Showing posts sorted by relevance for query Everybody's Talking About Jamie. Sort by date Show all posts
Showing posts sorted by relevance for query Everybody's Talking About Jamie. Sort by date Show all posts

Wednesday, 16 March 2022

Everybody's Talking About Jamie (Tour), New Victoria Theatre Theatre | Review


Everybody's Talking About Jamie (Tour)
New Victoria Theatre
Reviewed on Tuesday 15th March 2022
★★★★

Everybody's Talking About Jamie is fast becoming a staple piece of theatre in the UK and indeed across the world. Having had various iterations in many countries including Japan and Italy, as well as the hit film which was released last year; the musical retains its Britishness, strong heart and morals and continues to be an inspiring and entertaining experience.

Dan Gillespie Sells and Tom MacRae's show tells the story of an extroverted 15 year old who dreams of being a drag queen. Despite being sure of himself and his abilities, young Jamie New faces a number of hurdles and people who try to dull his sparkle. So, he works to overcome these and to show the close-minded people around him that being true to yourself can get you far. It's a show which delights and inspires in equal measure, and is sure to keep its spot in theatre lover's hearts for a long time.

As the title character, Layton Williams is a treat to watch. He brings Jamie to life truthfully and so glamourously. From the opening of 'And You Don't Even Know It', Layton completely owns the character and shows us the light and shade enveloped in it. At times his vocals get lost but he makes up for this with his incredible wit and larger than life personality that soars on stage.

Playing Jamie's kind and strong mum is Amy Ellen Richardson who's vocal performance is outstanding. 'He's My Boy' is an absolute highlight of the show and her vulnerable performance is incredibly moving. Her chemistry with Layton is great and she also works incredibly well with her best friend Ray (played brilliantly at this performance by Lisa-Marie Holmes).

Another lovely friendship is that of Jamie and Pritti. The pair are both misunderstood and confined in their own ways and it's so sweet to see them discuss this and to support each other without any toxicity. Sharan Phull is endearing and moving as Pritti, especially in her solo moments and fantastic monologue at the end of the show.

Shane Richie as Hugo/Loco Chanelle is fantastically entertaining, giving a really strong vocal performance and also showcasing fabulous comedic timing. Other stand out performances come from George Samson as Dean Paxton and Gary Lee in various roles including Laika Virgin at this performance.

Everybody's Talking About Jamie is a musical which inspires us all to own what makes us 'different' and is a really heartwarming portrayal of family, friendship and acceptance. It's contemporary and over the top and so much fun. Let's talk about Jamie a bit longer! Go see the show on tour!

Everybody's Talking About Jamie plays at the New Victoria Theatre until 19th March 2022 and then continues its tour
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Thursday, 5 November 2020

Hiba Elchikhe Brings Together West End Performers For A New Musical Theatre Series


In collaboration with Nimax and The Theatre Café, West End performer Hiba Elchikhe is thrilled to announce a brand-new musical theatre based web series: Out Of The Darkness, Into The Spotlight.


Bringing a little bit of glitter to the grey, this three-episode series hopes to not only entertain, but shine a light on the performers who are keeping the West End alive, even during lockdown.


Hiba, who is currently starring in the West End hit Everybody’s Talking About Jamie, and who has created the series says “In a time of such uncertainty I am so excited to be able to bring together a spectacular group of freelance artists, that are representative of the UK.”  


Featuring a line up of stellar creatives, each episode shines a “spotlight” on something different: Everybody’s Talking About Jamie, Musical Theatre and Christmas. The first episode is set to premiere on November 18th, with the next two going live on November 25th and December 9th. Each episode will feature a different line-up of star performers, running at approximately 45 minutes and including a mixture of songs. Performers include: Danny Becker (Prince of Egypt, Aladdin), Courtney Bowman (Six, Everybody’s Talking About Jamie), Danielle Steers (Six, Bat Out of Hell), Hiba Elchikhe (Everybody’s Talking About Jamie, Brooklyn), Carrie Hope Fletcher (Les Misérables, Heathers), Sejal Keshwala (Everybody’s Talking About Jamie), Tim Mahendran (& Juliet, Spring Awakening), Grace Mouat (& Juliet, Six), Trevor Dion Nicholas (Hamilton, Aladdin), Liam Tamne (Prince of Egypt) and Noah Thomas (Everybody’s Talking About Jamie).


As well as Maisey Bawden, Paul Bradshaw, Rhiane Drummond, James Gillan, Shanay Holmes, Rob Houchen, Melissa Jacques, Emma Kingston, Carl Man, Frances McCann, Scott Paige, Sharun Phull, Amy Trigg and Andrew Patrick Walker, with more to be announced.


Tickets are available from: https://www.thetheatrecafe.co.uk/2020/11/news-out-of-the-darkness-into-the-spotlight/


#IntoTheSpotlightConcert


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Friday, 17 November 2017

Everybody's Talking About Jamie, Apollo Theatre | Review


Everybody's Talking About Jamie
Apollo Theatre 
Reviewed on Wednesday 15th November 2017 by Olivia Mitchell 
★★★★

Everybody's Talking About Jamie has been one of my most highly anticipated shows of 2017 since I heard the rave reviews during it's run at the Sheffield Crucible. Based on real life events, it tells the story of 16 year old Jamie New, who's dreams are a little different to his classmates. Chronicling the struggles of growing up, issues with family and being accepted, it's the warm, British, comedic show the West End has been waiting for.

The real story was adapted for stage by composer Dan Gillespie-Sells and Tom MacRae and is their first foray into the world of musical theatre. 

Dan's soundtrack is sublime with a faultless mix of upbeat, pop numbers such as 'You Don't Even Know It' as well as heart-achingly beautiful ballads, my personal favourite being 'Wall in My Head'.

Tom MacRae's book is equally fantastic; humour is perfectly balanced with drama and pain to make the show ebb and flow seamlessly. Of course the production is camp but it's not over the top or forced and the classroom scenes are just hilarious. Nothing is overdone and despite some comments falling slightly flat, every moment of dialogue is truly realistic- it feels like watching real life play out rather than performers on a stage. 


On the surface this is a show about drag but the real focus is on the relationships between Jamie and his peers and specifically between him and his mum Margaret, played wonderfully by Josie Walker. It's wonderful to see a parent so supportive of their child even though they're not what people may perceive as 'normal', and it's made even more special by the fact that we know it's based on a true mother/son relationship. Whilst Margaret and Jamie's struggles may contrast to others, the story shows just how important mum's, and not just mum's but whoever your supports in life, are. We all fight with and irritate those who are close to us but that's just because we love them and it's so joyous to see this love played out so sweetly and genuinely on stage.

John McCrea is  faultless as Jamie, even in his ludicrously high stilettos! He is quick witted, sarky and exudes life and joy- I want to be his friend! His voice is great and he just does the most outstanding job every second he's on stage (and he's basically on stage every second.)

His best friend and partner is crime, Pritti is performed fantastically by Lucie Storthouse. 'It Means Beautiful' is sung wonderfully by her and the extremely clever staging adds a magical element to it. It almost becomes a prayer and is a touching scene.


Katie Prince's unique choreography fits the show perfectly and adds a fresh and modern feel. The contemporary dance during 'If I Met Myself Again' is breathtaking and certainly a standout moment of the entire show.

Overall, Everybody's Talking About Jamie is the perfect injection of life, modernity and sass that the West End is craving. It's a story about being yourself no matter what and facing your fears head on. For a contemporary, spectacular piece of British theatre, get yourself along the the Apollo theatre and start talking about Jamie!

For tickets and information about the show, visit https://www.londonboxoffice.co.uk

photo credit: Johan Persson

*disclaimer: this was a preview performance so elements of the show could change*
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Thursday, 6 July 2023

Sam Bailey, Kevin Clifton and Giovanna Fletcher to Star in the UK Tour of Everybody's Talking About Jamie


Exciting news for the UK Tour of Everybody's Talking About Jamie! The musical has announced some new additions to the cast. Kevin Clifton, known for winning Strictly Come Dancing, will be playing Hugo/Loco Chanelle from March 25 to July 15, 2024. Giovanna Fletcher, an author, podcast host, and winner of I'm a Celebrity Get Me Out Of Here, will portray Miss Hedge from January 8 to March 23, 2024. Then, X-Factor winner Sam Bailey will take over the role of Miss Hedge from March 25 to July 15, 2024.

Kevin Clifton expressed his excitement about joining the UK Tour after his involvement in the movie, praising the show's inspiring and uplifting nature. Giovanna Fletcher described Everybody's Talking About Jamie as a wonderful show with great music, dance, and humour, emphasising its universal tale of courage and acceptance. 

They join the previously announced cast members Ivano Turco as Jamie New, Rebecca McKinnis as Margaret New, Shobna Gulati as Ray, and Talia Palamathanan as Pritti.

The cast also includes John Partridge and Hayley Tamaddon during specific periods of the tour. The rest of the cast for the 2023-24 UK Tour includes KY Kelly, Garry Lee, David McNair, Akshay St Clair, Jordan Ricketts, Liv Ashman, Rhiannon Bacchus, Geoff Berrisford, Jessica Daugirda, Finton Flynn, Annabelle Laing, Luca Moscardini, Joshian Omana, Thomas Walton, Takayiah Bailey, and Georgina Hagen.

After successful runs in the West End, a sold-out UK & Ireland Tour, and an award-winning film, the show will kick off at The Lowry on September 7, 2023, and visit various cities across the UK, including Sunderland, Nottingham, Bromley, Birmingham, Cardiff, Brighton, Leeds, Blackpool, Llandudno, Oxford, Southampton, Newcastle, Wolverhampton, Woking, London, Bristol, Plymouth, Sheffield, Liverpool, Eastbourne, Portsmouth, Glasgow, Aberdeen, Northampton, Bradford, Milton Keynes, Hull, and Leicester.

Everybody's Talking About Jamie tells the story of Jamie New, a sixteen-year-old from a council estate in Sheffield who doesn't quite fit in and is fearful of the future. With the support of his loving mother and friends, Jamie overcomes prejudice and bullying to step into the spotlight and become a sensation.

This musical sensation, described as funny, outrageous, and touching, is suitable for the whole family and shouldn't be missed. With an original score of catchy pop tunes by Dan Gillespie Sells, lead singer-songwriter of The Feeling, and a script by Tom MacRae, the show is choreographed by Kate Prince and is set to become a sparkling coming-of-age musical that will have everyone talking about Jamie for years to come.

Sixteen: the edge of possibility. Time to make your dreams come true.

photo credit: Matt Crockett
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Wednesday, 22 January 2020

Everybody's Talking About Jamie, Apollo Theatre | Review


Everybody's Talking About Jamie
Apollo Theatre
Reviewed on Tuesday 21st January 2020 by Olivia Mitchell 
★★★★

Flying into its third year in the West End, Everybody's Talking About Jamie retains its giant heart and remains an inspiring, colourful, hilarious and all round joyous musical. Dan Gillespie Sells and Tom MacRae's show tells the story of an extroverted 15 year old who dreams of being a drag queen. Despite being sure of himself and his abilities, young Jamie New has to face those who oppose him and try to pull him down, so he can achieve his dreams and show the people around him that being true to yourself can get you far. It's a show which delights and inspires in equal measure, and is sure to retain its spot in theatre lovers hearts for the foreseeable future.

In his West End and indeed, professional debut, Noah Thomas brings every aspect of leading man, Jamie New, to life with an ease that is truthful to the story but feels just polished enough. Opening with the incredibly catchy 'And You Don't Even Know It', Noah immediately shows us who Jamie is as he transforms the stage into a world of colour and begins the journey which will shape his life. From there on in his entire performance is joyous to experience. With charm in spades and glorious vocals, Noah continually exudes life and never falters throughout his time on stage.

As Jamie's mum, Melissa Jacques is beautifully vulnerable, and draws huge amounts of empathy from the audience as she does all she can to be the best mum to her beloved son. Jacques' vocal performance is that of a powerhouse, with 'He's My Boy' providing an emotional high-point that wows the audience. The chemistry between Jamie and his mum is lovely to see, as is the truthful friendship of Jamie and and his best friend, Pritti. 

Both misunderstood and outsiders in their own ways, the pair continually find common ground and support one another. It's wonderful to see such a supportive and non-toxic friendship played out on stage. As Pritti, Hiba Elchikhe is delightfully moving and vocally exceptional, especially in the act two ballad, 'It Means Beautiful'. Just as Pritti's bedroom sparkles, Hiba gives a glittering performance and makes a sensational West End debut.


Roy Haylock/Bianca Del Rio as Hugo/Loco Chanelle is highly entertaining. Compared to the rest of the cast, his vocals are not consistently top notch but the energy and commitment he performs with mostly make up for that and it's a real treat to see such a widely recognised drag star on a West End stage.

As the rapping teacher Miss Hedge, Preeya Kalidas is vocally strong. The character herself is a little jarring at times as she flits between being an enforcer of reality and a restricter of freedom. It's sometimes confusing as it's unclear whether she's a villain or just someone trying to help. Perhaps that's the whole point! 

Sejal Keshwala is completely ballsy in her performance as Ray and wins over the audience in a matter of moments. Also giving a hugely strong and highly assured performance is Jordan Ricketts as the school bully and Jamie's tormentor Dean Paxton. The entire cast are the embodiment of joy and perfectly evoke the feelings of school life. Katie Prince's choreography excellently brings to life the often frenetic atmosphere of Jamie's life and is fresh and exciting to watch.

This is a musical which inspires us all to own what makes us 'different' and is just a lovely portrayal of family, friendship and acceptance. Contemporary, sassy and so very British, lets keep talking about Jamie!

photo credit: Matt Crockett


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Thursday, 10 October 2024

Max Harwood to Star as Percy Jackson in Musical's West End Premiere


Stepping into the shoes of a demigod and taking on the lead role of Percy Jackson for the London premiere of The Lightning Thief: The Percy Jackson Musical is Max Harwood (Stranger Things: The First Shadow, Everybody’s Talking About Jamie).

Max Harwood, who gained widespread acclaim in 2021 for his breakout role as Jamie New in the film adaptation of Everybody’s Talking About Jamie, has quickly made a name for himself on both stage and screen. His performances have included roles in Netflix’s Black Mirror and the Olivier Award-winning Stranger Things: The First Shadow. Now, Harwood is set to take up Percy Jackson’s lightning bolt as he leads the cast in this thrilling musical adaptation.

Presented by Bill Kenwright Ltd. and Paul Taylor-Mills, The Lightning Thief: The Percy Jackson Musical is based on Rick Riordan’s beloved book series, which has sold over 180 million copies worldwide. Percy Jackson’s adventures have already captivated audiences through film adaptations and the hit Disney+ TV series. The musical first premiered off-Broadway in 2014 to rave reviews, followed by two US tours, a 2017 off-Broadway run, and a limited 16-week Broadway engagement in 2019.

For the first time ever, London audiences will experience this magical musical starting in November. Guided by an exceptional creative team, the production promises to transport viewers to a world of gods, monsters, and epic adventures.

The story follows Percy Jackson, a New York City teenager who discovers he is the half-blood son of Poseidon. Thrust into a larger-than-life world of Greek mythology, Percy grapples with newfound powers he can’t control and a destiny he never asked for. With mythical creatures hunting him and the future of the world at stake, Percy embarks on an epic quest to prove himself a true hero.

This dynamic musical adaptation of The Lightning Thief features a book by Joe Tracz (Be More Chill), music and lyrics by Rob Rokicki (Monstersongs), and is directed and choreographed by Lizzi Gee (Groundhog Day).

Further casting and full creative team details will be announced soon.

The Lightning Thief is presented by arrangement with Concord Theatricals Ltd.

London is in for an electrifying adventure this November, so get ready for an unforgettable journey with Percy Jackson and friends!
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Tuesday, 8 November 2022

Benjamin Rauhala & his West End Besties at Cadogan Hall



Fourth Wall Live are delighted to announce BENJAMIN RAUHALA & HIS WEST END BESTIES at the Cadogan Hall on Sunday 5 February at 6.30pm. Tickets on sale now www.fw-live.com/ben 

 

One of Broadway’s most trusted music directors and collaborators, Benjamin Rauhala will be joined on stage by stars of the West End including Luke Bayer (Everybody’s Talking About Jamie, Soho Cinders), Paisley Billings (Six, The Lion King, ‘Tattoo Fixers’), Lauren Drew (Six, Heathers, Legally Blonde, ‘The Voice’), Hiba Elchikhe (Everybody’s Talking About Jamie, Aladdin), WhatsOnStage Award nominee Jordan Luke Gage (& Juliet, Bonnie & Clyde, Bat Out of Hell), Ben Joyce (Back to the Future, Jersey Boys), Claudia Kariuki (Six, Wicked, School of Rock), Olivier Award nominee Frances Mayli McCann (Bonnie & Clyde, Heathers, Our Ladies of Perpetual Succour), Zara MacIntosh (&Juliet, Six) Olivier Award nominee Natalie Paris (Six, Billy Elliot, Les Miserables), Courtney Stapleton (‘Belle’ in Beauty and the Beast, Six), Jodie Steele (Six, Heathers) Benjamin Yates (Jersey Boys, School of Rock, Wicked). Guests are subject to change. 

 

Music director Benjamin Rauhala’s love affair with the London theatre community and actors of the West End has been ongoing since his first sold-out concerts with Jeremy Jordan in the summer of 2016. Rauhala grew up obsessed with British pop music, including a subscription to Top of the Pops magazine! As a mainstay of the Broadway community, he has produced hundreds of sold-out concerts that spawned viral YouTube concert clips totalling * totalling over 56million views, including Jeremy Jordan’s ubiquitous cover of “It’s All Coming Back To Me Now” and the many medleys featured in his Broadway Princess Party concert series. 

 

Rauhala found that everyone he met in London had a favourite one of those videos and wanted to chat about it, so he had an idea: what if he gathered a dozen of his favourite West End performers with an epic band and re-created some of those beloved videos, as well as crafting some new arrangements for these amazing singers? On the heels of a sold-out run at Theatre Royal Drury Lane with Jeremy Jordan and in preparation to play the London Palladium with Ariana DeBose and for an upcoming international tour of Disney Princess The Concert, this was the perfect moment to create a concert unlike anything London has ever seen! BENJAMIN RAUHALA AND HIS WEST END BESTIES will be a night filled with Rauhala’s signature mashups and medleys, some of the best contemporary musical theatre, some radically rearranged Disney tunes, and, of course, tunes from the likes of Céline Dion, the Spice Girls, Selena Gomez, and Sam Smith! 

 

Benjamin Rauhala is the Music Supervisor, co-creator, and ‘Fairy Godfairy’ of Disney Princess - The Concert, touring over 100 cities in North America throughout 2022, and internationally in 2023. He helped conceive and arrange the opening and closing numbers of the 2022 Tony Awards for Academy Award winner Ariana DeBose. Rauhala has toured the world since 2014 as the music director forJeremy Jordan, the Tony-nominated star of Broadway's Newsies and TV’s ‘Supergirl’, and in 2020, Rauhala was named 'Best Musical Director' at the Broadway World Cabaret Awards.

 

His Broadway credits include Fiddler on the Roof, American Psycho, and Pippin. His Off-Broadway credits include Hit List, the meta-musical from the NBC television show Smash, Duncan Sheik’s The Secret Life of Bees and David Byrne’s Joan of Arc: Into The Fire. He is also the music director for Academy Award Winner Ariana DeBose, Halston star Krysta Rodriguez, Tony Award nominees Derek Klena, Jennifer Damiano, Kathryn Gallagher, and Disney legend Jodi Benson, as well as Nashville star Kyle Dean Massey, Anastasia star Christy Altomare, Smash star Andy Mientus, Moulin Rouge star Ashley Loren, and Frozen stars Caroline Bowman and Austin Colby. 

 

Rauhala co-founded the Write Out Loud songwriting competition with Mean Girls Tony Award nominee Taylor Louderman, which is currently in its fourth season of supporting the next generation of composers. Additionally, he is an Original Programming Producer at 54 Below, where he has created hundreds of sold-out concerts, including the Broadway Loves Series, that has famously honored Celine Dion, Britney Spears, Selena Gomez, Sam Smith, Demi Lovato, and many more beloved pop icons. 

Follow him @brauhala

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Sunday, 3 May 2020

The Return of the Movie Musical


During the Golden Age of Hollywood, movie musicals were abundant and arguably the most popular genre. However, with the move towards pop culture in the 1960s, their popularity dwindled and gave way to a more rebellious style and tone, which meant the all-singing, all-dancing, wholesome stories fell to the side.

Since then, aside from animated films, there have been a handful of live action musicals, with a few big hits such as Hairspray, Chicago and Mamma Mia!, but these have been largely hard to come by and a rare feature at the cinema. However, it seems that things are changing and we are in the midst of musicals coming back into the mainstream!

In some ways, the huge success of La La Land in 2016, a film which combined Old Hollywood with contemporary vibes, marked the return of movie musicals, with A Star is Born, Bohemian Rhapsody and Rocketman following in its footsteps and taking the box offices by storm. Disney's live action adaptations have also proved massive hits with Beauty and the Beast and The Lion King making huge profits. Of course there's also been the occasional flop... Cats.... (which I actually enjoyed) but on the whole, each release has highlighted the demand and appreciation for musical theatre.  

It seems that Hollywood are finally taking note of the power of theatre people and are giving us the sweet, sweet, high quality films we deserve. There are a whole host of movie musicals in the works which are hugely exciting. Some that I'm most looking forward to are:

In The Heights: This is my all time favourite musical and I just can't wait for the summer vibes, incredible music and general wonder of Heights to be played out on the big screen. The film was originally set for release next month but thanks to Miss Rona it's been pushed back to June 2021.

Everybody's Talking About Jamie: This brilliantly British musical is set for release in October and is sure to thrill as it tells the real-life story of Jamie New, the 17 year old drag queen who wants to go against the norm and be true to himself. We'll also get the chance to see wonderful Max Harwood take on the lead role which will be a real treat.

West Side Story: In what's sure to be another 'Star is Born' performance, Rachel Zegler will be starring as Maria in this Stephen Spielberg adaptation. The production photos that have been released so far look amazing and I cannot wait to see this sumptuous film.

The Prom: I saw this show on Broadway so it'll be wonderful and interesting to see a film version. I think this will transfer brilliantly; plus, Meryl Streep is set to star in it so it's already a win in my eyes.

Matilda: The original Matilda film is a complete classic that will always be a heartwarming treat and the musical evokes the same magical and wondrous vibes. Tim Minchin's music is so clever and will no doubt get us all tapping our feet in the cinema!

Merrily We Roll Along: Ben Platt. Beanie Feldstein. Filmed over 20 years. Okay so this isn't going to be out in the near future but I just can't wait to eventually see this movie. The whole concept sounds so exciting and the cast are absolutely stellar.

As well as these there are more live action adaptations in the works as well as a number of current Broadway musicals being transferred from stage to screen. These include Dear Evan Hansen, Tick, Tick... Boom! and Come From Away. All in all, it seems that we can expect a whole lot more musicals in the mainstream and I cannot wait! What upcoming movie musical are you excited to see?

Post by Olivia Mitchell
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Tuesday, 10 January 2023

Aimee Lou Wood and John McCrea to Join Cast of Cabaret


Cabaret at the Kit Kat Club in London’s West End are delighted to announce that BAFTA Award winner Aimee Lou Wood will play ‘Sally Bowles’, Olivier Award nominee John McCrea will play ‘The Emcee’ and Nathan Ives-Moiba will play ‘Cliff Bradshaw’ from 13 February 2022 until 27 May 2023. kitkat.club


Aimee Lou Wood said today “I’ve wanted to be Sally Bowles since I was around 10 so this is really special. I’m unbelievably excited and having the greatest time in rehearsals. The production is so wonderful and I feel honoured to be stepping into this beautiful team of people!”


John McCrea said today “I’m thrilled to be taking on the iconic role of the Emcee in this ground-breaking production of Cabaret.  It’s an absolute honour to be joining this amazing company of artists.”
 

Aimee Lou Wood is best known for her portrayal of Aimee Gibbs in all three series of the Netflix series Sex Education for which she won the BAFTA Award for Best Female Comedy Performance. She recently starred in the critically acclaimed film Living opposite Bill Nighy. Her stage credits include Sonya in Uncle Vanya at the Harold Pinter Theatre in the West End and Downstate at the National Theatre.

 

John McCrea created the role of Jamie New in the smash hit musical Everybody’s Talking About Jamie at both the Sheffield Crucible Theatre and the West End’s Apollo Theatre. For his performance he was nominated for the Olivier Award for Best Actor in a Leading Role in a Musical and won the Most Promising Newcomer at the Critics Circle Theatre Awards, the WhatsOnStage Award for Best Actor in a Leading role in a Musical and the UK Theatre Award for Best Musical Performer. He recently appeared as Max in Daddy at the Almeida Theatre and his film credits include Artie in the hit Disney film, Cruella.  

 

Nathan Ives-Moiba’s many theatre credits include As You Like It at the National Theatre, My Children My Africa at Trafalgar Studios, Our Country’s Good for Out of Joint, A Midsummer Night’s Dream, And Did Those Feet and Tull, all at the Octagon Theatre. For his performance in Tull, Nathan was nominated for the Best Newcomer at the Manchester Theatre Awards.

 

At certain performances, the role of Sally Bowles will be played by Emily Benjamin.

 

As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.

 

The final performance for Callum Scott Howells as ‘The Emcee’ and Madeline Brewer as ‘Sally Bowles’ will be Saturday 28 January 2023. Sid Sagar’s final performance as ‘Cliff Bradshaw’ will be Saturday 11 February 2023.

Between 30 January 2023 – 11 February 2023 the role of ‘The Emcee’ will be played by Matthew Gent and the role of ‘Sally Bowles’ will be played by Emily Benjamin. At certain performances the role of ‘Sally Bowles’ will be played by Sally Frith.

 

Matthew Gent’s West End theatre credits include Sweeney Todd at the Adelphi Theatre, The Phantom of the Opera at Her Majesty’s Theatre and Les Misérables at the Queen’s Theatre. His other theatre credits include Rags at the Park Theatre, The Queen of the Mist at Charing Cross Theatre, The Water Babies at Leicester Curve, The Carnival of the Animals at Riverside Studios and Taboo at Brixton Club House.

 

The cast also includes Vivien Parry as ‘Fraulein Schneider’, Richard Katz as ‘Herr Schultz’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.

 

The Prologue Company currently includes Rachel Benson, Ami Benton, Laura Braid, Reuben Greeph, James Hastings, Samantha Ho, Emma Holt, Liz Kamille, Andrew Linnie, Aine McLoughlin and Callum Sterling.

 

This unique production of Cabaret opened in December 2021 to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April 2022 the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history. The production has also won three prestigious Critics Circle Awards and most recently the Evening Standard Theatre Award for Best Design for designer Tom Scutt.

 

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time Cabaret features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

Cabaret is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision is by Jennifer Whyte and musical direction is by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.

Cabaret at the Kit Kat Club is produced by Ambassador Theatre Group Productions and Underbelly.

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Friday, 29 November 2024

The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour

Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."

The Lightning Thief: The Percy Jackson Musical 
The Other Palace

The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.

The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.

The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.

Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.

The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.

The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.

The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.

Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.

The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.

The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.

★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan

{AD PR Invite- tickets gifted in exchange for honest review}
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Tuesday, 16 August 2022

Cast Announced for World Premiere of The Time Traveller’s Wife: The Musical



David Hunter will star as Henry and Joanna Woodward as Clare and in the world premiere of The Time Traveller’s Wife: The Musical, based on the best-selling novel by Audrey Niffenegger and the New Line Cinema film screenplay by Bruce Joel Rubin. The new musical will premiere at Storyhouse in Chester from 30 September to 15 October 2022. The two-week season will precede a West End transfer, to be announced at a later date.

David Hunter's theatre credits include: Waitress (Adelphi and UK Tour); Kinky Boots (Adelphi); Once (Phoenix); One Man, Two Guvnors (National Theatre, Adelphi, UK Tour); Songs for a New World (Palladium); Tommy (Prince Edward); Seussical (Arts); The Hired Man (Leicester Curve and Colchester Mercury); Pub and Spinach (the Royal Exchange); The Mayor of Zalamea (Liverpool Everyman). His film and TV credits include: Nativity 3; Holby City and Doctors (BBC); Superstar (ITV). David’s pop/rock band Reemer had support slots, playing alongside The Feeling, Scouting for Girls and McFly on their full UK Arena Tour.

Joanna Woodward most recently understudied and played Vivian Ward in Pretty Woman: The Musical (Piccadilly Theatre & Savoy Theatre). Her other theatre credits include: Emily in Zombies: The Musical and Eulpha Miziam in Confessions (The Other Palace); Mary in The Life (Southwark Playhouse); understudied and played Carole King in Beautiful: The Carole King Musical (Aldwych Theatre); Margaret in Fings Ain't Wot They Used T'Be (Theatre Royal Stratford East); understudied Beth/Meg/KT in Merrily We Roll Along (Menier Chocolate Factory and Harold Pinter Theatre); Tinker Bell in Lost Boy (Finborough Theatre and Charing Cross Theatre); Audrey in Little Shop of Horrors (Kilworth House Theatre).

Also in the cast will be Aisha Davis (UK theatre debut, with previous theatre work in Kingston, Jamaica) as Dr Kendrick, Ross Dawes (Dennis Dupree in the UK Tour of Rock of Ages) as Henry’s Dad, Hiba Elchikhe (Pritti Pasha in Everybody’s Talking About Jamie in West End and Los Angeles) as Charisse, Stevie Hutchinson (UK and Chinese Tour of Ghost: The Musical and UK Tour of Oliver!) as Clare’s Dad, Tim Mahendran (Spring Awakening at Hope Mill Theatre) as Gomez, Sorelle Marsh (Vicky Monroe in Stand Up at the Floral Pavilion, Wirral, and Tessie in White Christmas at the Lowry Theatre) as Henry’s Mum, Benjamin Purkiss (Zorro in Zorro the Musical at Charing Cross Theatre and Hope Mill Theatre and Alternate Strat in Bat Out of Hell at the London Coliseum/International Tour/Manchester Opera House) as Jason / Mark and Alwyne Taylor (won the Manchester Evening News Best Actress Award for Once in a Lifetime, Company, Sweet Charity and Accrington Pals at the Library Theatre and was nominated for Manchester Evening News Best Actress Award for her role as Madame Arcati in Blithe Spirit at the Oldham Coliseum) as Old Clare. The actresses playing Young Clare will be announced shortly.

Henry and Clare’s love story is like no other and yet like all others; they meet, flirt, fight, love, marry... but all out of order. Henry is often and uncontrollably ripped out of time, because he suffers from a rare condition where his genetic clock periodically resets, pulling him into his past or future, vanishing before one’s eyes, never knowing where or when he’s going next. Except he knows he’ll always come back to Clare, at some point in time, dreaming of her time-travelling husband.

The Time Traveller’s Wife: The Musical weaves a heart-breaking and soaring original musical score by multi Grammy Award-winning composers Joss Stone and Dave Stewart with one of the most beloved novels of the last 50 years. All couples ask how to truly know one another, to trust, to commit, to build a family, to work at something bigger than ourselves. Not all of us are time travellers. How do you love across time?

With a book by Lauren Gunderson, original music and lyrics by Joss Stone and Dave Stewart, additional music by Nick Finlow and additional lyrics by Kait Kerrigan, the production will be directed by Bill Buckhurst and designed by Anna Fleischle, with choreography by Shelley Maxwell, lighting design by Lucy Carter, illusions by Chris Fisher, video design by Andrzej Goulding, sound design by Richard Brooker, musical supervision & arrangement by Nick Finlow and orchestrations by Bryan Crook. Casting will be by Grindrod Burton Casting. It will be produced by Colin Ingram for InTheatre Productions, Gavin Kalin Productions, Teresa Tsai and Crossroads Live, by special arrangement with Warner Bros. Theatre Ventures.

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Tuesday, 19 March 2024

I Should Be So Lucky on tour at the New Victoria Theatre REVIEW: A Misguided Melange of 80s Madness


I Should Be So Lucky (Tour)
New Victoria Theatre

In the sun-drenched world of I Should Be So Lucky: The Musical, there's a flicker of potential, but sadly, it fades quicker than the sparkle of a disco ball. The show, buoyed by a strong cast and glitzy staging, is fun but struggles to hit the high notes it aims for.

Let's start with the positives: the cast. They're the shining stars of this production, injecting life and energy into every scene. With their talent and charisma, they manage to elevate even the most lacklustre moments. Each member deserves applause for their efforts in salvaging what they can from the material. To name a few, Scott Paige brings hilarity to every moment of his stage time, Kayla Carter as Bonnie provides some wonderful vocals and her blossoming relationship with Ash played by Giovanni Spanò is one of the highlights of the show. Giovanni is laugh out loud funny and get to briefly show off his killer vocals. It's a bit of theme in the show that the amazing vocal talents of the cast don't get to really be shown off, due to the hundred other things that are happening throughout. This is definitely the case with Melissa Jacques as Shelley who is wonderful, but having seen her in Everybody's Talking About Jamie, I would've loved some more chances for her to sing and soar.

As I mentioned, there's a LOT going on. There are a heap of side plots and vague character references and development which never have enough time to really mean anything. It sort of feels like every idea made it into the show and there was no development or streamlining to make it work. Another issue is that the show borders between being super sincere and not taking itself too seriously, so at times you're unsure whether you're laughing with or at the show. There's certainly potential, but in it's current form, it feels like a strange fever dream.

Now, onto the staging. It's undeniably flashy, dripping with sequins and neon lights reminiscent of a Kylie concert. The set (Tom Rogers) is really good, and there's a certain thrill in watching the glitzy spectacle unfold. However, as the show progresses, the excitement begins to wane, revealing a repetitive pattern that feels more like a recycling of ideas than a deliberate artistic choice. The 80s music video vibes are real, but there's only so many times you can get joy from the heart shaped bed rolling onto the stage. 

Despite these glimmers of promise, I Should Be So Lucky: The Musical ultimately falls flat. While it may provide a momentary escape into a world of pop music and glamour, it lacks the substance needed to sustain interest beyond the surface. Thankfully the cast do wonder with what they're given, but even the most talented performers can't fully save this misguided show. Much like an 80s tune, it's enjoyable in the moment but quickly fades from memory.

★★
Reviewed on Monday 18th march 2024 by Olivia
Photo Credit: Marc Brenner

I Should Be So Lucky plays at the New Victoria Theatre until 23rd March and then continues its tour

{AD PR Invite- tickets gifted in exchange for honest review}
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