Showing posts sorted by relevance for query Prima Facie. Sort by date Show all posts

Saturday, 14 May 2022

Prima Facie, Harold Pinter Theatre | Review

Prima Facie

Harold Pinter Theatre

Reviewed on Friday 13th May 2022 by Olivia Mitchell

★★★★★

Anyone who's seen Jodie Comer in her multifaceted performance in Killing Eve understands why she is such a well loved and in demand actor. In her one-woman West End debut in Prima Facie, Comer lives up to every expectation and delivers a performance that astounds and stays with you long after the curtain comes down.

What's so impressive with Comer is not only how she brings interesting and enticing vocal intonations to the script, but how she physically embodies every moment. The high-voltage emotions which run through the piece are literally carried by Comer and she imbues every moment with intensity and expressiveness. You can just tell how much work has gone into crafting such an intelligent and wonderful portrayal, even from small details such as becoming slightly posher when she's presenting in court compared to talking to her mother. Comer never flags for a second of the 95 minute show and whether she's shattering you with heart-breaking moments, or having you laugh out loud with her witty performance, she has you wrapped around her finger in a phenomenal way.

Of course this performance wouldn't exist without Suzie Miller's script which is so expertly crafted and focusses on the heartbreaking realities of sexual assault and how difficult it is for women to get closure via successful prosecutions in a court which is based on archaic rules written by men and does very little to support or empathise with victims.

Comer's character Tessa is a barrister who rose from being the underdog at university to being one of the top defence lawyers for men accused of sexual assault. The play opens with her revelling at being great in court and later on contrasts this by showing flashbacks to her younger self full of doubt as to whether she could succeed when surrounded by all the private school classmates who she cannot relate to. Her excitement and razor sharp cross examination skills show how she can sew the seed of doubt that the victim may have in fact given consent and that the man was doing what he believed she wanted. The way she talks about it almost gets you on her side until she herself is raped by a colleague and realises how messed up the whole system and court process is.

Natasha Chiver's lighting design and Justin Martin's direction really hammer this message home, with folders creating a blank canvas for the action but also becoming part of the story at times. Gradual lighting changes bring further gravitas to the mood changes and the clever closing monologue which breaks the fourth wall is so well done. As a whole this production is a sleek treat which discusses a dark matter but has you feeling uplifted by the talent and skill displayed on stage and behind the scenes.

In a stunningly moving performance, Jodie Comer shows her emotional range and magnetic stage presence which makes her the wondrous performer she is and makes this an unmissable piece of theatre. Beg, borrow, or steal a ticket if you can find one, or book to see Prime Facie in cinemas!

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Tuesday, 5 November 2024

Stockard Channing Joins Brie Larson and Star-Studded Cast for the Thrilling West End Revival of Elektra

The timeless power of Greek tragedy is set to take the West End stage as Empire Street Productions announces additional casting for Elektra, Sophokles’s renowned drama, featuring a new, visceral translation by the award-winning poet Anne Carson. Academy Award-winner Brie Larson, previously announced as the lead, will make her West End debut alongside an impressive lineup: the internationally celebrated Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, Coriolanus), and Evening Standard Award-winner Patrick Vaill, fresh off his acclaimed performance in Oklahoma! and Stranger Things: The First Shadow.

Directed by the visionary Daniel Fish, known for his groundbreaking Tony and Olivier Award-winning revival of Oklahoma!, this production of Elektra promises a powerful, haunting experience. Fish's return to Sophokles’s masterpiece marks the first major revival of the classic Greek tragedy in over a decade. The creative team behind Elektra features Annie-B Parson (Choreography), Jeremy Herbert (Set Design), Doey Lüthi (Costume Design), Adam Silverman (Lighting Design), Max & Ben Ringham (Sound Design), and Ted Hearne (Composer), with Kate Godfrey (Voice & Dialect) and casting by Heather Basten CDG.

The production begins its journey at Theatre Royal Brighton on January 13, 2025, before moving to London’s Duke of York’s Theatre for an exclusive 11-week season starting January 24, with a press night scheduled for February 5. This staging of Elektra promises an intense exploration of vengeance, grief, and survival, as Elektra, haunted by her father’s murder, awaits the return of her brother Orestes, who she urges toward a harrowing and irreversible act of revenge.

Empire Street Productions brings this much-anticipated Elektra revival to life following their acclaimed projects like Prima Facie with Jodie Comer and The Pillowman starring Lily Allen. The full cast lineup for Elektra will be announced soon. For tickets and more information, visit ElektraPlay.com.

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Thursday, 24 October 2024

: Louis McCartney Returns as Henry Creel in Stranger Things: The First Shadow for His Broadway Debut

Louis McCartney, the breakout star from the West End production of Stranger Things: The First Shadow, is set to reprise his role as Henry Creel for his highly anticipated Broadway debut. McCartney's performance in the West End earned him widespread acclaim, including The Stage 2024 Debut Award for Best Performer in a Play and the Critics’ Circle Award for Most Promising Newcomer. Praised by top publications as "spellbinding" (Daily Telegraph) and "breathtaking" (Deadline),

McCartney’s portrayal of the complex character Henry Creel has firmly established him as a rising star in the theatre world. He will take his final bow in the West End on November 10, 2024, before heading to Broadway to continue his run in this Olivier Award-winning production.

The Broadway adaptation of Stranger Things: The First Shadow will begin performances on March 28, 2025, at the iconic Marquis Theatre. Directed by the acclaimed Stephen Daldry (The Crown, Billy Elliot) and co-directed by Justin Martin (Prima Facie), this gripping prequel transports audiences back to 1959 Hawkins, where a young Henry Creel arrives in town, setting off a series of dark events that connect deeply to the mythology of the global Netflix sensation. With an original story co-created by the Duffer Brothers, Jack Thorne, and Kate Trefry, the production offers fans an enthralling, fresh narrative with stunning visual effects and heart-pounding performances that dive deep into the origins of the Stranger Things universe.

With a star-studded creative team, the Broadway run promises to be just as mesmerising as its West End counterpart, with many eagerly awaiting McCartney’s U.S. stage debut. Ticket sales are already underway for this must-see event, and theatre fans and Stranger Things devotees alike are excited to experience the early days of Hawkins on Broadway.

Stranger Things: The First Shadow has already proven to be a massive success in London, winning two Olivier Awards, including Best Entertainment. This thrilling theatrical event is set to captivate new audiences with its intricate set design, haunting soundtrack, and McCartney’s unforgettable performance as Henry Creel.

photo credit: Polk & Co

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