Showing posts sorted by relevance for query Tim Maner. Sort by date Show all posts
Showing posts sorted by relevance for query Tim Maner. Sort by date Show all posts
Saturday, 25 February 2017
Lizzie, Greenwich Theatre | Review
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Lizzie
Greenwich Theatre
Reviewed on Friday 24th February 2017 by Olivia Mitchell
Reviewed on Friday 24th February 2017 by Olivia Mitchell
★★★
I've been finding it very hard to write this review because I honestly don't know what I thought of Lizzie. There were parts I loved and parts I didn't but overall I was kind of confused.
I suppose that could be seen as a good thing though. The show seems to get more disjointed as Lizzie's own mind gets more confused and crazy so it seems natural that after a well told story I, as an audience member, should leave feeling affected by the characters. So maybe confusion is a good thing?
Funny story, when I first saw this advertised quite a few months ago, I thought it was my wildest dreams coming true with Lizzie, meaning Lizzie McGuire... I was very wrong! The aforementioned Lizzie is in fact Elizabeth Andrew Borden who allegedly killed her father and stepmother with an axe in 1892. Whilst it's not the obvious choice of storyline, it works well with the rock music and insane lighting.
The show has recently finished a run in Denmark and has now made the transition to the Greenwich Theatre in London where it feels more like an arena concert than a stage show. There are minimal props so we are really able to focus on the story and impeccable voices of the four leads. The show opens with an eerie music-box tune which sets the dark, suspense filled show up perfectly. The powerhouse vocals are out of this world, with the ladies belting higher and higher with perfect technique throughout. The lyrics by Steven Cheslik-Demeyer and Tim Maner are cleverly tweaked and shaped depending on what's happening in the scene or in Lizzie's mind.
The cast are sublime with each woman holding her own and commanding the space. Bjorg Gamst as Lizzie Borden is impeccable, switching from innocence and sweetness to sheer and utter madness. Her eyes portray a thousand emotions and every movement she makes shows her transition to the manic killer who is truly revealed in act 2. Her sister, played by musical theatre royalty, Eden Espinosa, really comes into her own in act 2 and shows off her superb voice wonderfully. I previously saw Jodie Jacobs in 27: The Musical and was blown away by her killer voice. As Bridget Sullivan she gets to show off that voice again but also provides humour in this otherwise dark drama, often indirectly telling Lizzie to kill her parents in witty ways. Although it is unclear what her motivation for this is, she does it very well. Alice Russell, Lizzie's friend is played greatly by Bleu Woodward who again has a stunning voice and works very well with the other ladies. Her performance is tasteful and delicate and often provides a nice contrast to the loud, rage filled numbers in the show.
The lighting fit well with the erratic feeling but I felt at points it was too much with the lights and smoke covering up a lack of plot and coherence. My opinion is that with some developments and tweaks this could be a wonderful production. The cast are there, the songs are there and the basic ideas are there but it need to be refined to make it really flow. Again, the roughness does fit with with the story but to me it felt more like a piece of performance art than a show to come and just sit in your seat watching. If it's going to be performed like this then it would be good to somehow incorporate more audience interaction, like at a rock concert.
However, Lizzie is a fun show and it's wonderful to see a performance led solely by women. With a few tweaks this could be something incredible. I would still go and see it if you can because I guarantee it'll be like nothing you've ever seen before, and the vocals will blow you away!
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Friday, 3 November 2023
Lizzie at the Southwark Playhouse (Elephant) Review: A Bloody Good Time
Lizzie
Southwark Playhouse (Elephant)
A transfer from the Hope Mill Theatre, Lizzie boasts a cast that impresses with their strong vocals and well-defined characterisations. The performers do an excellent job bringing their characters to life and infusing the show with their energy and passion, making it an engaging experience for the audience.
The musical takes inspiration from the infamous Lizzie Borden case and the story revolves around Lizzie Borden and her sister; exploring the mysteries and events leading up to the gruesome murders of their parents. It delves into themes of murder, mystery, and the complexities of human nature, all set against a rock opera backdrop. With a gripping narrative, powerful performances, and a thrilling atmosphere, Lizzie invites the audience to step into a world where dark secrets are uncovered, and the truth is as elusive as the swing of an axe.
One of the standout features of Lizzie is the striking lighting design and stage setup by Andrew Exeter, which, particularly during the climactic moments of Act One, leave you breathless with its deathly allure. The lighting and set design effectively create an atmosphere that's visually captivating and in keeping with both the rock musical vibes, and the traditional 1800s setting of the story.
While William Whelton's choreography wields a sharp blade and is executed very well, it sometimes feels like it's hacking away at a different story, leaving us with a tenuous connection. It adds some movement and visual appeal, but it doesn't fully meld with the narrative.
Direction wise though, Whelton has approached the show at a fun angle, melding massive arena concert energy with traditional musical theatre techniques. The energy is consistently high and despite knowing the ending, you're still on the edge of your seat, awaiting the next thrilling act. The use of handheld microphones is a cool twist on the storytelling, and hung in holsters at their sides it's almost as if the ladies are wielding them as potential murder weapons. However, when they're actually in use, it doesn't always make sense within the context of the show, I think it would be more effective if it was made clear that they were symbolising inner most thoughts or something of the like.
This really is a girl power musical and each character in the production is well-defined, allowing the audience to connect with their individual stories and motivations. The attention to detail in the character development adds depth to the overall performance, revealing layers like peeling back the pages of a forbidden diary.
The cast deliver exceptional performances, with each woman commanding the stage with finesse. As this performance, Lizzie Borden was played by Emma Louise Hoey who seamlessly transitions from innocence and sweetness to sheer and utter madness. Her expressive eyes, and body tics convey a myriad of emotions, and every movement she makes skilfully illustrates her transformation into the manic killer fully. There's also a real level of innocence woven throughout the character and despite her gruesome act and obvious manipulation, you can't help but root for her. Vocally, Emma is marvellous, providing literal killer vocals with ease and conviction.
Shekinah McFarlane shines as Lizzie's sister, particularly in Act 2, showcasing her superb vocal prowess, that peaks and troughs in all the right places. For vocal masterclasses, this truly is the show to see. It's certainly a trend, as Mairi Barclay also astounds with her killer voice, as Bridget Sullivan. Barclay not only gets to showcase her impressive vocal range but also adds a touch of humour to this otherwise dark drama, often subtly encouraging Lizzie to commit the heinous acts in clever and witty ways, even if her motivations remain somewhat ambiguous. As Lizzie's friend Alice Russell, Maiya Quansah-Breed's performance is nuanced and heartfelt, offering a soothing contrast to the intense and rage-filled numbers that punctuate the show.
Rachel Tansey's costumes are notably well-executed, dressing the characters for their gruesome deeds and helping transport the audience back in time to the historical setting, where every outfit feels like a well-prepared disguise.
Musically Steven Cheslik-Demeyer and Tim Maner have created songs which sound great in the moment but aren't particularly memorable. Lyrically they are fast-paced and super action packed, sometimes to their detriment. So much is crammed in that you don't know what to focus on so things come across somewhat disjointed.
However, despite its minor shortcomings, Lizzie manages to transform the intimate Southwark Playhouse into a high-energy rock concert experience that's a crime of passion, making it a unique and memorable theatrical event that keeps you on edge and engaged.
★★★
Reviewed on Thursday 2nd November 2023 by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
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