Showing posts sorted by relevance for query Standing at the Sky’s Edge. Sort by date Show all posts
Showing posts sorted by relevance for query Standing at the Sky’s Edge. Sort by date Show all posts
Friday, 1 March 2024
Standing at the Sky's Edge at the Gillian Lynne Theatre REVIEW: A Perfect Tale of Hope and Connection
Gillian Lynne Theatre
Standing at the Sky's Edge is a captivating journey that swept me off my feet and left me utterly spellbound. From the moment the lights dimmed and the first notes filled the air, I was transported into a world where every emotion felt raw and real.
The story, set across three generations, unfolds with such grace and authenticity, drawing the audience into the lives of the characters living in Sheffield's iconic Park Hill estate. Through their joys and struggles, their dreams and disappointments, I found myself rooting for each one of them as if they were old friends.
Whilst this is technically a jukebox musical, it doesn't feel clunky as is so often the case. Richard Hawley's compositions, with Tom Deering's orchestrations are a beautiful fusion of rock, folk, and soul, each melody weaving its way into the narrative to really capture the essence of the musical. The lyrics are so poetic and heartfelt, they brought tears to my eyes and chills down my spine. This is a masterfully crafted musical that is so different to other West End offerings, in all the best ways.
Set wise, Ben Stones has done a glorious job, bringing the industrial feeling of Park Hill to life, but also capturing the warmth which filled it. Mark Henderson's fantastic lighting design also contributes to this realistic feeling, with even the first scene literally brining the sunrise to life. From the bustling streets of Sheffield to the towering heights of Park Hill, every detail is so meticulously crafted that I felt like I was actually there, witnessing the story unfold before my eyes. In my opinion this is a show which needs multiple visits because there's just so much to see, every nook of the stage is filled with action and there are so many stories going on that you could watch ten times and still spot something new!
But what truly struck me was the way this musical resonated with me on a personal level. Despite never having set foot in Sheffield, I felt a deep connection to the characters and their journey. Their struggles felt familiar, their triumphs felt like my own and whilst I didn't directly relate, the emotions portrayed are so genuine and truthful, you can't help but be moved by the tales of hurt and hope.
These intense feelings are a testament to the vast ensemble cast who are outstanding in every way. Elizabeth Ayodele as Joy brings subtle but effective character growth that melds to her surroundings, whilst Samuel Jordan is every level of charming as Jimmy, both also give brilliant vocal performances, a common theme throughout the cast. Opening the show, Jonathon Bentley sets the tone for the piece and showcases his beautiful voice which equally shines during his other solo moments. Perhaps the character with the biggest arc is Harry, portrayed with such nuance and integrity by Joel Harper-Jackson. Mesmerising is a word which gets thrown around a lot but Joel's performance is utterly the embodiment of it, as he brings to life a character that feels so multi-dimensional and showcases his innate acting ability. As his loving housewife partner who slowly finds her voice, Rachael Wooding is a powerhouse, with another slow burn performance that peaks in the second act and has sniffles filling the auditorium. Laura Pitt-Pulford gives one of my favourite vocal performances of the show with 'Naked in Pitsmoor' and again, brings to life her character Poppy perfectly. Lauryn Redding is her ideal counterpart, serving some wonderful vocals, especially during the title song and also bringing some lightness amongst the heavy themes of the show. The entirety of the cast bring this world to life and they're all stars. Mention must also go to the booming bassist who growls and grounds the Act two opening number 'Standing at the Sky's Edge'.
In the end, Standing at the Sky's Edge isn't just about the music or the set design – it's about the human experience. It's about love, loss, and the resilience of the human spirit. It's a reminder that no matter where we come from, we're all connected by our shared humanity.
Standing at the Sky's Edge touched me in a way that few musicals ever have. It's a testament to the power of storytelling and the magic of theatre. If you have the chance to see it, don't hesitate – it's an experience you won't soon forget, and the act one opening is one of the best theatrical moments possible to see on stage right now.
★★★★★
Reviewed on Thursday 29th February 2024 by Olivia
Photo Credit: Brinkhoff-Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 17 October 2024
Complete Cast Announced for UK Premiere of Dave Malloy’s Natasha, Pierre & The Great Comet of 1812 at Donmar Warehouse
The highly anticipated UK premiere of Natasha, Pierre & The Great Comet of 1812, Dave Malloy’s celebrated musical inspired by Tolstoy’s War and Peace, has officially announced its full casting. The production will run at the Donmar Warehouse from December 9, 2024, through February 8, 2025, under the direction of Tim Sheader.
This groundbreaking musical, which garnered 12 Tony Award nominations during its 2017 Broadway run, is set in 19th-century Russia and tells the story of Natasha Rostova, a young aristocrat who falls in love with the dashing Anatole while awaiting her fiancé’s return from war. The tale weaves together passion, scandal, and redemption, with the character of Pierre stepping in as an unlikely hero to restore Natasha’s honour.
The role of Pierre will be played by Jesus Christ Superstar star Declan Bennett, while Chumisa Dornford-May takes on the role of Natasha Rostova. The rest of the cast includes a mix of acclaimed stage performers: Daniel Krikler (Oklahoma!) as Fedya Dolokhov, Eugene McCoy (Only Fools and Horses) as Prince Bolkonsky/Andrey, Annette McLaughlin (Strictly Ballroom) as Marya Dimitriyevna, Maimuna Memon (Standing at the Sky’s Edge) as Sonya Rostova, Jamie Muscato (Heathers) as Anatole, Cedric Neal (Back to the Future) as Balaga, Chloe Saracco (Pride and Prejudice) as Mary, and Cat Simmons (Aladdin) as Helene Kuragina Bezukhova.
Rounding out the ensemble are Andrew Berlin, Kimberly Blake, Ali Goldsmith, Chihiro Kawasaki, Nitai Levi, and Annie Majin, all of whom will add to the show’s immersive, multi-sensory experience.
The Donmar Warehouse production of Natasha, Pierre & The Great Comet of 1812 is helmed by a top-tier creative team. Tim Sheader directs, with Ellen Kane (Matilda the Musical) providing choreography. Nicholas Skilbeck (Follies) will serve as musical supervisor, and Sam Young will conduct the show’s vibrant, eclectic score.
Leslie Travers handles the set design, bringing 19th-century Russia to life, while Evie Gurney designs the period costumes. Lighting design is by Howard Hudson, with sound design by Nick Lidster and Gareth Tucker for Autograph, ensuring an immersive atmosphere throughout the performance. Additional creative support comes from associate director Fiona Dunn, associate choreographer Nuno Silva, associate casting director Richard Johnston, and resident assistant director Grace Duggan.
Casting is directed by industry veterans Pippa Ailion and Natalie Gallacher.
This UK premiere marks a significant moment for British audiences as they get the chance to witness one of Broadway's most unique musical theatre experiences. With a compelling score that blends folk, classical, and modern influences.
Tuesday, 5 November 2024
Cast Announced for Stiles + Drewe’s Best New Song Prize Concert 2024: A Star-Studded Celebration of New Musical Theatre Talent
Prepare for an unforgettable night of new musical theatre as Mercury Musical Developments and Stiles + Drewe, in partnership with Broadway Licensing Global, present the 2024 Best New Song Prize Concert. Hosted by Olivier Award-winning actor Jenna Russell, this one-night-only gala will take place at The Other Palace on Monday, December 2 at 7:30 pm, showcasing the incredible talent of both emerging and established musical theatre creators.
This unique concert features a glittering cast, including stage icons like Charlie McCullagh (42 Balloons, Jesus Christ Superstar), Desmonda Cathabel (Aladdin, Miss Saigon), Lauryn Redding (Standing at the Sky’s Edge), Natalie Paris (Pretty Woman, SIX), Obioma Ugoala (Frozen, Hamilton), Samuel Barnett (Rock Follies), and Tim Howar (Rock of Ages, The Phantom of the Opera). Also performing are Allyson Ava Brown (Hamilton, Les Misérables), Cassius Hackforth (Something Rotten), Dan Partridge (Grease), Jodie Jacobs (Hello Dolly!), and Liv Andrusier (Fiddler on the Roof).
Alongside performances from these incredible artists, the event will feature songs from recent British musical successes like Becoming Nancy, Cable Street, Two Strangers (Carry a Cake Across New York), and 42 Balloons. The evening celebrates the vitality of new writing with a special showcase of 12 finalist songs, which include:
- 'The Temptation of Me' from Proud by Mark Anderson & Lee Freeman
- 'I’m Going to Stay With You' from The Tale of the Gifted Prince by Lezlie Wade & Dan Green
- 'It Starts Small' from Unfolding by Emma Vieceli
- 'Ideal Robot Assistant' from A.I. Will Solve All Your Problems by Leo Mercer
- 'Someday My Prince Will Come' from Queering the Canon by Cheeyang Ng & Eric Sorrels
- 'Viareggio' from Lifeboats by Gus Gowland
- 'Die Like Trees' from Girl Goes to the Underworld by Sam Norman & Bela Kawalec
- 'Hero' from Man Vs Snake the Epic Musical by Stuart Matthew Price & Daniel Fletcher
- 'Spread a Little Joy Around the Place' from Retail Therapy by Hilmi Jaidin
- 'Locked Away' from The Queen is Mad by Amy Clare Tasker & Tom McGrath
- 'Drek!' from Otto's Weidt's Brush and Broom Workshop for the Blind by Amir Shoenfeld & Caitlyn Burt
- 'Invisible' from Hatched! by Lydia Shaw & Edward Court
A distinguished panel of judges, including Chris Bush, George Stiles, Anthony Drewe, and Joanne Benjamin, will select the winning song, awarding £1,000 toward the winner’s development. An additional award recognising Voice, Vision & Potential will also be presented. Sponsored by Broadway Licensing Global, Dorico, Tarento Productions, and Kenny Wax Productions, the Best New Song Prize Concert celebrates the vibrant future of British musical theatre and its outstanding creative talent.
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