Showing posts sorted by relevance for query Sister Act. Sort by date Show all posts
Showing posts sorted by relevance for query Sister Act. Sort by date Show all posts
Tuesday, 21 February 2023
Sister Act (Tour), New Victoria Theatre | Review
Sister Act (Tour)
New Victoria Theatre
Reviewed on Monday 20th February 2023
★★★★
If you're looking for a great night out, look no further than Sister Act. It's a heat-warming show that doesn't take itself particularly seriously, while also boasting a wonderfully talented cast and songs that'll have you dancing in your seat. The musical has got something for everybody and certainly feels like bang for your buck.
Based on the iconic Whoopi Goldberg film, Sister Act tells the story of wannabe singer Deloris Van Cartier (Sandra Marvin) as she's hidden away for protection in a nunnery by Mother Superior (Lesley Joseph) after witnessing her gangster boyfriend (Jeremy Secomb) kill someone. It's a riotously funny show which thrives on excellent characterisation and really cohesive staging.
Leading the show, Sandra Marvin has star quality and seems to get more and more comfortable in the role as the show progresses. Vocally she is really strong and does brilliantly at developing her character throughout and clearly has the magnetism needed in a role like this. Lizzie Bea really does the character of Sister Mary Robert justice and gives and incredibly sweet performance, which of course is vocally outstanding. There's a not much emotional development throughout the show so Lizzie never truly gets to connect with the audience but her performance is still a touching one. As the policeman Steady Eddie, Clive Rowe is lovely to watch and has some moments which border on emotional, if never quite peaking. His solo number is vocally perfect and a real standout of the show. However, there is a slight lack of nuance to his whole characterisation which means the audience never get a chance to truly root for him.
That being said, this is a still a completely enjoyable show and the cast perform Alan Menken's disco score with great energy. The individual personalities of each nun really shine and there are some proper laugh out loud moments.
Morgan Large's set literally frames the show perfectly and Tim Mitchell's lighting transforms the space into a party within moments. It's an incredibly cohesive show which is so sleek that it allows you to bask in the joy its feel-good fabulousness throughout.
Sister Act is an utterly crowd-pleasing musical which often ascends the superficial and has some thoroughly pleasing moments. There could be some more heart and a little more development of character motives to give everything a touch more impetus, but as a whole it's a Nun-derful treat of a night out that's worth a late bedtime.
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 18 June 2024
Don't Miss Sister Act the Musical in the West End: A Heavenly Night at the Theatre
If you're looking for a divine night out in London, then Sister Act the Musical is your calling! This sparkling show is lighting up the West End, and it’s a sin to miss it. Whether you’re a theatre aficionado or a casual musical-goer, here are some heavenly reasons to catch this nun-believable production. Plus, it's going on a UK tour, so if you can’t make it to London, the show might just be coming to a cathedral near you!
Star-Studded Cast: First off, let’s talk about the cast. This production is blessed with talent that will make you want to sing “Hallelujah!” Leading the way is the fabulous Alexandra Burke as Deloris Van Cartier, whose powerhouse voice and infectious energy bring this iconic character to life. Ruth Jones, known and loved for her role as Nessa in the hit TV show Gavin and Stacey plays the strict yet lovable Mother Superior. Also gracing the stage is the dynamic duo of Lee Mead as Eddie Souther and Lemar as Curtis Jackson, adding charm and villainy in equal measures.
Joyous Music and Dance: The music in Sister Act is nothing short of heavenly. With Alan Menken's uplifting songs that blend gospel, disco, and Motown vibes, you’ll be tapping your feet and clapping your hands in no time. Glenn Slater's lyrics are jam packed with word play that'll have you laughing out loud. Hits like 'Raise Your Voice' and 'Take Me to Heaven' will have you bopping in your seat, while Lizzie Bea's astounding rendition of 'The Life I Never Led' with have you praising her talent.
A Feel-Good Story: At its heart, Sister Act is a story about friendship, faith, and finding your true voice. Deloris Van Cartier, a lounge singer on the run, transforms a convent choir with her lively spirit and unites a group of nuns in a shared purpose. It’s a tale that warms the soul and reminds us of the power of community and self-discovery. You’ll leave the theatre with a full heart and a smile on your face.
Hilarious and Heartwarming Moments: From laugh-out-loud moments to tear-jerking scenes, Sister Act the Musical has it all. The comedic timing of the cast, especially Ruth Jones and Lesley Joseph, is impeccable. The variety of interactions are both touching and hysterical. Thanks to the uniquely defined personalities of each nun, the musical strikes a perfect balance between humour and heartfelt emotion.
Stunning Production Value: Morgan Large's set and costume designs are vibrant and detailed, immersing you in the world of the convent and the seedy nightclubs. Coupled with Tim Mitchell's dynamic lighting, and a Tom Marshall's really well balanced sound, every scene is a visual feast that enhances the overall experience.
With a stellar cast, sensational music, a heartwarming story, and top-tier production value, it promises a night of entertainment that is nothing short of divine. So grab your friends, book your tickets, and get ready to be blessed with one of the most enjoyable shows of the year. And remember, if you can’t catch it in London, the UK tour is coming soon to a town near you. Praise be!
So, what are you waiting for? Don’t miss out on this heavenly experience – it's sure to be a habit-forming night out!
Photo Credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 21 March 2017
Sister Act (UK Tour), New Victoria Theatre | Review
Sister Act
★★★★
Based on the 1992 hit film starring Whoopi Goldberg, Sister Act tells the tale of nightclub singer Deloris who witnesses her violent partner commit a murder. Forced to be a witness and then forced into hiding, she ends up staying a convent which is under threat of being closed down for not attracting enough people to it's Sunday services. The production is full of glitzy outfits and laugh out loud moments and despite falling slightly flat at times, it is full of great performances and leaves the audience feeling good.
Craig Revel-Horwood's choreography is exciting and full of funny moments. Namely a slow motion scene which worked wonderfully and was warmly received by the audience, as was the majority of the show. Craig's production captures the spirit of family and friendship wonderfully and ensures the audience has a fun night out but it's hard to miss the weakness of the plot. The story is just a little too silly and basic to be fully effective but for a lively girls night out that can be overlooked and enjoyed for the laugh that it is.
Overall there is a high standard of performance with Alexandra Burke's leading lady Doloris holding her own throughout. She is sassy, likeable, over the top and delivers her comic lines wonderfully. Personally I struggled to understand what she said a lot of the time due to under-annunciated consonants but her singing and comic performance was fabulous and she fits into the role perfectly.
Each of the nuns have their own personalities which shine through from beginning to end and each of the individual stand out moments really add to the production. It's wonderful to see such a strong cast with an ensemble that are tight and seem to genuinely be enjoying themselves.
Sister Act is full of solid performances, buckets full of laughs, fabulousness and a whole lot of joy. Even though the story is silly and simplistic, it works wonderfully as an exciting night out and I'm sure it will continue to thrill audiences around the country.
Sister Act continues to play at the New Victoria Theatre until March 25th before continuing on it's tour.
Photo by: Tristram Kenton
Saturday, 9 February 2019
The Bodyguard (UK & Ireland Tour), Grand Opera House, Belfast | Review
The Bodyguard (UK & Ireland Tour)
Grand Opera House
Reviewed on Wednesday 6th February 2019 by Damien Murray
★★★★
Literally starting with a bang… before Karen Bruce’s super-charged choreography ensured that its fiery opening number set the quality bar high for the remainder of the show, this latest touring production of the ever popular musical is another winner.
This romantic thriller, peppered with some of the best of Whitney Houston’s hits, is back in town for its third sell-out run in recent years … and it is easy to see why.
Offering the right balance of romance, suspense, dance, humour and music, this award-winning musical based on Lawrence Kasdan’s blockbuster film, which starred Kevin Costner and Whitney Houston, gives audiences everything they want wrapped up in a quality-filled ‘night out’ to keep them coming back for more.
For those who are unfamiliar with the successful film, the story centres around singing superstar and budding film star, Rachel Marron, and her changing relationship with personal bodyguard, Frank Farmer, who has been hired by her manager to protect her after a series of threatening notes have been found.
Many people go to this show only to hear the music as the plot has been criticised for being too far-fetched, but, sadly, stars with stalkers of some degree or another are more common than one might think.
As someone who was once involved in protecting a performer from a stalker, I could really identify with the storyline here (although my experience was without the romantic elements of this piece!).
Played out on Tim Hatley’s clever and ever-changing sliding-door set, which not only aided the seamless flow of the show but also reinforced the ever-changing situation of the gripping story-line, this was a well-paced production, which made effective use of projections.
Yet again, the star of this show was former X-Factor winner, Alexandra Burke, in the role of the controlling diva-style star, Rachel Marron, and – having recently performed in such musicals as Sister Act, Chess and Chicago and having been so successful in television’s Strictly Come Dancing – it was an even more confident and experienced performer this time that filled both Marron’s shoes and the auditorium with great vocals in Houston’s many hits.
Playing opposite Burke as her equally controlling, bodyguard, Frank Farmer, Benoit Marechal was a much calmer and more controlled character who took his job very seriously. So, the karaoke scene was nice in that it showed a different side of his character while providing a degree of humour to lighten the mood of the piece.
Although I didn’t get any sense of fear from Phil Atkinson’s chilling character in his early appearances (maybe due to his direction), the sinister stares of the stalker became appropriately more threatening and unsettling as the show progressed and Atkinson developed into a truly menacing stalker, especially when he rose from the orchestra pit in his final scene.
Resentful of her life playing second-fiddle in the shadow of her successful sister, Micha Richardson was impressive as the talented, but jealous, sister, Nicki; her vocal talent getting a solo chance to shine in Saving All My Love For You.
Musical director, Michael Riley, and his eight-piece orchestra did wonders in supplying such a big and full sound for the varied score of power ballads and up-tempo dance numbers, while Mark Henderson’s versatile lighting designs complemented all aspects of the production, and both combined – especially Riley’s perfect incidental music and Henderson’s wonderful use of white light effects – to heighten tension and suspense at appropriate moments of the show.
Thea Sharrock’s direction was also spot-on throughout, but particularly in emphasising these elements of what is, after all, a thriller. A good example of this was the use of slow motion and freeze action in the club scene and at the awards ceremony.
What surprises me is that, despite being one of the few who do not even like the music of Whitney Houston (really!), this is my third time seeing this show … and, thanks to high production values and talented performances, my third time enjoying the productions.
Musical highlights included: I’m Every Woman and How Will I Know?, while the defining moment in the story was captured during One Moment In Time and Burke’s perfectly staged finale song, the emotionally-charged rendition of I Will Always Love You, proved to be the undoubted show-stopper ahead of the full company mega mix encore.
Overall, power ballads combined with powerhouse performances and strong choreography to make this a truly powerful production.
The Bodyguard runs at the Grand Opera house until 16th February 2019
photo credit: Paul Coltas
Friday, 3 November 2023
Lizzie at the Southwark Playhouse (Elephant) Review: A Bloody Good Time
Lizzie
Southwark Playhouse (Elephant)
A transfer from the Hope Mill Theatre, Lizzie boasts a cast that impresses with their strong vocals and well-defined characterisations. The performers do an excellent job bringing their characters to life and infusing the show with their energy and passion, making it an engaging experience for the audience.
The musical takes inspiration from the infamous Lizzie Borden case and the story revolves around Lizzie Borden and her sister; exploring the mysteries and events leading up to the gruesome murders of their parents. It delves into themes of murder, mystery, and the complexities of human nature, all set against a rock opera backdrop. With a gripping narrative, powerful performances, and a thrilling atmosphere, Lizzie invites the audience to step into a world where dark secrets are uncovered, and the truth is as elusive as the swing of an axe.
One of the standout features of Lizzie is the striking lighting design and stage setup by Andrew Exeter, which, particularly during the climactic moments of Act One, leave you breathless with its deathly allure. The lighting and set design effectively create an atmosphere that's visually captivating and in keeping with both the rock musical vibes, and the traditional 1800s setting of the story.
While William Whelton's choreography wields a sharp blade and is executed very well, it sometimes feels like it's hacking away at a different story, leaving us with a tenuous connection. It adds some movement and visual appeal, but it doesn't fully meld with the narrative.
Direction wise though, Whelton has approached the show at a fun angle, melding massive arena concert energy with traditional musical theatre techniques. The energy is consistently high and despite knowing the ending, you're still on the edge of your seat, awaiting the next thrilling act. The use of handheld microphones is a cool twist on the storytelling, and hung in holsters at their sides it's almost as if the ladies are wielding them as potential murder weapons. However, when they're actually in use, it doesn't always make sense within the context of the show, I think it would be more effective if it was made clear that they were symbolising inner most thoughts or something of the like.
This really is a girl power musical and each character in the production is well-defined, allowing the audience to connect with their individual stories and motivations. The attention to detail in the character development adds depth to the overall performance, revealing layers like peeling back the pages of a forbidden diary.
The cast deliver exceptional performances, with each woman commanding the stage with finesse. As this performance, Lizzie Borden was played by Emma Louise Hoey who seamlessly transitions from innocence and sweetness to sheer and utter madness. Her expressive eyes, and body tics convey a myriad of emotions, and every movement she makes skilfully illustrates her transformation into the manic killer fully. There's also a real level of innocence woven throughout the character and despite her gruesome act and obvious manipulation, you can't help but root for her. Vocally, Emma is marvellous, providing literal killer vocals with ease and conviction.
Shekinah McFarlane shines as Lizzie's sister, particularly in Act 2, showcasing her superb vocal prowess, that peaks and troughs in all the right places. For vocal masterclasses, this truly is the show to see. It's certainly a trend, as Mairi Barclay also astounds with her killer voice, as Bridget Sullivan. Barclay not only gets to showcase her impressive vocal range but also adds a touch of humour to this otherwise dark drama, often subtly encouraging Lizzie to commit the heinous acts in clever and witty ways, even if her motivations remain somewhat ambiguous. As Lizzie's friend Alice Russell, Maiya Quansah-Breed's performance is nuanced and heartfelt, offering a soothing contrast to the intense and rage-filled numbers that punctuate the show.
Rachel Tansey's costumes are notably well-executed, dressing the characters for their gruesome deeds and helping transport the audience back in time to the historical setting, where every outfit feels like a well-prepared disguise.
Musically Steven Cheslik-Demeyer and Tim Maner have created songs which sound great in the moment but aren't particularly memorable. Lyrically they are fast-paced and super action packed, sometimes to their detriment. So much is crammed in that you don't know what to focus on so things come across somewhat disjointed.
However, despite its minor shortcomings, Lizzie manages to transform the intimate Southwark Playhouse into a high-energy rock concert experience that's a crime of passion, making it a unique and memorable theatrical event that keeps you on edge and engaged.
★★★
Reviewed on Thursday 2nd November 2023 by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 18 October 2024
Bradley Riches, Amber Davies, and Claudia Kariuki Join Scott Alan in Concert at Cadogan Hall
Fourth Wall Live has announced a stellar cast of guest vocalists set to perform with internationally acclaimed songwriter Scott Alan at his upcoming concert at Cadogan Hall on November 10, 2024. Headlining the event are Heartstopper star Bradley Riches (Babies The Musical), Amber Davies (Back to the Future, Pretty Woman), and Claudia Kariuki (Six, Sister Act), alongside previously announced performers Amy di Bartolemeo (The Devil Wears Prada, Bat Out of Hell), Oliver Tompsett (Kinky Boots, Wicked), and Stuart Matthew Price (The Rocky Horror Show, Parade). Tickets are on sale now at www.fw-live.com and www.cadoganhall.com.
Scott Alan is renowned for his work with some of the biggest names in theatre, TV, film, and recording, including Grammy Award-winning Pentatonix, Broadway stars like Sutton Foster and Lea Salonga, and Westlife’s Mark Feehily. Alan has released seven albums, beginning with Dreaming Wide Awake in 2007, and he continues to captivate audiences worldwide with his heartwarming and emotionally charged compositions. His music has been featured on major platforms such as American Idol, So You Think You Can Dance, and Entertainment Tonight, and he has performed sold-out concerts across the globe.
Most recently, Alan released Nothing More, a deeply personal collection of songs written for his daughter, which features Gay and Transgender fathers. His upcoming performance at Cadogan Hall marks the 15th anniversary of his debut album, and he has expressed immense excitement about returning to London, saying:
Returning to London after so many years away feels like coming home... this night feels like a giant hug."
Fourth Wall Live has a history of producing unforgettable musical theatre concerts, with recent successes including Bonnie & Clyde The Musical, headlined by Jeremy Jordan, and the UK premieres of Something Rotten and Oklahoma!, which featured a star-studded cast. FWL’s ongoing commitment to bringing world-class talent to the stage continues with this exciting Scott Alan concert, set to be one of the highlights of the 2024 theatre calendar.
Scott Alan's live concert at Cadogan Hall is a must-see for theatre and music fans alike. Featuring an exceptional lineup of performers and celebrating the legacy of Alan’s impactful music, this one-night-only event will be an unforgettable celebration of musical theatre.
Friday, 21 July 2017
In Conversation With... Tyrone Huntley | Jesus Christ Superstar | Interview
Tyrone Huntley has the voice of an angel and supreme acting skills. He's just finished starring as CC in Dreamgirls and is currently in rehearsals to reprise the role of Judas in Jesus Christ Superstar at the Regent's Park Open Air theatre later this summer. He's already a star but he deserves even more praise for his outstanding performances and I can't wait to see what more he does!
For anyone that doesn’t know, can you explain a little about your career and highlights so far?
I graduated from Mountview in 2011 and got my first job in the U.K. Tour of Sister Act. My West End debut came straight after that in The Book of Mormon and since then I've been fortunate enough to work on other incredible shows including the Original London Casts of Memphis and Dreamgirls.
I read that you studied law and completed a degree in it whilst you were starring in The Book of Mormon and Memphis, how was it juggling the two?
It was difficult and extremely time consuming but ever so rewarding. I learned a lot and when I graduated I felt such a sense of pride and achievement.
Do you have any other hidden passions that you’d like to pursue?
You’ve just finished playing CC in the epic, Dreamgirls. Is CC anything like you?
CC has some really enviable qualities that don't sit naturally with me. Where CC is optimistic and positive thinking, I generally think the worst and I'm not surprised when things don't necessarily go my way!! That said, I like to think I can relate to his ambitiousness, his caring nature and desire to make people happy.
Have you had any funny onstage or offstage mishaps whilst you’ve been in the show? Or any other shows?
I did Porgy and Bess at Regent's Park Open Air Theatre a couple of years ago which meant, like Jesus Christ Superstar, we were obviously performing outside. In the show I had a little featured singing bit - my big moment. One evening I was just about to sing my part but as I breathed in I inhaled a massive fly so instead of singing my one little solo song, I had a beautifully underscored coughing fit!
It’s so exciting that you’ll be returning to play Judas again at the open air theatre. What are the hardest and most exciting parts about playing the iconic role?
I'm very excited. It's a great role in a great show and I get to perform at Regent's Park again! The music is amazing and I'm looking forward to sinking my teeth back into it. That said, it's very challenging vocally which means, more than usual, I have to look after myself and make sure I stay as fit and healthy as possible which means my already limited social life will have to take even more of a back seat!!
Besides yourself, who else would you like to see tackle the character of Judas?
I'd love to see my old mate Matt Cardle do it, he'd be perfect. Or thinking outside of the box maybe Eva Noblezada... she'd sound amazing.
What’s the last thing you do before you step out on stage?
I have to go through all of my lines for the next scene. I trust my short term memory way more than my long term memory and it puts me at ease just to check the lines are still there!
 |
| Tyrone and the cast of Jesus Christ Superstar |
You have a five minute break in rehearsals, what are you doing?
Eating.
Is there a musical or play you’ve seen recently that you loved?
I saw Hamlet at the Harold Pinter a few weeks ago with Andrew Scott and Juliet Stevenson. I was completely blown away by everything about the production!
What’s a fun fact that people might not know about you?
It's certainly not very fun but it's extremely important to me. I HATE coriander. It's poison!
What’s your best piece of advice for an aspiring performer?
Hard work doesn't always pay off but if you put in the work, no one can ever take that away from you and you can always rest in the knowledge that you did everything you could. Be open - every experience, whether negative or positive, is an opportunity to learn.
A huge thank you to Tyrone for taking the time to do this interview. Make sure you book to see Jesus Christ Superstar at the Regent's Park Open Air Theatre this summer.
Tuesday, 7 March 2023
The Bodyguard the Musical (Tour), New Wimbledon Theatre | Review
The Bodyguard the Musical (Tour)
New Wimbledon Theatre
★★★★
Literally opening with a bang, The Bodyguard the Musical takes you on an exciting and exhilarating journey of glorious music and a sweet romance, which will have you engaged throughout.
Based on the 1992 movie of the same name, the show tells the story of a Secret Service bodyguard hired to protect a world famous singer/actress from a threatening stalker. When released the movie became one of the highest grossing of all time and this stage adaptation includes all the memorable moments as well as retaining the original 90s vibes which so many love.
The leading role of Rachel Marron was made famous by Whitney Houston and is a huge role to fill. Taking the cup and stepping into the glitzy boots for this production is Melody Thornton of The Pussycat Dolls. Melody absolutely nails the role and provides some killer vocals throughout, really coming into her own and becoming the star in act two. Thornton performs the iconic songs incredibly well, keeping close enough to the originals that the audience are satisfied but also putting her own small twist on them.
As her love interest and bodyguard Frank Farmer, Ayden Callaghan is an imposing but charming character, easily gaining empathy from the audience through his serious and stern but sensitive portrayal. The chemistry between the pair is pretty strong with some touching moments, especially when the drama really amps up. They're sure to become even more comfortable with each other throughout the tour!
A stand out performance comes from Emily-Mae as Rachel's sister, Nicki. Not only does she portray her unrequited love and upset at constantly being overshadowed extremely well. But her vocal moments are some of the most memorable in the show.
Reneo Kusi-Appauh is equally delightful as Rachel's son Fletcher, especially during act two and the bows when he shows off some killer vocals. Definitely a performer to keep an eye on!
The second act is where things really get going, including the audience getting to see more of the ensemble who are absolutely fantastic. They don't get a massive amount of stage time but when they do, they are outstanding; full of energy they really elevate the show.
The set and costume design by Tim Hatley fit the vibe of the musical well and for a touring production are very effective but at times the space does feel underused and there could certainly be some more wow factor added throughout.
The overly dramatic sound effects and scene transformations are very telenovela/soap opera-esque and the intense thriller aspect doesn't quite transfer, but mostly the show is effective and is a faithful screen to stage adaptation.
The story is well paced and you can't help but revel in the brilliance of Whitney Houston's music from start to finish. The Bodyguard is a well performed show that works well on tour. Run To You-r closest touring venue to see this sparkling production for yourself.
Reviewed on Monday 6th March 2023 by Olivia Mitchell
photo credit: Paul Coltas
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 2 February 2023
Full Tour Cast of Annie Revealed with Craig Revel Horwood, Paul O'Grady and Jodie Prenger and More
Michael Harrison and David Ian are delighted to announce full casting for the forthcoming UK and Ireland tour of their smash hit production of the musical ANNIE opening at Curve, Leicester on Saturday 25 February 2023. Joining the previously announced Craig Revel Horwood and Paul O’Grady, will be Scottish BAFTA winner Elaine C Smith and Jodie Prenger, all starring as ‘Miss Hannigan’ at various venues. Alongside them will be Alex Bourne as Oliver Warbucks, Paul French as Rooster, Amelia Adams as Grace Farrell, and Billie-Kay as Lily St. Regis. The title role of Annie is shared by Zoe Akinyosade, Harlie Barthram and Poppy Cunningham. They are joined by three teams of young performers who play the residents of Miss Hannigan’s orphanage.
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David Burrows, Sergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David Burrows, Sergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
photo credit: Matt Crockett
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