Showing posts sorted by relevance for query The Rocky Horror Show. Sort by date Show all posts
Showing posts sorted by relevance for query The Rocky Horror Show. Sort by date Show all posts

Tuesday, 12 February 2019

Rocky Horror Show (UK Tour), New Wimbledon Theatre | Review


Rocky Horror Show (UK Tour) 

New Wimbledon Theatre 
Reviewed on Monday 11th February 2019 by Olivia Mitchell 
★★★★

A Transylvanian delight, Rocky Horror will have you laughing in delight and dancing in your seat from the moment it begins in all its sparkly, transsexual glory. 

Newly engaged couple Janet and Brad find them selves heading to an old castle when their car breaks down in the middle of a storm. There they meet Transylvania Transvestite Frank N Furter and his amazing and adoring entourage.

Rocky Horror brings a whole range of people to the theatre and everyone is welcome. Between those in full costumes and those in their normal everyday clothes, one thing is common: everyone is excited for a high energy night out. A whole range of ages and types of people clearly love this show and the smiles on everyones faces as they leave the theatre is a reminder of just how wonderful theatre can be, especially in trying times.


The show opens with a bang as the band bring the score to life (led by George Carter) and Laura Harrison as the cinema usher belts the opening number, Science Fiction/Double Feature, to rapturous applause. Laura is also fantastic as Magenta as she slinkily makes her way round the stage throughout and leads the Time Warp with high energy and oomph. Fellow slaves, Miracle Chance (Columbia) and Kristian Lavercombe (Riff Raff) also provide stellar, well characterised performances.

As Frank N Furter, Stephen Webb absolutely commands the stage. He struts around like he owns the theatre and everyone on it as as he embodies sass and sex as well as providing killer vocals.

As naïve lovebirds, Joanne Clifton (Janet) and Ben Adams (Brad) are well cast as they deliver engaging and suitably wide-eyed performances. The pair work very well with each other and bring this wacky story to life with fun and energy.


Making his theatrical debut, Dom Joly as the narrator is wonderful as he steers us through the highly chaotic tale with charisma and natural charm. Responding to the audience and adding in 'local humour' makes the piece just that bit more entertaining.

Nick Richings' lighting brings vibrance to every part of the stage and he does an outstanding job of being over the top without being unnecessary. Sue Blane's costumes are suitably glittery  and indulgent, whilst, Nathan M Wright's choreography delivers punch after punch to accompany the high octane score.

Christopher Luscombe has directed a highly fun production with just enough space for audience interaction and all the ups and downs we expect from Rocky Horror. Whether you've seen the show before, or are a new viewer, there's no reason for you to dislike this wildly entertaining musical.

Rocky Horror runs at the New Wimbledon Theatre until 16th February before continuing its tour



Tuesday, 5 March 2019

Rocky Horror Show (UK Tour), New Victoria Theatre | Review


Rocky Horror Show (UK Tour) 
New Victoria Theatre 
Reviewed on Monday 4th March 2019 by Louise Jordan
★★★★★

Over 30 million people have watched the Rocky Horror Picture Show live. I was one of them, thirty years ago. Would this version capture the energy, naughtiness and sheer exuberance of my previous experience, or Richard O’Brien’s cult film? The answer is abso-jolly-lutely. What a treat!

I could explain the plot in detail, but frankly it doesn’t really matter. In a nutshell Brad (Ben Adams) and Janet (Joanne Clifton), American squeaky clean and newly engaged college students, break down one night and seek shelter. They stumble across Dr Frank-N-Furter’s (Stephen Webb) castle, where he is unveiling his newest creation, Rocky (Callum Evans). A certain amount of, ahem, intimacy occurs all round (the warnings of adult themes are justified – don’t take your granny unless she’s especially broad minded). Enter stage left Dr Everett Scott (Ross Chisari) looking for his son Eddie and tada, we discover that Frank is an alien transvestite from the planet Transsexual. Are you any wiser? Thought not. But you don’t go to the Rocky Horror Picture Show for the plot. You go for the experience and the singalong joy of it – the entire audience is on their feet for ‘Sweet Transvestite’. The show is clearly held in enormous affection by its devoted audience and Dom Joly as narrator interacts brilliantly with the barrage of comments that punctuate his every appearance on stage.

The acting, singing and dancing are flawless, and the staging slick in this ensemble production of all round strong performances. The chemistry and timing between actors ensures the pace never dips from start to finish.

If you live in or near Woking, you’ve got a week to catch this show and leave behind the pressures of real life for a night. And if – man, woman or non-binary – you want to dust down your bustier and fishnets for the night, who am I to judge?

Rocky Horror runs at the New Victoria Theatre until 9th March before continuing its tour

photo credit: David Freeman

Monday, 12 October 2020

The Show Must Go On, The Lost Alhambra | Review


The Show Must Go On (Chicago)
The Lost Alhambra 
Reviewed on Friday 9th October 2020 by Olivia Mitchell 
★★★★★

With the fate of theatre hanging precariously right now, in a happy medium and potential loophole, cabaret style nights out appear to be one of the few ways live theatre can still go ahead. One venue which is making this happen (and happen in style) is The Lost Alhambra in Leicester Square. The Show Must Go On is an immersive, cabaret dining experience which packs a punch. The night is complete with a 3 hour show, a 2 course meal, welcome cocktail and bottomless prosecco, you couldn't really ask for more!


Drag performer Poppycock hosts the night alongside some of musical theatre's best stars as they take us through a show via the score and some of the text. At this performance we got the treat of Chicago, which fits wonderfully into the dimly lit space of The Lost Alhambra; upcoming performances include Hairspray, Mamma Mia, Rocky Horror and Priscilla Queen of the Desert.


In theory, this is like any other cabaret but it feels so much stagier than anything I've experienced before. As you walk in you are greeted background music from some of the most popular and current shows, the staff all seem to love theatre and the whole thing feels like an immersive show, full to the brim with theatricality.




The venue itself is an instagrammer's dream, with pink decor, vintage feeling bathrooms and a Photo Booth to document the night (it's £4 and you get an email with the photos and gif as well as your print out keepsake).  The luxurious space is perfect to let your troubles slide away, and the unlimited prosecco which starts flowing from the moment of entry doesn't hurt either! Mention must also go to the staff who are excellent at not only being attentive but also create a wonderful atmosphere from the get go. You really feel part of something special and this only helps to get the room buzzing for the upcoming night of performance.


At this performance, Poppycock was the hostess with the mostest, welcoming us with a rousing rendition of Don't Rain on my Parade, before heading full throttle into the night, taking on various roles and perfecting the balance between ringleader, comedian and vocal dynamo. Laura Tyrer reprises her West End role as Velma Kelly, with Haley Flaherty as her partner in crime, Roxie Hart and Oliver Tompsett as the quick talking lawyer, Billy Flynn. Poppycock takes on basically every other role from Amos Hart to Mary Sunshine.


Each of the performers show off their impeccable talent and really transport us to the world of Chicago. An audience full of prosecco can definitely be noisy but the cast do an exceptional job of keeping everyone engaged and giving a truly top notch performance. Particularly impressive is the three-person Cell Block Tango and the energetic, high-kick filled I Can't Do It Alone.




The tickets start at £50 for everything and 1 hour of prosecco, with the top price being £65 for 2 hours of prosecco. It sounds a little pricey but for the amount and quality of the evening it's well worth it; plus the 10pm curfew means you can have an excellent night out and still be in bed at a reasonable time! I would certainly love a trip back, would weekly be too excessive?


The Chicago theme was excellent and the future performances are sure to be just as good. If you're looking for a way to get your theatre fix, look no further than The Show Must Go On. Not only is this a spectacularly wonderful night out but it's also a beacon of hope for the future of theatre. Get yourselves down to Leicester Square and live your best stagey life.

Wednesday, 23 January 2019

Showstopper! The Improvised Musical, The Other Palace | Review


Showstopper! The Improvised Musical 
The Other Palace
Reviewed on Wednesday 23rd January 2019 by Olivia Mitchell 
★★★★★

It's. So. Good. 

Showstopper! The Improvised Musical is exactly what it says on the tin, a musical that is created new every night by audience input and the amazing, fast thinking and uber talented cast. Every show is different and every show is a celebration of the amazing improv performers. Tonight was the 1000th performance of Showstopper but you could've been at every single one and seen something unique every time; that's the joy of the show.

Tonight's show, titled The Cream of Yorkshire, was set in a soup kitchen and featured songs inspired by Singing in the Rain, Oklahoma, The Producers, The Rocky Horror Show, Cabaret, Joseph and Bat Out of Hell. It was wild and wonderful. 


The cast work together to create priceless, drama filled and absolutely wild shows. Up to seven performers appear at each performance, with each one having an unrivalled amount of comedic and improvisational talent. They create a show, and command an audience who are in the palm of their funny hands from the second they step on stage.

Despite the full improv of this show, it's so well planned it's unreal. The cast know each other and their movements so intensely that they pick up every innuendo and make it into a polished, laugh out loud performance. 

This is top dollar entertainment that will have you laughing your socks off and feeling inspired to create. Showstopper! is a magical, mysterious and wonderful show that needs to be seen... and then seen again!

Showstopper! The Improvised Musical is at The Other Palace until March 16th 2019

photo credit: Savannah Photographic and Alex Harvey-Brown

Thursday, 22 February 2018

In Conversation With... Ben Adams | Flashdance, Eugenius | Interview



Ben Adams found fame as the lead singer in the pop group A1 but since then has been writing and producing for various artists, as well as working on his own music, starring in the UK tour of Flashdance and writing the new musical, Eugenius. Ben and I had a chat about all of those  things and more...

You’ve had such a varied career, what have some of your highlights been?
Gosh I've had so many highlights, it's quite hard to choose just a few of them. I think I'm living through my ultimate highlight right now! I've always wanted to write a musical and for it to be going on in the West End right now is ridiculous, I mean, who gets to do that?! And the fact that it's going down so well is like a dream so I'm actually living through it right now.

Aside from that I've travelled the world, I've won Brit awards and MTV awards and Smash Hits awards and had number one singles- just so many things that I can't even pinpoint one thing... or even a few things that  would be highlights. There's just so many and I've had a great life.

That is a pretty good life!

I know! I feel like I've smashed 10 lifetimes into 1. I'm 36 which is kinda old to some people but it's been amazing!


What attracted you to this production of Flashdance?
Well, I'd been in the studio writing for other artists for the first six months of last year and as much as I love doing that and it is a lot of fun, I did kind of feel that I was getting itchy feet and wanted to do more performing for a while. Every time musical theatre things had come my way I'd always turned them down cause I thought they looked like a lot of hard work and I had a lot of other things going on at the time so I didn't really have time to do it. Then this came at a period where Eugenius wasn't on till January and I had a good six month slot where I could try it and see if I enjoy doing musical theatre. 

I remember Flashdance from when I was growing up and you know it's very 80s inspired and I love the 80s music and so I thought I'd give it a go. I was only contracted until December but I loved it so much and they wanted me to continue with it so I signed up to carry on until October [2018].



Are you anything like Nick Hurley?
The character of Nick is the rich kid who doesn't really have too many responsibilities. There are probably elements of the character which I can relate to. I mean I've never owned a steel works so that's not something I can affiliate with but he's not too dissimilar from myself really. It's not an amazingly tricky part for me to play where I have to change my entire personality.


Other than yourself, who would you like to see play Nick Hurley?
Oh gosh, who would I like to see play Nick... that's a tricky question. What about... I have absolutely no idea! Okay, what about Warwick Davis cause he'd probably do it  completely different to me. It would be really fun to see what his take on it would be!


Who in the show would you say is most like their character?
I guess Carol Ball as Hannah cause she's got a lot of experience with dance and acting and a lot of knowledge that she passes on in real life like her character does to Alex in the show. Jo [Clifton] and I probably act out a lot of stuff that is pretty similar to our characters as well- it's pretty well cast!


Your new show Eugenius is a huge hit, why do you think audiences are loving it so much?
I think because it taps into a really feel-good side of everybody. You don't have to love comic books, you don't have to love 80s music, you don't have to know anything about that era to love it. It's for those people of course cause there's a lot of references to it but it not specifically for those people. It's just full of joy. 

Of course there are different reasons for going to the theatre, but you know if you want to go to something really thought-provoking and dark then don't go see Eugenius  but if you want something to leave you joyful and elated about life in this miserable world that we live in and two hours of escapism then come. 

I don't think I've seen anyone walk out of Eugenius without a massive grin on their face and that's what it was about for me and Chris writing it. We had such a brilliant time and to see that energy being seconded by the cast and then the audiences it's just amazing.


The show has a goodie and a baddie (or two); if you were in a comic book would you rather be the hero or the villain?
Well in everything I'm cast in I always seem to play the goodie. I always play the hero, you know the Robin Hood... or Nick Hurley, but I always look at the baddies and see how much fun they seem to be having. Ian Hughes and Cameron Blakely who play the villains in Eugenius have so much fun with their parts, not that the others don't, but there's something fun about playing a baddie.



Sadly Eugenius is closing on the 3rd, what’s your biggest dream for the future of it?
It's so  crazy to think that in a weeks time it closes when there's so much love for the show. My biggest dream, in a similar way to The Rocky Horror Picture Show is that it has a huge life and it lives on, not just in the UK but all over the world. People have been coming over from all different countries who are wanting to put it on all over so that's exciting.

We just have to be careful and make sure that we do everything properly and take our time to make sure that every single production of it in the future is as good as it is now. We don't want to cut corners and we want the casting to be amazing. 

One of my favourite things about it is doing things that are purposefully shit! Like when you have the babies at the start, I love that there's the crappy UFO flying across and Kevin the Robot looks like he's made of cardboard- those things are great. It's that same way that I felt when I saw Rocky Horror because those things are knowingly done shit... if that makes any sense?!

It's very self-aware, it's not trying to be a big budget thing. It's just there as a whole bunch of fun and I love that and wouldn't want to lose that.


What’s a fun fact people may not know about you?
I will always have an olbas oil bottle in my pocket or beside the stage. I'm absolutely addicted to it to a point where if I don't have it I'll probably have a panic attack!


If you could go back to any era, when would you go to and why?
Probably the 80s! It was such a fun time that was so flamboyant and wasn't about being cool or trendy. You could just do anything you wanted and the movies were great, the music was great and it was such a brilliant era so I'd probably go back there.


What’s your best piece of advice for someone aspiring to be in the theatre industry?
Create your own luck. Be in the right place at the right time and learn your craft and when you go up for auditions make sure you know it like the back of your hand- that's what they're looking for. I've been on both sides of the table, auditioning for stuff and auditioning people and it makes such a difference when someone comes in and just commands the lines and songs they've been given. It gives the people casting them the confidence that they're going to do an amazing job.


A huge thank you to Ben for taking the time to do this interview. Flashdance is touring until October 20th and Eugenius is at The Other Palace until March 3rd.

Interview by Olivia Mitchell, Editor

Wednesday, 15 September 2021

Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour



Aria Entertainment and Music & Lyrics are delighted to announce that Joanne Clifton will play the role of Morticia Addams in the UK and Ireland tour of THE ADDAMS FAMILY, A Musical Comedy. The tour will open at Theatre Royal, Nottingham on 5 November 2021.

 

Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.

 

Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba. 

 

Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia.  Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.  All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.

 

THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.

 

THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.

 

For further information, please visit www.theaddamsfamily.co.uk

Tuesday, 8 October 2024

Toyah Willcox Joins NOW That’s What I Call A Musical as a Special Guest


Exciting news for music and theatre lovers! Punk legend and Strictly Come Dancing 2024 contestant Toyah Willcox has been announced as a special guest star in NOW That’s What I Call A Musical. Toyah will appear in Edinburgh, bringing her iconic energy to this hit-packed show. Additionally, pop sensation Sonia has expanded her 2025 tour dates, adding performances in Manchester and Glasgow to her list of venues.

NOW That’s What I Call A Musical is a brand-new British musical written by award-winning comedian Pippa Evans and directed by Strictly's own Craig Revel Horwood. The show kicked off its major UK and Ireland tour in September 2024 at Aylesbury’s Waterside Theatre and has been delighting audiences ever since. Celebrating 40 years of the beloved NOW That’s What I Call Music compilations, the musical is filled with timeless hits from artists like Blondie, Tears For Fears, Eurythmics, and Spandau Ballet. It’s a nostalgic celebration of the biggest chart-toppers, taking audiences on a musical journey back to the 80s and 90s.

Toyah Willcox, known for her legendary hits like It’s a Mystery and I Want to Be Free, is a force in music, TV, and theatre. With over 13 Top 40 singles, 25 albums, and a successful acting career, she’s a perfect fit for this feel-good musical. Her theatre credits include roles in The Rocky Horror Show, Calamity Jane, and Cabaret. Her addition to the cast brings even more star power to an already exciting production.

Toyah will join an array of guest stars in the show, each performing the songs that made them NOW icons. Throughout the tour, audiences will also see performances by Sinitta, Sonia, Carol Decker, and Jay Osmond in various cities. These special guests, along with the talented core cast, will be belting out the hits that have defined decades of pop music.

Set in Birmingham, the musical follows two school friends, Gemma and April, as they navigate life from their teenage years in 1989, dreaming about Rick Astley, to their dreaded school reunion in 2009. The story blends humour, drama, and a lot of '80s nostalgia as it explores friendship, love, and all that hairspray!

For those who grew up with NOW That’s What I Call Music as the soundtrack to their lives, this musical is a must-see, packed with feel-good vibes and sing-along moments. Make sure to check your local listings to catch Toyah Willcox and the rest of the cast when the show comes to a theatre near you. Whether you’re reliving your favourite hits or discovering them for the first time, NOW That’s What I Call A Musical promises a fun and unforgettable night out!

Wednesday, 23 February 2022

Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical


DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musicalopening at the Arts Theatre from Saturday 9 April 2022


Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’. 

 

They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced. 

 

Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.

 

Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.

 

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace. 

 

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”. 


Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre. 

 

Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End. 

 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

 

Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky)Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt)Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell)Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake. 


Further crew and band to be announced.  


photo credit: Darren Bell


Monday, 6 March 2023

London Theatre Week Extends! | ad


If you haven't snapped up a stagey bargain yet, what are you waiting for?! The good news is that you've got a bit of extra time because London Theatre Week has been extended. You've now got until 12th March to book your favourite show. It's the perfect time to treat yourself or someone you know to a show.

There's so much on offer, but our favourites would include:
Back To The Future
Bonnie and Clyde
Oklahoma
Matilda

London Box Office aim to include all West End shows as well as off-West End and fringe theatre so there's certain to be something for you!

The shows available include: 
Back to the Future: The Musical, Wicked, Disney's The Lion King, Disney's Frozen the Musical, TINA - The Tina Turner Musical, Dirty Dancing, Pretty Woman: The Musical, Newsies, OKLAHOMA!, Mamma Mia!, Crazy For You, Harry Potter and the Cursed Child, The Mousetrap, Matilda the Musical, Grease The Musical, To Kill a Mockingbird, The Book of Mormon, The Great British Bake Off, Groundhog Day, Peaky Blinders: The Rise, Only Fools and Horses The Musical, Sylvia, Jersey Boys, We Will Rock You, Bat Out of Hell, Witness for the Prosecution, The SpongeBob Musical, George Takei's Allegiance, The Choir of Man, Bonnie & Clyde, Heathers The Musical, Cinderella in-the-round, 42nd Street, Symphony of Sorrowful Songs - English National Opera, The Dead City - English National Opera, The Rocky Horror Show, The Walworth Farce, Windfall, Titus Andronicus, Brilliant Jerks and more...

Let us know what you decide to see!

Tuesday, 29 March 2022

Gemma Collins to Star as Mama Morton in Chicago


David Ian in association with Barry and Fran Weissler are delighted to announce TV personality Gemma ‘The GC’ Collins will star as ‘Mama Morton’ in the acclaimed UK and Ireland tour of the international smash hit musical Chicago. Gemma will join the tour at the Sunderland Empire from Tuesday 31 May 2022, ahead of playing Cardiff New Theatre, Blackpool Winter Gardens, Sheffield Lyceum, Norwich Theatre Royal and New Theatre, Oxford.

 

David Ian said today, “We were completely stunned by Gemma’s audition for the role. She’s an undeniable force both on and off stage, and we can’t wait to see her portrayal of ‘Mama Morton’ on tour. Audiences across the country are in for a treat.”

 

Gemma Collins is best known as a media personality and businesswoman, having first featured in the reality series The Only Way Is Essex. She was awarded the 2021 winner of the Best Female Personality at the National Reality Television Awards. Since ‘Essex’ Gemma has appeared in numerous television shows including, I’m A Celebrity, Get Me Out of Here!, Celebrity Big Brother, Dancing on Ice and All Together Now in which she was a finalist. Most recently Gemma was seen on screens with her intimate Channel 4 documentary, Gemma Collins: Self-Harm & Me. Before finding fame on The Only Way Is Essex, Gemma was a keen performer having studied dance and winning a place at the renowned Sylvia Young Theatre School.

 

Gemma joins Faye Brookes as ‘Roxie Hart’, Djalenga Scott as ‘Velma Kelly’, Jamie Baughan as ‘Amos Hart’ and B.E. Wong as ‘Mary Sunshine’. The role of ‘Billy Flynn’ will be announced soon. Full tour schedule below. www.chicagothemusical.com

 

The cast is completed by Ishmail Aaron, Michelle Andrews, Gabby Antrobus, Delycia Belgrave, Joel Benjamin, Tanisha-Mae Brown, Daniel Clift, Callum Fitzgerald, Emily Goodenough, Billie Hardy, Aaron Jenkins, Liam Marcellino, Theo Reece, Hollie Jane Stephens and Harrison Wilde.  

 

Faye Brookes (Roxie Hart) reached the final of last year’s series of ITV’s Dancing On Ice. She is best known for her role as Kate Connor in ITV’s Coronation Street, for which she won a National Television Award. Her theatre credits include Princess Fiona in Shrek and Elle Woods in Legally Blonde, both on national tour, Ann/Edna in That Day We Sang directed by Victoria Wood at Manchester’s Royal Exchange, Liesl in The Sound of Music at Regent’s Park Open Air Theatre and Frenchy in Grease at the West End’s Piccadilly Theatre. Faye’s other TV credits include Agnes Franklin in Our Girl and Helena in Atlantis, both for the BBC.

 

Djalenga Scott’s (Velma Kelly) West End credits include Lily St Regis in Annie at the Piccadilly Theatre, Joseph and the Amazing Technicolor Dreamcoat at the New London and Chicago at the Adelphi, Cambridge and Garrick Theatres. Her other credits include Anita in the national tour of West Side Story, Rizzo in Grease at Curve Leicester, Magenta in The Rocky Horror Show and Carmen in Fame, both on European tours, the US tour of Batman Live and Bombalurina in Cats at Kilworth House. Djalenga’s screen credits include Scarlett/Esme in Trapped for the BBC and Alexandra in the film I Give It A Year. 

 

Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago’s slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids. 

 

Created by the musical theatre talents of John Kander, Fred Ebb and legendary choreographer Bob Fosse, Chicago’s sexy, sassy score includes the show-stopping songs “Razzle Dazzle”, “Cell Block Tango”, and “All That Jazz”.  Winner of six Tony Awards, two Olivier Awards and a Grammy, Chicago is the longest running American musical in Broadway and West End history.

 

Since it opened in New York in 1996, Chicago has played in 36 countries worldwide and has been performed in English, Dutch, German, Swedish, Spanish, Portuguese, Italian, French, Danish, Japanese and Korean.  Worldwide it has been seen by an estimated 33 million people, grossed over $1.7 billion and played over 32,500 performances.

 

Chicago, which is based on the play by Maurine Dallas Watkins, has a book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb.  The 1996 Broadway revival of Chicago was choreographed by Ann Reinking in the style of Bob Fosse, directed by Walter Bobbie, and produced by Barry and Fran Weissler.