Showing posts sorted by relevance for query New Adventures. Sort by date Show all posts
Showing posts sorted by relevance for query New Adventures. Sort by date Show all posts
Wednesday, 6 November 2024
Matthew Bourne’s Iconic Swan Lake Celebrates 30 Years with Extensive UK and Ireland Tour
Dance lovers, prepare to experience the power and artistry of Matthew Bourne’s Swan Lake, as it embarks on an extraordinary UK and Ireland tour to celebrate its 30th anniversary. With 29 weeks of breathtaking performances across 19 venues, New Adventures once again brings Tchaikovsky’s classic to audiences with a thrilling revival that pushes dance theatre boundaries. Starting at Theatre Royal Plymouth on November 11, 2024, and leading into an 8-week holiday season at Sadler’s Wells, this tour marks New Adventures’ 22nd consecutive Christmas season at the iconic venue.
In 2025, the tour extends to Aberdeen, Sheffield, and Dublin, alongside previously announced cities including Birmingham, Cardiff, Edinburgh, and Glasgow, ensuring audiences nationwide will have a chance to experience the groundbreaking production that forever changed dance theatre. Since premiering at Sadler’s Wells in 1995, Swan Lake has won over 30 international awards and become the most successful dance production of all time, celebrated for replacing the traditional female swan ensemble with a bold, male corps-de-ballet. The production’s success has reverberated globally, holding records for the longest-running full-length dance piece in both the West End and on Broadway, with Olivier and Tony Awards in categories from Best New Dance Production to Best Choreography.
This tour also welcomes a new generation of New Adventures talent making their debut in lead roles: Harrison Dowzell, Jackson Fisch, and Rory Macleod as The Swan/The Stranger; James Lovell, Leonardo McCorkindale, and Stephen Murray as The Prince; Nicole Kabera and Ashley Shaw as The Queen; Katrina Lyndon and Bryony Wood in double roles. The company’s stellar ensemble will elevate Lez Brotherston’s set and costume design and Paule Constable’s dynamic lighting, with video and projection by Duncan McLean. The dark, witty, and emotionally charged choreography, directed by Matthew Bourne, remains central to this genre-defining experience, blending wit and menace in equal parts.
As Official Partners, Fortnum & Mason and Edwardian Hotels bring their support to the tour, underscoring the cultural importance of this masterpiece. Join the excitement as Swan Lake embarks on its 30th-anniversary journey, celebrating dance theatre history with every performance.
photo credit: Johan Persson
Tuesday, 22 October 2024
Matthew Bourne's Award-Winning The Midnight Bell Returns for a Nationwide Tour in 2025
New Adventures is thrilled to announce the return of Matthew Bourne's critically acclaimed The Midnight Bell in 2025. The production will open at the Everyman Theatre in Cheltenham on Thursday, May 15, before embarking on a 17-week tour across the UK, reaching new audiences at many venues for the first time.
Set in 1930s London, The Midnight Bell follows a group of ordinary people whose lives intersect in the pubs and foggy streets of Soho and Fitzrovia. The story unfolds within a tavern where a lonely-hearts club gathers to navigate the emotional complexities of love, longing, and heartbreak. The piece is inspired by the works of English novelist Patrick Hamilton, who captured the lives and struggles of the working-class man and woman in London's pubs, particularly in his novels Twenty Thousand Streets Under The Sky and Hangover Square.
Premiering in 2021 to widespread acclaim, The Midnight Bell received five nominations at the 2022 National Dance Awards, including wins for Matthew Bourne's Best Modern Choreography and Michela Meazza's Outstanding Female Modern Performance. Bourne reflects on the significance of this piece, which marked New Adventures' return to touring post-pandemic. He expressed his excitement about revisiting the show in 2025 and introducing it to new audiences, describing it as a collaborative masterpiece that explores the fundamental need for human connection.
For this revival, Bourne will reunite with his award-winning creative team, including Terry Davies (music), Lez Brotherston (set and costume design), Paule Constable (lighting design), and Paul Groothuis (sound design). The 2025 tour will feature a cast of fourteen of New Adventures' finest actor-dancers, with full casting to be announced soon. Audiences are invited to step inside The Midnight Bell once more to experience its bittersweet stories of human emotion and connection.
Monday, 3 February 2020
Stephanie Billers on starring in Matthew Bourne's The Red Shoes
Matthew Bourne's New Adventures company continually wows audiences around the world with their intricate, unique and entertaining ballets. Currently touring the UK after a stint at Sadler's Wells is The Red Shoes. Having previously starred in Swan Lake and Cinderella for New Adventures, we sat down with Stephanie Billers a dancer from the company as she told us all about herself and her roles within the ballet.
The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion.
Set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, The Red Shoes is orchestrated by Terry Davis and played by the New Adventures Orchestra, with cinematic designs by Lez Brotherson, lighting by Paule Constable, sound by Paul Groothuis and projection from Duncan McLean.
Watch Stephanie discuss her characters in the ballet and get a sneak peek backstage here
Get to know more about Stephanie and her life outside of dance here
The Red Shoes next plays at the New Victoria Theatre, Woking from 4th-8th March and then continues it's tour around the UK
Wednesday, 22 July 2020
The Barn Theatre announce outdoor festival: BarnFest
The Barn Theatre in Cirencester has announced the launch of their first Summer outdoor theatre festival, BarnFest – Outdoor Theatre Festival, which will run from 25 July until 5 September.
The outdoor festival, which will be held within the grounds of Ingleside House adjacent to the theatre, will bring the award-winning theatre outdoors with entertaining productions catered towards the whole family ranging from children’s entertainment to re-imagined Shakespeare.
Giffords Circus star Tweedy the Clown will launch the inaugural BarnFest season with his new family entertainment extravaganza Tweedy: Al Fresco!
The season will be followed by Natasha Barnes and Vikki Stone in their musical mashup Funny Gals: A History of Women Being Hilarious In Musicals. The show explores the comedy music written for women in musical theatre.
Outdoor theatre company Illyria Theatre will be bringing three of their acclaimed productions to the festival: The Wind in the Willows, The Emperor’s New Clothes and The Adventures of Doctor Dolittle.
Rosie Day, will star in her play Instructions For A Teenage Armageddon. The production, directed by Georgie Staight and featuring the voice of Maxine Peake as Sensible Scout Leader Susan, previously had a successful run at The Old Red Lion Theatre in London. Instructions For A Teenage Armageddon is co-produced by Studio POW and the Barn Theatre.
New theatre company SCOOT Theatre will bring their re-imagined production of A Midsummer Night’s Dream, a 60-minute retelling set within the world of cricket, to the festival. The production, directed by Joseph O’Malley, features a cast including past Barn Theatre actors Aaron Sidwell and Max Hutchinson.
The season will also feature two brand new co-productions from the Barn Theatre. The first will be a new production of Simon Reade’s play adaptation of Private Peaceful by Michael Morpurgo, directed by Alexander Knott, will run at BarnFest from 17th to 22nd August. The show is co-produced by Take Two Theatricals, BoxLess Theatre and the Barn Theatre.
A new production of the Kander & Ebb musical revue The World Goes ‘Round will complete the run as part of BarnFest. The production will be directed by Kirk Jameson with musical direction by Nick Barstow.
Iwan Lewis, Artistic Director said: “We’re back! I am absolutely delighted to announce that the Barn Theatre, under unprecedented circumstances, is launching its very first outdoor theatre festival, BarnFest. Since the government statement allowing outdoor theatre to take place just over a week ago, the team have worked tirelessly to bring together a month-long programme of events featuring everything from children’s entertainment to Shakespeare. So, there’s something for all the family. I’d like to assure everyone thinking of attending that your safety has been paramount in planning this event. All precautions have been taken to ensure you enjoy a safe and friendly festival environment and we cannot wait to have our audiences back at the Barn.”
The theatre will be adhering stringently to all government guidelines during the festival and have released further details and information regarding the venue and procedures to keep audiences, staff and performers safe on their website here: https://barntheatre.org.uk/barnfest/bfyoursafety
Wednesday, 5 February 2020
Matthew Bourne's The Red Shoes (UK Tour), New Victoria Theatre | Review
The Red Shoes (UK Tour)
New Victoria Theatre
Reviewed on Tuesday 4th February 2020 by Olivia Mitchell
★★★★
Originally a dark fairy tale by Hans Christian Andersen, The Red Shoes was adapted for the big screen by Michael Powell and Emeric Pressburger in 1948. It follows a dance company as they tour the world; and the story of two men's obsession with Victoria Page, a dancer who longs to be a star and becomes possessed by her red ballet shoes.
With multiple locations, sometimes indistinguishable characters and intricate meta-narratives, The Red Shoes isn't the easiest of ballets to follow, but Matthew Bourne's production somehow provides a perfect introduction to the art form and takes you on a journey that you don't want to end, as the continuous flow and incredible emotion keep you on the edge of your seat throughout.
What really elevates this show is the way the story forms a distinction between creating and performing art. We see the process of the dressers and choreographers bringing a vision to life in a structured and unified way; whilst, the performers are intensely frenzied and intense. These opposites come together to create a beautifully enchanting show. Just like the real world of theatre, what we see on stage is the graceful swan above the water, but what we miss is the underwater kicking of intense rehearsals, quick changes and personal drama. If anything, The Red Shoes is a fantastic reminder and celebration of the hard work, creativity and energy that goes into putting on a great piece of theatre.
Before the show even begins, magic is created thanks to Lez Brotherson's exceptional design. A luxe red curtain drapes the stage and reveals the varying worlds of The Red Shoes. From monochrome moments to full colour clubs and beaches, every moment feel luxurious and perfectly designed. The costumes are timely and tailored to perfection, with a divine attention to detail that is understated enough to be effective, but not in your face. When Victoria first dances in her red ballet shoes, she wears a flawless costume that highlights the red and welcomes her as a prima. During act two however, the mental and physical toils she faces are mirrored through the demise of her costume which is shredded and faded. These details are effective beyond belief and make this whole production feel superior.
Bourne's company are outstanding. Ashley Shaw is of course, technically wonderful as Victoria, but it's her steely drive and intensity to succeed that make her so enjoyable to watch; especially when contrasted so excellently against her compassion and vulnerability. As Victoria's lover/musician/muse, Harrison Dowzell is pure joy to watch. The way he flies around the stage, and shows his love for music with a genuine sense of revelry can't help but bring a smile to your face.
Victoria's dances with both men are incredibly striking and Reece Causton as Boris Lermontov is utterly shocking. His obsessive and sharp but quiet demeanour is terrifying to witness but completely absorbing. This is a production where you often find yourself holding your breath as it rarely lets you escape from it's magical grip. The end of act one is one of the most spectacularly effective moments in theatre and really should be experienced.
The entire New Adventures company prove once again why they're so revered in this glorious looking and exceptionally assured production. The Red Shoes is a must see tale of passion, envy and tragedy.
The Red Shoes plays at the New Victoria Theatre until 8th March before continuing its tour
Bourne's company are outstanding. Ashley Shaw is of course, technically wonderful as Victoria, but it's her steely drive and intensity to succeed that make her so enjoyable to watch; especially when contrasted so excellently against her compassion and vulnerability. As Victoria's lover/musician/muse, Harrison Dowzell is pure joy to watch. The way he flies around the stage, and shows his love for music with a genuine sense of revelry can't help but bring a smile to your face.
Victoria's dances with both men are incredibly striking and Reece Causton as Boris Lermontov is utterly shocking. His obsessive and sharp but quiet demeanour is terrifying to witness but completely absorbing. This is a production where you often find yourself holding your breath as it rarely lets you escape from it's magical grip. The end of act one is one of the most spectacularly effective moments in theatre and really should be experienced.
The entire New Adventures company prove once again why they're so revered in this glorious looking and exceptionally assured production. The Red Shoes is a must see tale of passion, envy and tragedy.
The Red Shoes plays at the New Victoria Theatre until 8th March before continuing its tour
Friday, 2 July 2021
Wonderful Town, Opera Holland Park | Review
Wonderful Town
Opera Holland Park
Reviewed on Thursday 1st July 2021 by Olivia Mitchell
★★★★
As the world returns to a new normal, there aren't many better ways to spend a Thursday evening than enjoying a glorious musical in the beautiful setting of Opera Holland Park. Quick Fantastic have returned to the space to present Wonderful Town, the half-forgotten 30s musical which brims with exhilarating jazz and witty comedy.
Under Alex Parker's musical direction, Bernstein's score soars around the auditorium and reminds us just how brilliant the older Broadway musicals can be. The comedy on stage is matched perfectly with the music and the whole affair feels as rich and jubilant as can be. The musical diversity is also a treat to hearr, with an Irish jig, a beatnik scat and some moving ballads, there's really something for everyone.
The book by Jerome Chodorov and Joseph Fields is basically the story who two sisters from Ohio who arrive in the New York with dreams of taking the town by storm. The source material for the show was taken from autobiographical short stories by Ruth, the sister who longed for a writing career and chronicled her and her sisters' lives in The New Yorker. There are a number of little adventures the duo go on whilst finding their careers (and romances) which make for a highly entertaining and all round wholesome story.
Ruth is played with grit and wit by West End superstar, Louise Dearman, who seems almost made for the role of the sassy, vulnerable, bookish author. Of course Louise is vocally effortless and provides some real highlights, but she also shines in the humourous moments which help make the whole production feel so jubilant.
Balancing Dearman out is the equally brilliant Siubhan Harrison as Eileen, the sister who knows how to get what she wants but in the end is unwaveringly committed to her sister. The double act are a dream to watch and have the audience wrapped around their little fingers, especially during their smooth as butter rendition of Ohio.
The male love interests are performed by Ako Mitchell who is vocally divine and very authentic as magazine editor Bob; Roger Dipper who is utterly wonderful and so humourous as the bumbling Walgreens worker Frank Lippencott; and Alex Lodge who is suitably sleazy as newspaper hack Chick Clark.
Billy Nevers is the washed up football player The Wreck, and Emma Harrold is his secret fiancé, Helen. Both do a great job of padding out their characters as well as providing super strong vocals and some light-hearted comedic moments.
The rest of the cast made up of: Jade Albertsen, Robson Broad, Ashley Daniels, Tamsin Dowsett, Gregory Haney, Jas[er Kajd and Natasha Leaver are super sleek throughout whilst bringing the vibes of 30s New York to life. Carrie-Anne Ingrouille's choreography is superb and a joy to watch.
From a conga to an incarceration there's a lot to enjoy and laugh at, and the cast do an outstanding job of making a semi-staged production feel full. Overall it's a wonderful night at Wonderful Town.
Photos by Danny Kaan
Saturday, 22 April 2017
In Conversation With... Damian Buhagiar | Thoroughly Modern Millie | Interview
Damian Buhagiar recently finished starring in In The Heights, is currently part of the UK tour of Thoroughly Modern Millie playing Ching Ho and will soon be starring in Mamma Mia in the West End. Damian was lovely enough to do this interview for Rewrite This Story and I can't wait to see him in the show!
For those who don't know, can you explain a little about your career and highlights so far?
I have always been attracted towards theatre and musicals from a young age of 3. Being a Maltese student at Stagecoach was a great introduction to this form of career. When you are young, you don't actually realise that this could be a future job so it all starts as a hobby and a recreation from other school work, or activities.
As I grew older I started taking it even more seriously by taking private singing lessons, dance classes and acting classes. When I hit the age of 15, the time i had my GCSEs back home in Malta, my singing teacher adviced me to audition for Tring Park School For the Performing Arts, a brilliant boarding school. So I did and after a couple of weeks I was accepted to persue my musical theatre training further as well as do my A levels for 2 years. Without the love, help and support from my parents this would have never happened especially being away from home. After those 2 years I was than chosen to attend the BA Hons musical theatre course for another 3 years which was such a incredible excperience. You learn new things everyday, you learn so much about yourself and the training and the teachers have been fantastic.
Once my third year was coming to an end we started having people from the business coming to see our shows and showcases, people such as directors, choreographers, producers, agents and more. To me that was one of the highlights as I got to introduce myself to the business and express what I love most, my passion for theatre which leads me to my second highlight which was being a massive part of Lin Manuel's hit musical 'In the Heights' playing the role of Sonny at the Southwark Playhouse. The reason I say this was one of the highlights in my life is because it has enabled me to show my passion in my own style of dance and defined me and so it couldn'thave been a better show to enter the musical theatre business with.
I then moved on to an 18 month UK Tour of Jersey Boys playing the role of Joe Pesci and 2nd cover Frankie Valli which was another highlight in my career as I got to explore England a bit more, see different cultures and make new friends outside of London as well as the insanely stunning theatre built around the country. I have than moved on to playing on stage swing in Bugsy Malone at the Lyric Theatre, working with the choreographer Drew McOnie and which then led me to reprising my role as Sonny in In the Heights, this time at the Kings Cross Theatre in London for 4 months. Of course the biggest highlight from this was the fact I got the chance to meet the legendary Lin Manuel Miranda in person. I am now currently on the UK Tour of Thoroughly Modern Millie playing a completely different character to what I normally play called 'Ching Ho', a Chinese role which I am glad to say I am loving.
Was being a performer what you always wanted or did you have a different career path in mind when you were younger?
As mentioned earlier, I have always taken musical theatre, singing, dancing and acting as a hobby up until the age of fourteen. I was mainly aiming to invest time in my studies to eventually become a Mechanic Engineer (seeing I am pretty into mechanics and cars) or an architect.
You recently finished playing Sonny in In The Heights, did you know from the Southwark that you were a part of something special? How was it returning to the show?
In The Heights, has been one of the biggest adventures that has happened in my life. Playing the role of Sonny, literally has been my unexpected dream role straight after grauduating from college. It felt like it was just meant to happen and came at the right time. What made even more special was the company. Seeing how we all become one unit and one family creates something magical. Creates a spark that is unexplainable. As the Southward was a small intimate venue this proved how much of a unit we really were as we all shared our passion with the audiences which gave such a great response.
Returning to the show after a year and a half this time at the Kings Cross Theatre, created that spark again in a different way. It was interesting to see that my heart was always there, my spirit enlightened and I was just 'Living' and recreating Sonny again, sharing the live with different members of the cast..(some of them from the Southwark).
How was the transition from the Southwark to Kings Cross theatre? What changed in the show?
I think moving to a different style of venue definitley created a change in space and motion however the one thing that made it feel like there was no difference at al was the spirit and the community we as a cast and a team all had. As the Southwark Playhouse had much of a smaller theatre, there was a lot of intimacy and more of an interraction with auditiences which makes it even more appreciative being that close. Kings Cross had a wider stage being on Traverse stage, so that as a team made us work harder to use eachother to get the story accross morr and put our chatacters on a higher level that in the southwark for audiences to have the same feeling.
The idea of heritage is very important in Heights, being from Malta, did you face any of the same struggles as Nina and Usnavi?
In The Heights couldn't possibly be a successfull show/production if there isnt any heart and love and care between not just the cast but even the company. Same with everything, if you are working in a lovely safe environment where you feel you can trust and open up your heart to your collegues without being scared, that same feeling will definitely show on stage. Especially for someone like myself being away from home away from my loved family, having a second family in a show like that has made me feel like home and it has always been a job travelling to work to express this love shared with the other talented cast members. Luckily I have never been in Usnavi's or Nina's position however I can relate to how difficult it really is to follow your dreams and what really genuinly makes you happy. Luckily I had ultimate support from my loved family where both my parents have enabled me to follow the dream career I have always wanted. A big sacrifice on their part that without them I woudn't be here doing what I love most...theatre/performing and hopefully being an inspiration to others.
You're currently starring in Thoroughly Modern Millie, can you explain the storyline a little and how your character fits into it?
The story is about this new naive girl in town called Millie, coming to new york for the first time when she sets her sights on marrying her whealthy boss. Problem arises when she checks into a hotel owned by the leader of a white slavery ring in China. Where my character "Ching Ho" along with his brother "Bun Foo", helping to kidnap pretty and suspecting orphan girls and shipping them to the Orient. Ching Ho however takes a shine to one of the 4 girls "Miss Dorothy'' and rescues her from Mrs. Meers, who at the end the truth is revealed and Mrs. Meers is captured.
What's the biggest challenge about taking on this role?
The biggest challenge in taking the role of 'Ching Ho', the Chinese part, is because of the obvious....its a Chinese role and I am Maltese. Performing this role everyday has enabled me to discover more aspects of him that allow me to invest and play around with on stage. I have been blessed to have my fellow cast memeber Andy who is actually from Hong Kong himself so has tought me the language patiently. It has been an interesting process however I always love a chalenge and at least I could say I have tested that language and might want to investtime it too in future. I've also learnt a lot about Chinese history and what makes the characters: Ching Ho and Bun Foo work as slaves in the show... their background stories.
How are you enjoying touring life? What do you miss most about being away from home?
I have always loved touring. I just love getting away from london and get to see different cultures in different places in the UK or abroad, make new friends in the digs I stay in as well as enjoy my own company and driving. Being away also makes you apreciate lot of things and miss a lot of things. Having a lot of free time on my hands make you think about your life in depth such as my parents and my lifestyle back home and the time I share with them.
What are your hobbies and passions outside of performing?
Drawing has always been a massive part of my life that enables me to forget the real world and just zone out completely and focus on one things...cars. The passion I always had ever since I was 5 years old.
Can you name a few of your dream roles?
Playing Sonny in the musical In The Heights has already been one of my dream roles. I would say playing Phantom in Phantom of the Opera and Clyde in Bonnie and Clyde would definitely be two of my dream roles in musical theatre however I like variety and a challenge so I love exoloring as opportunities come my way, what a dream role would be.
If you could go back to any era, when would it be and why?
If I had to go back to an era I would go back to 1950s. I love that all men were mostly gentleman with manner, respectful towards their women and also live a fashionable suit. Life back that would have been very classy.
What's the best piece of advice you've ever received and what advice would you give to aspiring performers?
Best advice I have ever recieved have been to just be yourself. If it makes you happy do it. Always follow your gut. If you ever come in doubt just ask yourself 'but why not?'. If you have a dream, fight for it however long it takes to achieve it.
A huge thank you to Damian for doing this interview. Make sure you book tickets to see Thoroughly Modern Millie on its UK tour!
Interview by Olivia Mitchell, Editor
A huge thank you to Damian for doing this interview. Make sure you book tickets to see Thoroughly Modern Millie on its UK tour!
Interview by Olivia Mitchell, Editor
Friday, 7 July 2023
Matthew Kelly and Denise Welch to star in world premiere of The Gap at Hope Mill Theatre
Hope Mill Theatre is thrilled to announce the world premiere of a captivating new play, titled The Gap, written by Jim Cartwright and featuring the talented duo of Matthew Kelly and Denise Welch. Directed by Anthony Banks, this highly anticipated production will grace the stage of Hope Mill Theatre from February 9th to March 9th, 2024, for a limited engagement. Mark your calendars as tickets go on sale starting July 8th.
The Gap delves into the audacious adventures of Walter and Corral, two individuals who haven't crossed paths in half a century. Once inseparable during the vibrant '60s in Soho, Walter finds himself up north while Corral remains down south. However, a chance phone call reunites them for one magical night, and before they know it, they're immersed in their old tricks once more.
Matthew Kelly, renowned for his exceptional performances on both stage and screen, graces us with his presence in this production. With an illustrious career that includes memorable roles such as the original Stanley in Funny Peculiar, Waiting For Godot alongside Ian McKellen and Roger Rees, and a captivating portrayal of Lennie in Of Mice and Men, for which he earned an Olivier Award for Best Actor, Matthew Kelly's talent shines brightly. His recent theatre credits include Noises Off, The Habit Of Art, and The Dresser, among others, showcasing his remarkable versatility. Not only a master of the stage, Matthew has also made his mark on the screen, with notable appearances in various TV shows and presenting credits on beloved programs such as You Bet! and Stars in their Eyes.
Joining Kelly is the esteemed actress Denise Welch, whose upcoming engagement in Diana: The Musical at The Eventim Apollo has already garnered significant attention. Denise's theatrical repertoire boasts impressive performances in productions like Calendar Girls the Musical, The Rise and Fall of Little Voice, and Steel Magnolias, to name a few. Her television career includes series regular roles in shows like Coronation Street, Waterloo Road, and Hollyoaks, solidifying her presence in the industry. As a regular panellist on ITV's Loose Women since 2001, Denise continues to captivate audiences with her engaging presence and insightful commentary.
Playwright Jim Cartwright and director Anthony Banks express their excitement about collaborating once again after their successful ventures with Mobile Phone Show in 2013 and Raz in 2016. They eagerly anticipate witnessing the extraordinary lives of Walter and Corral come to life through the exceptional talents of Denise Welch and Matthew Kelly, spanning five decades of change.
Matthew Kelly, filled with anticipation and enthusiasm, exclaims, "Dear Manchester, I'm coming home, and what better reason to return than with actress Denise Welch and playwright Jim Cartwright. We will star in the world premiere of Jim's remarkable new play, THE GAP, at Manchester's prestigious venue, Hope Mill Theatre. This funny, moving, and exquisitely crafted play will showcase the superb talents of Denise Welch, and I will be right by her side, shining throughout. Directed by Anthony Banks, this top-tier team embarks on an exceptional project at an extraordinary venue. I couldn't be more thrilled and excited. I invite you all to join us and be a part of this unforgettable experience. Sincerely, Matthew Kelly off the Telly."
Denise Welch expresses her elation, stating, "I am incredibly excited to return to my first love, theatre, and collaborate with the fantastic team at Hope Mill Theatre next year. Working opposite Matthew Kelly in a new play by Jim Cartwright is truly a dream come true. I hope each and every one of you will come and witness what promises to be an outstanding production."
The Gap is produced by Hope Mill Theatre
photo credit:
Tuesday, 4 April 2017
Wonderland (UK Tour), New Victoria Theatre | Review
Wonderland (UK Tour)
New Victoria Theatre
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
★★★
I finished performing in Will Todd's opera Alice's Adventures in Wonderland on Friday and have already taken another trip down the rabbit hole to see the UK Tour of Wonderland- I see an Alice theme becoming part of my life!
Frank Wildhorn, composer of one of my favourite musicals Bonnie and Clyde has reworked the Classic tale of Alice into a contemporary story about finding your place in the world. The story follows single mother Alice (Kerry Ellis) who lives in a bleak city with her ridiculously mature daughter Ellie (Naomi Morris). Stuck in a rut after her manipulative ex-husband kicked all her confidence out of her, she seeks a life away from the real world. When a bunny which promises to take her out of her mundane life hops in front of her, it seems like the logical option to follow him down the hole... or lift! Joined by their neighbour Jack (Stephen Webb) they end up in the magical and mysterious Wonderland.
The story is about self-belief and self-discovery and touches on some relevant issues. With Alice saying that "girls need to know that they should value themselves" and the rabbit expressing that "nothing can exist 'til you dream it first", it's sweet and heart warming.
Wonderland itself is bizarre, whimsical, quirky and truly bonkers. With all the well known characters such as the Queen and Hatter popping up throughout. Alice discovers that if she steps through the Looking Glass, she'll come out as a different version of herself. She toys with the idea of stepping through but is skeptical to return to the strong woman she was before.
Kerry Ellis is a star as Alice. Her vocals are faultless as she effortlessly belts out each number. Her stage presence is strong and it's joyful to watch her transformation throughout the show. Alongside Naomi Morris as her strong spirited daughter (who has a striking resemblance in voice and looks to Lilla Crawford) the pair create a lovely duo and a believable chemistry onstage.
For me the standout by far is Natalie McQueen. Her voice is off the charts and her scatty, feisty and extremely mad portrayal of the Hatter completely steals the show. She is compelling throughout and her facial expressions are enough to cure all types of illness!
Wendi Peters embraces the role of the evil Queen of Hearts well, mastering the comedic timing impeccably and showing off her superb singing voice. It's a shame how little time she is on stage as it would be lovely to see her for more than a fleeting moment at a time. Nevertheless, her portrayal is wonderful.
The score is brilliant with wit, pace and just the right amount of craziness but the script is a little weak. At times it feels forced and cringey , with the dialogue not adding much to the show other than filling time. Personally I feel that the overall downfall is that there is not a clear target audience. There are times where it seems better for young adults and adults but others where it's almost pantomime like and seems aimed at very young children. There is a lot of potential but I think there needs to be a little work done to make the show fully solid and fluid.
The music is engaging and enjoyable. The spectacular performers and witty moments make it a really enjoyable show to watch and a fun family night out.
Wonderland is on at the New Victoria Theatre until Saturday April 8th
Wednesday, 30 October 2024
Star-Studded Gala A Marvellous Party Celebrates Noël Coward with a Glittering Lineup
London’s Prince of Wales Theatre is set to shine on Sunday, 17th November 2024, as an all-star lineup gathers for A Marvellous Party, a special charity gala honouring the legacy of Noël Coward. The celebration will feature a dazzling array of talent, including Alfred Enoch, Derek Jacobi, Ian McKellen, Joshua James, Samantha Spiro, Marisha Wallace, and Lia Williams, joining previously announced stars Hugh Bonneville, Gyles Brandreth, Judi Dench, Lindsay Duncan, Cush Jumbo, Robert Lindsay, Hilton McRae, and Giles Terera. Additional surprise guests will also appear, making it a memorable evening in celebration of Coward’s life and work.
This gala evening, directed by Daniel Evans with musical direction by Tom Brady, will present an array of excerpts from Coward’s plays, songs, and sketches- some of which will be performed publicly for the first time. Youth participants from Chichester Festival Youth Theatre, New Adventures, and Wise Children Theatre School will join Noël Coward Foundation bursary recipients, as well as a troupe of actors renowned for performing Coward’s works, for an evening rich in British theatrical tradition and talent.
A Marvellous Party is also the grand finale of the two-year Coward 125 celebration, which has honoured Noël Coward’s extraordinary impact on theatre. Proceeds from the evening will support The Queen’s Reading Room, the Noël Coward Foundation, and Acting For Others, with the Prince of Wales Theatre generously provided by Sir Cameron Mackintosh for the occasion.
Produced by Julian Bird for Green Room Ents., this gathering of icons promises an unforgettable night celebrating the wit, style, and enduring charm of Noël Coward.
Tuesday, 14 March 2017
Shirley Valentine (UK Tour), New Victoria Theatre | Review
Shirley Valentine
New Victoria Theatre
Reviewed on Monday 13th March 2017 by Glenys Balchin
Reviewed on Monday 13th March 2017 by Glenys Balchin
★★★★★
I am old enough to have seen the Oscar nominated Shirley Valentine film nearly thirty years ago but never the play. Therefore I was not sure whether or not I would enjoy the one woman show without the famous Costas played by Tom Conti in the film. But I was not disappointed. Jodie Prenger shone as brightly as Pauline Collins had thirty years ago as Shirley Valentine.
For the duration of two hours Jodie Prenger marched and swaggered to dominate the stage and all the time cleverly engaging and drawing in her the audience. You totally forgot she was on her own as she brought the other characters to life on stage. I would certainly recommend this show to my friends but with the caveat that they are women of a certain age.
The play itself is about a bored and disillusioned Liverpudlian housewife who is trying to find her identity and get back her “unused life”. Her adventures starts when her best friend invites her to go to Greece on holiday with her. She takes up the offer of a trip as she feels dissatisfied, neglected and ignored by her husband and family, now that her children have flown the nest. She goes to Greece for a two week holiday but decides to stay and as she feels no one would miss her at home.
Don’t be mistaken into thinking this is a Greek tragedy, it is a heartfelt emotional comedy with Jodie Prenger performing with impeccable comedic timing to make you laugh and cry at the same time. Willy Russell is amazing in understanding the psyche and intellect of women. This comedy may have been written three decades ago, 1986 to be exact, but is still just as relevant today, which in a way is a sad thing for me to have say, as you would have thought that we would have moved on. On saying that the age of the leading lady probably would now be older and there certainly are more opportunities for women these days to follow, as long as they have the right encouragement at home.
As for depicting the era I thought the kitchen set was a throwback of my Mum’s kitchen in the eighties when I was growing up so, for me it was a real nostalgic trip down memory lane. I thought it was a good decision to keep to the original decade of when the play was written rather than updating to the current day. The special effect when Jodie Prenger cooks eggs and chips during the play added an authentic touch plus Jodie really knew how to work the kitchen so fully believable.
My only criticism on not depicting the 80’s accurately would be Jodie’s hair which was more the fifties style rather than over permed shaggy haircut or that of the late Lady Diana’s hair style. The music could have been more eighties and when she was in Greece a little bit more Zorba but that may have distracted from the performance.
There is no doubt that Prenger owns the stage and mesmerises her audience with her larger than life personality which carries this revival of Shirley Valentine from the opening to the curtain call. To give an amazing performance like Jodie delivered must be attributed to the way she has been directed by the legendary Glen Walford, who has skilfully nurtured Jodie’s talent to enable her to deliver a fast-paced performance which does not falter nor lose energy from the fast paced monologue.
My first thought of seeing Shirley Valentine is that it would feel out-dated, not funny and never equal the performance of Pauline Collins, so I was very happy to say that I have been proven totally wrong. The Willy Russell script has clearly stood the test of time, and Jodie Prenger was absolutely sensational in the part. It was a great night at the theatre it made me laugh but at the same time I came home thinking about my own “Unused Life”.
If you are a woman of a certain age then this show is a must for you, it will make you laugh, give you great pleasure and happiness a real nostalgic trip back to the eighties.
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
Thursday, 10 October 2024
Max Harwood to Star as Percy Jackson in Musical's West End Premiere
Stepping into the shoes of a demigod and taking on the lead role of Percy Jackson for the London premiere of The Lightning Thief: The Percy Jackson Musical is Max Harwood (Stranger Things: The First Shadow, Everybody’s Talking About Jamie).
Max Harwood, who gained widespread acclaim in 2021 for his breakout role as Jamie New in the film adaptation of Everybody’s Talking About Jamie, has quickly made a name for himself on both stage and screen. His performances have included roles in Netflix’s Black Mirror and the Olivier Award-winning Stranger Things: The First Shadow. Now, Harwood is set to take up Percy Jackson’s lightning bolt as he leads the cast in this thrilling musical adaptation.
Presented by Bill Kenwright Ltd. and Paul Taylor-Mills, The Lightning Thief: The Percy Jackson Musical is based on Rick Riordan’s beloved book series, which has sold over 180 million copies worldwide. Percy Jackson’s adventures have already captivated audiences through film adaptations and the hit Disney+ TV series. The musical first premiered off-Broadway in 2014 to rave reviews, followed by two US tours, a 2017 off-Broadway run, and a limited 16-week Broadway engagement in 2019.
For the first time ever, London audiences will experience this magical musical starting in November. Guided by an exceptional creative team, the production promises to transport viewers to a world of gods, monsters, and epic adventures.
The story follows Percy Jackson, a New York City teenager who discovers he is the half-blood son of Poseidon. Thrust into a larger-than-life world of Greek mythology, Percy grapples with newfound powers he can’t control and a destiny he never asked for. With mythical creatures hunting him and the future of the world at stake, Percy embarks on an epic quest to prove himself a true hero.
This dynamic musical adaptation of The Lightning Thief features a book by Joe Tracz (Be More Chill), music and lyrics by Rob Rokicki (Monstersongs), and is directed and choreographed by Lizzi Gee (Groundhog Day).
Further casting and full creative team details will be announced soon.
The Lightning Thief is presented by arrangement with Concord Theatricals Ltd.
London is in for an electrifying adventure this November, so get ready for an unforgettable journey with Percy Jackson and friends!
Thursday, 14 September 2017
Five Guys Named Moe, Marble Arch Theatre | Review
Five Guys Named Moe
Marble Arch Theatre
Reviewed on Wednesday September 13th 2017 by Olivia Mitchell
★★★★
Five Guys Named Moe premiered at the Theatre Royal Stratford East in 1990, ran for over four years, transferred to Broadway and won the Olivier Award for Best Entertainment. Despite this, it's a fairly unknown musical so is an exciting addition to the London scene which is currently made up of a lot of long running classics.
The rise of new and unique theatrical experiences is ever growing, with pop-up theatres and immersive events offering unusual theatrical adventures. Cameron Mackintosh has grabbed this trend by the horns in his new venture with the specially built Marble Arch Theatre. The theatre is simple on the outside but completely brilliant on the inside; as you walk in it's like entering the tardis. You're brought into a large 360 bar complete with a live band above and a wonderful selection of drinks to get your night started in the perfect way.
Written and directed by Clarke Peters, the show charts the story of Nomax, whose girlfriend Lorraine has left him. With no money and booze as his best friend, he meets Big Moe, Four-Eyed Moe, Eat Moe, No Moe and Little Moe as they emerge from his 1930s-style radio to guide and comfort him as they sing the songs of saxophonist and songwriter, Louis Jordan. Personally I found the story pretty pointless. At times it felt that the songs didn't really fit and I didn't feel emotionally attached enough to either Nomax or Lorraine to care whether they got back together or not.
Despite this not so stellar story, the music is spectacular. Each song is playful, catchy, foot-tapping and filled with warmth and affection for one another. The five Moe's are energetic and throw themselves into the fast paced, jazzy pieces and choreography by Andrew Wright with joy and exuberance. The on stage band showcase the rhythm and complexity of the music well and are particularly impressive during their solo moments.
The Moes are Four-Eyed Moe (Ian Carlyle), Little Moe (Idriss Kargbo), Know Moe (Dex Lee), Big Moe (Horace Oliver) and Eat Moe (Emile Ruddock). The Moes are banterous with one another and seem like the kind of guys you'd have an amazing night out with. They are all equal, sharing solos with one another and each having their own personalities which bounce off one another and work together seamlessly in moments of tight harmony. All five men have absolutely outstanding voices as well as sleek, sharp dance moves which are showcased in a smooth and stylish way. Similarly, Edward Baruwa is fantastic as Nomax, his effortless, strong voice soars and he manages to be emotional, funny and contemplative at times.
As previously mentioned, the venue is very cool, however, I don't feel like it's ideal for this show. The round space doesn't really add anything to the story and due to the un-raked seating there are moments missed by the audience. I was sat in the third row of the stalls which sounds fine but with three tall people in front and no varying levels it was very difficult to see and I often found myself craning my neck to try and see through the gaps- something which could've been avoided with even a slight rake between rows. The screens used around the sides of the space are a very nice touch but felt underused. It would be exciting to have them at other points, as long as they don't become gimmicky.
Overall I did enjoy this show though. The story is nothing special but I adored the music and it's certainly a brilliant, toe-tapping show with flawless performances all round and perfect for a fun, light-hearted night out. It you want catchy songs and first-rate singing in a very neat London venue then this is the show for you! So let the good times roll and hop along to the Marble Arch Theatre!
photo credit: Roy Tan
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