very much looking forward to hearing in its full splendour.”
Maria Friedman said “I’m so incredibly excited to be revisiting Eastwick after all these years. To be reunited with the fantastic Stephen Mear and to have the opportunity to bring this beloved musical back to London, and at the simply stunning Sondheim Theatre, for one night only is an absolute thrill and I can’t wait to get started.”
Giles Terera MBE is an award-winning actor, musician and writer. He is best known for originating the role of Aaron Burr in the London production of the award-winning musical Hamilton, for which he won the 2018 Olivier Award for Best Actor in a Musical. Giles’s other work on stage includes Rosmersholm, The Tempest, Avenue Q, The Book of Mormon, 125th Street, Rent (West End); Ma Rainey’s Black Bottom, Hamlet, Death and the King’s Horseman, The Hour We Knew Nothing of Each Other, Troilus and Cressida, Candide, Honk! (National Theatre); The Merchant of Venice (Shakespeare’s Globe/international tour); The Resistible Rise of Arturo Ui (Donmar Warehouse); Pure Imagination – The Songs of Lesley Bricusse (St. James’s); King John (Shakespeare’s Globe/UK tour); The Ratpack (West End/international tour); Jailhouse Rock (Theatre Royal Plymouth/West End); The Tempest (RSC) and Generations of the Dead (Young Vic). As a writer, his theatre work includes The Meaning of Zong (Bristol Old Vic), The Ballad of Soho Jones (St. James’) and Black Matter (Crazy Coqs). Giles was appointed a Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to theatre.
The winner of three Olivier Awards and an Evening Standard Award, Maria Friedman is one of Britain’s most successful and acclaimed Musical Theatre actresses. Maria starred in the original West End production of The Witches of Eastwick as Sukie alongside Lucie Arnaz as Alex and Joanna Riding as Jane. Her many other West End acting credits include Passion, Ragtime, Merrily We Roll Along, Blues in the Night, Chicago, The Woman in White and, most recently, she played Golde in the Olivier Award-winning Trevor Nunn production of Fiddler on the Roof at the Playhouse Theatre. Maria won over a whole new audience when she joined the cast of long-running soap EastEnders, playing Elaine Peacock. In 2013, Maria made her directorial debut at the Menier Chocolate Factory with a production of Stephen Sondheim's musical Merrily We Roll Along. After a series of 5-star reviews, the Critics’ Circle Award for Best Musical and a sell-out extended run, it transferred to the West End and played Boston. In 2014, it won the Olivier for Best Musical Revival. It was recently announced that Maria will stage Old Friends, a celebration of the work of Stephen Sondheim at the Sondheim Theatre, with Matthew Bourne in May, as well as an Off-Broadway production of Merrily We Roll Along starring Daniel Radcliffe as part of New York Theatre Workshop’s 2022/23 season.
The multi award-winning Stephen Mear, is one of the world’s most celebrated choreographers, with two Olivier Awards, an LA Drama Critics Circle Award, and a Helpmann Award. His theatre work includes Mary Poppins with co-choreographer Matthew Bourne (Prince Edward Theatre 2004 & 2019); Funny Girl and Guys and Dolls, as director/choreographer (Marigny Theatre); Guys and Dolls Concert, as director/choreographer (Royal Albert Hall); Chess (ENO); Sunset Boulevard (ENO and Broadway); On the Town (ENO and Théâtre du Châtelet); 42nd Street as director/choreographer (Théâtre du Châtelet); Singin’ In The Rain (Grand Palais); City of Angels, The Vote and The Resistible Rise of Arturo Ui (Donmar); White Christmas (Dominion Theatre and Curve, Leicester); Mack and Mabel, The Pajama Game, She Loves Me as director/choreographer, Amadeus, The Music Man, Funny Girl, How to Succeed In Business, Putting it Together and The Grapes of Wrath (Chichester Festival Theatre); Die Fledermaus (The Metropolitan Opera, New York) and The Little Mermaid (Broadway). Stephen will be choreographing Old Friends at the Sondheim Theatre this May.
John Dempsey wrote both the book and lyrics for Zombie Prom (Off Broadway & Germany), The Fix directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations) and lyrics for The Reluctant Dragon, A Country Christmas Carol, and the Ringling Bros. Barnum & Bailey Circus. Plays include; One Miracle in a Lifetime (Ohio Arts Council Award), The World Today and The Greater Goode.
Dana P. Rowe wrote the music for Zombie Prom (Off Broadway & Germany) and The Fix, directed by Sam Mendes at the Donmar Warehouse (Olivier Award & Helen Hayes Award nominations). He also prepared the score for The Ballad of Bonnie & Clyde which premiered at the 2005 New York Musical Theater Festival as a featured production.
Friday 25 February 2022
Millie O’Connell, Danielle Steers and Debbie Kurup to Play Cher in The Cher Show
“All of us invent ourselves.
Some of us just have more imagination than others.”CHER
The producers of the brand new production of The Cher Show are delighted to announce that the role of Cher will be played by Debbie Kurup, Danielle Steers and Millie O’Connell. The production features the actresses portraying Cher in three different ways throughout her iconic career, with Debbie as ‘Star’, Danielle as ‘Lady’ and Millie as ‘Babe’. Further casting is to be announced.
With book by Tony and Olivier Award-winning Rick Elice (Jersey Boys, The Addams Family, Peter and the Starcatcher), direction by Arlene Phillips (Saturday Night Fever, Starlight Express, Grease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (Six, In The Heights, Spice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.
Debbie Kurup’s theatre credits include Bonnie & Clyde (Theatre Royal, Drury Lane), Queen Tuya in The Prince of Egypt (Dominion), Blues in the Night (Kiln), Sweet Charity (Donmar Warehouse), Mrs Neilsen in Girl From The North Country (Old Vic/ Noël Coward), The Threepenny Opera (NT), Anything Goes (Sheffield Crucible/UK Tour), Nikki Marron in The Bodyguard (Adelphi - Olivier Award nomination for Best Performance in a Supporting Role in a Musical), Velma Kelly in Chicago (Cambridge/Adelphi), Sister Act (London Palladium), East (Leicester Curve), West Side Story (Prince of Wales), Tonight’s The Night (Victoria Palace), Rent (Prince of Wales/UK Tour), Fame (UK Tour), Guys And Dolls (Sheffield Crucible), Pal Joey (Chichester) and Boogie Nights (Savoy).
Danielle Steers’s theatre credits include The Empress in Aladdin (Theatre Royal, Plymouth), Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre, Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
Millie O’Connell’s theatre credits include Maureen in Rent (Hope Mill Theatre - WOS Award Nomination), Jeanie in Hair (Turbine Theatre), Chloe Valentine in Be More Chill (Shaftesbury Theatre and The Other Palace), Anne Boleyn in SIX: The Musical (UK Tour and Arts Theatre, London - Olivier Award nominated), Ensemble/cover Millie in Thoroughly Modern Millie (UK Tour), Ensemble/Understudy Annie in 42nd Street (Theatre Royal, Drury Lane), Ensemble/Understudy Peggy Sawyer in 42nd Street (Theatre Du Chatelet).
From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame. Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie. It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.
The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.
With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most. Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.” Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours. She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”. She became known as the Queen of Reinvention.
In the 1990s, she established The Cher Charitable Foundation to support causes around the world. She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic. Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.
Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world. This new production will be the European premiere.
The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett and casting by Will Burton CDG.
The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.
Website: www.cheronstage.com
Twitter, Facebook, Instagram: @TheCherShowUK
photo credit: Matt Crockett
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 8 February 2018
The Ferryman, Gielgud Theatre | Review
The Ferryman
Gielgud Theatre
Reviewed on Monday 5th February 2018 by Olivia Mitchell
★★★★
Two of the hottest names in theatre and film have come together to create a masterful, intricate piece of theatre. Founder of the Donmar Warehouse, Sam Mendes and award winning playwright Jez Butterworth have constructed 3 hours, 15 minutes of dramatic storytelling, filled with equal parts tenderness and tension.
Set in rural Northern Ireland in 1981, The Ferryman follows the Carney family as they prepare for the annual harvest feast. The family is vast with the huge cast featuring a whole range of ages and some real farmyard animals! They all work wonderfully together to create a realistic family vibe as they bounce off one another and face the highs and lows of family life. The comedy and flow of family life is flawless with fantastic performances across the board, especially from the children.
Whilst the surface story is the family portrait, it's politics that seeps through this play. With IRA connections and bloodshed over the generations causing tension and pain for all involved. It's striking and moving to watch.
Pacing wise, The Ferryman is good, with the third act especially providing punch after punch. However, I found some moments to be over indulgent and it definitely could have been cut down; but there's no denying that Jez Butterworth is certainly a master storyteller and has woven a masterful script which excites and engages throughout.
Owen McDonnell is understated and layered as patriarch Quinn Carney. Rosalie Craig as the struggling Caitlin is extremely interesting to watch as she puts of a brave face whilst the wounds of her husband's disappearance are ripped open. The entire younger cast are dynamic as they bounce off one another, first in a playful way and gradually transitioning to anger and suspicion. The character development of each individual is extremely well written and performed with Francis Mezza as Shane Corcoran providing a wonderfully arched portrayal.
The Ferryman is a glorious piece of theatre which flows and cadences with ease and vigour. It's lengthy but so worth the watch. This is a play that not only makes you think but makes you want to talk and pick apart every aspect of it. Get yourself along to the Gielgud theatre to experience a theatrical spectacle.
For tickets and information about the show, visit https://www.londonboxoffice.co.uk
photo credit: Johann Persson
Monday 31 December 2018
Olivia's Top 10 Shows of 2018
2018 has been a whirlwind year full of amazing theatre. I was lucky enough to see a total of 150 shows so whittling them down to a top 10 was extremely difficult. Although this list is in an order, I really loved each of them equally as they all moved me in a particular way and provided some theatrical treats. 2019 is the year of change for West End theatre as a lot of beloved shows close and we get a number of new shows and shows from across the pond. I can't wait to see what next year provides and if we get anything like the treats from this year, it's going to be truly wonderful...
This was one of the wackiest nights out at the theatre. Alan Menken's score, accompanied by the changing natural light, a dancing tongue (shoutout Billy), and a host of standout performances, you couldn't help but smile and laugh at this treat of a summer show.
My heart was torn out and I ugly cried most of my train home but this was a magical theatrical experience. Highlighting the struggles of grief, this production cleverly used simplistic, ensemble staging to create a highly moving, highly polished, yet still raw piece of theatre.
This is one of the most truthful productions I have ever seen in my life. The outstanding cast seemed as if they were living the show for the first time as they travelled through Nine Nights of mourning with humour and depth in perfect balance.
This show deserved better. Mythic was a whole host of self-aware-hilarity accompanied by the catchiest music. A modern twist on the Greek Gods, it was 90 minutes of unadulterated brilliance and I can only hope 2018 isn't the last time this show graces the stage.
Robert Hastie's revival of The York Realist was 130 minutes of theatrical perfection. Handled with genuine care and a real attention to detail, this was a beautiful exploration of love, class and life.
All I can say is that London is not ready for the perfection that this show is. Book your tickets NOW.
Toby Marlow and Lucy Moss are the best thing to happen to British theatre in a long time. Telling the stories of the wives of Henry VIII, Six uses modern musical styles, mixed with laugh out loud one liners, out of this world performances from the Queens and it's just spectacular. It's a show for all ages that is sure to wow audiences for years to come as they keep coming back for their royal fix.
This is another gem of a show from Trafalgar Studios. Arinzé Kene gave the most devoted and energy fuelled performance I've ever seen. Misty is vibrant and fresh as it uses the dual-narrative structure perfectly to leave you wordless.
If The Rink was a person, I would've married it by now. Caroline O'Connor gave a masterclass in acting and this show needs to come back right now. Roller blades, delightful music and fabulous staging made this a faultless production.
I saw Hadestown twice this year but if I could've made it 20, I would have. I truly can't describe how special this show is; the lighting, staging, choreography, ensemble, leads and music come together to create an emotional journey and spectacular theatrical experience. The entire show is painfully relevant and the whole spectacle of it is exceptional.
So there we have my Top 10 Shows of the year, do you have any of the same ones? I'd like to give mention also to Bat Out of Hell which became a huge part of my year and provided some wonderful memories; and the BTA who put on two fantastic shows: Spring Awakening and Bring it On which featured stellar performances from the stars of the future.
For me, this was the year of female led performances and a real forward movement in the showcasing of diversity in theatre which are two huge positives in the industry. Lets hope for a continuation of these changes in 2019! Wishing you a the stagiest of stagey 2019s!
-Olivia x
-Olivia x
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